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  •  Scandinavia. Middle Ages. Oil lamps made of soapstone clay were alternatives to tallow candles. Iron lamps were also used. Histo
    -
    Scandinavia. Middle Ages. Oil lamps made of soapstone clay were alternatives to tallow candles. Iron lamps were also used. Histo

    Scandinavia. Middle Ages. Oil lamps made of soapstone clay were alternatives to tallow candles. Iron lamps were also used. Historical Museum. Oslo. Norway.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101700364

  •  Kintarō no yatsushi kusakari sanro[?]
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    Kintarō no yatsushi kusakari sanro[?]

    Kintarō no yatsushi kusakari sanro[?], Transformed Kusakari Sanro., Torii, Kiyonaga, 1752-1815, artist, [between 1795 and 1801], 1 print : woodcut, color ; 39.1 x 26.3 cm., Print shows Kintarō, a young boy with legendary strength, transformed as Sanro, playing a flute while sitting on the back of a bull.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019111302523

  • 本画像はログイン後にご覧いただけます
    -
    (かつら・たろう) 桂太郎

    陸軍大将、政治家、首相=撮影年月日不明、場所不明、クレジット:国立国会図書館所蔵画像/共同通信イメージズ

    商品コード: 2017080202176

  • (やまおか・てつたろう) 山岡鉄太郎
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    (やまおか・てつたろう) 山岡鉄太郎

    幕臣、剣客、政治家=撮影年月日不明、場所不明、クレジット:国立国会図書館所蔵画像/共同通信イメージズ

    商品コード: 2017080202355

  •  Ononis repens or common restharrow
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    Ononis repens or common restharrow

    Ononis repens or common restharrow is a plant species of the genus Ononis.、クレジット:Bildagentur-online/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019121703207

  •  PEDRO, San (¿? -64 a 67).
    -
    PEDRO, San (¿? -64 a 67).

    PEDRO, San (¿? -64 a 67). Apóstol principal de Jesucristo y primer Papa de la Iglesia Católica. Detalle de un relieve en madera policromada, con la representación de SAN PEDRO CRUCIFICADO en posición de cruz invertida. Capilla del Palacio de Elsedo. Pámanes. Cantabria. España.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042303916

  •  Nihonzutsumi
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    Nihonzutsumi

    Nihonzutsumi, Nihon embankment., Kitagawa, Tsukimaro, active 18th century-19th century, artist, [between 1804 and 1810], 1 print : woodcut ; 22.7 x 34.7 cm., Print shows two porters carrying a sedan chair and a third person with an umbrella walking along embankment with city in the background.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020022100232

  •  Shohei
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    Shohei

    Shohei, Torii, Kiyomasu, -1716, artist, [between 1726 and 1736], 1 print : woodcut, color ; 29.7 x 14.2 cm., Full-length view of the actor Sanjō Kantaro playing a woman‘s part as a peddler of love letters.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020022100221

  •  Asashio Tarō
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    Asashio Tarō

    Asashio Tarō, The sumo wrestler Asashio Taro., [between 1868 and 1900], 1 print : woodcut, color ; 37.2 x 24.3 cm., Print shows Asashio Taro, a sumo wrestler, full-length portrait, standing, facing slightly left, wearing waist wrap with birds and bamboo motif.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020022100215

  •  Hakata kojorō kezori kuemon komachiya sōshichi
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    Hakata kojorō kezori kuemon komachiya sōshichi

    Hakata kojorō kezori kuemon komachiya sōshichi, Actors in the roles of Hakata Kojurō, Kezori Kuemon, and Komachiya Sōshichi., Utagawa, Toyokuni, 1786-1865, artist, [between 1848 and 1854], 1 print (3 sheets) : woodcut, color ; 36.2 x 24.5 cm (left panel), 36 x 24.4 cm (center panel), 35.9 x 24.5 cm (right panel), Print shows two actors on board a ship and one in the water; portraying Hakata Kojurō, the smuggler or pirate, Kezori Kuemon, and the merchant, Komachiya Sōshichi.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020013100878

  •  South Staffordshire Coal Field
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    South Staffordshire Coal Field

    South Staffordshire Coal Field, England. Holers at work in a thick seam of coal, worked in a pillar and stall system, leaving pillars of coal to support the roof. The scene depicted is lit by a candle stuck in a wooden stand, a dangerous practice in coal mines where there is always a danger of the presence of the inflammable gas, methane (fire-damp). The invention of the miner‘s safety lamp in 12815 or 1816 made mine explosions less frequent. From ‘The Popular Encyclopaedia‘, London, 1888.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019072502167

  •  Hurlet alum mine near Glasgow
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    Hurlet alum mine near Glasgow

    Hurlet alum mine near Glasgow, Scotland, showing miners extracting ore. Light is provided by candles fixed to their helmets. From ‘The Penny Magazine‘ (London, October 1843). Engraving. 、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019072502146

  •  White Heron and Purple Iris‘
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    White Heron and Purple Iris‘

    White Heron and Purple Iris‘, c1830. Coloured Woodblock print. Ando Hiroshige also called Ando Tokutaro (1797-1858) Japanese artist and printmaker.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019062622549

  •  身延山久遠寺本堂
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    身延山久遠寺本堂

    山梨県南巨摩郡身延町に所在する日蓮宗総本山身延山久遠寺の祖師堂棲神閣の内陣の状況を収めた写真であろう。棲神閣は日蓮上人尊像を奉安する建物であり、写真奥の須弥壇内がその主要な部分にあたろう。明治14年(1881)の再建後の建物内を写した写真として貴重である。=撮影年月日不明、山梨、撮影者:A.ファサリ、クレジット:長崎大学附属図書館所蔵/共同通信イメージズ ※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。 [整理番号82‐53‐0]

    商品コード: 2017081401449

  •  浅草の劇場
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    浅草の劇場

    往事の浅草の活気を伝える芝居小屋の風景。服装から見て季節は冬であろう。人気役者らしい新門丑太郎の名前がのぼりに見える。=撮影年月日不明、東京、撮影者:不明、クレジット:長崎大学附属図書館所蔵/共同通信イメージズ ※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。 [整理番号31‐38‐0]

    商品コード: 2017080902179

  •  Yamauba breast feeding Kintaro
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    Yamauba breast feeding Kintaro

    Yamauba breast feeding Kintaro. Date between 1801 and 1806.、クレジット:Library of Congress/Mary Evans Picture Library/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021060903796

  •  Woman Reading A Letter by Oil Lamp, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print;
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    Woman Reading A Letter by Oil Lamp, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print;

    Woman Reading A Letter by Oil Lamp, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print; ink and color on paper, H. 15 in. (38.1 cm); W. 10 in. (25.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro portrays a woman who is concentrating intensely on a letter. Her entire body leans forward, and she firmly grasps the letter, holding it close to her face. The mosquito net works as a device that keeps the woman away from the light, increasing her anxiety and desire to move closer to it.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700405

  •  Shells under Water, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper,
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    Shells under Water, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper,

    Shells under Water, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, 9 x 14 3/4 in. (22.9 x 37.5 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700409

  •  Woman Relaxing after Her Bath, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print;
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    Woman Relaxing after Her Bath, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print;

    Woman Relaxing after Her Bath, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 9 5/8 in. (24.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro was the first artist to use okubi-e, the large-head portrait, to depict women. This format allows him to focus solely on the facial features critical in conveying a woman‘s emotions, while the elimination of the background removes all narrative from the print.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700440

  •  藤棚下の遊女たち, Courtesans Beneath a Wisteria Arbor (Fuji dana shita no yūjo tachi), Edo period (1615–1868), ca. 1795, Japan,
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    藤棚下の遊女たち, Courtesans Beneath a Wisteria Arbor (Fuji dana shita no yūjo tachi), Edo period (1615–1868), ca. 1795, Japan,

    藤棚下の遊女たち, Courtesans Beneath a Wisteria Arbor (Fuji dana shita no yūjo tachi), Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/8 in. (38.4 cm); W. 10 7/8 in. (27.6 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700476

  •  Last page of the Book of Shells, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print;
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    Last page of the Book of Shells, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print;

    Last page of the Book of Shells, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, 9 1/8 x 14 3/5 in. (23.2 x 37.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700513

  •  名取酒六家選 兵庫屋華妻 坂上の剣菱, ‘Hanazuma of Hyōgoya, Kenbishi of Sakagami”
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    名取酒六家選 兵庫屋華妻 坂上の剣菱, ‘Hanazuma of Hyōgoya, Kenbishi of Sakagami”

    名取酒六家選 兵庫屋華妻 坂上の剣菱, ‘Hanazuma of Hyōgoya, Kenbishi of Sakagami” from the series The Peers of Saké Likened to Select Denizens of Six Houses (Natori zake rokkasen: Hyōgoya Hanazuma, Sakagami no Kenbishi), Edo period (1615–1868), ca. 1794, Japan, Polychrome woodblock print; ink and color on paper, H. 14 3/4 in. (37.5 cm); W. 9 1/2 in. (24.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), This print combines a portrait of a beautiful courtesan with an advertisement for sake to create a witty and iconic image about pleasure. The sake cup, seen on its side at the upper right, bears the name of the series.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700484

  •  Woman after a Bath, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper,
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    Woman after a Bath, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper,

    Woman after a Bath, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, H. 15 in. (38.1 cm); W. 9 1/2 in. (24.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700326

  •  The Actor Sanjō Kantarō as an Itinerant Buddhist Nun, ca. 1715, Japan, Polychrome woodblock print (hand colored);
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    The Actor Sanjō Kantarō as an Itinerant Buddhist Nun, ca. 1715, Japan, Polychrome woodblock print (hand colored);

    The Actor Sanjō Kantarō as an Itinerant Buddhist Nun, ca. 1715, Japan, Polychrome woodblock print (hand colored); ink and color on paper, 12 1/4 x 5 3/4 in. (31.1 x 14.6 cm), Prints, Attributed to Kondo Kiyoharu (Japanese, active ca. 1704–1720).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700392

  •  吉原時計 夜の七つ, The Seventh Hour of the Night, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print;
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    吉原時計 夜の七つ, The Seventh Hour of the Night, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print;

    吉原時計 夜の七つ, The Seventh Hour of the Night, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, H. 9 1/4 in. (23.5 cm); W. 6 3/4 in. (17.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700366

  •  The Exile of Yukihira at Suma, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper,
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    The Exile of Yukihira at Suma, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper,

    The Exile of Yukihira at Suma, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, 9 1/4 x 14 3/5 in. (23.5 x 37.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Like his younger brother, Narihira, Yukihira came to be the hero of a romantic legend. By imperial edict, Yukihira was exiled from the capital to the lonely beach at Suma, which was famous as a beautiful spot for viewing the moon.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700639

  •  A Courtesan, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper,
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    A Courtesan, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper,

    A Courtesan, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 3/4 in. (37.5 cm); W. 9 3/4 in. (24.8 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700668

  •  Last page of the Book of Shells, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print;
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    Last page of the Book of Shells, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print;

    Last page of the Book of Shells, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, 9 1/8 x 14 3/5 in. (23.2 x 37.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700699

  •  Ogino Isaburo as Asamajiro; Sanogawa Ichimatsu as Fujitaro, Edo period (1615–1868), 1748, Japan,
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    Ogino Isaburo as Asamajiro; Sanogawa Ichimatsu as Fujitaro, Edo period (1615–1868), 1748, Japan,

    Ogino Isaburo as Asamajiro; Sanogawa Ichimatsu as Fujitaro, Edo period (1615–1868), 1748, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/2 in. (31.8 cm); W. 5 7/8 in. (14.9 cm), Prints, Torii Kiyonobu (Japanese, 1664–1729).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071613239

  •  Mother and Child, Edo period (1615–1868), ca. 1793, Japan, Polychrome woodblock print; ink and color on paper,
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    Mother and Child, Edo period (1615–1868), ca. 1793, Japan, Polychrome woodblock print; ink and color on paper,

    Mother and Child, Edo period (1615–1868), ca. 1793, Japan, Polychrome woodblock print; ink and color on paper, H. 14 7/8 in. (37.8 cm); W. 9 7/8 in. (25.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro composed this image with considerable skill and humor, creating a circular movement through gazes and gestures. The mother, seated behind a freestanding screen, sticks out her tongue at her child.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700561

  •  Shells under Water, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper,
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    Shells under Water, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper,

    Shells under Water, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, 9 1/8 x 14 1/2 in. (23.2 x 36.8 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700536

  •  Two Women, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 15 3/8 x 10 1/8
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    Two Women, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 15 3/8 x 10 1/8

    Two Women, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 15 3/8 x 10 1/8 in. (39.1 x 25.7 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro has set these two beauties one above the other in an unforgettable curved diagonal. The image is cropped at the right, while both look down toward the left corner. As in traditional ink painting, where negative and positive are played off against each other, here the artist has placed in opposition not only the forms themselves against the empty ground, but also the contourless, whitened faces and parted red lips against the vibrant fabric of robes and black hair.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021082009260

  •  A Merry Evening Party, Edo period (1615–1868), ca. 1805, Japan, Triptych of polychrome woodblock prints;
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    A Merry Evening Party, Edo period (1615–1868), ca. 1805, Japan, Triptych of polychrome woodblock prints;

    A Merry Evening Party, Edo period (1615–1868), ca. 1805, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 14 3/8 x 29 in. (36.5 x 73.7 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081009492

  •  Women Worshipping the Rising Sun between the Twin Rocks at Ise, Edo period (1615–1868), Japan,
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    Women Worshipping the Rising Sun between the Twin Rocks at Ise, Edo period (1615–1868), Japan,

    Women Worshipping the Rising Sun between the Twin Rocks at Ise, Edo period (1615–1868), Japan, Triptych of polychrome woodblock prints; ink and color on paper, 14 1/8 x 28 23/32 in. (35.9 x 73.0 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081009720

  •  婦人手業操鏡, A Woman Weaving, Seated at a Hand Loom, Edo period (1615–1868), ca. 1796, Japan, Polychrome woodblock print;
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    婦人手業操鏡, A Woman Weaving, Seated at a Hand Loom, Edo period (1615–1868), ca. 1796, Japan, Polychrome woodblock print;

    婦人手業操鏡, A Woman Weaving, Seated at a Hand Loom, Edo period (1615–1868), ca. 1796, Japan, Polychrome woodblock print; ink and color on paper, 14 3/4 x 9 7/8 in. (37.5 x 25.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081009904

  •  『画本虫撰』 「蝶」「蜻蛉」, Butterfly (Chō); Dragonfly (Kagerō or Tonbo),
    -
    『画本虫撰』 「蝶」「蜻蛉」, Butterfly (Chō); Dragonfly (Kagerō or Tonbo),

    『画本虫撰』 「蝶」「蜻蛉」, Butterfly (Chō); Dragonfly (Kagerō or Tonbo), from the Picture Book of Crawling Creatures (Ehon mushi erami), Edo period (1615–1868), 1788, Japan, Page from woodblock printed book; ink and color on paper, 10 1/2 x 7 1/4 in. (26.7 x 18.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Ehon mushi erami (Picture Book of Crawling Creatures) is illustrated with fifteen designs of insects and other garden creatures by Utamaro. Published by Tsutaya Jūzaburō , the poems were selected and introduced by a preface written by the poet and scholar Yadoya no Meshimori (Rokujuen; 1753–1830), who later became head of the influential Go-gawa poetry group.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081010822

  •  狂月坊, A Party of Merrymakers in a House in the Yoshiwara on a Moonlight Night, Edo period (1615–1868), 1789, Japan,
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    狂月坊, A Party of Merrymakers in a House in the Yoshiwara on a Moonlight Night, Edo period (1615–1868), 1789, Japan,

    狂月坊, A Party of Merrymakers in a House in the Yoshiwara on a Moonlight Night, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, 9 1/8 x 14 3/5 in. (23.2 x 37.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081010621

  •  Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image:
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    Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image:

    Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 10 in. × 15 1/8 in. (25.4 × 38.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021091405569

  •  Viewing Cherry Blossoms, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, Image:
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    Viewing Cherry Blossoms, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, Image:

    Viewing Cherry Blossoms, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, Image: 8 7/8 in. × 14 in. (22.5 × 35.6 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), At times the observer is the main subject. In this leaf from a book by Utamaro, a lively group of women takes in the view from a balcony in the Yoshiwara district. They crowd against the railing, some leaning over to call out to those below.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021091405523

  •  Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image:
    -
    Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image:

    Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 10 in. × 15 1/8 in. (25.4 × 38.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021091405588

  •  女織蚕手業草 十, The Making of Silk Floss, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print;
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    女織蚕手業草 十, The Making of Silk Floss, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print;

    女織蚕手業草 十, The Making of Silk Floss, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 15 x 10 in. (38.1 x 25.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro‘s fundamental curiosity about women was not limited to any one group or activity. In this print, he shows us women working in silk production, an important occupation for women and an important part of the Edo economy.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021091405638

  •  Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image:
    -
    Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image:

    Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 10 in. × 15 1/8 in. (25.4 × 38.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021091405647

  •  Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image:
    -
    Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image:

    Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 10 in. × 15 1/8 in. (25.4 × 38.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021091405691

  •  Nihonzutsumi, Nihon embankment.
    -
    Nihonzutsumi, Nihon embankment.

    Nihonzutsumi, Nihon embankment., Kitagawa, Tsukimaro, active 18th century-19th century, artist, [between 1804 and 1810], 1 print : woodcut ; 22.7 x 34.7 cm., Print shows two porters carrying a sedan chair and a third person with an umbrella walking along embankment with city in the background.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021113002704

  •  Oya taro mitsukuni, Taiso, Yoshitoshi, 1839-1892, artist, 1865.
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    Oya taro mitsukuni, Taiso, Yoshitoshi, 1839-1892, artist, 1865.

    Oya taro mitsukuni, Taiso, Yoshitoshi, 1839-1892, artist, 1865., 1 print : woodcut, color ; 36.5 x 24.2 cm., Print shows Oya Taro Mitsukuni watching a battle scene between armies of skeletons.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022012813283

  •  山姥と金太郎, Yamauba Playing with the Young Kintoki, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print;
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    山姥と金太郎, Yamauba Playing with the Young Kintoki, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print;

    山姥と金太郎, Yamauba Playing with the Young Kintoki, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/4 in. (36.2 cm); W. 9 in. (22.9 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021091310018

  •  Artist: Kitagawa Utamaro, Japanese, 1753–1806, The Mosquito Net, latter half of 1790s, Polychrome woodblock print,
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    Artist: Kitagawa Utamaro, Japanese, 1753–1806, The Mosquito Net, latter half of 1790s, Polychrome woodblock print,

    Artist: Kitagawa Utamaro, Japanese, 1753–1806, The Mosquito Net, latter half of 1790s, Polychrome woodblock print, sheet: 14 7/8 × 10 1/16 in. (37.8 × 25.6 cm), Japan, Japanese, Edo period (1615–1868), Works on Paper - Prints.、クレジット:Universal Images Group/共同通信イメージズ

    商品コード: 2021101109254

  •  TURLOUGH ROUND TOWER, IRELAND.
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    TURLOUGH ROUND TOWER, IRELAND.

    TURLOUGH ROUND TOWER, IRELAND.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022080404996

  •  A Girl Singing Ballads By a Paper Lanthorn, 176781, Mezzotint; second state, sheet: 12 3/4 x 9 in.
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    A Girl Singing Ballads By a Paper Lanthorn, 176781, Mezzotint; second state, sheet: 12 3/4 x 9 in.

    A Girl Singing Ballads By a Paper Lanthorn, 176781, Mezzotint; second state, sheet: 12 3/4 x 9 in. (32.4 x 22.9 cm), Prints, Thomas Watson (British, London 17431781 London), After Henry Robert Morland (British, London (?) 1716?1797 London), Here, a young woman uses a candle shielded by a paper wrapper to illuminate printed song sheets held in her left hand. Considering the subjecta street vendor advertising bawdy lyrics sold for boisterous communal song in taverns and coffeehousesthe mood is hushed and still.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042105503

  •  Couple in an Evening Shower, From the series Three Evening Pleasures of the Floating World, Edo period (1615–1868), ca.
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    Couple in an Evening Shower, From the series Three Evening Pleasures of the Floating World, Edo period (1615–1868), ca.

    Couple in an Evening Shower, From the series Three Evening Pleasures of the Floating World, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, 20 x 8 1/2 in. (50.8 x 21.6 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), The title of the series reveals that it parodies three evening scenes from the early-thirteenth-century anthology Shinkokin wakashū. The scenes are of sunset, the cool of twilight, and an evening rain.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081009901

  • (ほんだ・こうたろう) 本多光太郎
    -
    (ほんだ・こうたろう) 本多光太郎

    物理学者、東北帝国大学総長=撮影年月日不明、場所不明、クレジット:国立国会図書館所蔵画像/共同通信イメージズ

    商品コード: 2017080202084

  • (こむら・じゅたろう) 小村寿太郎
    -
    (こむら・じゅたろう) 小村寿太郎

    外交官、外務大臣、貴族院議員=撮影年月日不明、場所不明、クレジット:国立国会図書館所蔵画像/共同通信イメージズ

    商品コード: 2017080202191

  • (こむら・じゅたろう) 小村寿太郎
    -
    (こむら・じゅたろう) 小村寿太郎

    外交官、外務大臣、貴族院議員=撮影年月日不明、場所不明、クレジット:国立国会図書館所蔵画像/共同通信イメージズ

    商品コード: 2017080202322

  • (せんごく・こうたろう) 千石興太郎
    -
    (せんごく・こうたろう) 千石興太郎

    政治家、貴族院議員=撮影年月日不明、場所不明、クレジット:国立国会図書館所蔵画像/共同通信イメージズ

    商品コード: 2017080400302

  • (みしま・やたろう) 三島弥太郎
    -
    (みしま・やたろう) 三島弥太郎

    銀行家、横浜正金銀行頭取、日本銀行総裁、貴族院議員=撮影年月日不明、場所不明、クレジット:国立国会図書館所蔵画像/共同通信イメージズ

    商品コード: 2017080400266

  • (こいずみ・さくたろう) 小泉策太郎
    -
    (こいずみ・さくたろう) 小泉策太郎

    政治家、ジャーナリスト=撮影年月日不明、場所不明、クレジット:国立国会図書館所蔵画像/共同通信イメージズ

    商品コード: 2017080400273

  • (はやしだ・かめたろう) 林田亀太郎
    -
    (はやしだ・かめたろう) 林田亀太郎

    政治家、衆議院議員、鮫川電力社長、東京毎夕新聞主筆=撮影年月日不明、場所不明、クレジット:国立国会図書館所蔵画像/共同通信イメージズ

    商品コード: 2017080400303

  •  Digital Photograph - Leo Takeshi Hasegawa in Uniform, Sydney, 1940s,
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    Digital Photograph - Leo Takeshi Hasegawa in Uniform, Sydney, 1940s,

    Digital Photograph - Leo Takeshi Hasegawa in Uniform, Sydney, 1940s, Photograph of Leo Takeshi Hasegawa in his Australian army uniform, in Sydney, in the 1940s. Leo (Leonard Takeshi) Hasegawa served in the citizen and interim army service, from 1941-1948, then as a Clerk of Works (Construction) in the Australian Army from 1948-1960. Leo was born in 1906 in Geelong. The son of Japanese migrant Setsutaro Hasegawa, who arrived in Australia in 1897,.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023020506223

  • 本画像はログイン後にご覧いただけます
    -
    濃尾大地震(根尾村水鳥谷倒壊寺院)

    濃尾地震の震源地、根尾谷村の水鳥にあった寺院の倒壊した模様。地震の規模はマグニチュード8.0(理科年表による)、瞬時の倒壊であったろう。=撮影年月日不明、岐阜、撮影者:日下部金兵衛、クレジット:長崎大学附属図書館所蔵/共同通信イメージズ ※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。 [整理番号39‐19‐0]

    商品コード: 2017080902435

  • (みずの・れんたろう) 水野錬太郎、
    -
    (みずの・れんたろう) 水野錬太郎、

    政治家、内務大臣、朝鮮総督府政務総監、文部大臣、貴族院議員=撮影年月日不明、場所不明、クレジット:国立国会図書館所蔵画像/共同通信イメージズ

    商品コード: 2017080400280

  • 本画像はログイン後にご覧いただけます
    -
    (かつら・たろう) 桂太郎

    陸軍大将、政治家、首相=撮影年月日不明、場所不明、クレジット:国立国会図書館所蔵画像/共同通信イメージズ ※ファイルサイズの小さい画像です

    商品コード: 2017080202072

  • 本画像はログイン後にご覧いただけます
    -
    (かつら・たろう) 桂太郎

    陸軍大将、政治家、首相=撮影年月日不明、場所不明、クレジット:国立国会図書館所蔵画像/共同通信イメージズ

    商品コード: 2017080202156

  • 本画像はログイン後にご覧いただけます
    -
    (かつら・たろう) 桂太郎

    陸軍大将、政治家、首相=撮影年月日不明、場所不明、クレジット:国立国会図書館所蔵画像/共同通信イメージズ

    商品コード: 2017080202162

  • 本画像はログイン後にご覧いただけます
    -
    (かつら・たろう) 桂太郎

    陸軍大将、政治家、首相=撮影年月日不明、場所不明、クレジット:国立国会図書館所蔵画像/共同通信イメージズ

    商品コード: 2017080202287

  •  Urashima
    -
    Urashima

    Urashima, Kawanabe, Gyōsai, 1831-1889, artist, [between 1870 and 1890], 1 print : woodcut, color ; 23.4 x 24.2 cm., Print shows Urashima Tarō, a fisherman, sitting on the back of a turtle headed for an undersea palace after rescuing the turtle from a group of children.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019111302503

  •  PAJARO 1992 - VISTA LATERAL.
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    PAJARO 1992 - VISTA LATERAL.

    PAJARO 1992 - VISTA LATERAL. Author: FERNANDO BOTERO. Location: EXPOSICION BOTERO. MADRID. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062511455

  •  The Reader, Oil on canvas, 15 x 11 in.
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    The Reader, Oil on canvas, 15 x 11 in.

    The Reader, Oil on canvas, 15 x 11 in. (38.1 x 27.9 cm), Paintings, Eglon van der Neer (Dutch, Amsterdam 1635/36–1703 Düsseldorf), A young woman looks up from her reading—possibly of an emblem book or illustrated treatise—absorbed in thought or distracted by something unseen. The theme was already well-established in the early 1660s, when this painting was likely made, and in his treatment Van der Neer suggests, in the young woman’s fine but modest attire, the silver writing set and sealing wax, and the extinguished candle (a conventional vanitas symbol), a degree of virtue and cultivation.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020102901169

  •  Woodblock Print Of Yamauba
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    Woodblock Print Of Yamauba

    Japan: c. 1804.Woodblock print of Yamauba breast feeding Kintaro, who was a folk hero in Japanese folklore.、クレジット:Underwood Archives/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020013100679

  •  Kitagawa Utamaro; Iseya Magobei / ‘Danza de año nuevo‘, ca.  1801, Japanese School, Paper, 325 mm x 145 mm, G05647.
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    Kitagawa Utamaro; Iseya Magobei / ‘Danza de año nuevo‘, ca. 1801, Japanese School, Paper, 325 mm x 145 mm, G05647.

    Kitagawa Utamaro; Iseya Magobei / ‘Danza de año nuevo‘, ca. 1801, Japanese School, Paper, 325 mm x 145 mm, G05647. Museum: MUSEO DEL PRADO, MADRID, SPAIN.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020052801195

  •  JUTARO COUNT KOMURA
    -
    JUTARO COUNT KOMURA

    JUTARO count KOMURA Japanese statesman Date: 1855 - 1911、クレジット:Mary Evans Picture Library/共同通信イメージズ

    商品コード: 2019080211101

  •  Scandinavia. Middle Ages. Oil lamps made of soapstone clay were alternatives to tallow candles. Iron lamps were also used. Histo
    -
    Scandinavia. Middle Ages. Oil lamps made of soapstone clay were alternatives to tallow candles. Iron lamps were also used. Histo

    Scandinavia. Middle Ages. Oil lamps made of soapstone clay were alternatives to tallow candles. Iron lamps were also used. Historical Museum. Oslo. Norway.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101700357

  • (ふじた・こたろう) 藤田小太郎
    -
    (ふじた・こたろう) 藤田小太郎

    実業家=撮影年月日不明、場所不明、クレジット:国立国会図書館所蔵画像/共同通信イメージズ

    商品コード: 2017080202276

  •  ‘The Soap Boiler: In the background Tallow and alkalies are beig boiled.
    -
    ‘The Soap Boiler: In the background Tallow and alkalies are beig boiled.

    ‘The Soap Boiler: In the background Tallow and alkalies are beig boiled. In foreground are moulds i which the liquid will cooled and set. Hand-coloured woodcut from ‘‘The Book of English Trades‘‘, London, 1823.‘、クレジット:World History Archive/ニューズコム/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019091100667

  •  Mochizuki: Full Moon.
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    Mochizuki: Full Moon.

    Mochizuki: Full Moon. From ‘The Sixty-nine Stations of the Kisokaido Road‘ 1832-1834. Coloured woodblock print. Porters and pack animals transport goods along a road lined with pine trees. Ando Hiroshige also called Ando Tokutaro (1797-1858) Japanese artist and printmaker.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019062622587

  •  Pine trees by a shoreline.
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    Pine trees by a shoreline.

    Pine trees by a shoreline. Coloured woodblock print. Ando Hiroshige also called Ando Tokutaro (1797-1858) Japanese artist and printmaker.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019062622555

  •  Kameyama:  from the series ‘The Fifty-three Stations of the Tokaido‘
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    Kameyama: from the series ‘The Fifty-three Stations of the Tokaido‘

    Kameyama: from the series ‘The Fifty-three Stations of the Tokaido‘, c1832. Coloured woodblock print. Snow covered landscape with pine trees by steep pathwalking up to building at top. Ando Hiroshige also called Ando Tokutaro (1797-1858) Japanese artist and printmaker.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019062622561

  •  山姥と金太郎, Yamauba and Kintarō, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print;
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    山姥と金太郎, Yamauba and Kintarō, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print;

    山姥と金太郎, Yamauba and Kintarō, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/8 in. (38.4 cm); W. 9 3/8 in. (23.8 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro created numerous scenes featuring a mother and child. This print is one of more than thirty he made that depict the relationship between Yamauba and her adopted son, Kintarō (or Kintoki), who grew up to be a legendary hero.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700412

  •  Portrait of Sanjō Kantarō in the Female Role of Yaoya Oshichi in the Play ‘Fuji no Takane‘
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    Portrait of Sanjō Kantarō in the Female Role of Yaoya Oshichi in the Play ‘Fuji no Takane‘

    Portrait of Sanjō Kantarō in the Female Role of Yaoya Oshichi in the Play ‘Fuji no Takane‘ (‘The High Peak of Mount Fuji‘), Edo period (1615–1868), ca. 1730–40, Japan, Tan-e (hand-colored print); ink and color on paper, H. 11 3/8 in. (28.9 cm); W. 6 in. (15.2 cm), Prints, Attributed to Torii Kiyomasu II (Japanese, 1706–1763), This print portrays Sanjō Kantarō, an actor who specialized in female impersonation. By isolating the actor and the mirror in the undefined space, Kiyomasu created an iconic image.The backward-facing mirror, withholding the actor‘s reflection, encourages the viewer to imagine what Kantarō sees.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700442

  •  Shells under Water, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper,
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    Shells under Water, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper,

    Shells under Water, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, 9 1/8 x 14 7/8 in. (23.2 x 37.8 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700303

  •  忠臣蔵四段目, Edo period (1615–1868), ca. 1798, Japan, Polychrome woodblock print; ink and color on paper,
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    忠臣蔵四段目, Edo period (1615–1868), ca. 1798, Japan, Polychrome woodblock print; ink and color on paper,

    忠臣蔵四段目, Edo period (1615–1868), ca. 1798, Japan, Polychrome woodblock print; ink and color on paper, H. 13 in. (33 cm); W. 8 7/8 in. (22.5 cm); Diam. of circle 8 3/8 in. (21.3 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700224

  •  Shadows on the Shoji, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print; ink and color on paper,
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    Shadows on the Shoji, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print; ink and color on paper,

    Shadows on the Shoji, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/2 in. (39.4 cm); W. 10 in. (25.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700240

  •  四季の花, A Child Lighting Fireworks, from the illustrated book Flowers of the Four Seasons, Edo period (1615–1868), 1801,
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    四季の花, A Child Lighting Fireworks, from the illustrated book Flowers of the Four Seasons, Edo period (1615–1868), 1801,

    四季の花, A Child Lighting Fireworks, from the illustrated book Flowers of the Four Seasons, Edo period (1615–1868), 1801, Japan, Polychrome woodblock print; ink and color on paper, 6 3/4 × 9 7/8 in. (17.1 × 25.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700456

  •  The Poet Sōjō Henjō (816–890) Slipping a Letter into a Woman’s Sleeve,
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    The Poet Sōjō Henjō (816–890) Slipping a Letter into a Woman’s Sleeve,

    The Poet Sōjō Henjō (816–890) Slipping a Letter into a Woman’s Sleeve, from the series Five Colors of Love for the Six Poetic Immortals (Goshiki-zome rokkasen), 『五色染六歌仙』 僧正遍昭, Edo period (1615–1868), ca. 1798, Japan, Polychrome woodblock print; ink and color on paper, H. 12 5/8 in. (32.1 cm); W. 8 1/2 in. (21.6 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700458

  •  風俗美人時計 子ノ刻 妾, Midnight: Mother and Sleepy Child, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print;
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    風俗美人時計 子ノ刻 妾, Midnight: Mother and Sleepy Child, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print;

    風俗美人時計 子ノ刻 妾, Midnight: Mother and Sleepy Child, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, 14 3/8 x 9 5/8 in. (36.5 x 24.4cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Kitagawa Utamaro, one of the most prolific artists of the genre of portrayal of beautiful women, was extremely interested in images of mother and child in daily life. This print belongs to a series entitled Fuzoku Bijin Tokei (Women‘s Daily Customs).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700539

  •  山姥と金太郎, Yamauba Combing Her Hair and Kintoki, Edo period (1615–1868), ca. 1801, Japan, Polychrome woodblock print;
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    山姥と金太郎, Yamauba Combing Her Hair and Kintoki, Edo period (1615–1868), ca. 1801, Japan, Polychrome woodblock print;

    山姥と金太郎, Yamauba Combing Her Hair and Kintoki, Edo period (1615–1868), ca. 1801, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 10 in. (25.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), The story of Yamamba and Kintoki celebrates the freedom of the spirited mother and son who lived together in the wilderness. Yamamba‘s bare breasts express her maternity and her closeness to the earth.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700492

  •  三婦艶, Three Beauties of the Kwansei Period, Edo period (1615–1868), ca. 1791, Japan, Polychrome woodblock print;
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    三婦艶, Three Beauties of the Kwansei Period, Edo period (1615–1868), ca. 1791, Japan, Polychrome woodblock print;

    三婦艶, Three Beauties of the Kwansei Period, Edo period (1615–1868), ca. 1791, Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/4 in. (38.7 cm); W. 10 1/8 in. (25.7 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700503

  •  Mando, 子供遊に和賀 万度, Lantern Float, Edo period (1615–1868), early 1800s, Japan, Polychrome woodblock print;
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    Mando, 子供遊に和賀 万度, Lantern Float, Edo period (1615–1868), early 1800s, Japan, Polychrome woodblock print;

    Mando, 子供遊に和賀 万度, Lantern Float, Edo period (1615–1868), early 1800s, Japan, Polychrome woodblock print; ink and color on paper, H. 9 1/2 in. (24.1 cm); W. 7 in. (17.8 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700504

  •  Woman Relaxing after Her Bath, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print; ink and color on paper,
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    Woman Relaxing after Her Bath, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print; ink and color on paper,

    ☆Woman Relaxing after Her Bath, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 9 5/8 in. (24.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro was the first artist to use okubi-e, the large-head portrait, to depict women. This format allows him to focus solely on the facial features critical in conveying a woman‘s emotions, while the elimination of the background removes all narrative from the print.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700577

  •  四季の花, Girls Picking Green Leaves, from the illustrated book Flowers of the Four Seasons, Edo period (1615–1868),
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    四季の花, Girls Picking Green Leaves, from the illustrated book Flowers of the Four Seasons, Edo period (1615–1868),

    四季の花, Girls Picking Green Leaves, from the illustrated book Flowers of the Four Seasons, Edo period (1615–1868), 1801, Japan, Polychrome woodblock print; ink and color on paper, 6 13/16 x 9 7/8 in. (17.3 x 25.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700675

  •  柿もぎ, Picking Persimmons ((Kaki mogi)), Edo period (1615–1868), ca. 1803–4, Japan,
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    柿もぎ, Picking Persimmons ((Kaki mogi)), Edo period (1615–1868), ca. 1803–4, Japan,

    柿もぎ, Picking Persimmons ((Kaki mogi)), Edo period (1615–1868), ca. 1803–4, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 15 x 30 in. (38.1 x 76.2 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081010723

  •  三勝と半七, Sankatsu and Hanshichi, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print;
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    三勝と半七, Sankatsu and Hanshichi, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print;

    三勝と半七, Sankatsu and Hanshichi, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, H. 24 1/2 in. (62.2 cm); W. 5 7/8 in. (14.9 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081010726

  •  Courtesan, Shinohara and Kamuro of Tsuruya, Edo period (1615–1868), late 18th century, Japan, Polychrome woodblock print
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    Courtesan, Shinohara and Kamuro of Tsuruya, Edo period (1615–1868), late 18th century, Japan, Polychrome woodblock print

    Courtesan, Shinohara and Kamuro of Tsuruya, Edo period (1615–1868), late 18th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 15 1/8 × 10 1/8 in. (38.4 × 25.7 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081009388

  •  Boating Party with Children Swimming, Edo period (1615–1868), late 18th century, Japan,
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    Boating Party with Children Swimming, Edo period (1615–1868), late 18th century, Japan,

    Boating Party with Children Swimming, Edo period (1615–1868), late 18th century, Japan, Diptych of polychrome woodblock prints; ink and color on paper, H. 13 7/16 in. (34.1 cm); W. 17 5/8 in. (44.8 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081009476

  •  Seeing a Performance, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, H. 9 in.
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    Seeing a Performance, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, H. 9 in.

    Seeing a Performance, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, H. 9 in. (22.9 cm); W. 14 5/8 in. (37.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), A monkey performance is being held at the home of a samurai (seated at the lower left) to ensure good luck during the coming year. The artist‘s suspension of two figures in half-silhouette is a unique usage of the convention.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081009804

  •  Enjoying the Cool Evening Breeze on and under the Bridge, Edo period (1615–1868), ca. 1800, Japan,
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    Enjoying the Cool Evening Breeze on and under the Bridge, Edo period (1615–1868), ca. 1800, Japan,

    Enjoying the Cool Evening Breeze on and under the Bridge, Edo period (1615–1868), ca. 1800, Japan, Two sheets of a hexaptych of polychrome woodblock prints; ink and color on paper, 14 1/4 x 20 1/8 in. (36.2 x 51.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro‘s bridge scene of beautiful courtesans is skilfully composed so as to function as a set of six (at right) or for viewing individually or in pairs as shown here.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081009881

  •  Nihonzutsumi, Nihon embankment.
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    Nihonzutsumi, Nihon embankment.

    Nihonzutsumi, Nihon embankment., Kitagawa, Tsukimaro, active 18th century-19th century, artist, [between 1804 and 1810], 1 print : woodcut ; 22.7 x 34.7 cm., Print shows two porters carrying a sedan chair and a third person with an umbrella walking along embankment with city in the background.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022012813772

  •  Urashima Taro Going Home on the Back of a Tai Fish, the King of the Sea Seeing Him Off, Edo period (1615–1868),
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    Urashima Taro Going Home on the Back of a Tai Fish, the King of the Sea Seeing Him Off, Edo period (1615–1868),

    Urashima Taro Going Home on the Back of a Tai Fish, the King of the Sea Seeing Him Off, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 9/16 x 10 5/16 in. (19.2 x 26.2 cm), Prints, Totoya Hokkei (Japanese, 1780–1850).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021091405561

  •  婦女人相十品 相観, “Woman Holding Up a Parasol” from the series Ten Classes of Women’s Physiognomy
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    婦女人相十品 相観, “Woman Holding Up a Parasol” from the series Ten Classes of Women’s Physiognomy

    婦女人相十品 相観, “Woman Holding Up a Parasol” from the series Ten Classes of Women’s Physiognomy (Fujo ninsō juppen: Higasa o sasu onna), Edo period (1615–1868), ca. 1792–93, Japan, Polychrome woodblock print; ink and color on paper, 15 x 10 1/8 in. (38.1 x 25.7 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021091405563

  •  The Kitchen, Edo period (1615–1868), 1795, Japan, Right-hand sheet of a triptych of polychrome woodblock prints;
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    The Kitchen, Edo period (1615–1868), 1795, Japan, Right-hand sheet of a triptych of polychrome woodblock prints;

    The Kitchen, Edo period (1615–1868), 1795, Japan, Right-hand sheet of a triptych of polychrome woodblock prints; ink and color on paper, 15 x 10 in. (38.1 x 25.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro expanded the scope of the bijin-ga, prints of beautiful women, by removing the traditional idealizing constraints of the genre and placing beautiful women in the context of ordinary life. Among the themes he explored in this broadening of his subject matter were the activities of the kitchen.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021091405565

  •  Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 10 in.
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    Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 10 in.

    Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 10 in. × 15 1/8 in. (25.4 × 38.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021091405589

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