ダーニの写真・画像 : 報道写真の共同通信イメージリンク

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architectural feature from the Doge‘s Palace in Venice

(Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401527

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architectural feature from the Doge‘s Palace in Venice

(Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401534

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(Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

(Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401537

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Interior courtyard

Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401539

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401492

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architectural feature from the Doge‘s Palace in Venice

(Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401493

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sculpture at the Doge‘s Palace in Venice

(Detail) sculpture at the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401494

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401495

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architectural feature from the Doge‘s Palace in Venice

(Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401529

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sculpture at the Doge‘s Palace in Venice

(Detail) sculpture at the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401515

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401509

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Interior courtyard

Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401487

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401490

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401483

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Mammon.

Mammon. In the New Testament of the Bible, is material wealth or greed, most often personified as a deity. Drawing by Alejandro Schneider. Engraving by J. Weber. La Ilustracion Artistica, 1896.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020070806535

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Bell krater depicting a winged Nike offering a libation to a young nude rider. Interpreted as a equestrian heroization of the de

Bell krater depicting a winged Nike offering a libation to a young nude rider. Interpreted as a equestrian heroization of the deceased received by the winged Victory on his journey to the afterlife. 2nd half of the 5th century BC. Clay. Iberian culture. Necropolis of Tutugi, Zone I, Grave 11. Greek production. From Galera (Granada province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019081605556

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Girl at the Piano (The Overture to Tannhauser).

‘Girl at the Piano (The Overture to Tannhauser)‘. France, Circa 1868. Dimensions: 57,8x92,5 cm. Museum: State Hermitage, St. Petersburg. Author: PAUL CEZANNE.、クレジット：Ａｌｂｕｍ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031923251

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Portrait of Mme Cézanne after Cézanne.

Portrait of Mme Cézanne after Cézanne. Artist: Juan Gris (Spanish, Madrid 1887-1927 Boulogne-sur-Seine). Dimensions: 8 1/4 x 6 1/2 in. (21 x 16.5 cm). Date: Beaulieu (present-day Beaulieu-les-Loches), 1916.Gris based this image on a postcard reproduction of Paul Cézanne‘s portrait of his wife Hortense Fiquet. (The actual canvas, which Gris never saw, is owned by the Art Institute of Chicago.) During World War I, Cézanne‘s art was touted as a continuation of France‘s grand artistic tradition, and he was credited for emphasizing the permanence and stability of geometric forms. In defining his new style of Synthetic Cubism, Gris claimed that “Cézanne turns a bottle into a cylinder, but I begin with a cylinder and create an individual [object] of a specific type: I make a bottle--a particular bottle--out of a cylinder.“. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031923434

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ARTE S.

ARTE S. XIX. MODERNISMO. GALLISA I SOQUE, Antoni (1861-1903). ESCUDO HERALDICO de la sala de audiciones. Inspirado en un calendario muniqués. Obra del arquitecto Antoni Gallisà y realizado por Lluís Bru. Escudo de Cataluña, inspirado en las armas de Alfons V el Magnànim y Joan II de Aragón. BARCELONA. Cataluña.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020042707208

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At the Café des Ambassadeurs.

At the Café des Ambassadeurs. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: sheet: 12 7/8 x 15 11/16 in. (32.7 x 39.9 cm)plate: 10 1/2 x 11 9/16 in. (26.7 x 29.3 cm). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031302858

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Digital improved:, Christ in hell, drawing by Sascha Schneider, publication from the year 1882

Digital improved:, Christ in hell, drawing by Sascha Schneider, publication from the year 1882.、クレジット：Ｂｉｌｄａｇｅｎｔｕｒ－ｏｎｌｉｎｅ　　／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021022604903

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EXTERIOR-IGLESIA ROMANICA CON ESPADAÑA.

EXTERIOR-IGLESIA ROMANICA CON ESPADAÑA. Location: IGLESIA PARROQUIAL. STA M RIAZA. SEGOVIA. SPAIN.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021062514514

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Night Clock

Night Clock; Case and hardstone mosaics by Giovanni Battista Foggini, Italian, 1652 - 1725, Woodwork by Leonard van der Vinne, Flemish, active second half of 17th century - 1713, in the Galleria de‘Lavori in pietre dure, Italian, active 1588 - present, Bronze figures attributed to Massimiliano Soldani-Benzi, Italian, 1656 - 1740, Mechanism by Francesco Papillion, Italian, active turn of 18th century; Florence, Italy, Tuscany, Europe; 1704 - 1705; Ebony, gilt bronze, and semiprecious stones including chalcedony, jasper, lapis lazuli, and verde d‘Arno; Object: 95 x 63 x 28 cm(37 3/8 x 24 13/16 x 11 in.).、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020020609229

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Caucasian warrior with the decapitated head of his opponent, historical engraving, circa 1869

Caucasian warrior with the decapitated head of his opponent, historical engraving, circa 1869.、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021032208396

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PRINCESA DE BEIRA - DÑA MARIA TERESA DE BRAGANZA -. LUIS DE LA CRUZ Y RIOS .

PRINCESA DE BEIRA - DÑA MARIA TERESA DE BRAGANZA -. Author: LUIS DE LA CRUZ Y RIOS. Location: PALACIO REAL-PINTURAS. ARANJUEZ. MADRID. SPAIN.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021052711715

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The ride of the Four Horsemen of the Apocalypse, historical engraving, 1883

The ride of the Four Horsemen of the Apocalypse, historical engraving, 1883.、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021032210950

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Ramon Berenguer III The Great (1082-1131 ). Count of Barcelona, Girona, Ausona, Besalu, Cerdanya, and Provence. Lithography. Lat

Ramon Berenguer III The Great (1082-1131 ). Count of Barcelona, Girona, Ausona, Besalu, Cerdanya, and Provence. Lithography. Later colouration. Cronica General de Espaa, Historia Ilustrada y Descriptiva de sus Provincias. Catalonia. 1866.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019081605148

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BAHIA DE TIGLIETO-1867.

BAHIA DE TIGLIETO-1867. Author: AVENDAÑO SERAFIN. Location: MUSEO REINA SOFIA-PINTURA. MADRID. SPAIN.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020042709606

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PUBLICIDAD: VARIOS.

PUBLICIDAD: VARIOS.、クレジット：Ａｌｂｕｍ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021060411114

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COMENTARIO AL APOCALIPSIS F 240, EL BLANCO EJERCITO DE DIOS, JINETE FIEL Y VERAZ SOBRE EL CABALLO, SEIS JINETES.

COMENTARIO AL APOCALIPSIS F 240, EL BLANCO EJERCITO DE DIOS, JINETE FIEL Y VERAZ SOBRE EL CABALLO, SEIS JINETES. Author: BEATO DE LIEBANA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. JESUS.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020060900297

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man on a horse, rider in the landscape with a boy showing the way, and a dog,

man on a horse, rider in the landscape with a boy showing the way, and a dog, digital improved reproduction of an original print from the year 1881.、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021033007688

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Ramon Berenguer III The Great (1082-1131 ). Count of Barcelona, Girona, Ausona, Besalu, Cerdanya, and Provence. Lithography. Cro

Ramon Berenguer III The Great (1082-1131 ). Count of Barcelona, Girona, Ausona, Besalu, Cerdanya, and Provence. Lithography. Cronica General de Espaa, Historia Ilustrada y Descriptiva de sus Provincias. Catalonia. 1866.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019081605913

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Wilfred I the Hairy (840- 897). Count of Barcelona, Cerdanya, Urgell, Girona and Besalu. Lithography, detail. Cronica General de

Wilfred I the Hairy (840- 897). Count of Barcelona, Cerdanya, Urgell, Girona and Besalu. Lithography, detail. Cronica General de Espaa, Historia Ilustrada y Descriptiva de sus Provincias. Catalonia. 1866.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019081605874

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Miniatura del s. XV donde se representa a un CONVOY CON MULAS.

Miniatura del s. XV donde se representa a un CONVOY CON MULAS.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020042705240

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John of Austria (1547 1578)

John of Austria (1547 1578),Governor General; The Netherlands. known as Don John of Austria. He became a military leader in the service of his half-brother; Philip of Spain and is best known for his naval victory at the Battle of Lepanto in 1571 against the Ottoman Empire.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019042604835

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Johannesburg, South Africa - The Law Courts

Johannesburg, South Africa - The Old Law Courts. Mohandas Karamchand Gandhi arrived in South Africa in 1893 aged 24 as a newly qualified lawyer on a temporary assignment to act on behalf of a local Indian trader in a commercial dispute - he remained in the country for 21 years. It is likely Gandhi oft visited these buildings. Date: circa 1905、クレジット：Ｍａｒｙ　Ｅｖａｎｓ／Ｇｒｅｎｖｉｌｌｅ　Ｃｏｌｌｉｎｓ　Ｐｏｓｔｃａｒｄ　Ｃｏｌｌｅｃｔｉｏｎ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020052802335

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Marcus Furius Camillus arrives in Rome, Italy, print maker: Jan Saenredam, Polidoro da Caravaggio, Claes Jansz.

Marcus Furius Camillus arrives in Rome, Italy, print maker: Jan Saenredam, Polidoro da Caravaggio, Claes Jansz. Visscher II, 1593.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020040300965

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Isaac Blessing Jacob, 1642, Oil on canvas, 39 5/8 x 50 1/2 in. (100.6 x 128.3 cm), Paintings, Gerbrand van den Eeckhout

Isaac Blessing Jacob, 1642, Oil on canvas, 39 5/8 x 50 1/2 in. (100.6 x 128.3 cm), Paintings, Gerbrand van den Eeckhout (Dutch, Amsterdam 1621–1674 Amsterdam), Jacob impersonates his elder brother Esau in order to receive the blessing of their father Isaac, a scheme conceived by Rebecca, the blind man’s wife. Rembrandt made several drawings of the Old Testament subject in the 1640s, and a few of his pupils followed suit.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021020600138

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Juan Carreño de Miranda / ‘The Duke of Pastrana‘, ca.

Juan Carreño de Miranda / ‘The Duke of Pastrana‘, ca. 1679, Spanish School, Oil on canvas, 217 cm x 155 cm, P00650. Museum: MUSEO DEL PRADO, MADRID, SPAIN.、クレジット：Ａｌｂｕｍ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020052901047

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Interior courtyard

Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401452

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Interior courtyard

Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401429

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401476

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architectural feature from the Doge‘s Palace in Venice

(Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401464

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401473

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 157、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401458

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Supermarket Produce

Empty Produce Department, No Shoppers Due to Stay-at-Home Order, Wellsville, New York. .、クレジット：Ｂａｒｒｉｅ　Ｆａｎｔｏｎ／Ｅｄｕｃａｔｉｏｎ　Ｉｍａｇｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ　／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2021030814060

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401449

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(Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

(Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401450

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401451

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Serafín Avendaño / ‘Procesión en la abadía de Tiglieto‘, 1895, Spanish School.

Serafín Avendaño / ‘Procesión en la abadía de Tiglieto‘, 1895, Spanish School, Canvas, 59,5 cm x 111,5 cm, P04226. Museum: MUSEO DEL PRADO, MADRID, SPAIN.、クレジット：Ａｌｂｕｍ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020062903898

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Cup Defender

Cup Defender.、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020103001728

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Grainger Street, Newcastle-upon-Tyne, England, seen here in the 19th century. Built by Richard Grainger (1797–1861)

Grainger Street, Newcastle-upon-Tyne, England, seen here in the 19th century. Built by Richard Grainger (1797–1861) a builder in Newcastle upon Tyne. From Old England: A Pictorial Museum, published 1847.、クレジット：Ｋｅｎ　Ｗｅｌｓｈ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021021303983

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The arrest of Countess Cosel on the Saxon-Polish border, by K. Gampenrieder, illustration published in 1880

The arrest of Countess Cosel on the Saxon-Polish border, by K. Gampenrieder, illustration published in 1880.、クレジット：Ｂｉｌｄａｇｅｎｔｕｒ－ｏｎｌｉｎｅ　　／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021021304211

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St Thomas Aquinas (c1225-1274) Italian philosopher and theologian.

St Thomas Aquinas (c1225-1274) Italian philosopher and theologian. Joined Dominican order and studied under Albertus Magnus at Cologne. Wrote commentaries on Aristotle He holds open a book, while on his shoulder is the dove of the Holy Spirit. Woodcut from Hartmann Schedel ‘Liber chronicarum mundi‘ (Nuremberg Chronicle) Nuremberg 1493、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019080103957

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Alexander The Great (356-323BC) The Battle of Alexander

Alexander The Great (356-323BC) The Battle of Alexander, depicting defeat by Alexander of the forces of Persian king Darius III at Issus in Cilicia 333 BC. After mosaic discovered at Pompeii based on picture by Alexandrian artist、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用はできません。

商品コード: 2019080802785

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401381

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401382

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401383

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401408

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 157、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401420

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401424

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401416

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401542

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401543

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architectural feature from the Doge‘s Palace in Venice

(Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible fades look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401548

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Portugal. Manifestación en Lisboa a favor del mariscal Saldaña en junio de 1870. Grabado de 1870.

Portugal. Manifestación en Lisboa a favor del mariscal Saldaña en junio de 1870. Grabado de 1870.、クレジット：Ａｌｂｕｍ／Ｄｏｃｕｍｅｎｔａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021092109753

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History of the ecumenical councils of Rome.

History of the ecumenical councils of Rome. First Council of Lyon in 1245 under Pope Innocent III, King Louis IX of France was appointed leader of the expedition for the liberation of Jerusalem. Published in Paris, engraving, 1869.、クレジット：Ａｌｂｕｍ／Ｄｏｃｕｍｅｎｔａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021091508650

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Poland, Danzig (Gdansk).

Poland, Danzig (Gdansk). Town Hall of the city. The building was expanded at different times since the 14th century. After a fire in 1556, the town hall was rebuilt and expanded with Renaissance influences by Dutch architects and master-builders. Engraving by Guillaumot for Lemaitre, ca.1840. Later colouration.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021080900742

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PLAZA DE LA REINA - EL MIGUELETE - 1381/1414 - ESPADAÑA DEL SIGLO XVIII - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60.

PLAZA DE LA REINA - EL MIGUELETE - 1381/1414 - ESPADAÑA DEL SIGLO XVIII - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Author: JULIA ANDRES. Location: EXTERIOR. Valencia. SPAIN.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021081007505

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DESIGN FOR DARNING ON NET, NEEDLEWORK, 19th CENTURY.

DESIGN FOR DARNING ON NET, NEEDLEWORK, 19th CENTURY.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022010506927

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DESIGN FOR DARNING ON NET, NEEDLEWORK, 19th CENTURY EMBROIDERY.

DESIGN FOR DARNING ON NET, NEEDLEWORK, 19th CENTURY EMBROIDERY.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022010505989

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Battle of Saint-Quentin, 1559, Jan Luyken, Engelbrecht Boucquet, 1699.

Battle of Saint-Quentin, 1559, Jan Luyken, Engelbrecht Boucquet, 1699.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022012206069

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Arrival of William III at the Oranjepolder in a rowing boat, 1691, Jan Luyken, Pieter van der Aa (I), 1698.

Arrival of William III at the Oranjepolder in a rowing boat, 1691, Jan Luyken, Pieter van der Aa (I), 1698.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022013108263

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Prince Maurits on the Neude in Utrecht recommends the Waard Gelder to lay down their arms, 1618, Jan Luyken,

Prince Maurits on the Neude in Utrecht recommends the Waard Gelder to lay down their arms, 1618, Jan Luyken, Pieter van der Aa I, 1698.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022013108149

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IGLESIA PARROQUIAL - ESPADAÑA.

IGLESIA PARROQUIAL - ESPADAÑA. Location: IGLESIA DE SANTIAGO. MANJIRON / PUENTES VIE. MADRID. SPAIN.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022042902684

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IGLESIA PARROQUIAL - ESPADAÑA.

IGLESIA PARROQUIAL - ESPADAÑA. Location: IGLESIA DE SANTIAGO. MANJIRON / PUENTES VIE. MADRID. SPAIN.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022042902692

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EXTERIOR - ESPADAÑA - S XVII.

EXTERIOR - ESPADAÑA - S XVII. Location: IGLESIA DE SAN FRANCISCO. Reinosa. Cantabria. SPAIN.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022042902657

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Design for the Right Pauldron of a Parade Armor, ca.

Design for the Right Pauldron of a Parade Armor, ca. 1555, Paris, French, Paris, Pen and ink with watercolor wash on paper, 10 x 6 9/16 in. (25.4 x 16.6 cm), Works on Paper-Drawings, Attributed to Étienne Delaune (French, Orléans 1518/191583 Strasbourg), or attributed to Jean Cousin the Elder (French, Souci (?) ca. 1490ca. 1560 Paris (?)), This design represents the front of the main plate on the right pauldron (shoulder defense) of an elaborately decorated armor. It is part of a large series of original drawings that are attributed to Etienne Delaune or Jean Cousin the Elder, artists employed by Henry II, King of France, from at least 1552 to 1559.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022042902879

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DESIGN FOR DARNING ON NET, NEEDLEWORK, 19th CENTURY.

DESIGN FOR DARNING ON NET, NEEDLEWORK, 19th CENTURY.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021113002456

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Andromeda and the Sea Monster; Massimiliano Soldani-Benzi, Italian, 1656 - 1740; Italy, Europe; designed before 1717;

Andromeda and the Sea Monster; Massimiliano Soldani-Benzi, Italian, 1656 - 1740; Italy, Europe; designed before 1717; cast about 1725; Bronze on grey-green marble bases with bronze mounts; Object: H: 49.6 x W: 33.3 x D: 20.7 cm (19 1/2 x 13 1/8 x 8 1/8 in.), Object (with socle): H: 63.3 x W: 35.3 x D: 24 cm (24 15/16 x 13 7/8 x 9 7/16 in.).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022012814469

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Andreas Hofer, November 22, 1767 - February 20, 1810, was a Tyrolean innkeeper and drover, who in 1809 became the leader

Andreas Hofer, November 22, 1767 - February 20, 1810, was a Tyrolean innkeeper and drover, who in 1809 became the leader of the Tyrolean Rebellion against the revolutionary Napoleonic invasion during the War of the Fifth Coalition / Andreas Hofer, Wirt im Gasthaus Am Sand daher auch als der Sandwirt bekannt. Darüber hinaus war er auch als Pferde- und Weinhändler tätig. Als Anführer der Tiroler Aufstandsbewegung von 1809 gilt er als Freiheitskämpfer, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert.、クレジット：Ｂｉｌｄａｇｅｎｔｕｒ－ｏｎｌｉｎｅ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021110409579

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William I, Prince of Orange, 1533 - 1584, also known as William the Silent or William the Taciturn,

William I, Prince of Orange, 1533 - 1584, also known as William the Silent or William the Taciturn, was the main leader of the Dutch Revolt against the Spanish Habsburgs / Wilhelm von Nassau-Dillenburg der Schweiger, Fürst von Oranien, war ein Führer im niederländischen Unabhängigkeitskrieg gegen Spanien, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert.、クレジット：Ｂｉｌｄａｇｅｎｔｕｒ－ｏｎｌｉｎｅ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021110409211

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Maurice of Orange, Maurits van Oranje, Moritz von Oranien, 14 November 1567 - 23 April 1625,

Maurice of Orange, Maurits van Oranje, Moritz von Oranien, 14 November 1567 - 23 April 1625, was stadtholder of all the provinces of the Dutch Republic, here as an old man / Fürst Moritz von Oranien, Maurits van Oranje, Graf von Nassau-Dillenburg, Statthalter von Holland und Zeeland und seit 1589 von Utrecht, Geldern und Overijssel sowie Kapitän-General der Land- und Seestreitkräfte der Niederlande, in höherem Alter, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert.、クレジット：Ｂｉｌｄａｇｅｎｔｕｒ－ｏｎｌｉｎｅ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021110409213

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European herring gull (Larus argentatus) in flight

European herring gull (Larus argentatus) in flight, Norderney, East Frisian Islands, North Sea, Lower Saxony, Germany, Europe、クレジット：ｉｍａｇｅＢＲＯＫＥＲ．ｃｏｍ／Ｆｒｅｄｅｒｉｋ／共同通信イメージズ

商品コード: 2022072011594

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European herring gull (Larus argentatus) in flight

European herring gull (Larus argentatus) in flight, Norderney, East Frisian Islands, North Sea, Lower Saxony, Germany, Europe、クレジット：ｉｍａｇｅＢＲＯＫＥＲ．ｃｏｍ／Ｆｒｅｄｅｒｉｋ／共同通信イメージズ

商品コード: 2022072011494

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European herring gull (Larus argentatus) in flight

European herring gull (Larus argentatus) in flight, blue sky with veil clouds, North Sea, Norderney, East Frisian Islands, Lower Saxony, Germany, Europe、クレジット：ｉｍａｇｅＢＲＯＫＥＲ．ｃｏｍ／Ｆｒｅｄｅｒｉｋ／共同通信イメージズ

商品コード: 2022071204788

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European herring gull (Larus argentatus) in flight

European herring gull (Larus argentatus) in flight, blue sky, North Sea, Norderney, East Frisian Islands, Lower Saxony, Germany, Europe、クレジット：ｉｍａｇｅＢＲＯＫＥＲ．ｃｏｍ／Ｆｒｅｄｅｒｉｋ／共同通信イメージズ

商品コード: 2022071204782

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European herring gull (Larus argentatus) catches a Starfish (Asteroidea)

European herring gull (Larus argentatus) catches a Starfish (Asteroidea), North Sea, Norderney, East Frisian Islands, Lower Saxony, Germany, Europe、クレジット：ｉｍａｇｅＢＲＯＫＥＲ．ｃｏｍ／Ｆｒｅｄｅｒｉｋ／共同通信イメージズ

商品コード: 2022071204759

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Lolium temulentum, var. arvense; Common Darnel, var. B.

Lolium temulentum, var. arvense; Common Darnel, var. B.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020052204155

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‘Entry of Alexander the Great into Babylon‘.

‘Entry of Alexander the Great into Babylon‘. Babylon surrendered to Alexander, kneeling in centre of picture, in 331 BC. Johann Georg Platzer (1704-1761) Austrian painter.Oil on copper. Private collection.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問い合わせください。

商品コード: 2019052903408

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Alexandrine Tinne on a journey

Alexandrine Tinne on a journey, Alexandrine Pieternella, Petronella, Fran?oise Tinn?, 1835-1869, Dutch adventurer, Africa explorer and photographer, historic woodcut, c. 1880.、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021032209745

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Statue of Saint Marc at the Doge‘s Palace in Venice

Statue of Saint Marc at the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible fa軋des look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2018111418094

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EXTERIOR-IGLESIA ROMANICA-PORTADA Y ESPADAÑA.

EXTERIOR-IGLESIA ROMANICA-PORTADA Y ESPADAÑA. Location: ST ANDREW‘S CHURCH. HIO. Pontevedra. SPAIN.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020112102849

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401359

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THE LATE DUC DE SALDANHA, PORTUGUESE MINISTER TO THE ENGLISH COURT, ENGRAVING 1876.

THE LATE DUC DE SALDANHA, PORTUGUESE MINISTER TO THE ENGLISH COURT, ENGRAVING 1876.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020062902606

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Spain.

Spain. Catalonia. Comarca of Cerdanya. Llivia. Antieque desk. Medicianl books, glasses and inkwell. Museum of Esteve Pharmacy.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020052202598

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401410

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401411

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EXTERIOR-IGLESIA ROMANICA CON ESPADAÑA.

EXTERIOR-IGLESIA ROMANICA CON ESPADAÑA. Location: IGLESIA PARROQUIAL. STA M RIAZA. SPAIN.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021062514442

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ESPADAÑA DE LA ANTIGUA CAPILLA DEL CONVENTO DE LA MERCED - SIGLO XVII.

ESPADAÑA DE LA ANTIGUA CAPILLA DEL CONVENTO DE LA MERCED - SIGLO XVII. Author: OVIEDO JUAN DE. Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. SPAIN.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021062514192

報道写真の購入なら共同通信イメージズ

「ダーニ」の写真・グラフィックス・映像