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Shabti box of the priest Hor.

Shabti box of the priest Hor. 7th century BC. 25th Dynasty. Late Period. From the tomb of Hor. Probably from Deir el-Bahari, Thebes (Egypt). British Museum. London. United Kingdom.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020070806275

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Egyptian hieroglyphic writing on calcite.

Egyptian hieroglyphic writing on calcite. Top: fragment of the sarcophagus of Merenptah. 19th Dynasty. New Kingdom. 1213-1203 BC. From the tomb 8 of the Valley of the Kings. Bottom: fragment of a sarcophagus lid, probably of Seti I. 19th Dynasty. New Kingdom. 1294-1279 BC. Origin unknown. British Museum. London. United Kingdom.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020070806347

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Sebastián Martínez y Pérez (1747-1800). Goya (Francisco de Goya y Lucientes).

Sebastián Martínez y Pérez (1747-1800). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: 36 5/8 x 26 5/8 in. (93 x 67.6 cm). Date: 1792.The sheet of paper in the sitter‘s hand reads: “Don Sebastián Martínez by his friend Goya 1792.“ Martínez was a famous collector of books, prints, and paintings. He held the position of chief treasurer of the Finance Committee of Cadiz, a flourishing harbor town linked by trade with England and France. This portrait was probably painted just before Goya contracted the illness that caused his deafness and affected him intermittently for the rest of his life. During his convalescence in 1793, he spent several months in Martínez‘s home. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020042002250

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A Giant Seated in a Landscape, sometimes called ‘The Colossus‘.

A Giant Seated in a Landscape, sometimes called ‘The Colossus‘. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 11 3/16 × 8 3/16 in. (28.4 × 20.8 cm). Date: by 1818.One of Goya‘s most striking images, the implicit subject of this work is unclear. A giant seated in a landscape turns his head over his shoulder as if he has been disturbed from thought. Perhaps he had been awaiting the dawning of a new day and turns because the moment has come. The Spanish master produced this print using burnished aquatint to achieve subtle effects of light and dark--an apt technique for depicting a crepuscular atmosphere and conveying the sense of unease that pervades the composition.It is not known exactly when Goya made this print. It has been dated to around 1800 or ‘by 1818‘. There is a close relationship between the print and the famous pain、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020042002261

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Abraham‘s dream!

Abraham‘s dream!--‘Coming events cast their shadows before‘‘ President tormented by nightmares of defeat in the election of 1864. The print probably appeared late in the campaign. Lincoln was said to have believed in the prophetic importance of dreams. The President lies on a bed under a sheet embroidered with stars. In his dream Columbia or Liberty, wielding the severed head of a black man, stands at the door of the White House. She sends a frightened Lincoln away with a kick. Lincoln, wearing a Scotsman‘s plaid cap and a cape and carrying a valise, flees to the left, saying, ‘This don‘t remind me of any joke!!‘ The cap and cloak allude to an incident in 1861 before Lincoln‘s first inauguration.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020041602073

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Yatsushi koshikibu no naishi (A modern version of Shikibu no Naishi).

Yatsushi koshikibu no naishi (A modern version of Shikibu no Naishi). by Shigemasa Kitao; 1739-1820. Print shows the poet Izumi Shikibu and a young man; possibly Tachibana no Michisada; Prince Tametaka; or Prince Atsumichi; or possibly Shikibu and her daughter Koshikibu no Naishi.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020021306084

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Gasshukoku suishi teitoku kojogaki (Oral statement by the American Navy admiral).

Gasshukoku suishi teitoku kojogaki (Oral statement by the American Navy admiral). circa 1870. Japanese print shows three men, two seated and one standing, possibly Commander Anan, age 54;Perry, age 49;Captain Henry Adams, age 59.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020021306089

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View of Ornans.

View of Ornans. Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 28 3/4 x 36 1/4 in. (73 x 92.1 cm). Date: probably mid-1850s.This landscape, probably painted in the mid-1850s, stands at the beginning of a long series of views of the countryside of the artist‘s native town. It may be identified by the distinctive church steeple that rises above the cluster of houses along the banks of the river Loue. The cliff in the distance is the Roche du Mont. The bridge has traditionally been identified as that of the town of Scey-en-Varais, located a few miles downstream from Ornans. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020022706653

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ARTE PREHISTORICO-EDAD METALES.

ARTE PREHISTORICO-EDAD METALES. EDAD DEL BRONCE. TAULA DE TORRE LLAFUDA. Las taulas eran mesas en forma de “T“ que probablemente eran utilizadas para el descarniamiento de los cadáveres y también con caracter religioso. CULTURA MEGALITICA. Alrededores de Ciutadella. MENORCA. Islas Baleares. España.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020050105187

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Paul Cézanne: Boy in a Red Vest (Le Garçon au gilet rouge), Paul Cézanne, 18881890, Oil on canvas

Paul Cézanne: Boy in a Red Vest (Le Garçon au gilet rouge), Paul Cézanne, 18881890, Oil on canvas, Cézanne lived in an apartment on the Ile Saint-Louis in Paris between 1888 and 1890. This painting of an Italian boy is one of the many figural works he produced at that location. While we know the boy‘s identityhe was a professional model named Michelangelo de Rosa who posed for Cézanne several timesthe artist didn‘t intend this as a portrait in the traditional sense. Rather, the painting is perhaps better understood as a study in human psychology and emotion. Shoulders slumped, mouth turned down, eyes staring into the distance, the boy seems a picture of melancholy., Overall: 25 3/4 x 21 1/2 in. (65.4 x 54.6 cm).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031923463

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A Gathering at Wood‘s Edge.

A Gathering at Wood‘s Edge. Artist: Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). Dimensions: 14 3/4 x 19 3/8 in. (37.5 x 49.2 cm). Date: ca. 1770-73.Unlike the majority of Fragonard‘s red chalk landscapes, made during a summer at Tivoli in 1760, this drawing is a work of the artist‘s maturity, probably dating to just before his second trip to Italy in 1773-74. Dense deciduous trees recall the forests around Paris rather than the Roman countryside. The unhesitating, even virtuoso, handling suggests that this is an independent work, probably created in the studio from a related plein-air study now in a private collection. A stand of mature trees, bursting with profuse sunlit foliage, guards the shady entrance to the woods. In a characteristic manipulation of scale, Fragonard presents small groupings of elegant figures, half lost in shadow, as restrained echoes of the vigor and 、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020030404538

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Les Baignets. Dated: probably 1782. Medium: etching and engraving.

Les Baignets. Dated: probably 1782. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Nicolas Delaunay after Jean-Honoré Fragonard.、クレジット：Ａｌｂｕｍ／Ｎａｔｉｏｎａｌ　Ｇａｌｌｅｒｙ　ｏｆ　Ａｒｔ，Ｗａｓｈｉｎｇｔｏｎ　ＤＣ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020030404581

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Craig Goch, Moel Hebog, North Wales.

Craig Goch, Moel Hebog, North Wales. Artist: Cornelius Varley (British, London 1781-1873 London). Dimensions: sheet: 6 7/16 x 14 3/8 in. (16.4 x 36.5 cm). Date: ca. 1802.Cornelius Varley (brother of the better-known watercolor teacher John Varley, whose distinguished pupils included John Linnell, David Cox, and William Turner of Oxford) took a bold approach to sketching in the landscape. Whereas earlier generations of British painters had sought topographical accuracy, Varley privileged color, emotion, atmosphere, and spontaneity. His resulting attempts to capture fleeting moments out-of-doors have an appealing, proto-modern abstraction. The present view, probably made during a trip to Wales in 1802, records a sunrise using a few well-placed strokes of watercolor. Regrettably, it would have few successors: by the end of the decade, Varley would redirect his passion for observation to th、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020030402805

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Peeling.

Peeling. Brand: CvH 6, Napkin with peel pattern and edges, brand CvH 6 and red K., anonymous, Netherlands (possibly), 1800 - 1899, linen (material), h 96 cm × w 84 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023082301062

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Drill bit, The flat top of the drill (where most likely the wooden handle has been) is crooked.

Drill bit, The flat top of the drill (where most likely the wooden handle has been) is crooked. The end of the spoon drill (hollow) is slanted. Marked: (unreadable)., anonymous, c. 1596, iron (metal), forging, d 1.7 cm × d 1.3 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023082300993

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Fragment of crocheted lace with flowers and bunch of grapes, Fragment of natural-colored Irish crocheted lace.

Fragment of crocheted lace with flowers and bunch of grapes, Fragment of natural-colored Irish crocheted lace. Pattern of which two more flowers and a bunch of grapes can be seen and a crocheted irregular mesh with picots. A part of the edge finish with semicircular shells can also be seen that are trimmed with iconic curves., anonymous, Ierland (possibly), c. 1890 - c. 1909, cotton (textile), l 8 cm × w 7.2 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023082300969

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Lantern Slide - Mt St Bernard Hospice, Victoria, Date Unknown,

Lantern Slide - Mt St Bernard Hospice, Victoria, Date Unknown, Black and white image of a published photograph of the view near Mt St Bernard Hospice, possibly used by one of the Campbell family to illustrate a lecture on the natural wonders of the Victorian high country. This is one of many glass lantern slides that form the A.J. Campbell Collection held by Museums Victoria.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023021213697

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Lantern Slide - Geological Diagram, Mt Buffalo, Victoria, 1908,

Lantern Slide - Geological Diagram, Mt Buffalo, Victoria, 1908, Black and white image of a cross section of Mt Buffalo showing the probable original height of the mountain compared to the current surface level, photographed by A.G. Campbell, son of A.J. Campbell. This is one of many glass lantern slides that form the A.J. Campbell Collection held by Museums Victoria.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023010712554

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Lion hunt on horseback.

Lion hunt on horseback. Assyrian, 645-635 BC. King Ashurbanipal drives his spear into one lion‘s mouth, but another, which has been hit by arrows and left for dead, leaps up to maul the king‘s second horse. To the right, the king has killed both lions. Some attendants admire, others kneeling in disgrace, are probably the ones who had allowed their horses to lag too far behind the king.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019111801155

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Great Sallet, possibly 142050, Italian, Steel,

Great Sallet, possibly 142050, Italian, Steel, H. 13 5/8 in. (34.6 cm); W. 8 1/2 in. (21.6 cm); D. 9 1/2 in. (24.1 cm); Wt. 8 lb. 12 oz. (3971 g), Helmets, Apparently the forerunner of the one-piece barbute that appeared in Italy about 1440 these distinctive two-piece sallets are known only from Chalcis and other Aegean sites.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022041704017

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Tablecloth or cover of application side with stripes and flowering branch and with white lining,

Tablecloth or cover of application side with stripes and flowering branch and with white lining, Tablecloth or cover of application side. Pattern with five standing stripes filled with a wavy flowering branch, which is cut by volutes with a grid fill. White lining., anonymous, Belgium (possibly), c. 1850 - c. 1874, cotton (textile), h 210 cm × w 182 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023042205830

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Pouch of wine-red velvet, embroidered in gold thread with flower garlands, crown and the monogram AS,

Pouch of wine-red velvet, embroidered in gold thread with flower garlands, crown and the monogram AS, Pouch of wine red velvet embroidered in gold thread with garlands, crown and the monogram AS Model: oblong, consisting of two pattes. On each patte, five funded holes through which a twisted drawstring, ending in a festoon, is passed through. Surrounded by a fringe of loops. The gold thread has a yellow silk core. Lined with cream-colored silk. Decoration: the same on the front and back. Below the round holes a horizontal line of twisted gold thread. In the box below a leaf and flower garland all around with the monogram A.S. in the middle. under a crown and surrounded by dots., wedge, quill, book, study, ‘studiolo‘, library, Nicolas Boileau, anonymous, Nederlanden (possibly), c. 1600 - c. 1625, geheel, versiering, voering, embroidering, l 10.4 cm × w 8.5 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023042205286

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Wall arm of gilt copper, decorated with C- and S-volute acanthus leaves, Wall arm of gilt copper.

Wall arm of gilt copper, decorated with C- and S-volute acanthus leaves, Wall arm of gilt copper. The applique consists of three merging C-shaped acanthus drinks. Two S- and C-shaped volutes stand out to the left and right, onto which the candle holders, formed by three acanthus leaves, are screwed. Rosette-shaped fat traps have been placed under the candle holders., anonymous, Netherlands (possibly), 1750, copper (metal), gilding, h 35 cm × d 16 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023042205209

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Design for a medal with plowing horses, Design of plaster, probably for a medal,

Design for a medal with plowing horses, Design of plaster, probably for a medal, with representation of two plowing horses., Lambertus Zijl, Netherlands, 1876 - 1947, gypsum, d 6.5 cm × t 2 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023042205214

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Flat round dish, Round, flat dish of undecorated faience, with a hollow, narrow edge.

Flat round dish, Round, flat dish of undecorated faience, with a hollow, narrow edge., anonymous, Delft (possibly), c. 1630 - c. 1670, earthenware, tin glaze, h 4.5 cm × d 41.5 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023042205259

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Model of a Double Capstan, Model of a double capstan in a wooden frame that represents two decks.

Model of a Double Capstan, Model of a double capstan in a wooden frame that represents two decks. The upper capstan is for eight wind trees, the lower for ten. Both have four catches in the foot against walking back. The upper capstan has a hollow wooden king, within which extends the elongated metal king of the lower capstan, the two kings are connected to each other with two iron keys through the upper drum, so that the two capstans become one. When the keys are removed, you have two independent captains. Scale 1:10 (estimate)., Rijkswerf Vlissingen (possibly), Flushing (possibly), c. 1821, wood (plant material), brass (alloy), iron (metal), model: h 41 cm × w 39.5 cm × d 29.9 cm packaging capsule: h 45.7 cm × w 82.3 cm × d 33.5 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023042205921

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鯉のぼり

原題は　Ｂｏｙｓ　Ｆｅｓｔｉｖａｌ　ａｔ　Ｙｏｋｏｈａｍａ．　手前にはかなり立派な、おそらく２階建と思われる家の屋根が見える。都心に近い地域の写真と思われるが詳細は不明。＝撮影年月日不明、横浜、撮影者：不明、クレジット：長崎大学附属図書館所蔵／共同通信イメージズ　※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。　［整理番号９６‐９７‐０］

商品コード: 2017081401610

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Ewer and basin.

Ewer and basin. Jonas Gutsche (1624-1677) The Hague, 1670, silver. The water poured from the ewer to wash hands was caught in the basin. These objects were probably once part of a large silver toilet service, with boxes, candlesticks, a mirror and other items. Services like this were made mainly in The Hague. The ewer and basin are both engraved with the monogram of the family for whom the set was made.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019051605050

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Greek Art.

Greek Art. Greece. Statue of an athlete in Pentelic marble. Found in Eleusis. Probably a copy of the second half of the 2nd century BC, from an original by Polykleitos, made __in the year 440 BC, of the athlete Kyniskos. National Archaeological Museum. Athens.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021021008964

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Interior painted wooden coffin of the priest Hor depicting the sky goddess Nut with their protective wings outstretched

Interior painted wooden coffin of the priest Hor depicting the sky goddess Nut with their protective wings outstretched at the front part. The interior is covered with excerpts from the Book of the Dead. 7th century BC. 25th Dynasty. Late Period. From the tomb of Hor. Probably from Deir el-Bahari, Thebes (Egypt). British Museum. London. United Kingdom.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020042900993

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Mesopotamia.

Mesopotamia. Terracotta vase. Probably from Umma. Iraq. Early Dynastic Period. 2330 BC. Document referring to a conflict between the city-states of Umma and Lagash in ancient Sumer. British Museum. London. England. United Kingdom.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020042805390

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Henri Rousseau

Henri Rousseau: Woman with Basket of Eggs (La Femme au panier d‘Oeufs), Henri Rousseau, probably 19051910, Oil on canvas, Overall: 13 7/8 x 10 5/8 in. (35.2 x 27 cm).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020030304284

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Nave Nave Fenua.

Nave Nave Fenua. Dated: probably 1894. Dimensions: overall (approximate): 42.2 x 26.2 cm (16 5/8 x 10 5/16 in.). Medium: brush, gouache, and india ink with pen and india ink on dark tan wove paper. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN.、クレジット：Ａｌｂｕｍ／Ｎａｔｉｏｎａｌ　Ｇａｌｌｅｒｙ　ｏｆ　Ａｒｔ，Ｗａｓｈｉｎｇｔｏｎ　ＤＣ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020041702770

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Saint Maurice, ca.

Saint Maurice, ca. 152025, Oil on linden, 54 x 15 1/2 in. (137.2 x 39.4 cm), Paintings, Lucas Cranach the Elder and Workshop (German, Kronach 14721553 Weimar), Originally the wing of an altarpiece, this panel represents Maurice, the Roman legion commander martyred for refusing to slaughter Christians. It was likely commissioned by Cardinal Albrecht of Brandenburg (14901545), the most powerful prelate in the Holy Roman Empire, who established the collegiate church at Halle as a showplace for his art patronage and his collection of over 8,200 relics.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031604940

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Gold and silver-alloy tore.

Gold and silver-alloy tore. Near Newark, Nottinghamshire. About 100-50 BC. This tore was discovered by a metal detectors‘ 2005. It is thought that it was deliberately placed in a specially dug hole, perhaps as an offering to the gods. Torcs were worn around the neck and were probably worn on a special occasions like a mayoral chain.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2020010600465

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Gold and silver-alloy tore.

Gold and silver-alloy tore. Near Newark, Nottinghamshire. About 100-50 BC. This tore was discovered by a metal detectors‘ 2005. It is thought that it was deliberately placed in a specially dug hole, perhaps as an offering to the gods. Torcs were worn around the neck and were probably worn on a special occasions like a mayoral chain.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2020010600483

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Study of a Madonna [verso].

Study of a Madonna [verso]. Dated: probably 1470/1480. Dimensions: overall: 16 x 13.5 cm (6 5/16 x 5 5/16 in.). Medium: black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: LEONARDO DA VINCI.、クレジット：Ａｌｂｕｍ／Ｎａｔｉｏｎａｌ　Ｇａｌｌｅｒｙ　ｏｆ　Ａｒｔ，Ｗａｓｈｉｎｇｔｏｎ　ＤＣ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031605653

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ARITHMETIC.

Arithmetic. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop; and Girolamo Mengozzi (called Colonna) (Italian, Venetian, 1688-ca. 1766). Dimensions: 146 x 57 7/8 in. (370.8 x 147 cm). Date: 1760.Like the other frescoes in this gallery, this allegorical figure of Arithmetic, identified by the inscription on the base of the feigned statue, is from the Palazzo Valle-Marchesini-Sala in Vicenza. The simulated architecture, foreshortened from a viewing point in the center of the room, was carried out by a specialist in this type of work, Girolamo Mengozzi Colonna, who collaborated with Tiepolo on a number of commissions. The frescoes were probably commissioned by Count Giorgio Marchesini, and their iconography may reflect his particular interest in Freemasonry. They were detached from the palace about 1900. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020033004120

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Sandanme

Sandanme, Act three [of the Chūshingura]., Utagawa, Kuniyasu, 1794-1832, artist, [between 1815 and 1818], 1 print : woodcut, color ; 19.7 x 25.6 cm., Print shows, at the entrance to a foot-bridge, a man (Kampei) with sword raised over his head, poised to strike, and standing next to him is a woman (Okaru), and lying on the ground is a man who is possibly one of Moronô‘s (Kira Yoshinaka) ruffians.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019122403325

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Dish: Adam and Eve Probably Bristol or Brislington

Dish: Adam and Eve Probably Bristol or Brislington, c1720-30. This scene is thought to have been copied from a print by Pierre Lombart c1613-1682 who worked in London. The plate was fired face upwards and supported by pegs under the rim which projected out from the walls of the clay container in which the pieces were placed for firing.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019020826987

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Zuleikha, the rose of Janina, portrait of an Oriental woman, probably Greece, in costume,

Zuleikha, the rose of Janina, portrait of an Oriental woman, probably Greece, in costume, Reproduction of an original woodcut from the year 1882, digital improved.、クレジット：Ｂｉｌｄａｇｅｎｔｕｒ－ｏｎｌｉｎｅ　　／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021030300962

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Dr. François Mêlier.

Dr. François Mêlier. Artist: Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). Dimensions: 12 11/16 x 9 3/4 in. (32.2 x 25 cm). Date: 1849.The physician François Mêlier, an eminent figure in the field of public health in the mid-nineteenth century, posed for this masterful portrait. In all likelihood commissioned by Mêlier‘s family, the drawing was in the collection of his daughter Blanche at the time of Ingres‘s retrospective exhibition in 1867. The white highlights are probably Ingres‘s corrections. As the paper darkened over time, they became more prominent. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031103265

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Roman Art.

Roman Art. Marble sarcophagus with the Triumph of Dionysos and the Seasons. Dionysos and a satyr. Ca. 260-270. Late Imperial, Gallienic. Probably comes from Rome. Metropolitan Museum of Art. New York. United States.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020070107243

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Greek Art.

Greek Art. Greece. 4th century BCE. Bronze statue of a young identified as Perseus with Medusa‘s head hanging. However, probably represents Paris and would subject the apple of discord. Attributed to the sculptor Euphranor of Corinth to 340-330 BC. Bust. National Archaeological Museum. Athens.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020070107477

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Early Christian art.

Early Christian art. Spain. 3rd century. Church of Santa Eulalia of Boveda. Old Roman temple or nymphaeum, later transformed into Roman-Christian basilica. Decorated with frescoes depicting animals that probably symbolize the paradise. Galicia.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020070107556

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Painted wooden stela of Neswy with his Ba at the top.

Painted wooden stela of Neswy with his Ba at the top. The scenes shown arranged in horizontal bands, from top to bottom, the winged solar disk flanked by the goddesses Nekhbet and Wadket as snakes and Anubis as a jackal; the deceased worshiping the Sun God and other deities in the solar boat; the deceased before Osiris, Isis, Nephthys, Horus, Hathor, Anubis and Wenawet. Early Ptolemaic Period. 3rd century BC. Probably from Thebes. British Museum. London. United Kingdom.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020070107632

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Sargon of Akkad (2334 BC - 2279 BC)

Sargon of Akkad (2334 BC - 2279 BC), also known as Sargon the Great or Sargon I, Mesopotamian king. Bust of an Akkadian ruler, probably Sargon, Nineveh, ca. 23rd - 22nd century BC、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019021805921

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Jaime Febrer. 15th century. Character presumably contemporary to the Conquest of Valencia during the reign of Jaime I and to who

Jaime Febrer. 15th century. Character presumably contemporary to the Conquest of Valencia during the reign of Jaime I and to whom he was attributed his famous ballads. Engraving by Panissa. “La Ilustracion Cayalana“, 1888.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019101705336

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The universal ruler Chakravatin

The universal ruler Chakravatin, (possibly Ashoka the great) 1st century BCE/CE. Preserved at Musee Guimet. Amaravati School marmoreal limestone sculpture from Andhra Pradesh, India. The first references to a cakravala cakravartin appear in monuments of the Maurya period (322185 BCE), dedicated to Ashoka the Great、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019062100312

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Ear Plug 1375-1400

Ear Plug 1375-1400, Majapahit period, Indonesia, East Java, gold and ruby. This ear plug was probably worn by royalty on ceremonial occasions. It would have fitted within a distended earlobe. Similar ear plugs have occasionally been found in earthenware pots buried in the ground. As with this example, they show little sign of use.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019061804280

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Painting showing the peoples of the world adoring Otto III

Painting showing the peoples of the world adoring Otto III, from the Gospels of Otto III. (View Larger) The Gospels of Otto III, probably produced in Reichenau Abbey, in the scriptorium headed by the monk Liuthard, for Holy Roman Emperor Otto III, Circa 998 1001. Otto is shown seated disdainfully on his majestic throne, flanked by two priests with books、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019031303666

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King David playing a ‘lyre‘.

King David playing a ‘lyre‘. 10th-11th century manuscript of St Martial de Limoges. Probably a Rebec (Rebeck) 3-stringed instrument developed from Arab Rabab. Bibliotheque Nationale.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019062000890

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Coronation and unction of a king

Coronation and unction of a king, from a French ‘life‘ of Edward the Confessor (d1066) of c1245. Probably portrait of Henry III of England crowned 1216 at Gloucester and 1220 at Westminster. Chromolithograph after medieval manuscript.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019080103852

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Probably Antwerp 16th Century

Probably Antwerp 16th Century, Wife of a Member of the de Hondecoeter Family, 1543, oil on panel.、クレジット：Ｑｕｉｎｔ　Ｌｏｘ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せ下さい。

商品コード: 2020013004823

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Fujimusume no harukoma

Fujimusume no harukoma, Wisteria maiden and hobby horse., Utagawa, Toyokuni, approximately 1777-1835, artist, 1831., 1 print : woodcut, color ; 18.8 x 12.8 cm., Print shows an actor, possibly wearing a mask, in the role of a maiden with a hobby horse hand puppet.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020013100723

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Tsuchiya no Umegawa

Tsuchiya no Umegawa, The courtesan Umegawa of the house of Tsuchi., Utagawa, Toyokuni, 1786-1865, artist, 1854., 1 print : woodcut, color ; 35.3 x 25.2 cm., Print shows Umegawa, a courtesan, full-length portrait, with a piece of cloth drawn over her head, facing right, carrying a parasol while walking along a stream, possibly at night.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020013100759

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Kanagawa

Kanagawa, Totoya, Hokkei, 1780-1850, artist, [between 1860 and 1910 from a print between 1818 and 1830], 1 print : woodcut, color ; 21.7 x 19 cm., Print shows several kinds of fish including an octopus in a tray, possibly representative of the Kanagawa Prefecture.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019122403503

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Company shocked at a lady getting up to ring the bell, A violent disturbance in a breakfast parlor.

Company shocked at a lady getting up to ring the bell, A violent disturbance in a breakfast parlor. A woman stands to ring the bell-pull while the five men at the table react in horror, stumbling and knocking over items on the table as they attempt to stop her. The men are probably suitors of the woman.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020071406339

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Vase (cuvette à tombeau, première grandeur)

Vase (cuvette à tombeau, première grandeur); Painted by crescent mark painter, possibly Louis-Denis Armand l‘aîné, French, 1723 - 1789, active 1745 - 1788, Vincennes Porcelain Manufactory, French, active about 1740 - 1756; Vincennes, France, Europe; 1754 - 1755; Soft paste porcelain, bleu céleste ground color, polychrome enamelled decoration and gilding; Object: H: 23.5 x W: 30.2 x D: 21.6 cm (H: 9 1/4 x W: 11 7/8 x D: 8 1/2 in.).、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2020072804145

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Wall Clock (Pendule)

Wall Clock (Pendule); Clock movement by Jean-Jacques Fiéffé, French, about 1700 - 1770, master 1725, case possibly after a design by Juste-Aurèle Meissonnier, French, born Italy, 1695 - 1750, master 1724; Paris, France, Europe; about 1735 - 1740; Gilt bronze, enameled metal, wood carcass, glass; Object: H: 133.4 x W: 67.3 x D: 14.3 cm (4 ft. 4 1/2 in. x 2 ft. 2 1/2 in. x 5 5/8 in.).、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2020072804252

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The Opening of the Second Seal: The Second Horseman, Initial E:

The Opening of the Second Seal: The Second Horseman, Initial E: Two Animals; Unknown; London (probably), England, Europe; about 1255 - 1260; Tempera colors, gold leaf, colored washes, pen and ink on parchment; Leaf: 31.9 x 22.5 cm (12 9/16 x 8 7/8 in.).、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2020072804276

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The Second Vessel: Death in the Sea

The Second Vessel: Death in the Sea; Unknown; London (probably), England, Europe; about 1255 - 1260; Tempera colors, gold leaf, colored washes, pen and ink on parchment; Leaf: 31.9 x 22.5 cm (12 9/16 x 8 7/8 in.).、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2020072804328

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The concierge of the Roche-Noire castle drinking on the health of the count, by Bertall, 1820-1882, Paris, Soyons

The concierge of the Roche-Noire castle drinking on the health of the count, by Bertall, 1820-1882, Paris, Soyons, France, Europe, 19th century. According to other contemporaries, Bertall has as an illustrator strong originality and as a cartoonist perhaps less finesse and elegance as Gavarni and less grotesque than Daumier, but he is sparkling with gaiety and originality. food and drink, liszt gourmet archive.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020061105144

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Slide shown on cinema screens

Slide shown on cinema screens in Aberdeen during 1939-45 war. The codeword probably indicated some kind of emergency and that all those listed should immediately report for duty. Date: 、クレジット：Ｒｏｎａｌｄ　Ｇｒａｎｔ／Ｍａｒｙ　Ｅｖａｎｓ　／／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020040200509

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Announcement slide

Announcement slide used in conjuction with a cinema organ recital or to announce a coming comedy film or show. Possibly at the TROCADERO CINEMA, Elephant and Castle, London SE Date: 、クレジット：Ｒｏｎａｌｄ　Ｇｒａｎｔ／Ｍａｒｙ　Ｅｖａｎｓ　／／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020040200636

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Portrait of a Couple

Portrait of a Couple, Probably Isaac Abrahamsz Massa and Beatrix van der Laen. Painted by Frans Hals (1582-1666). Dated 17th Century、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019040901097

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Portrait of a Couple

Portrait of a Couple, Probably Isaac Abrahamsz Massa and Beatrix van der Laen. Painted by Frans Hals (1582-1666). Dated 17th Century、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019040901145

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Brass head with a beaded crown and plume

Brass head with a beaded crown and plume, from Ife, Nigeria. Yoruba, probably 12th-14th century AD.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019022803569

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401414

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Interior courtyard

Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401417

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Interior courtyard

Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401365

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Interior courtyard

Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401367

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401374

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Interior courtyard

Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401380

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401361

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401460

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 157、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401462

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401504

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Interior courtyard

Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401510

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(Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

(Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401513

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Interior courtyard

Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401514

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401479

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401485

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401471

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architectural feature from the Doge‘s Palace in Venice

(Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401519

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architectural feature from the Doge‘s Palace in Venice

(Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401523

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(Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

(Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401525

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architectural feature from the Doge‘s Palace in Venice

(Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401532

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Red granite sarcophagus lid of Pahemnetjer.

Red granite sarcophagus lid of Pahemnetjer. Nineteenth Dynasty (approx. 1250 BC) Egyptian. Possibly from Saqqara. Belonged to the coffin of the high priest of Ptah.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019041222661

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Gondola Cup

Gondola Cup, Lead-glazed white earthenware. Probably modeled by Guillaume Dupre (1574-1642), Fontainebleau or Avon, early 17th century.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019103101130

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Pair of pistols and a bullet associated with the death of William Frederick of Nassau,

Pair of pistols and a bullet associated with the death of William Frederick of Nassau, Stadtholder of Friesland Radslotpistool of Willem Frederik van Nassau, Pistol with radslot, part of couple. Flat lock plate, narrowly flared from behind, fixed with two lock screws including legs rosettes. Walk eight-sided at the back, turning round. Drawer is unadorned, with an iron drawer front. Flask is unadorned. Remains of decoration on the underside of the iron trigger guard. The cargo of one of the pistols has been preserved, Netherlands, Willem Frederik count of Nassau-Dietz, anonymous, Netherlands (possibly), c. 1650, iron (metal), walnut (hardwood), bone (material), cutting, l 70 cm d 1.3 mm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023042205196

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Oriental rug, prayer rug, made of knotted wool, decorated with a blue mihrab, stepped gable top,

Oriental rug, prayer rug, made of knotted wool, decorated with a blue mihrab, stepped gable top, filled with white arrow motifs. The swirls are decorated with flowers. Three edges and four spiral seams around midfield., anonymous, Ghiordes (possibly), 1800 - 1900, wool, h 169 cm × w 122 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023042205202

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Woman writes at the table in the presence of Minerva and Faam with praise trumpet Title page for: T ‘Lof der vrouw,

Woman writes at the table in the presence of Minerva and Faam with praise trumpet Title page for: T ‘Lof der vrouw, Amsterdam 1643 T‘ Lof van Vrouwen (title on object) globe state. Minerva looks over her shoulder and holds laurel wreath. The seated lady‘s foot rests on a turtle, possibly she can be identified as Venus Urania as a symbol of domesticity. Fame blows on praise trumpet with banner on which the title is written. On the floor are musical instruments and an embroidery frame, (story of) Minerva (Pallas, Athena), Fame, ‘Fama‘, ‘Fama buona‘, ‘Fama chiara‘ (Ripa), Cornelis van Dalen (I) (mentioned on object), Amsterdam, 1643, paper, engraving, h 128 mm × w 89 mm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023042205082

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Strip of bobbin lace with feathered leaves, strip of natural-colored spool lace: duchesse lace.

Strip of bobbin lace with feathered leaves, strip of natural-colored spool lace: duchesse lace. On a very open braided soil with cobwebs, there is a running pattern that becomes heavier on the scallop side. In the middle is a row of tightly stretched spiral stems with a hanging, feathered leaf with open grain. Star-shaped flowers and berries are on either side of this., anonymous, Netherlands (possibly), c. 1900 - c. 1949, linen (material), bobbin lace, l 184 cm × l 10.5 cm ×, 7 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023042205057

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Tile, Tile painted in yellow with a climbing lion.

Tile, Tile painted in yellow with a climbing lion., anonymous, Tunesie (possibly), 1700 - 1800, earthenware, lead glaze, h 14.3 cm × w 14.3 cm × t 1.7 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023042205098

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Sachet of white silk embroidered on the front with flower sprays, lined,

Sachet of white silk embroidered on the front with flower sprays, lined, trimmed around with twisted white silk cord and gold thread, Sachet of white silk embroidered on the front with flower sprays including a large red and pink flower and some little white. Lined, trimmed with twisted white silk cord and gold thread. Stitched inside in diamond pattern. Glove sachet., anonymous, Netherlands (possibly), c. 1910 - c. 1920, geheel, decoratie, voering, koord, embroidering, l 42.7 cm × w 27.8 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023042205146

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Flight into Egypt, Maria sits facing the viewer on a donkey stepping to the left,

Flight into Egypt, Maria sits facing the viewer on a donkey stepping to the left, whose right front leg has been lifted off the ground. She looks down at the child with a silent smile that she holds in her arm above the raised right knee, while the left arm is turned towards him. She wears a veil with a frowned edge, which is slightly turned back on the head and disappears under the cloak, furthermore a robe with sleeves and a round drilled neck, over which lies the wide cloak, which covers both Mary and a part of the child, but leaves the round shoe tips free. Over the child‘s head lies a cloth with a winding of the wrappers over it. The donkey wears a bridle, the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way, Mary usually riding on an ass, anonymous, Utrecht (possibly), c. 1500, oak (wood), h 107 cm × w 100 cm × d 28 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023042205529

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Hexagonal tile, Hexagonal tile with a griffin.

Hexagonal tile, Hexagonal tile with a griffin., anonymous, Tsjechoslowakije (possibly), 1300 - 1450, earthenware, lead glaze, h 21 cm × t 4.8 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023042205436

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Jug, Jug of gray earthenware, with an ear.

Jug, Jug of gray earthenware, with an ear. The jug is a bottom find., anonymous, Rome (possibly), c. 1400 - c. 1950, earthenware, h 17.5 cm × d 12.0 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023041212622

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Bowl with five shell-shaped floors, Bowl of silver, formed by five deep shells in the shape of shells.

Bowl with five shell-shaped floors, Bowl of silver, formed by five deep shells in the shape of shells. In the middle of the scale is a weapon with helmet sign engraved, possibly from Richard Fisher, baronet or Barnsbury and Anne Leigh, auricular ornament, lobe style, ornament, scallop, shell, Andries Grill, The Hague, 1651, silver (metal), h 7.0 cm × d 43.8 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023041212637

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