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  『和歌三神』衣通姫, Edo period (1615–1868), ca. 1820s, Japan, Polychrome woodblock print (surimono); ink and color on paper,

  『和歌三神』衣通姫, Edo period (1615–1868), ca. 1820s, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 5 3/8 in. (20.3 x 13.7 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

  商品コード: 2021071700606

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  1990年12月31日

  Japan: Princess Sotori Hime, poet and consort of Emperor Ingyo (notionally r. 412-453)

  Emperor Ingyo was the 19th emperor of Japan, according to the traditional order of succession. No firm dates can be assigned to this emperor‘s life or reign, but he is conventionally considered to have reigned from 410-453.Emperor Ingyo‘s empress is named Oshisaka no nakatsu no Hime in the Japanese annals. Princess Sotori Hime was the concubine of the Emperor Ingyo, so named for the beauty of her skin which seemed to radiate through her robes. Later accounts associated her with the deity Tamatsushima Myojin, enshrined at Wakanoura in Kii Province, and venerated her as one of the three gods of poetry together with Kakimoto no Hitomaro and Yamabe no Akahito. According to the Nihon Shoki written in 720, Princess Sotori lived in seclusion in the Fujiwara Shrine out of deference to the Empress. The Emperor decided to visit her there in secret、クレジット：ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用はできません。

  商品コード: 2021051011555