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David Paying Homage to Saul

David Paying Homage to Saul; Unknown; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1/8 x 6 9/16 in.), Justification: 10.9 x 7.4 cm (4 5/16 x 2 15/16 in.).、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021061804530

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David Pointing to his Eye

David Pointing to his Eye; Master of Jean de Mandeville, French, active 1350 - 1370; Paris, France, Europe; about 1360 - 1370; Tempera colors, gold, and ink on parchment; Leaf: 34.9 x 26 cm (13 3/4 x 10 1/4 in.).、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021061804611

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At the ancestral portrait gallery, historical engraving, about 1888

At the ancestral portrait gallery, historical engraving, about 1888.、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021032211025

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Wheeled stand for a vessel with an animal frieze on the ring.

Wheeled stand for a vessel with an animal frieze on the ring. The scene depicts a seated figure playing a stringed instrument with another playing a similar instrument. Next to this figures, a server carries a jug in his right hand and a cup in his left. In the lower par, a water-bird attacks an a fish. 1225-1100 BC. Bronze. Made in Cyprus. British Museum. London. England. United Kingdom.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020051308818

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Turkey.

Turkey. Miletus. Faustina Baths. Imperial era. They were built during the midde of the 2nd century in honor of the empress Faustina, the wife of Marcus Aurelius, who visited Ephesus (although not Miletus) in 164. Rebuilt during 3rd century. Sculptural rest of the enclosure. Aydin province. Anatolia.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020051309060

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Spain.

Spain. Andalusia. Seville. Maria Luisa Park. Spain Square. It was built betweenn 1914 and 1928, by the architect Anibal Gonzalez, for the Ibero-American Exposition of 1929.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020051309180

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Count Borrell II of Barcelona, Girona, Ausona and Urgell (c. 915-992)

Count Borrell II of Barcelona, Girona, Ausona and Urgell (c. 915-992) escapes from Barcelona after the looting and burning of the city by Almanzor (985). Engraving, 19th century.、クレジット：Ａｌｂｕｍ／Ｍｅｓｔｒａｌ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020051307720

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Lajos Kossuth (1802-1894).

Lajos Kossuth (1802-1894). Hungarian politician and Regent-President of Hungary. Kossuth Memorial, 1952. By Zsigmond Kisfaludi Strobl (1884-1975). Budapest. Hungary.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020050801927

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Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso).

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso). Artist: Leonardo da Vinci (Italian, Vinci 1452-1519 Amboise). Dimensions: 7 15/16 x 5 1/4in. (20.2 x 13.3cm). Date: 1496.The exquisite small sketch of a tondo on the recto of the Metropolitan sheet was undoubtedly intended for a medal on a theatrical costume, therefore perhaps related in theme to the verso sketches for the staging of Baldassare Taccone‘s La Danae or another festa. In its type of design and drawing style, the recto drawing on the Metropolitan sheet is closely comparable to two other sheets with small allegorical scenes inscribed within a tondo shape, one in Cambridge (Fitzwilliam Museum inv. PD.120-1961) and the other in Bayonne (Musée Bonnat inv. 656); all three sheets are rendered with the same style of quick, reinforced outlines and delicate parallel-hatching typical of Leonardo‘s draw、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031603978

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The Head of the Virgin in Three-Quarter View Facing Right, 15101513, Black chalk, charcoal, and red chalk

The Head of the Virgin in Three-Quarter View Facing Right, 15101513, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing outline in pen and brown ink at upper right (not by Leonardo), Sheet: 8 x 6 1/8 in. (20.3 x 15.6 cm), Drawings, Leonardo da Vinci (Italian, Vinci 14521519 Amboise), The verso of this sheet is inscribed with a gray-brown ink ‘.T.‘ that is quite reminiscent of the ‘Melzi-Leoni‘ markings on Leonardos drawings and manuscripts. The study for the head of the Virgin on the recto has sometimes been doubted by scholars ‘ex silentio‘ as being by Leonardo, possibly because its magical beauty renders it suspicious (Walter Vitzthum in 1966 quoted a recent English critics opinion in his support, ‘the drawing makes one think of Walter Paters mind rather than of Leonardos hand‘).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031604019

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Old Testament. Siege of Rabbah. David attacks the Ammonites. Engraving by Gustave Dore_. Nineteenth century. Colored.

Old Testament. Siege of Rabbah. David attacks the Ammonites. Engraving by Gustave Dore_. Nineteenth century. Colored.、クレジット：Ａｌｂｕｍ／Ｍｅｓｔｒａｌ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020051309580

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Warship Vasa. Built at 1626-1628 on the orders of the King of Sweden Gustavus Adolphus. Section of the boat. Was carrying 120 to

Warship Vasa. Built at 1626-1628 on the orders of the King of Sweden Gustavus Adolphus. Section of the boat. Was carrying 120 tons of stones as ballast. This was not enough to avoid sinking. Vasa Museum. Stockholm. Sweden.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019101504344

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Male statue with rosette diadem.

Male statue with rosette diadem. The loincloth and arm position. Exhibit of Egyptian influences. Circa 600 BC, Idalion, Nicosia New Museum, Berlin、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019032807453

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Musicians accompany two men eating

Musicians accompany two men eating, attended by three servants Published between 1860 and 1900. Drawing shows two older gentlemen seated at the head of a table being served by three young servants while three musicians accompany the feast in a well-furnished home with a western clock on a shelf at right and colour painting hanging on the wall at left. Includes Chinese language characters on the back.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019032800151

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Male statue with rosette diadem.

Male statue with rosette diadem. The loincloth and arm position. Exhibit of Egyptian influences. Circa 600 BC, Idalion, Nicosia New Museum, Berlin、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019032807470

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Basalt statue known as Hoa Hakananai‘s (probably ‘Stolen or hidden friend‘).

Basalt statue known as Hoa Hakananai‘s (probably ‘Stolen or hidden friend‘). Easter Island / Rap Nui, Chile (South Pacific), about 1400. This statue, representing an ancestral figure, was possibly first displayed in the open air. It was later moved into a stone house at Orongo, the centre of a birdman cult.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019022007052

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Master of la Seu de Urgell. Apse of Sant Pere de la Seu de Urgell, 12th century. Frescoes depicting Christ in Majesty in the man

Master of la Seu de Urgell. Apse of Sant Pere de la Seu de Urgell, 12th century. Frescoes depicting Christ in Majesty in the mandorla and the Tetramorph. In the lower part, apostles and the Virgin Mary. From the Church of Sant Pere (now Sant Miquel and Sant Pere), Seu de Urgell. In first term, Altar of Tavernoles. Depicting of nine bishops. Anonymous. Second half of the 12th century. Romanesque. Tempera on wood. From the Church of the old Monastery of Sant Serni de Tavernoles, province of Lleida, Spain. National Museum of Art of Catalonia (MNAC). Barcelona. Catalonia. Spain.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019091705385

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The rape of Lucretia for Sextus Tarquinius, son of last king of Rome was the precipitating event in the overthrow of the monarch

The rape of Lucretia for Sextus Tarquinius, son of last king of Rome was the precipitating event in the overthrow of the monarchy and the establishment of the Roman Republic. Miniature, 15th century. Life of Lucretia Top right: Lucretia with her husband, Lucius Tarquinius Collatinus. Bottom left: Lucrecia stabb. Around her, from right to left, Giunio Bruto, her husband Collatino and Esprio Cassio. In the right part of the right, Sextus Tarquinius using violence on Lucretia. Conde Museum. France.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019091705394

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Anthropomorphic lamp. High-Imperial Period. Bronze. Popularly called “The Negret.“ It represents an Ethiopian boy slave holding

Anthropomorphic lamp. High-Imperial Period. Bronze. Popularly called “The Negret.“ It represents an Ethiopian boy slave holding a tray. Quarry of port, Tarragona, Spain. National Archaeological Museum. Tarragona. Catalonia, Spain.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019091800732

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INTERIOR-YESERIAS MUDEJARES S XIV - AÑO 1315.

INTERIOR-YESERIAS MUDEJARES S XIV - AÑO 1315. Author: MOHEB ISAAC O MEJEB ISAAC. Location: SINAGOGA. CORDOBA. SPAIN.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020052501986

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ALMINAR - DETALLE.

ALMINAR - DETALLE. Location: ST ANNE‘S CHURCH. SALARES. Malaga. SPAIN.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020052502040

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GROUSE SHOOTING ON THE MOORS: THE CUP THAT CHEERS, BUT NOT INEBRIATES.

GROUSE SHOOTING ON THE MOORS: THE CUP THAT CHEERS, BUT NOT INEBRIATES.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021021009670

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THE FOUR SCRIPTURAL PAINTINGS AT CARPENTER‘S HALL: “Jesus Christ in His Youth Teaching in the Temple

THE FOUR SCRIPTURAL PAINTINGS AT CARPENTER‘S HALL: “Jesus Christ in His Youth Teaching in the Temple: ‘Is this not the Carpenter‘s Son?‘ “; 2. “King Josiah Ordering the Repair of the Temple“; 3. “Joseph at Work as a Carpenter: The Saviour Engaged in Picking Up Chips: The Virgin Mary Spinning“; 4. “Construction of the Ark: Noah Receiving Orders from the Almighty“.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020070806527

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Mammon.

Mammon. In the New Testament of the Bible, is material wealth or greed, most often personified as a deity. Drawing by Alejandro Schneider. Engraving by J. Weber. La Ilustracion Artistica, 1896.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020070806535

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French cook talking with two children by Bertall, 1820-1882, Paris, Soyons, France, Europe, 19th century.

French cook talking with two children by Bertall, 1820-1882, Paris, Soyons, France, Europe, 19th century.According to other contemporaries, Bertall has as an illustrator strong originality and as a cartoonist perhaps less finesse and elegance as Gavarni and less grotesque than Daumier, but he is sparkling with gaiety and originality. food and drink, liszt gourmet archive.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020071406017

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Having a drink by Bertall, 1820-1882, Paris, Soyons, France, Europe, 19th century.

Having a drink by Bertall, 1820-1882, Paris, Soyons, France, Europe, 19th century. According to other contemporaries, Bertall has as an illustrator strong originality and as a cartoonist perhaps less finesse and elegance as Gavarni and less grotesque than Daumier, but he is sparkling with gaiety and originality. food and drink, man, woman, cup and saucer, interior, liszt gourmet archive.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020071406029

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The khanda is an Indian double-edge straight sword.

The khanda is an Indian double-edge straight sword. It was used by the Marathas, Rajputs, Jats, Nairs and Sikhs. The blade is usually broad and quite heavy and broadens from the hilt to the tip. The blade transforms into tip rather abruptly. The hilt has a small metal spike coming out in the opposite direction typical of the khanda. Many other straight swords around the world were primarily used for thrusting and stabbing with the tip, whereas the khanda was mainly used to hack or cleave with the edge of the blade.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019070106780

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Brunhilde foremost of the Valkyries

Brunhilde foremost of the Valkyries, daughter of Wotan and Erda, bearing a wounded warrior to Valhalla. Illustration for the opera ‘Die Walkure‘ by Richard Wagner.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019061805954

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Reliquary with the Trinity.

Reliquary with the Trinity. Artist: Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar). Dimensions: Sheet: 5 3/8 × 4 1/8 in. (13.6 × 10.5 cm). Series/Portfolio: Wittenberg Reliquaries; Hortulus Animae.Additional woodcut to the Wittenberg Reliquaris (not used in the first edition) according to Hollstein. Cut out of a book. Printed text on verso. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031605213

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Venus and Cupid.

Venus and Cupid. Artist: Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar). Dimensions: Diameter 4 3/4 in. (12.1 cm). Date: ca. 1525-27.Cranach often treated the theme of Venus and Cupid, but this excellently preserved panel is the only version in a round format. Playing coquettishly with her veil and glancing at the viewer, Venus ignores Cupid, who is agitated by the situation. His arrow is missing, suggesting that he has been disarmed and is powerless against his mother. The picture was likely intended for display in a personal ＜i＞studiolo＜/i＞. Cranach might have painted the roundel not on commission but on speculation, to be sold to discerning collectors already conditioned by the tradition of medals and plaquettes to appreciate such refined work. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031605259

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Bust-Length Portrait of an Ecclesiastic.

Bust-Length Portrait of an Ecclesiastic. Artist: Carletto Caliari (Italian, Venice 1567/70-1592/96 Venice). Dimensions: Sheet: 11 7/8 x 8 5/16 in. (30.2 x 21.1 cm). Date: 16th century.This portrait shows the sitter, a middle-aged cleric with aquiline nose, short beard and slightly balding, with his intent gaze directed to the upper right (heavenward), to denote his spiritual disposition. The artist was the talented, second-born son of the great painter, Paolo Veronese (1528-1588). Carletto Caliari was a close assistant of his father especially in the late years of the great master; in Venice painting was conducted as a family business. The present drawing bears a very close resemblance to the main saint in Paolo Veronese‘s late canvas of the Conversion of Saint Pantaleon (San Pantaleone, Venice), begun in 1587, and so the drawing was probably inspired by it. 、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031922946

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Venus and Cupid. Dating: 1575 - 1590. Measurements: h 97 cm x w 71 cm; d 9 cm.

Venus and Cupid. Dating: 1575 - 1590. Measurements: h 97 cm x w 71 cm; d 9 cm. Museum: Rijksmuseum, Amsterdam. Author: Paolo Veronese (workshop of). Benedetto Caliari (attributed to).、クレジット：Ａｌｂｕｍ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031922969

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Mars and Venus United by Love.

Mars and Venus United by Love. Artist: Paolo Veronese (Paolo Caliari) (Italian, Verona 1528-1588 Venice). Dimensions: 81 x 63 3/8 in. (205.7 x 161 cm). Date: 1570s.In this visually opulent and sensual painting, Cupid binds Mars (the god of war) to Venus with a love knot. It celebrates the civilizing and nurturing effects of love, as milk flows from Venus‘s breast and Mars‘s warhorse is restrained. By 1621 the painting was owned by Emperor Rudolf II in Prague, along with other mythological works by the artist (two are in the Frick Collection, New York), but its original owner is unknown. A masterpiece of light and color, works such as this had an enduring impact on later artists including Velázquez and Giambattista Tiepolo. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031923008

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Antoine Dominique Sauveur Aubert (born 1817), the Artist‘s Uncle.

Antoine Dominique Sauveur Aubert (born 1817), the Artist‘s Uncle. Artist: Paul Cézanne (French, Aix-en-Provence 1839-1906 Aix-en-Provence). Dimensions: 31 3/8 x 25 1/4 in. (79.7 x 64.1 cm). Date: 1866.In the autumn of 1866, while living at his family‘s home near Aix-en-Provence, Cézanne undertook a series of paintings of his maternal uncle, Dominique Aubert, in different costumes. Here, he dons a robe and tasseled blue cap; in another work in the Museum‘s collection, he poses as a monk (1993.400.1). A friend reported in November: “Every day there appears a [new] portrait of him.“ Cézanne applied his paint directly with a palette knife on the coarsely woven canvas, giving these pictures what he called a “gutsy“ character. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031923168

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Paul Cézanne: The Allée of Chestnut Trees at the Jas de Bouffan (L‘allée des marronniers au Jas de Bouffan)

Paul Cézanne: The Allée of Chestnut Trees at the Jas de Bouffan (L‘allée des marronniers au Jas de Bouffan) , Paul Cézanne, c. 1888, Oil on canvas, For much of the 1880s and 1890s, Cézanne lived and worked at the Jas du Bouffan, his father‘s estate on the outskirts of Aix-en-Provence. Often he painted scenes from around the property, which included a large 18th-century house and formal gardens. Here he focuses on an alley formed by two rows of chestnut trees, translating the light filtering through the leaves into a grid-like pattern of geometric shapes. Green foliage is suggested by deliberate parallel marks., Overall: 31 7/8 x 25 3/8 in. (81 x 64.5 cm).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031923481

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Paul Cézanne: The Large Bathers (Les Grandes baigneuses), Paul Cézanne, 18951906, Oil on canvas

Paul Cézanne: The Large Bathers (Les Grandes baigneuses), Paul Cézanne, 18951906, Oil on canvas, Note: This work has been temporarily removed from display for technical study and conservation treatment. Funding for its conservation was generously provided through a grant from the Bank of America Art Conservation Project. This is one of three monumental bathing scenes that Cézanne produced at the very end of his career. Thick with paint, the canvas seems to have occupied him, on and off, for about ten years, between 1895 and 1906. The theme of bathers in a landscape originated in the Renaissance and traditionally showed idealized female bodies in total harmony with nature. Here, Cézanne disturbs this easy relationship. Space is hard to read, and the landscapenote the dead tree branches and ominous cloudsseems harsh and threatening. As for the figures、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031923510

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Paul Cézanne: Madame Cézanne with Green Hat (Madame Cézanne au chapeau vert), Paul Cézanne, 18911892, Oil on canvas

Paul Cézanne: Madame Cézanne with Green Hat (Madame Cézanne au chapeau vert), Paul Cézanne, 18911892, Oil on canvas, Cézanne painted at least 29 portraits of his wife, Hortense Fiquet. Here she appears in a green upholstered chair with her elbow resting on a strangely elongated arm. Fashionably dressed, Hortense leans at a seemingly uncomfortable angle to the left, an awkward posture matched by her stern expression. The thrust-out lower lip and blank stare contrast with her whimsical hat decorated with leaves; its transparent brim reveals her forehead underneath. With its warped perspective and dour-looking sitter, Cézanne‘s canvas disrupts the conventions of female portraiture., Overall: 39 1/2 x 32 in. (100.3 x 81.3 cm).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031923557

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Paul Cézanne: Trees and Road (Arbres et route), Paul Cézanne, c.

Paul Cézanne: Trees and Road (Arbres et route), Paul Cézanne, c. 1890, Oil on canvas, Rather than depicting a recognizable site or a spectacular view, as had been the tradition in French landscape painting, Cézanne focuses on an ordinary tree next to a road. Trees appear frequently in his work, sometimes as framing devices for a view into the distance, but more often as the main subject. Here, scraggly branches reach across the canvas as distant foliage is abstracted into a screen of broad, flat marks. Cézanne probably painted this scene on or near his family‘s property outside of Aix-en-Provence., Overall: 28 3/4 x 23 5/8 in. (73 x 60 cm).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031923573

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Paul Cézanne: Trees and Road (Arbres et route), Paul Cézanne, c.

Paul Cézanne: Trees and Road (Arbres et route), Paul Cézanne, c. 1890, Oil on canvas, Rather than depicting a recognizable site or a spectacular view, as had been the tradition in French landscape painting, Cézanne focuses on an ordinary tree next to a road. Trees appear frequently in his work, sometimes as framing devices for a view into the distance, but more often as the main subject. Here, scraggly branches reach across the canvas as distant foliage is abstracted into a screen of broad, flat marks. Cézanne probably painted this scene on or near his family‘s property outside of Aix-en-Provence., Overall: 28 3/4 x 23 5/8 in. (73 x 60 cm).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031923598

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ARAGON.

ARAGON. ZARAGOZA. Vista parcial de la IGLESIA DE SAN JUAN DE LOS PANETES, construida en 1720 sobre los cimientos de una antigua iglesia románica. Es de destacar la TORRE OCTOGONAL, barroca, con elementos mudéjares e inclinada hacia un lado. España.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020042707060

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Boys Club evening activities, train sets, February 1932

Toy train sets hold an eternal fascination for young boys and these thirteen boys from a Boys Club are no exception Date: February 1932、クレジット：Ｍａｒｙ　Ｅｖａｎｓ　Ｐｉｃｔｕｒｅ　Ｌｉｂｒａｒｙ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020033001689

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John Gale, alias Dumb Jack

Undated copy of etching of John Gale, alias Dumb Jack, in profile, smoking a pipe. HPG/8/2/1 (xxix) Date: early 19th century、クレジット：Ｍａｒｙ　Ｅｖａｎｓ　Ｐｉｃｔｕｒｅ　Ｌｉｂｒａｒｙ／ＨＡＲＲＹ　ＰＲＩＣＥ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020033002347

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Matthew Hopkins, Witch Finder General

Matthew Hopkins (ca. 1620 - 1647) was an English witchhunter whose career flourished in the time of the English Civil War. He held, or claimed to hold, the office of Witch-finder General, though this was not a title ever bestowed by Parliament, and conducted witch-hunts in the counties of Suffolk, Essex, Norfolk and other eastern counties of England. HPG/8/2/1 (xxxviii) Date: circa 1647、クレジット：Ｍａｒｙ　Ｅｖａｎｓ　Ｐｉｃｔｕｒｅ　Ｌｉｂｒａｒｙ／ＨＡＲＲＹ　ＰＲＩＣＥ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020033002354

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A Forest at Dawn with a Deer Hunt.

A Forest at Dawn with a Deer Hunt. Artist: Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Dimensions: 24 1/4 x 35 1/2 in. (61.5 x 90.2 cm). Date: ca. 1635.Rubens painted about three dozen landscapes during his busy career, mostly for his own pleasure. The late ones, like this superb example, transform earlier Flemish models through fresh studies of nature and color and brushwork ultimately inspired by Titian. Here hunting is treated as a contest of elemental forces: light and darkness, life and death, growth and decay. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020033002855

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A Sermon in a Village Church.

A Sermon in a Village Church. Artist: Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Dimensions: 16 5/8 x 22 9/16 in. (42.2 x 57.3 cm). Date: ca. 1630.This sheet, a relatively recent addition to Rubens‘s drawn oeuvre, is exceptional in several ways. Even if it seems to have been slightly cropped (especially at the left and the top), it remains one of the artist‘s largest works on paper. Its technique is much richer than that of most of his other drawings, combining chalk and paints, and gives the work the appearance of an oil sketch. The subject matter may be considered unique for Rubens. In a simple village church, a Catholic priest can be seen preaching to farmers and peasants--men on the left and women on the right--who listen with varying degrees of attentiveness.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020033002935

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Base of a dedication, detail. The relief depicts a scene from the apobates race. In the apobates race, the fully armed athlete j

Base of a dedication, detail. The relief depicts a scene from the apobates race. In the apobates race, the fully armed athlete jumped to the ground and then had to remount on the fast-moving chariot. Late 4th-Early 3rd century BC. Acropolis Museum. Athens. Greece.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019090302909

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Interior of Marston Salt Mine

Interior of Marston Salt Mine, Northwich, Cheshire, England, showing how pillars of rock have been left to support the roof. At this date (c.1880)), the mine had been excavated to a height of 16 ft over approximately 40 acres. Engraving、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019083003958

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Heliograph, a visual telegraph for sending and receiving messages by means of mirrors and sunlight.

Heliograph, a visual telegraph for sending and receiving messages by means of mirrors and sunlight. Here a British signal unit in tropical kit are sending a message to the fort in the distance. Liebig trade card c.1900. Chromolithograph、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019083004001

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Gilt bronze arm from a statue.

Gilt bronze arm from a statue. Roman, 2nd or 3rd Century AD Found in a Roman well at Clairmarais near Rheims, France, in 1876. Small rectangles of gold leaf were glued in place and were further secured by burnishing. In several places the overlapping of the sheets is visible.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019061305650

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Britannia Tubular Bridge over Menai Straits between Welsh mainland and Angelsea.

Britannia Tubular Bridge over Menai Straits between Welsh mainland and Angelsea. Chester and Holyhead Railway. Begun 1846, opened 18 March 1850. Engineer Robert Stephenson. Box girder bridge. In background is Telfords road suspension bridge built 1820-1826. Hand-coloured lithograph published Bangor c1850、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019061400249

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Interior of Hagia Sophia

Interior of Hagia Sophia, Constantinople, completed as cathedral in 537. Here in use as a Mosque. Engraving, 1815.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019061400257

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Japan / China: General Bacho (Chinese: Ma Chao) on horseback carrying a huge axe.

Ma Chao (176 ? 222) was the oldest son of Ma Teng and a military general during the late Han Dynasty and early Three Kingdoms era of Chinese history. In Luo Guanzhong‘s historical novel Romance of the Three Kingdoms, he received the nickname ‘Ma Chao the Splendid‘ due to his elaborate armour and grand skill as a warrior. Ma is remembered as one of the Five Tiger Generals of Shu Han, popularized by the novel.、クレジット：Ｐｉｃｔｕｒｅｓ　Ｆｒｏｍ　Ｈｉｓｔｏｒｙ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用はお問合せ下さい。

商品コード: 2019061401601

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China: Zhuge Liang (CE 181-234) was Chancellor of Shu Han during the Three Kingdoms period of Chinese history (CE 220–280).

Zhuge Liang (CE 181-234) was Chancellor of Shu Han during the Three Kingdoms period of Chinese history. He is often recognised as the greatest and most accomplished strategist of his era. Often depicted wearing a robe and holding a fan made of crane feathers, Zhuge was not only an important military strategist and statesman; he was also an accomplished scholar and inventor. His reputation as an intelligent and learned scholar grew even while he was living in relative seclusion, earning him the nickname Wolong (literally Crouching Dragon). Zhuge is an uncommon two-character compound family name. His name ? even his surname alone ? has become synonymous with intelligence and tactics in Chinese culture. (Newscom TagID: pfhphotos002519.jpg) [Photo via Newscom]、クレジット：Ｐｉｃｔｕｒｅｓ　Ｆｒｏｍ　Ｈｉｓｔｏｒｙ／ニューズコム／共同通信イメージズ

商品コード: 2019061401616

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Balance being used by Indian Betel dealer to weigh his goods.

Balance being used by Indian Betel dealer to weigh his goods. The leaves of Piper betel are dried and used as an antiseptic and an astringent, and for many other medicinal purposes For chewing, particularly in India, parings of the nut of the Areca catechu, which stimulate salivation, are combined with lime (calcium oxide) and rolled up in Betel leaves. Hand-coloured engraving published Rudolph Ackermann, London 1822. 、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2018112106139

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Research on Malaria

Research on Malaria, World Health Organisation/Institut Pasteur. Female mosquito with body swollen with blood of person she has bitten. It is at this stage that the Malaria parasite is passed to the victim.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2018112106325

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Gold Cape.

Gold Cape. In 1833 labourers discovered the remains of a skeleton in a stone-line grave. The cape was crushed around the chest area. Only small fragments of bone remained, so the age, sex and state of health of the individual remains unknown.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019060407571

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Caselli‘s pantelegraph

Caselli‘s pantelegraph: At the sending station the dispatch was written or drawn on sheet of metallized paper in thick insulating ink and placed on curved plate. At receiving station, sheet of paper impregnated with potassium ferrocyanide placed in plate and stylus produced imaged on the impregnated paper. Receiving apparatus. Wood engraving from Amedee Guillemin ‘Les Applications de la Physique‘, Paris, 1874、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019061303114

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The bodhisattva Manjushri

The bodhisattva Manjushri, Indonesia, Central Java, 9th century. Volcanic stone (andesite). Manjushri was venerated in China as one of the first advocates of Buddhism. On Java, he was represented as a young man with bejewelled straps across his chest. This figure‘s missing hands may once have made the gesture of turning the wheel of doctrine (dharmacakra mudra): this symbolizes the beginning of the cycle of Buddhist doctrine and enlightenment.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019061302622

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Somaskanda India

Somaskanda India, Tamil Nadu, Chola style, 12th century, bronze. The term Somaskanda refers to Shiva and means ‘with Uma and Skanda‘. In this particular presentation, Shiva and Uma sit on a rectangular pedestal, with the child Skanda standing between them. This representation developed in Southeast India and was particularly popular during the 10th-13th centuries. On feast days these images were carried in procession around the city.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019061302636

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Making recording on first model of Edison‘s Phonograph.

Making recording on first model of Edison‘s Phonograph. Here tinfoil cylinder on which recording was made had to be turned by hand. From Th. Du Moncel ‘Le Telephone, le Microphone et le Phonograph‘, Paris, 1878、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019061303012

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Depot at Rue Cardinet

Depot at Rue Cardinet where electrically driven Paris cabs were fitted with freshly charged batteries. At front right are glass carboys in protective wicker jackets. These contained acid used in batteries From ‘La Nature‘ Paris 1899.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019061303015

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In the left section of the scene

In the left section of the scene, Poseidon holding a trident and Apollo holding a laurel branch with the other. beside them sit two sister divinities, Artemis and Aphrodite. Parthenon Frieze Athens、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019061803746

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EXTERIOR-TORRE MUDEJAR.

EXTERIOR-TORRE MUDEJAR. Location: IGLESIA DE SAN MARCOS. Sevilla. Seville. SPAIN.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021062210455

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ABSIDE MUDEJAR DE LA ANTIGUA IGLESIA DE LOS MILAGROS SITUADO EN LA PLAZA MAYOR - SIGLO XIII.

ABSIDE MUDEJAR DE LA ANTIGUA IGLESIA DE LOS MILAGROS SITUADO EN LA PLAZA MAYOR - SIGLO XIII. Location: MORAVITO. TALAMANCA DEL JARAMA. MADRID. SPAIN.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021062210345

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España.

España. Burgos. “El Solar del Cid“. Monumento construido en 1784, obra del artista José Cortés, que señala el lugar donde existe la creencia de que El Cid tuvo una casa. Consiste en un embaldosado con pedestal y tres monolitos con los escudos de Burgos, San Pedro de Cardeña y una inscripción leyenda de Rodrigo Díaz de Vivar, llamado El Cid Campeador (1048-1099). Dibujo por E. Barrio. Grabado por Sierra. Crónica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Castilla-La Vieja, 1870. Biblioteca Histórico Militar de Barcelona, Cataluña, España.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021062210723

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Carpet

Carpet, ca. 1800, Attributed to Turkey, Wool, cotton, and metallic silver thread, 64 3/16 x 163 3/8 in. (163 x 415 cm), Textiles-Woven, Flatwoven floor coverings representing a vibrant village and nomadic tradition were produced in a wide swathe of the Islamic world from Iran, the Caucasus, and Anatolia to Central Asia. This striking kilim reflects the continuation of a mythological and symbolic decorative repertoire that has long associations with Central Anatolia, here creatively reinterpreted in an early nineteenth-century tribal sensibility.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2020091700804

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Pyxis with the Miracle of Christ’s Multiplication of the Loaves

Pyxis with the Miracle of Christ’s Multiplication of the Loaves, 6th century, Made in Spain (lid); Made in North Africa (box), Byzantine, Ivory with polychromy, Overall (with lid): 3 1/2 x 4 3/8 x 5 1/2 in. (8.9 x 11.1 x 14 cm), Ivories, In this depiction of the Miracle of the Loaves (Mark 8:1–6), an enthroned Christ is flanked by Saints Peter and Paul. Other disciples carry the loaves of bread he has miraculously produced to feed the multitude, loaves that the early church associated with the bread of the Eucharist.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2020091700858

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A Young Woman in a Landscape.

A Young Woman in a Landscape. Artist: Dutch Painter (dated 1636). Dimensions: 26 x 19 7/8 in. (66 x 50.5 cm).Full-length portraits of less than royal sitters were exceptional in the Netherlands until Rubens and Van Dyck, and in Amsterdam Thomas de Keyser and Rembrandt, made them fashionable. This unassuming portrait of a woman in a quaintly underscaled landscape achieves a distinctive charm and intimacy. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020062905377

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At the Milliner‘s, 1882

At the Milliner‘s, 1882, Pastel on pale gray wove paper (industrial wrapping paper), laid down on silk bolting, 30 x 34 in. (76.2 x 86.4 cm), Drawings, Edgar Degas (French, Paris 18341917 Paris), Mary Cassatt was the model for the customer in this work and also for another in the milliner series (Museum of Modern Art, New York). She purportedly said that she posed for Degas ‘only once in a while when he finds the movement difficult and the model cannot seem to get his idea.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031302792

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Woman combing her Hair.

Woman Combing Her Hair. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 24 1/8 x 18 1/8 in. (61.3 x 46 cm). Date: ca. 1888-90.This is the second of two variants of a composition that Degas created about 1885 (State Hermitage Museum, St. Petersburg). In this version, he used a new technique, applying pastel in so many successive layers that the pigment became burnished and the underlying paper rubbed to such an extent that the fibers were loosened and now project from the surface like many little hairs. Degas also emphasized anti-natural chartreuses and greens in modeling the figure‘s pink flesh, perhaps inspired by the play of complementary color contrasts in the work of such younger contemporaries as Seurat or Van Gogh. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031302831

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Dutch Girl in White.

Dutch Girl in White. Artist: Robert Henri (American, Cincinnati, Ohio 1865-1929 New York). Dimensions: 24 x 20 in. (61 x 50.8 cm). Date: 1907.Henri championed truth and vitality in life and art. He echoed in his paintings the dark palette and gestural brushwork of the old masters Diego Velázquez and Frans Hals and the more recent Realists Édouard Manet and Edgar Degas. In the summer of 1907 he and some of his students traveled to the Netherlands and visited Hals‘s hometown, Haarlem. There, responding to the Dutch painter‘s gift for characterization, Henri made portraits of local models, including this one of Martche, who was among his favorites. While most of his Ashcan School colleagues dedicated themselves to depicting urban flux, Henri was, and remains, best known for portraits. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031302955

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Saint Michael Fighting the Dragon, from The Apocalypse. After Albrecht Dürer.

Saint Michael Fighting the Dragon, from The Apocalypse. Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Date: 1498.With the Apocalypse series, Dürer raised the medium of woodcut to the level of sophistication that engraving had achieved nearly three decades earlier. In this magnificent woodcut, Dürer used swelling and tapering lines to modulate areas of light and dark and to create a sense of space. High above a mountainous landscape, Christianity triumphs over evil as Saint Michael and his angels wage war in heaven against the seven- headed dragon. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031301005

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Negro homes- homes of poorer classes

Negro homes- homes of poorer classes, Chattanooga, Tenn. Reportedly displayed as part of the American Negro exhibit at the Paris Exposition of 1900.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019090610659

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In the adultery caught, 16th century, digital improved reproduction from a publication of the year 1880

In the adultery caught, 16th century, digital improved reproduction from a publication of the year 1880.、クレジット：Ｂｉｌｄａｇｅｎｔｕｒ－ｏｎｌｉｎｅ　　／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021022604915

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Digital improved:, The serenade for the newlyweds, a group of men, a musician, a man with a broom,

Digital improved:, The serenade for the newlyweds, a group of men, a musician, a man with a broom, the others with a bucket of water in front of the house of the young couple, publication from the year 1882.、クレジット：Ｂｉｌｄａｇｅｎｔｕｒ－ｏｎｌｉｎｅ　　／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021022604722

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Gran Teatro del Liceo, A devasting fire destroyed the Theater in 1994. Now it has been restored to its former splendor.

Gran Teatro del Liceo, A devasting fire destroyed the Theater in 1994. Now it has been restored to its former splendor. Author: MIQUEL GARRIGA I ROCA. JOSEP ORIOL MESTRES.、クレジット：Ａｌｂｕｍ／Ｒａｍｏｎ　Ｍａｎｅｎｔ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019080602718

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Magic Lantern slide circa 1900 hand coloured

Magic Lantern slide circa 1900 hand coloured. Titled Cities and places of interest in the Mediterranean.33. —SORRENTO PROM CAPODIMONTE. Sorrento presents to the traveller who gazes upon it for the first time the ideal Italian seaside resort. Situated amongst the most lovely groves of oranges and lemon trees, and with precipitous hills rising behind it, whilst, at the bottom of the. cliffs on which it is placed, the Mediternaples,ranean lies, it would be difficult to name any spot that more appeals to the sense of beauty. It is the fashion now for people who are tired of the noise and heat of Naples to frequent Sorrento, and here, either in the charming little villas which1it contains or in its excellent hotels, to find that rest and tranquility which it would be impossible to obtain in the great city near it.、クレジット：Ｊｏｈｎ　Ｓｈｏｒｔ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2019112801607

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SIEGE OPERATIONS AT CHATHAM: STOCKADE PREPARED FOR BLOWING UP WITH GUN-COTTON AND POWDER, 1871.

SIEGE OPERATIONS AT CHATHAM: STOCKADE PREPARED FOR BLOWING UP WITH GUN-COTTON AND POWDER, 1871.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020070810527

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A BIT OF COAST NEAR MOLDE.

A BIT OF COAST NEAR MOLDE. Molde is a town and municipality in Møre og Romsdal county, Norway. It is part of the Romsdal region.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020070808044

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Portrait of a Man, early 1650s, Oil on canvas, 43 1/2 x 34 in.

Portrait of a Man, early 1650s, Oil on canvas, 43 1/2 x 34 in. (110.5 x 86.4 cm), Paintings, Frans Hals (Dutch, Antwerp 1582/83–1666 Haarlem), In this canvas of the early 1650s, the figure‘s pose follows a pattern Hals employed twenty years earlier, but here the arrangement is more frontal and contained. The resulting impression of reserve or authority is relieved by the relaxed expression, and perhaps by the French fashions of flounced sleeves and colorful ribbons at the waist.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020102901163

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A Couple in an Interior with a Gypsy Fortune-Teller, ca.

A Couple in an Interior with a Gypsy Fortune-Teller, ca. 1632–33, Oil on wood, Oval, 9 7/8 x 13 in. (25.1 x 33 cm), Paintings, Jacob Duck (Dutch, Utrecht, born ca. 1598–1600, died 1667 Utrecht), In this early work of about 1630–35 Duck adapts a subject found in pictures by his older Utrecht colleagues, such as Dirck van Baburen, to a scale and setting typical of Amsterdam genre painters like Pieter Codde and Willem Duyster.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020102901184

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Radha and Her Confidant Sit in an Open Room: Page from a Dispersed Rasikapriya, ca.

Radha and Her Confidant Sit in an Open Room: Page from a Dispersed Rasikapriya, ca. 1680–90, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, Image: 8 3/4 × 5 3/4 in. (22.2 × 14.6 cm), Paintings, In the Rasikapriya the poet Keshav Das addresses love in all its various aspects, focusing on secret desires and their outward manifestations. Here, Radha speaks to her confidante and go-between, undoubtedly arranging a secret meeting with her lover, Krishna.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020102901219

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Procession of Carriages Carrying Booty: Page from a Dispersed Bhagavata Purana Manuscript, ca.

Procession of Carriages Carrying Booty: Page from a Dispersed Bhagavata Purana Manuscript, ca. 1640–50, India (Gujarat), Ink and opaque watercolor on paper, Image: 9 in. × 7 1/2 in. (22.9 × 19.1 cm), Paintings, This scene of recovered booty relates to one of the many battles recounted in the Bhagavata Purana. In this page the storytelling elements have given over to patterned foliage populated with carriages bearing chests, guards, and attendants riding camels.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020102901252

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Pedro Velarde (1779-1808).

Pedro Velarde (1779-1808). Spanish military. Death of Velarde on the Second of May 1808, 1864. Painting by Manuel Castellano (1826-1880). Detail. History Museum. Madrid. Spain.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021062500890

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Greek: Attic White Ground Lekythos, Unidentified artist, Greek, c. 450 B.C., Ceramic, In ancient Greece, this type of ve

☆Greek: Attic White Ground Lekythos, Unidentified artist, Greek, c. 450 B.C., Ceramic, In ancient Greece, this type of vessel, known as a lekythos, had a ceremonial function. These fragile clay objects were filled with oil and placed over gravesites as ritual offerings to the deceased. This lekythos depicts a tall funerary monument flanked by two male figures, both of whom wear a garment called a himation. Underscoring the funerary aspect of this object, the older bearded man pulls at his hair in an ancient gesture of mourning., Overall: 11 x 3 1/2 in. (27.9 x 8.9 cm).、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2021062502226

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Egyptian: Relief or Votive Plaque of the God Bes, Unidentified artist, Egyptian, 664–30 B.C., Limestone with red and bla

☆Egyptian: Relief or Votive Plaque of the God Bes, Unidentified artist, Egyptian, 664–30 B.C., Limestone with red and black pigment, This limestone plaque depicts Bes, an ancient Egyptian god believed to protect against evil. Bes is usually shown with a grimacing face, sometimes sticking out his tongue; and unlike other Egyptian deities, he is often rendered nude. In this example, the shaft of his (now lost) phallus was carved separately, perhaps from a different material, and inserted in the hole. Because of his role in warding off danger, Bes was one of the most popular gods of ancient Egypt. His image was depicted on household items like furniture, tools and mirrors., Overall: 9 3/4 x 7 5/8 x 2 in. (24.8 x 19.4 x 5.1 cm).、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2021062502240

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FOTOGRAFO DELANTE DE LA FORTALEZA MUDEJAR-LA CALAHORRA. ORONOZ JAVIER.

FOTOGRAFO DELANTE DE LA FORTALEZA MUDEJAR-LA CALAHORRA. Location: TORRE DE LA CALAHORRA. CORDOBA. SPAIN. ORONOZ JAVIER.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021062513500

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Saddle Mounted Cannon

Saddle Mounted Cannon, 1860s, Albumen silver print from glass negative, 18.9 x 14.8 cm (7 7/16 x 5 13/16 in. ), Photographs, Unknown (French), The zamburak (Persian for ‘little wasp‘) was a saddle-mounted cannon used in cavalry warfare in Central and Southeast Asia during the eighteenth and nineteenth centuries. Deployed not for accuracy but to disrupt enemy formations, the cannons were attached to pivots and fired directly from a camel’s back with the animal on its knees.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2020091502821

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Terracotta dinos (deep round-bottomed bowl)

Terracotta dinos (deep round-bottomed bowl), Late Classical, ca. 375–350 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 9 in. (22.9 cm), Vases, Banquet scene. The scene depicts the male guests reclining on couches and attended by two youths and two women. The iconography follows Attic antecedents quite closely. The vases used for drinking, however, probably reflect contemporary local practice.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2020091700427

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Pair of three-light sconces (bras de lumière)

Pair of three-light sconces (bras de lumière), ca. 1775, French, Paris, Gilt bronze, H. 11 1/2 x W. 19 1/2 x D. 12 1/2 in. (29.2 x 49.5 x 31.8 cm), Metalwork-Gilt Bronze, These wall lights are shaped with great naturalism to resemble lily stalks tied together with a large bow. They are not a proper pair, as their ribbons do not complement each other but flow in the same direction; therefore, they were most likely part of a larger set.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2020091700799

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In Ancient Roman warfare, the testudo or tortoise formation was a formation used commonly

In Ancient Roman warfare, the testudo or tortoise formation was a formation used commonly by the Roman Legions during battles, the story of the ancient Rome, roman Empire, Italy.、クレジット：Ｂｉｌｄａｇｅｎｔｕｒ－ｏｎｌｉｎｅ　　／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021040700353

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ベイカ

体長５～１０センチの小型のイカ。岡山県では「ベカ」、福山市周辺では「チイチイイカ」とも呼ばれる。４～６月が旬とされ、この時期は特に身が柔らかい。産卵を控えた子持ちが交ざることもある。岡山県内では玉野市胸上地区、瀬戸内市牛窓地区などで水揚げが盛ん。岡山市中央卸売市場では、４月後半から岡山県産の入荷が増えていく見込み＝撮影日撮影場所不明、クレジット：山陽新聞／共同通信イメージズ

商品コード: 2021042010696

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篭売り

篭売りといいながら、販売する商品は篭ばかりではなく、広く竹製の日用雑貨品全般に渡る。竹は、我が国では、豊富に産出し、加工の容易さ、風通し・水切り等優れた性質を持つ素材であった。「笊や味噌漉し」と呼びながら、売り歩いたという。＝明治中期、場所不明、撮影者：不明、クレジット：長崎大学附属図書館所蔵／共同通信イメージズ　※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。　［整理番号１８‐３１‐０］

商品コード: 2017080201709

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篭売り

篭売りといいながら、販売する商品は篭ばかりではなく、広く竹製の日用雑貨品全般に渡る。竹は、我が国では、豊富に産出し、加工の容易さ、風通し・水切り等優れた性質を持つ素材であった。「笊や味噌漉し」と呼びながら、売り歩いたという。＝撮影年月日不明、場所不明、撮影者：不明、クレジット：長崎大学附属図書館所蔵／共同通信イメージズ　※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。　［整理番号１８‐２４‐０］

商品コード: 2017080201714

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Pierre Puvis de Chavannes: Dramatic Poetry (Aeschylus), Pierre Puvis de Chavannes, c. 1896, Oil on canvas, This painting

Pierre Puvis de Chavannes: Dramatic Poetry (Aeschylus), Pierre Puvis de Chavannes, c. 1896, Oil on canvas, This painting is a scaled-down version of an enormous canvas—over 14 x 7 feet—that French artist Puvis de Chavannes painted for the Boston Public Library. The greatest muralist of his time, Puvis carried out many important decorations for public buildings in France. The Boston project, a cycle of nine murals, was his first and only commission in the United States and represents the spheres of human knowledge contained in the library‘s holdings. Here we see the Greek poet Aeschylus reading the script of his tragedy, ‘Prometheus Bound.‘ The climactic scene unfolds behind him, as the titan Prometheus, who stole fire from the Gods, is punished by being chained to a rock and having his liver consumed daily by an eagle. Water nymphs surround the doomed figure, making gestures of despair.、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021042301820

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Master of the Saint Ursula Legend: Martyrdom of Saint Lawrence, Master of the Saint Ursula Legend, c. 1485/90–1510,

Master of the Saint Ursula Legend: Martyrdom of Saint Lawrence, Master of the Saint Ursula Legend, c. 1485/90–1510, Oil on canvas, This panel depicting the martyrdom of Saint Lawrence was probably made to decorate a parish church in Cologne, Germany. Saint Lawrence (d. 258 CE) served as an archdeacon of Rome at a time when Christianity was not yet legal in the Roman Empire. The panel shows his martyrdom in three phases. In the foreground, Emperor Decius—identified by a crown and scepter—has condemned the saint to die by roasting on a gridiron. Saint Lawrence shuts his eyes in pain while three of the emperor‘s henchmen fan the flames. Then, in the painting‘s right margin, his body is wrapped in a burial shroud and set upon a sarcophagus. At the top, two angels lift his soul—rendered as an infant to suggest his state of innocence—up to God in heaven., Overall: 46 x 34 in. (116.8 x 86.、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021042301837

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El Greco (Domenikos Theotokopoulos): Apparition of the Virgin and Child to Saint Hyacinth,

El Greco (Domenikos Theotokopoulos): Apparition of the Virgin and Child to Saint Hyacinth, El Greco (Domenikos Theotokopoulos), c. 1605–1610, Oil on canvas, Hyancith, a Polish Dominican priest born in 1185, is said to have witnessed an apparition of the Virgin and Child on the feast day of the Virgin‘s assumption into heaven. Here, the mystical vision hovers in a burst of light and cloud before the enraptured priest. With one hand clutched dramatically to his chest, the other extends toward the viewer, almost as an invitation into the image. El Greco painted this canvas around 1605, just a few decades after Hyacinth was granted sainthood by Pope Clement VIII., Overall: 62 3/8 x 38 7/8 in. (158.4 x 98.7 cm).、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021042301813

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Vincent van Gogh: The Smoker (Le Fumeur), Vincent van Gogh, 1888, Oil on canvas, During his stay in Arles,

Vincent van Gogh: The Smoker (Le Fumeur), Vincent van Gogh, 1888, Oil on canvas, During his stay in Arles, a small town in the rural south of France, Van Gogh concentrated on painting the town‘s inhabitants--including the local mailman (Room 2) and the farm workers whose simple lifestyle he admired and idealized. Here, Van Gogh depicts a peasant smoking a pipe. The figure wears a humble coat comprised of loose, muddy strokes; ruddy cheeks suggest his work outdoors. Above his shoulder, a few horizontal dashes indicate puffs of smoke; thick, unblended marks describe an ear. Despite these moments of near abstraction, Van Gogh maintains an astounding attention to naturalistic detail, paying attention to the way a person really looks and behaves. Note how the man‘s mouth is slightly clenched to hold the pipe; and how his moustache is uneven rather than perfectly trimmed.、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021042301795

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Benozzo Gozzoli, Italian (c. 1421-1497), The Feast of Herod and the Beheading of Saint John the Baptist, 1461-1462, temp

Benozzo Gozzoli, Italian (c. 1421-1497), The Feast of Herod and the Beheading of Saint John the Baptist, 1461-1462, tempera (?) on panel.、クレジット：Ｑｕｉｎｔ　Ｌｏｘ　Ｌｉｍｉｔｅｄ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021042300971

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Lucrecia (detalle). DAMIﾀ CAMPENY I ESTANY .

Lucrecia (detalle). Museum: LLOTJA DE BARCELONA, Barcelona, SPAIN. Author: DAMIﾀ CAMPENY I ESTANY.、クレジット：Ａｌｂｕｍ／Ｊｏｓｅｐｈ　Ｍａｒｔｉｎ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019071900534

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