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  •  ARTE S.
    -
    ARTE S.

    ARTE S. XIX. MODERNISMO. ESPAÑA. PALAU DE LA MUSICA CATALANA (1908). Vista de la CLARABOYA central colocada el 9 de abril de 1907 en la sala de audiciones. Diseñada por el arquitecto Lluis Domènech i Montaner y realizada por el Taller Rigalt, Granell y Cía. Cúpula invertida a manera de lámpara ardiente. BARCELONA. Cataluña.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042500592

  •  ARTE S.
    -
    ARTE S.

    ARTE S. XIX. ESPAÑA. CASAS, Ramón (Barcelona, 1866-1932). Pintor catalán, representante del Modernismo. “FIGURA I CLAUSTRE DE SANT BENET DE BAGES“ (FIGURA Y CLAUSTRO DE SANT BENET DE BAGES). Oleo sobre tela. Tamaño: 75 x92 cm. Colección privada.、クレジット:Album/Kurwenal/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042502008

  •  ARTE S.
    -
    ARTE S.

    ARTE S. XIX. MODERNISMO. LLOVET (escultor). VICTORIAS. Grupo escultórico en bronce. Se hallan en la parte superior de la Fuente Monumental (1928-1929), situada en la Plaza de España, diseñada por Josep Maria JUJOL (1879-1949). BARCELONA. Cataluña.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042900413

  •  ARTE S.
    -
    ARTE S.

    ARTE S. XIX. MODERNISMO. DOMENECH I MONTANER, Lluís (1850-1923). CASA LLEO MORERA (1902-1906). FLORON en el punto de arranque de un arco esculpido del primer piso. BARCELONA. Cataluña.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042900499

  •  Sunflowers.
    -
    Sunflowers.

    Sunflowers. Artist: Vincent van Gogh (Dutch, Zundert 1853-1890 Auvers-sur-Oise). Dimensions: 17 x 24 in. (43.2 x 61 cm). Date: 1887.Van Gogh painted four still lifes of sunflowers in Paris in late summer 1887. There is an oil sketch for this picture (Van Gogh Museum, Amsterdam) as well as another painting of two sunflowers also signed and dated 1887 (Kunstmuseum Bern), and a larger canvas showing four sunflower heads (Kröller-Müller Museum, Otterlo). Paul Gauguin acquired the two smaller works, and until the mid-1890s, when he sold his most prized possessions to finance his South Seas voyage, they held pride of place above the bed in his Paris apartment. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020041702760

  •  CRISTALERA - 1900.
    -
    CRISTALERA - 1900.

    CRISTALERA - 1900. Author: ANTONIO GAUDI. Location: Bellesguard. Barcelona. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042302852

  •  Design for a Plate - Leda, Paul Gauguin (French, 1848-1903), Edward Ancourt, Printer (French), 1889,
    -
    Design for a Plate - Leda, Paul Gauguin (French, 1848-1903), Edward Ancourt, Printer (French), 1889,

    Design for a Plate - Leda, Paul Gauguin (French, 1848-1903), Edward Ancourt, Printer (French), 1889, Zincograph with watercolor and gouache on canary yellow wove paper, mounted on cardboard folder, 26-3/8 x 20 x 1/2 in. (portfolio) 11-15/16 x 10-3/16 in. (image), Inscribed and signed in black ink below image: Dessins lithographiques/Paul Gauguin, Inscribed and signed on the plate, in reverse, UR: homis [sic] soit qui mal y pense PGo., Inscribed and dated on the plate outside the circle, in reverse, LC: Projet d‘asiet [sic] en 89, series, Dessins lithographiques (The Volpini Suite).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020041703263

  •  Design for a Plate - Leda, Paul Gauguin (French, 1848-1903), Edward Ancourt, Printer (French), 1889,
    -
    Design for a Plate - Leda, Paul Gauguin (French, 1848-1903), Edward Ancourt, Printer (French), 1889,

    Design for a Plate - Leda, Paul Gauguin (French, 1848-1903), Edward Ancourt, Printer (French), 1889, Zincograph with watercolor and gouache on canary yellow wove paper, mounted on cardboard folder, 26-3/8 x 20 x 1/2 in. (portfolio) 11-15/16 x 10-3/16 in. (image), Inscribed and signed in black ink below image: Dessins lithographiques/Paul Gauguin, Inscribed and signed on the plate, in reverse, UR: homis [sic] soit qui mal y pense PGo., Inscribed and dated on the plate outside the circle, in reverse, LC: Projet d‘asiet [sic] en 89, series, Dessins lithographiques (The Volpini Suite).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020041703284

  •  ARTE SIGLO XX.
    -
    ARTE SIGLO XX.

    ARTE SIGLO XX. MODERNISMO. ESPAÑA. MERCADO CENTRAL DE VALENCIA. Construído en 1928 por los arquitectos Francisco GUARDIA y Alejandro SOLER. Vista de la CÚPULA. Comunidad Valenciana.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042306882

  •  Spain.
    -
    Spain.

    Spain. Catalonia. Santa Coloma de Cervello. Chuch of Colonia Guell by Antonio Gaudi (1852-1926). View of one of the entrances.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042900234

  •  ARTE S.
    -
    ARTE S.

    ARTE S. XIX. MODERNISMO. GAUDI, Antoni (Reus, 1852-Barcelona,1926). Arquitecto modernista. PALAU GÜELL (1886-1890). Una de las mejores obras de Gaudí. Detalle de una de las puertas y ventanas de la austera fachada. BARCELONA. Cataluña.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042900269

  •  ARTE S.
    -
    ARTE S.

    ARTE S. XIX. MODERNISMO. ESPAÑA. ARNAU I MASCORT, Eusebi (1863-1933). PALAU DE LA MUSICA CATALANA. Detalle de uno de los bustos existentes en el hemiciclo de la sala de conciertos, con la representación de una MUSA con instrumento musical. Los mosaicos son obra de Mario MARAGLIANO. BARCELONA. Cataluña.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042900369

  •  Folio f 190v.
    -
    Folio f 190v.

    Folio f 190v. Codex Madrid I (Ms. 8937) “Treaty of statics and mechanics“, 192 folios with 384 pages. Internal format: 215 x 145 mm. APPLIED MECHANICS (MACHINES AND WITS). PRINCIPLES OF MECHANICS, CINEMATICS, DYNAMICS. OBSERVATION OF NATURE. Museum: BIBLIOTECA NACIONAL DE ESPAÑA, MADRID. Author: LEONARDO DA VINCI.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031604299

  •  ‘Satan chained‘.
    -
    ‘Satan chained‘.

    ‘Satan chained‘. ‘Satan expell‘d from Heaven.‘. [The Political History of the Devil.] Satan‘s Devices; or, the Political history of the devil: ancient and modern ... A new edition, with engravings. London : T. Kelly, 1819. Source: 1490.b.31 frontispiece and title page. Author: DANIEL DEFOE. RAPHAEL (RAFFAELLO SANZIO).、クレジット:Album/British Library/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062303564

  •  Poster for the concert Divan Japonais.
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    Poster for the concert Divan Japonais.

    Poster for the concert Divan Japonais. Toulouse-Lautrec, Henri de, 1864-1901, French painter, printmaker, draughtsman and illustrator. The theme is often the colourful and theatrical life of Paris in late 19th century France.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031700800

  •  Henri de Toulouse-Lautrec: Jane Avril,  1899. National Gallery of Art, Washington DC.
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    Henri de Toulouse-Lautrec: Jane Avril, 1899. National Gallery of Art, Washington DC.

    Jane Avril. Dated: 1899. Dimensions: image: 56 x 38 cm (22 1/16 x 14 15/16 in.) sheet: 56 x 38 cm (22 1/16 x 14 15/16 in.). Medium: 5-color lithograph [poster] on thin wove paper. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.、クレジット:Album/National Gallery of Art,Washington DC/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031700860

  •  At the Renaissance: Sarah Bernhardt in “Phedre“ (A la Renaissance: Sarah Bernhardt dans “Phèdre“).
    -
    At the Renaissance: Sarah Bernhardt in “Phedre“ (A la Renaissance: Sarah Bernhardt dans “Phèdre“).

    At the Renaissance: Sarah Bernhardt in “Phedre“ (A la Renaissance: Sarah Bernhardt dans “Phèdre“). Dated: 1893. Medium: lithograph in black on velin paper. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.、クレジット:Album/National Gallery of Art,Washington DC/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031700913

  •  Caudieux (Poster).
    -
    Caudieux (Poster).

    Caudieux (Poster). Museum: State A. Pushkin Museum of Fine Arts, Moscow. Author: HENRI DE TOULOUSE-LAUTREC.、クレジット:Album/Fine Art Images/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031700918

  •  Jane Avril at the Jardin de Paris (Poster).
    -
    Jane Avril at the Jardin de Paris (Poster).

    Jane Avril at the Jardin de Paris (Poster). Museum: State A. Pushkin Museum of Fine Arts, Moscow. Author: HENRI DE TOULOUSE-LAUTREC.、クレジット:Album/Fine Art Images/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031701002

  •  Schubert at the piano (Sketch).
    -
    Schubert at the piano (Sketch).

    Schubert at the piano (Sketch). Museum: PRIVATE COLLECTION. Author: GUSTAV KLIMT.、クレジット:Album/Fine Art Images/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030207030

  •  Portrait of Emilie Flöge.
    -
    Portrait of Emilie Flöge.

    Portrait of Emilie Flöge. Museum: Vienna Museum. Author: GUSTAV KLIMT.、クレジット:Album/Fine Art Images/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030207032

  •  Goldfish.
    -
    Goldfish.

    Goldfish. Museum: Kunstmuseum Solothurn. Author: GUSTAV KLIMT.、クレジット:Album/Fine Art Images/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030207040

  •  Judith.
    -
    Judith.

    Judith. Museum: sterreichische Galerie Belvedere, Vienna. Author: GUSTAV KLIMT.、クレジット:Album/Fine Art Images/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030207046

  •  Fir Forest I.
    -
    Fir Forest I.

    Fir Forest I. Museum: Kunsthaus Zug, Collection Kamm. Author: GUSTAV KLIMT.、クレジット:Album/Fine Art Images/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030207053

  •  After the rain (Garden with chickens in St. Agatha).
    -
    After the rain (Garden with chickens in St. Agatha).

    After the rain (Garden with chickens in St. Agatha). Museum: ヨsterreichische Galerie Belvedere, Vienna. Author: GUSTAV KLIMT.、クレジット:Album/Fine Art Images/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030207062

  •  The Carriage of Thespis.
    -
    The Carriage of Thespis.

    The Carriage of Thespis. Museum: BURGTHEATER, VIENNA. Author: GUSTAV KLIMT.、クレジット:Album/Fine Art Images/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030207064

  •  Eugenia Primavesi.
    -
    Eugenia Primavesi.

    Eugenia Primavesi. Museum: Toyota Municipal Museum of Art. Author: GUSTAV KLIMT.、クレジット:Album/Fine Art Images/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030207080

  •  Egypt I. Spandrel above the grand staircase, Kunsthistorisches Museum, Vienna.
    -
    Egypt I. Spandrel above the grand staircase, Kunsthistorisches Museum, Vienna.

    Egypt I. Spandrel above the grand staircase, Kunsthistorisches Museum, Vienna. Museum: Art History Museum, Vienne. Author: GUSTAV KLIMT.、クレジット:Album/Fine Art Images/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030207089

  •  Nude lying.
    -
    Nude lying.

    Nude lying. Museum: PRIVATE COLLECTION. Author: GUSTAV KLIMT.、クレジット:Album/Fine Art Images/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030207100

  •  Mäda Primavesi (1903-2000).
    -
    Mäda Primavesi (1903-2000).

    Mäda Primavesi (1903-2000). Artist: Gustav Klimt (Austrian, Baumgarten 1862-1918 Vienna). Dimensions: 59 x 43 1/2 in. (149.9 x 110.5 cm). Date: 1912-13.Mäda Primavesi‘s expression and posture convey a remarkable degree of confidence for a nine-year-old girl, even one who was, by her own account, willful and a tomboy. Klimt made numerous preliminary sketches for this portrait, experimenting with different poses, outfits, and backgrounds before deciding to show Mäda standing tall in a specially-made dress amid a profusion of springlike patterns. The picture testifies to the sophisticated taste of her parents, banker and industrialist Otto Primavesi and his wife Eugenia, who were ardent supporters of progressive Viennese art and design. In fact, Klimt soon painted Eugenia‘s portrait (Toyota Municipal Museum of Art, Japan). Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030207102

  •  Sitzende mit gerafftem Rock Seated Figure with Gathered up Skirt.
    -
    Sitzende mit gerafftem Rock Seated Figure with Gathered up Skirt.

    Sitzende mit gerafftem Rock Seated Figure with Gathered up Skirt. Date/Period: 1910. Drawing. Height: 560 mm (22.04 in); Width: 370 mm (14.56 in). Author: GUSTAV KLIMT.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030207106

  •  Head of a Woman.
    -
    Head of a Woman.

    Head of a Woman. Museum: Oberösterreichisches Landesmuseum. Author: GUSTAV KLIMT.、クレジット:Album/Fine Art Images/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030207128

  •  Portrait of Joseph Pembaur, the Pianist and Composer.
    -
    Portrait of Joseph Pembaur, the Pianist and Composer.

    Portrait of Joseph Pembaur, the Pianist and Composer. Museum: Tiroler Landesmuseum Ferdinandeum, Innsbruck. Author: GUSTAV KLIMT.、クレジット:Album/Fine Art Images/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030207144

  •  Portrait of Hermine Gallia.
    -
    Portrait of Hermine Gallia.

    Portrait of Hermine Gallia. Museum: National Gallery, London. Author: GUSTAV KLIMT.、クレジット:Album/Fine Art Images/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030207147

  •  GUSTAV KLIMT: Rosiers sous les arbres Rosebushes under the Trees. Date/Period: Ca. 1905.
    -
    GUSTAV KLIMT: Rosiers sous les arbres Rosebushes under the Trees. Date/Period: Ca. 1905.

    Rosiers sous les arbres Rosebushes under the Trees. Date/Period: Ca. 1905. Painting. Oil on canvas. Height: 1,100 mm (43.30 in); Width: 1,100 mm (43.30 in). Author: GUSTAV KLIMT.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030207154

  •  Daniel en el foso de los leones. Antiguo Testamento. Grabado coloreado.
    -
    Daniel en el foso de los leones. Antiguo Testamento. Grabado coloreado.

    Daniel en el foso de los leones. Antiguo Testamento. Grabado coloreado.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019090302689

  •  LA NOVA CATALUNYA,SITGES,XIX PERIODIC PORTAVEU DEL MODERNISME CATALA. B.C.
    -
    LA NOVA CATALUNYA,SITGES,XIX PERIODIC PORTAVEU DEL MODERNISME CATALA. B.C.

    LA NOVA CATALUNYA,SITGES,XIX PERIODIC PORTAVEU DEL MODERNISME CATALA. B.C. Museum: BIBLIOTECA DE CATALUNYA.、クレジット:Album/Ramon Manent/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019081507727

  •  La Justicia y la Ley. La Justicia. Tríptico de decorativo del Palau de la Justícia de Barcelona, 1908. Óleo sobre lienzo. Palau
    -
    La Justicia y la Ley. La Justicia. Tríptico de decorativo del Palau de la Justícia de Barcelona, 1908. Óleo sobre lienzo. Palau

    La Justicia y la Ley. La Justicia. Tríptico de decorativo del Palau de la Justícia de Barcelona, 1908. Óleo sobre lienzo. Palau de la Justícia de Barcelona. Author: JOAN LLIMONA.、クレジット:Album/Ramon Manent/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019081507816

  •  Les Regates, 1896. Museu del Modernisme Català. Barcelona.
    -
    Les Regates, 1896. Museu del Modernisme Català. Barcelona.

    Les Regates, 1896. Museu del Modernisme Català. Barcelona. Author: Joan Llaverías.、クレジット:Album/Ramon Manent/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019081507729

  •  Esmalte modernista.
    -
    Esmalte modernista.

    Esmalte modernista. Museum: Círculo del Liceo, Barcelona. Author: ALEXANDRE DE RIQUER.、クレジット:Album/Ramon Manent/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019081508061

  •  Fachada con escudo, Puertas de entrada. Palacio Güell, (1886-1991). Carrer Nou, Barcelona , España.
    -
    Fachada con escudo, Puertas de entrada. Palacio Güell, (1886-1991). Carrer Nou, Barcelona , España.

    Fachada con escudo, Puertas de entrada. Palacio Güell, (1886-1991). Carrer Nou, Barcelona , España. Author: Gaudi, Antoni, architect.、クレジット:Album/M.C./共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019080101161

  •  BOVEDAS DEL SALON DE BELLESGUARD - 1900.
    -
    BOVEDAS DEL SALON DE BELLESGUARD - 1900.

    BOVEDAS DEL SALON DE BELLESGUARD - 1900. Author: ANTONI GAUDI (1852-1926). Location: Bellesguard. Barcelona. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021030303337

  •  INTERIOR DE UNA DE LAS TORRES DE LA SAGRADA FAMILIA - SIGLO XX.
    -
    INTERIOR DE UNA DE LAS TORRES DE LA SAGRADA FAMILIA - SIGLO XX.

    INTERIOR DE UNA DE LAS TORRES DE LA SAGRADA FAMILIA - SIGLO XX. Author: ANTONI GAUDI (1852-1926). Location: SAGRADA FAMILIA. Barcelona. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021030303343

  •  INTERIOR DE LA ESTACION DE FRANCIA INAGUGURADA EN 1929 - MODERNISMO CATALAN.
    -
    INTERIOR DE LA ESTACION DE FRANCIA INAGUGURADA EN 1929 - MODERNISMO CATALAN.

    INTERIOR DE LA ESTACION DE FRANCIA INAGUGURADA EN 1929 - MODERNISMO CATALAN. Author: PEDRO MUGURUZA / FERNANDO GALLEGO HERRERA. Location: ESTACION DE FRANCIA. Barcelona. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021030303349

  •  INTERIOR DE LA ESTACION DE FRANCIA INAGUGURADA EN 1929 - MODERNISMO CATALAN.
    -
    INTERIOR DE LA ESTACION DE FRANCIA INAGUGURADA EN 1929 - MODERNISMO CATALAN.

    INTERIOR DE LA ESTACION DE FRANCIA INAGUGURADA EN 1929 - MODERNISMO CATALAN. Author: PEDRO MUGURUZA / FERNANDO GALLEGO HERRERA. Location: ESTACION DE FRANCIA. Barcelona. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021030303353

  •  REMATE DE UN PINACULO DE LA SAGRADA FAMILIA - SIGLO XX.
    -
    REMATE DE UN PINACULO DE LA SAGRADA FAMILIA - SIGLO XX.

    REMATE DE UN PINACULO DE LA SAGRADA FAMILIA - SIGLO XX. Author: ANTONI GAUDI (1852-1926). Location: SAGRADA FAMILIA. Barcelona. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021030303287

  •  Germany.
    -
    Germany.

    Germany. Berlin. Jewish Museum Berlin. Built in 1999 by architect estadonidense of Jewish origin and born in Poland, Daniel Libeskind (1946). Garden of Exile made __of 49 concrete pillars filled with soil from Berlin less the central one that contains soil of Jerusalem.、クレジット:Album/M. Flynn/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020070107643

  •  Robinson Crusoe
    -
    Robinson Crusoe

    Robinson Crusoe, after the shipwreck, washed onto the rocks by the waves. Chromolithograph from ‘The Life and Strange Surprising Adventures of Robinson Crusoe‘ by Daniel Defoe (London, 1891). The book was first published in 1719. Illustration by John Dawson Watson (1832-1892). 、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。 ※ファイルサイズの小さい画像です。

    商品コード: 2019030604015

  •  Nicolau Raurich i Petre (1871-1945). Catalan painter. Landscape. Oil on canvas. Diocesan Museum. Barcelona, Catalonia, Spain.
    -
    Nicolau Raurich i Petre (1871-1945). Catalan painter. Landscape. Oil on canvas. Diocesan Museum. Barcelona, Catalonia, Spain.

    Nicolau Raurich i Petre (1871-1945). Catalan painter. Landscape. Oil on canvas. Diocesan Museum. Barcelona, Catalonia, Spain.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101504472

  •  The Story of Lucretia‘.
    -
    The Story of Lucretia‘.

    The Story of Lucretia‘. Jörg Breu the Elder (ca 1475-1537) German painter. Pen and black ink on paper.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019022107074

  •  Restoring ‘prosperity‘ by Udo Keppler
    -
    Restoring ‘prosperity‘ by Udo Keppler

    Restoring ‘prosperity‘ by Udo Keppler, 1872-1956, artist 1893. Print shows President Cleveland and five men using ‘Sound Policy Cement‘ to repair a statue labelled ‘Nat. Prosperity‘. Shown with Cleveland are John G. Carlisle, William L. Wilson, Daniel W. Voorhees, Charles Tracey, and Michael D. Harter.、クレジット:World History Archive/ニューズコム/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020042003468

  •  Train Smoke. Date/Period: 1900. Painting. 84x109 cm.
    -
    Train Smoke. Date/Period: 1900. Painting. 84x109 cm.

    Train Smoke. Date/Period: 1900. Painting. 84x109 cm. Author: EDVARD MUNCH.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031304227

  •  La Madone, huile sur toile d‘Edvard Munch (1894, musée Munch à Oslo).
    -
    La Madone, huile sur toile d‘Edvard Munch (1894, musée Munch à Oslo).

    La Madone, huile sur toile d‘Edvard Munch (1894, musée Munch à Oslo). Date/Period: 1894. Painting. Oil on canvas. 90x68 cm.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031304336

  •  Daniel Lock (1681-1754) English archtect of the Foundling Hospital
    -
    Daniel Lock (1681-1754) English archtect of the Foundling Hospital

    Daniel Lock (1681-1754) English archtect of the Foundling Hospital, London. Founder of the Lock Hospital, the plans of which he is holding. Engraving、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019053006682

  •  Case for a pipe.
    -
    Case for a pipe.

    Case for a pipe. Ceylon (now Sri Lanka), c 1700-1725, ivory. Long-stemmed Gouda pipes were very popular with the Dutch, including those living in the topics. Since the clay pipes were fragile, protective cases for them were not an undue luxury. This ivory case from Ceylon is ornamented with flowing branches, a decoration that found great favour among Europeans. On the short end of the lid is a pipe-smoking Dutchman.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019042604856

  •  Exterior facade of the Doge‘s Palace in Venice
    -
    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401414

  •  Interior courtyard
    -
    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401417

  •  Interior courtyard
    -
    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401365

  •  Interior courtyard
    -
    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401367

  •  Exterior facade of the Doge‘s Palace in Venice
    -
    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401374

  •  Interior courtyard
    -
    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401380

  •  Exterior facade of the Doge‘s Palace in Venice
    -
    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401361

  •  Exterior facade of the Doge‘s Palace in Venice
    -
    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401460

  •  architectural feature on the facade of the Doge‘s Palace in Venice
    -
    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 157、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401462

  •  architectural feature on the facade of the Doge‘s Palace in Venice
    -
    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401504

  •  Interior courtyard
    -
    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401510

  •  (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice
    -
    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401513

  •  Interior courtyard
    -
    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401514

  •  architectural feature on the facade of the Doge‘s Palace in Venice
    -
    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401479

  •  Exterior facade of the Doge‘s Palace in Venice
    -
    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401485

  •  Exterior facade of the Doge‘s Palace in Venice
    -
    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401471

  •  architectural feature from the Doge‘s Palace in Venice
    -
    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401519

  •  architectural feature from the Doge‘s Palace in Venice
    -
    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401523

  •  (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice
    -
    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401525

  •  architectural feature from the Doge‘s Palace in Venice
    -
    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401532

  •  Restoring ‘prosperity‘
    -
    Restoring ‘prosperity‘

    Restoring ‘prosperity‘‘ President Cleveland and five men using ‘Sound Policy Cement‘ to repair a statue labelled ‘Nat. Prosperity‘. Shown with Cleveland are John G. Carlisle, William L. Wilson, Daniel W. Voorhees, Charles Tracey, and Michael D. Harter.、クレジット:World History Archive/ニューズコム/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020042002841

  •  Launched at last!
    -
    Launched at last!

    Launched at last! - good luck to her!‘ Cherub labelled ‘1894‘ smashing a bottle of champagne as he launches a large, modern ship, the Ship of State, under the banner ‘Tariff Reform‘ with Grover Cleveland and members of his cabinet standing on the bow waving their hats; in the background, the spector of ‘1893‘ hovers over a sailing ship labelled ‘McKinley Tariff‘. Among those with Cleveland are Walter Q. Gresham, John G. Carlisle, Richard Olney, and either Daniel S. Lamont or Vice President Adlai E. Stevenson.、クレジット:World History Archive/ニューズコム/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020042002845

  •  He keeps them worried
    -
    He keeps them worried

    He keeps them worried‘ Former president Grover Cleveland and his wife Frances playing with their children, Ruth, Esther, and Marion, in the backyard of their residence, and several men labelled ‘Morgan, Daniel, Pugh, Faulkner, Vest, Dana, [and] Gorman‘ spying on them from behind a fence, bushes, and over a hedge.、クレジット:World History Archive/ニューズコム/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020042002918

  •  Palacio del Barón de Quadras, 1904-1906. Salón principal que da a la tribuna de la calle Rosselló. Columnas de mármol culminadas
    -
    Palacio del Barón de Quadras, 1904-1906. Salón principal que da a la tribuna de la calle Rosselló. Columnas de mármol culminadas

    Palacio del Barón de Quadras, 1904-1906. Salón principal que da a la tribuna de la calle Rosselló. Columnas de mármol culminadas con capiteles y arcos. Actual sede del Institut Ramon Llull. Bien de Interés Cultural. Modernismo. Barcelona. Author: JOSEP PUIG I CADAFALCH.、クレジット:Album/Ramon Manent/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019081508088

  •  Plate, multicolored painted with Deutsche Blumen, insects and fruits, Round soup plate of painted porcelain.
    -
    Plate, multicolored painted with Deutsche Blumen, insects and fruits, Round soup plate of painted porcelain.

    Plate, multicolored painted with Deutsche Blumen, insects and fruits, Round soup plate of painted porcelain. The plate is painted with Deutsche Blumen, insects and fruits. The border is embossed with the Neuozier pattern. The plate is marked and belongs to a service, Meissener Porzellan Manufaktur, Meissen, c. 1750 - c. 1760, porcelain (material), d 23.5 cm × h 4.5 cm.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023041212309

  •  The Last Supper The Last Supper, On a rising plank floor stands the table,
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    The Last Supper The Last Supper, On a rising plank floor stands the table,

    The Last Supper The Last Supper, On a rising plank floor stands the table, around which a U-shaped bench with trestle-shaped legs is placed. Behind the table sits Christ amidst the cramped apostles between John, who rests his head on Christ‘s chest, and Peter, who is half turned toward him and leans on the table with his left arm. Behind this group are five, probably standing, apostles. Christ hands the bread to Judas with one hand and has the left one before him on the table. Two apostles are talking on the left: the front one is sitting on the couch, on which Judas and two other apostles are seated. Judas, whose face shows coarser features than that of the other figures, raises both hands and has the money pouch standing beside him on the bank. The apostle in the front right-hand side sits with folded hands and looks at the bread, the apostle sitting next to him, with chubby cheeks, ga、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023041211787

  •  Sand spreader, Spreader has seven holes.
    -
    Sand spreader, Spreader has seven holes.

    Sand spreader, Spreader has seven holes., Manufactuur Oud-Loosdrecht, Loosdrecht, c. 1778 - c. 1782, porcelain (material), h 3.6 cm × d 3.8 cm.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023041211683

  •  Plate, multicolored painted with Deutsche Blumen, insects and fruits, Round plate of painted porcelain.
    -
    Plate, multicolored painted with Deutsche Blumen, insects and fruits, Round plate of painted porcelain.

    Plate, multicolored painted with Deutsche Blumen, insects and fruits, Round plate of painted porcelain. The plate is painted with Deutsche Blumen, insects and fruits. The border is embossed with the Neuozier pattern. The plate is marked and belongs to a service, Meissener Porzellan Manufaktur, Meissen, c. 1750 - c. 1760, porcelain (material), h 3.5 cm × d 24.5 cm.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023041805117

  •  edificio modernista creado por el arquitecto catalán Josep Puig i Cadafalch en 1898 por encargo del empresario Joaquim Coll i Re
    -
    edificio modernista creado por el arquitecto catalán Josep Puig i Cadafalch en 1898 por encargo del empresario Joaquim Coll i Re

    edificio modernista creado por el arquitecto catalán Josep Puig i Cadafalch en 1898 por encargo del empresario Joaquim Coll i Regàs, un importante fabricante téxtil de Mataró (Barcelona).、クレジット:Album/Ramon Manent/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019080604342

  •  WALK.
    -
    WALK.

    ‘Walk‘. France, Before 1921. Dimensions: 79,5x168 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES GUERIN.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020071406018

  •  The Harvest.
    -
    The Harvest.

    The Harvest. Culture: Flemish, Brussels. Dimensions: H. 110 1/4 x W. 114 inches; 280 x 289.6 cm (as measured by Textile Conservation in 1984). Maker: Weaver: Urbanus Leyniers (Flemish, 1674-1747); Weaver: Daniel Leyniers III (Flemish, 1669-1728). Date: 1712-28.Depicting a group of peasants dancing while others load a wagon with hay, this piece belonged to a set of genre tapestries loosely inspired by the paintings of David Teniers the Younger (1610-1690). During the late seventeenth and early eighteenth centuries, the Brussels workshops produced large numbers of these so-called Teniers tapestries from cartoons by artists like Jan van Orley and Augustin Coppens. クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020040301650

  •  Astronomer with telescope, Astronomer with telescope, telescope, copperplate engraving, fig.
    -
    Astronomer with telescope, Astronomer with telescope, telescope, copperplate engraving, fig.

    Astronomer with telescope, Astronomer with telescope, telescope, copperplate engraving, fig. F, after p. 40, 1647, Johannes Hevelius: Johannis Hevelii Selenographia sive lunae descriptio atque accurata, tam macularum ejus, ... delineatio, ...; addita est, lentes expoliendi nova ratio, ut et telescopia diversa construendi, et experiendi, ... explicatur. Gedani: Hünefeld, 1647.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023012909868

  •  Daniel Seghers; Cornelis Schut / ‘Garland with the Virgin and Child‘, 17th century, Flemish School.
    -
    Daniel Seghers; Cornelis Schut / ‘Garland with the Virgin and Child‘, 17th century, Flemish School.

    Daniel Seghers; Cornelis Schut (?) / ‘Garland with the Virgin and Child‘, 17th century, Flemish School, Oil on copper, 84 cm x 55 cm, P01910. Museum: MUSEO DEL PRADO, MADRID, SPAIN.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020052803166

  •  Daniel‘s
    -
    Daniel‘s

    Daniel‘s, one of the four great Hebrew prophets, vision of the beasts: ‘Four great Beasts came up from the sea, diverse one from another‘. ‘Bible‘: Daniel 7:3. Copperplate engraving 1804、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019072409005

  •  Interior detail from the Palazzo Vecchio
    -
    Interior detail from the Palazzo Vecchio

    Interior detail from the Palazzo Vecchio, Florence, Italy. A massive, Romanesque fortress-palace designed by the architect Arnolfo di Cambio. Internally, The first courtyard was designed in 1453 by Michelozzo. In the lunettes, high around the courtyard, are crests of the Church and City Guilds. In the centre, the porphyry fountain is by Battista del Tadda. This image shows a Latin inscription with painted flourishes of mythical creatures.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019061803612

  •  Interior detail from the Palazzo Vecchio
    -
    Interior detail from the Palazzo Vecchio

    Interior detail from the Palazzo Vecchio, Florence, Italy. A massive, Romanesque fortress-palace designed by the architect Arnolfo di Cambio. Internally, The first courtyard was designed in 1453 by Michelozzo. In the lunettes, high around the courtyard, are crests of the Church and City Guilds. In the centre, the porphyry fountain is by Battista del Tadda. This image shows the heavily detailed, painted ceilings.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019061803556

  •  HERMANAS ESPAÑOLAS - 150x180x75 - TECNICA MIXTA- 1995-96.
    -
    HERMANAS ESPAÑOLAS - 150x180x75 - TECNICA MIXTA- 1995-96.

    HERMANAS ESPAÑOLAS - 150x180x75 - TECNICA MIXTA- 1995-96. Author: VICTORIA CIVERA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062511424

  •  RITO DEL OTOÑO - 1982 - O/L - 130x75.
    -
    RITO DEL OTOÑO - 1982 - O/L - 130x75.

    RITO DEL OTOÑO - 1982 - O/L - 130x75. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020052902331

  •  EL BAÑO TURCO A PARTIR DE INGRES - 2004 - TEMPLE/MADERA - 60 CM DE DIAMETRO.
    -
    EL BAÑO TURCO A PARTIR DE INGRES - 2004 - TEMPLE/MADERA - 60 CM DE DIAMETRO.

    EL BAÑO TURCO A PARTIR DE INGRES - 2004 - TEMPLE/MADERA - 60 CM DE DIAMETRO. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031103341

  •  Spain.
    -
    Spain.

    Spain. Catalonia. Barcelona. Basilica and Expiatory Church of the Holy Family. Designed by catalan architect Antonio Gaudi (1852-1926). Modernist style. The Nativity (facade to the East). Constructed between 1894-1930. Singing Angels. Esculpted by Llorenc Matamala i Pinol (1856-1925).、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020032601073

  •  PATCHWORK  52 - 1997 - 350x270.
    -
    PATCHWORK 52 - 1997 - 350x270.

    PATCHWORK 52 - 1997 - 350x270. Author: JORGE GALINDO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022102709244

  •  EL CALIDO ABRAZO - SIGLO XX.
    -
    EL CALIDO ABRAZO - SIGLO XX.

    EL CALIDO ABRAZO - SIGLO XX. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022110607892

  •  Night Clock; Case and hardstone mosaics by Giovanni Battista Foggini, Italian, 1652 - 1725,
    -
    Night Clock; Case and hardstone mosaics by Giovanni Battista Foggini, Italian, 1652 - 1725,

    Night Clock; Case and hardstone mosaics by Giovanni Battista Foggini, Italian, 1652 - 1725, Woodwork by Leonard van der Vinne, Flemish, active second half of 17th century - 1713, in the Galleria de‘Lavori in pietre dure, Italian, active 1588 - present, Bronze figures attributed to Massimiliano Soldani-Benzi, Italian, 1656 - 1740, Mechanism by Francesco Papillion, Italian, active turn of 18th century; Florence, Italy, Tuscany, Europe; 1704 - 1705; Ebony, gilt bronze, and semiprecious stones including chalcedony, jasper, lapis lazuli, and verde d‘Arno; Object: 95 x 63 x 28 cm(37 3/8 x 24 13/16 x 11 in.).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022010507043

  •  Wilfred the Hairy (Girona, ca.
    -
    Wilfred the Hairy (Girona, ca.

    Wilfred the Hairy (Girona, ca. 840-Tremp, 897). Count of Barcelona (878-897), Count of Urgell and Cerdanya (from 870), Girona and Besalu (from 878) and Ausona (from 878). Legend: creation of the coat of arms from which the Catalan flag (the Senyera) was originated. Frankish king Charles the Bald (823-877) slide Wilfred‘s blood-stained fingers over the Count‘s copper shield. Painting by Claudio Lorenzale (1815-1889). Real Academia Catalana de Belles Arts de Sant Jordi, Barcelona. Catalonia, Spain.、クレジット:Album/Kurwenal/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042704155

  •  INTERIOR DE LA IGLESIA - SIGLO XX - MODERNISMO CATALAN.
    -
    INTERIOR DE LA IGLESIA - SIGLO XX - MODERNISMO CATALAN.

    INTERIOR DE LA IGLESIA - SIGLO XX - MODERNISMO CATALAN. Author: ANTONIO GAUDI. Location: COLONIA GワELL. SANTA COLOMA DE GRAMENET. Barcelona. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020032603646

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