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  •  Robert Lincoln
    -
    Robert Lincoln

    Robert Lincoln, son of President Abraham Lincoln. He was one of only two of Lincoln‘s sons to survive into adulthood and the only one to make it into the 1900s.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2020041602094

  •  Head of a Bearded Man Wearing a Turban (recto); Latin script (verso).
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    Head of a Bearded Man Wearing a Turban (recto); Latin script (verso).

    Head of a Bearded Man Wearing a Turban (recto); Latin script (verso). Artist: Master of the Death of Absalom (?) (active. ca. 1490-1510). Dimensions: 9 3/16 x 6 9/16 in. (23.3 x 16.6 cm). Date: ca. 1510.Head studies depicting bearded men with deeply lined features and large turbans were popular at the turn of the sixteenth century in Central Europe and the Netherlands. The grisaille-like technique shown here-- monochromatic gouache on colored ground--also proliferated around this time. With its distinctive brushstrokes and white highlights, this drawing is reminiscent of Netherlandish designs for glass around 1500. The sheet has been attributed to the so-called Master of the Death of Absolom, an early sixteenth-century designer of stained glass. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031605003

  •  Yvette Guilbert: Linger, Longer, Loo. Medium: photomechanical process.
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    Yvette Guilbert: Linger, Longer, Loo. Medium: photomechanical process.

    Yvette Guilbert: Linger, Longer, Loo. Medium: photomechanical process. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.、クレジット:Album/National Gallery of Art,Washington DC/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031700926

  •  Study for “Poseuses“.
    -
    Study for “Poseuses“.

    Study for “Poseuses“. Artist: Georges Seurat (French, Paris 1859-1891 Paris). Dimensions: 11 11/16 x 8 7/8 in. (29.7 x 22.5 cm). Date: 1886-87.This poetic drawing is evidence of Seurat‘s mastery of Conté crayon, a medium that allowed him to achieve rich velvety textures and softly blurred contours, for which he became well known. The stiff, almost awkward pose of the model clearly identifies the drawing as a preparatory study for a figure in Seurat‘s famous painting The Models, or Poseuses (Barnes Foundation, Philadelphia). Following Seurat‘s death, this framed drawing remained in the collection of his artist friend Maximilien Luce, who used it as a still-life element in a portrait of the famous art critic and collector Félix Féneon. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033003589

  •  Caricature of a Man Seen from Behind.
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    Caricature of a Man Seen from Behind.

    Caricature of a Man Seen from Behind. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 7 1/2 x 4 7/16 in. (19 x 11.3 cm). Date: 1760 (?). Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033003953

  •  Head of a Bishop.
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    Head of a Bishop.

    Head of a Bishop. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 8 5/16 x 5 11/16 in. (21.1 x 14.5 cm). Date: ca. 1742-57. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033004043

  •  Dr. François Mêlier.
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    Dr. François Mêlier.

    Dr. François Mêlier. Artist: Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). Dimensions: 12 11/16 x 9 3/4 in. (32.2 x 25 cm). Date: 1849.The physician François Mêlier, an eminent figure in the field of public health in the mid-nineteenth century, posed for this masterful portrait. In all likelihood commissioned by Mêlier‘s family, the drawing was in the collection of his daughter Blanche at the time of Ingres‘s retrospective exhibition in 1867. The white highlights are probably Ingres‘s corrections. As the paper darkened over time, they became more prominent. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031103265

  •  Altarpiece from Verdú, 1432 - 1434 . Nativity scene. Lleida school. Tempera on wood. 159 x 93 cm (12 panels). From the high alta
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    Altarpiece from Verdú, 1432 - 1434 . Nativity scene. Lleida school. Tempera on wood. 159 x 93 cm (12 panels). From the high alta

    Altarpiece from Verdú, 1432 - 1434 . Nativity scene. Lleida school. Tempera on wood. 159 x 93 cm (12 panels). From the high altarpiece of the parish church of Santa Maria in Verdú (Urgell). Museu Episcopal de Vic. Author: JAUME FERRER II.、クレジット:Album/Ramon Manent/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019081508084

  •  Attributed to David Klöcker Ehrenstrahl, Robert Lichton, 1631-1692, painting, portrait, Robert Lichtone, 1690,
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    Attributed to David Klöcker Ehrenstrahl, Robert Lichton, 1631-1692, painting, portrait, Robert Lichtone, 1690,

    Attributed to David Klöcker Ehrenstrahl, Robert Lichton, 1631-1692, painting, portrait, Robert Lichtone, 1690, oil on canvas, Height, 144 cm (56.6 inches), Width, 117 cm (46 inches), Inscriptions, Signed, Fecit D. Klöker Ehrenstrahl.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023041211678

  •  Study for the Equestrian Monument to Francesco Sforza.
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    Study for the Equestrian Monument to Francesco Sforza.

    Study for the Equestrian Monument to Francesco Sforza. Artist: Antonio Pollaiuolo (Italian, Florence ca. 1432-1498 Rome). Dimensions: 11 1/16 x 10 in. (28.1 x 25.4 cm). Date: early to mid 1480s.This celebrated drawing was made by the Florentine painter, sculptor, engraver, and goldsmith Antonio Pollaiuolo. The sixteenth-century historian Giorgio Vasari, who owned the sheet and may have added the brown wash around the figures, seems to have described this drawing in his biography of Pollaiuolo (Lives of the Artists) of 1568. It represents a design for the bronze equestrian monument commissioned by Ludovico Sforza (1480-94, de facto ruler of Milan; 1494-99, Duke of Milan) in honor of his father, Francesco Sforza. This sheet (as well as its pendant, Staatliche Graphische Sammlung, Munich, inv. 1908.168) could have served as a presentation drawing for Ludovico、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031604080

  •  [Temple of Antonius and Faustina, San Lorenzo in Miranda, Rome], 1850s, Salted paper print from paper negative,
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    [Temple of Antonius and Faustina, San Lorenzo in Miranda, Rome], 1850s, Salted paper print from paper negative,

    [Temple of Antonius and Faustina, San Lorenzo in Miranda, Rome], 1850s, Salted paper print from paper negative, Photographs, Attributed to Calvert Richard Jones (British, Swansea, Wales 18021877 Bath, England).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022050703327

  •  Robert Liston, Surgeon, Hill & Adamson (Scottish, active 1843 - 1848), Scotland, 18431848,
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    Robert Liston, Surgeon, Hill & Adamson (Scottish, active 1843 - 1848), Scotland, 18431848,

    Robert Liston, Surgeon, Hill & Adamson (Scottish, active 1843 - 1848), Scotland, 18431848, Salted paper print from a paper negative, 21.4 × 14.9 cm (8 7/16 × 5 7/8 in.).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023040508037

  •  Blackbar triggerfish (Rhinecanthus aculeatus)
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    Blackbar triggerfish (Rhinecanthus aculeatus)

    Blackbar triggerfish (Rhinecanthus aculeatus), Indian Ocean, Hikkaduwa, Sri Lanka, Asia、クレジット:imageBROKER.com/Andrey Nekrasov/共同通信イメージズ

    商品コード: 2022122905698

  •  Satire on Art Criticism.
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    Satire on Art Criticism.

    Satire on Art Criticism. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 6 1/8 x 7 15/16 in. (15.5 x 20.1 cm). Date: 1644.An atypical subject and approach to composition, Rembrandt‘s “Satire on Art Criticism“ buffoons the rhetoric of his contemporary art critics. The posturing “connoisseur“ at left comments on painted portraits brought before him. Rembrandt has drawn his composition from a classical subject, “The Calumny of Apelles“, which he knew from a drawing by the Renaissance master Andrea Mantegna (1430/31-1506). In Mantegna‘s drawing the beautiful Calumny, urged on by Treachery and Deceit, drags an innocent youth who is the victim of slander before a judge bearing the ears of an ass; クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062905518

  •  Robert Lincoln 1865.
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    Robert Lincoln 1865.

    Robert Lincoln 1865. Son of President Abraham Lincoln.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019032204997

  •  Old Age in Search of Youth.
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    Old Age in Search of Youth.

    Old Age in Search of Youth. Artist: David Teniers the Younger (Flemish, Antwerp 1610-1690 Brussels). Dimensions: 9 x 6 11/16 in. (22.8 x 17 cm). Date: 1650s. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020040301610

  •  ‘Nicolás María Rivero‘ (detail), 1873, Oil on canvas. ANTONIO GISBERT .
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    ‘Nicolás María Rivero‘ (detail), 1873, Oil on canvas. ANTONIO GISBERT .

    ‘Nicolás María Rivero‘ (detail), 1873, Oil on canvas. Author: ANTONIO GISBERT. Location: CONGRESO DE LOS DIPUTADOS-PINTURA. MADRID. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062904389

  •  Russian Dancers.
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    Russian Dancers.

    Russian Dancers. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 24 3/4 x 25 1/2 in. (62.9 x 64.8 cm). Date: 1899. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031302851

  •  NUMISMATICA. MONEDA MODERNA. TRIPLE DUCATON DE PLATA, DE FELIPE IV. ANVERSO. BUSTO DEL REY A LA DERECHA. (DEPOSITO: MUSEO ARQUEO
    -
    NUMISMATICA. MONEDA MODERNA. TRIPLE DUCATON DE PLATA, DE FELIPE IV. ANVERSO. BUSTO DEL REY A LA DERECHA. (DEPOSITO: MUSEO ARQUEO

    NUMISMATICA. MONEDA MODERNA. TRIPLE DUCATON DE PLATA, DE FELIPE IV. ANVERSO. BUSTO DEL REY A LA DERECHA. (DEPOSITO: MUSEO ARQUEOLOGICO NACIONAL).、クレジット:Album/ASF/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019081306379

  •  Memorial of life and entomologic work of Joseph Albert Lintner, state entomologist, 1874-98 : Felt, Ephraim Porter,
    -
    Memorial of life and entomologic work of Joseph Albert Lintner, state entomologist, 1874-98 : Felt, Ephraim Porter,

    Memorial of life and entomologic work of Joseph Albert Lintner, state entomologist, 1874-98 : Felt, Ephraim Porter, 1868-1943.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023051009761

  •  Glass two-handled bottle, Late Imperial, 5th century A.D.
    -
    Glass two-handled bottle, Late Imperial, 5th century A.D.

    Glass two-handled bottle, Late Imperial, 5th century A.D., Roman, Syrian, Glass; blown, trailed, and tooled, H.: 5 3/4 in. (14.6 cm), Glass, Translucent pale purple; handles, disk, trail, and pontil stud in translucent pale blue green., Everted rim folded over and in; cylindrical neck, expanding downwards and joining imperceptibly with piriform body; deep pushed-in bottom with central pontil stud; hollow disk around neck, applied over spiral trail; two slender rod handles, attached to upper body with long trails down sides almost to bottom, drawn up (one as angular loop, the other as a straight line), turned in, and pressed on to edge of disk, each with a tooled vertical projection above.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042310169

  •  Glass double cosmetic flask (kohl tube), Late Imperial, 4th century A.D., Roman, Glass; blown and trailed,
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    Glass double cosmetic flask (kohl tube), Late Imperial, 4th century A.D., Roman, Glass; blown and trailed,

    Glass double cosmetic flask (kohl tube), Late Imperial, 4th century A.D., Roman, Glass; blown and trailed, Overall: 5in. (12.7cm), Glass, Translucent pale green, combined with translucent blue green; trails in translucent pale green., Thick, everted rim, folded over and in; body comprising two tubes, side by side, made from a single inflated gather by pinching sides vertically to make diaphragm; small, uneven bottom with trace of pontil mark.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2022020414624

  •  Northumbrian Small-Pipe, before 1837, North Shields, England, United Kingdom, England, Wood, ivory, brass, leather,
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    Northumbrian Small-Pipe, before 1837, North Shields, England, United Kingdom, England, Wood, ivory, brass, leather,

    Northumbrian Small-Pipe, before 1837, North Shields, England, United Kingdom, England, Wood, ivory, brass, leather, velvet, sheepskin, Overall: 12.7 x 16.5 x 52.1cm (5 x 6 1/2 x 20 1/2in.), Aerophone-Reed Vibrated-bagpipe, Robert Reid (British, North Shields 17841837).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042107403

  •  Robert Rich, 2nd Earl of Warwick, English colonial administrator, admiral, and Puritan, died 1658.
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    Robert Rich, 2nd Earl of Warwick, English colonial administrator, admiral, and Puritan, died 1658.

    Robert Rich, 2nd Earl of Warwick, English colonial administrator, admiral, and Puritan, died 1658. Copperplate mezzotint by Richard Earlom after an original miniature painting by Anthony van Dyck from Samuel Woodburn‘s Portraits of Characters Illustrious in British History, London, 1810.、クレジット:Album/Florilegius/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。※「顔写真」対象外の商品です。

    商品コード: 2020032601911

  •  King Richard I the Lionheart (1157-99) embarks on 3rd crusade 1190 from Chronicle of David Aubert.
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    King Richard I the Lionheart (1157-99) embarks on 3rd crusade 1190 from Chronicle of David Aubert.

    King Richard I the Lionheart (1157-99) embarks on 3rd crusade 1190 from Chronicle of David Aubert. Museum: BIBLIOTHEQUE DE L‘ARSENAL, Paris, France. RICARDO I DE INGLATERRA (CORAZÓN DE LEÓN).、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020070403636

  •  Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.
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    Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.

    Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031201051

  •  Yvette Guilbert. Dated: 1894. Medium: lithograph in olive green.
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    Yvette Guilbert. Dated: 1894. Medium: lithograph in olive green.

    Yvette Guilbert. Dated: 1894. Medium: lithograph in olive green. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.、クレジット:Album/National Gallery of Art,Washington DC/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031701249

  •  Railroad Bridge over the Marne at Joinville.
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    Railroad Bridge over the Marne at Joinville.

    Railroad Bridge over the Marne at Joinville. Artist: Armand Guillaumin (French, Paris 1841-1927 Orly). Dimensions: 23 1/8 x 28 3/8 in. (58.7 x 72.1 cm). Date: 1871-75.Armand Guillaumin may be less well known than his illustrious friends Paul Cézanne and Camille Pissarro, but he was indeed a talented landscape painter, especially in the 1870s. Guillaumin developed an interest in viaducts and bridges as an employee of the Paris-Orléans railway, and later, the Department of Roads and Bridges. This lyrically beautiful landscape was painted in the upper valley of the Marne in northeastern France, only a few miles from central Paris. The picture found its way to the celebrated collection of Dr. Paul Gachet, a recognition of much distinction for an artist of modest notoriety. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031923424

  •  Casa Batlló. Detail of the column in the facade.
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    Casa Batlló. Detail of the column in the facade.

    Casa Batlló. Detail of the column in the facade. Author: ANTONI GAUDI. JOSEP Mª JUJOL.、クレジット:Album/Ramon Manent/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019080602015

  •  The Flagellation.
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    The Flagellation.

    The Flagellation. Artist: Lombardy (?) , late 15th century. Dimensions: 14 3/4 x 9 1/4 in. (37.5 x 23.5 cm). Date: late 15th century.sfumato technique of softly blended tones that highlights the solemnity of his pose and expression--in marked contrast to the more linear and less finished treatment of his lower body and of his assailants. The use of sfumato suggests the drawing was produced by a Lombard artist under the influence of Leonardo da Vinci. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031605634

  •  The Monterberg Seen from Kalkar.
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    The Monterberg Seen from Kalkar.

    The Monterberg Seen from Kalkar. Artist: Lambert Doomer (Dutch, Amsterdam 1624-1700 Amsterdam). Dimensions: 9 5/16 x 16 1/16 in. (23.6 x 40.8 cm). Date: ca. early 1670s.A pupil of Rembrandt, Lambert Doomer traveled extensively sketching his native landscapes. The Lehman sheet is one of a large number of highly finished drawings, all in the same technique (many also on ledger paper), made from rough sketches in Doomer‘s Amsterdam studio in the early 1670s. It is in the airy execution of the preliminary sketches that one detects a greater proximity to Rembrandt. The Monterberg is one of the hills bordering the west side of the Rhine Valley just across the present Dutch/German border. A picturesque setting popular among artists - including Aelbert Cuyp - the hilltop castle in ruins belonged to the noble family of Cleves. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062905549

  •  Fortuna in a Niche.
    -
    Fortuna in a Niche.

    Fortuna in a Niche. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: 12 13/16 x 4 11/16 in. (32.5 x 11.9 cm). Date: 1498.This female nude, thought to represent an allegory of Fortune, reflects Albrecht Dürer‘s lifelong exploration of the ideal human form based on geometric principles. His study of human proportions--a central aspect of Renaissance culture--culminated in a treatise dedicated to the subject. The German master was introduced to the notion of the ideal proportions of beauty during his first trip to Venice in 1495, around the time he made this drawing. While the goddess Fortuna is usually depicted blindfolded and draped, here she has an unabashed gaze and an air of self-assurance. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031300963

  •  Albert Lieven (born Albert Fritz Liévin
    -
    Albert Lieven (born Albert Fritz Liévin

    Albert Lieven (born Albert Fritz Liévin, 22 June 1906 – 22 December 1971) was a German actor, digital improved reproduction of an historical image.、クレジット:Universal Images Group/共同通信イメージズ

    商品コード: 2020091701210

  •  The Draftsman.
    -
    The Draftsman.

    The Draftsman. Artist: Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). Dimensions: 14 15/16 x 9 13/16 in. (38 x 25 cm). Date: 1770s. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030404414

  •  Standing Nude.
    -
    Standing Nude.

    Standing Nude. Artist: Amedeo Modigliani (Italian, Livorno 1884-1920 Paris). Dimensions: 16 15/16 x 10 1/4 in. (43 x 26 cm). Date: ca. 1910. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020032602656

  •  View of Saint-Valéry-sur-Somme.
    -
    View of Saint-Valéry-sur-Somme.

    View of Saint-Valéry-sur-Somme. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 20 x 24 in. (50.8 x 61 cm). Date: 1896-98.Degas‘s provençal painting of Saint-Valéry-sur-Somme, a medieval town on the Picardy coast northwest of Paris, surveys the site from an elevated vantage point, lending a view of rooftops and façades as well as backyards and gardens. This landscape was not painted on site, but later in the artist‘s studio where he experimented with the structure of his many pictures of Saint-Valéry-sur-Somme. The particularly ambiguous foreground and fractured elements in the background may result from the synthesis of two separate drawings sketched on site, the left half aligning with one sketch and the right another.e、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031302938

  •  Albert Rieger / ‘View of the Suez Canal‘, 1864, Oil on canvas, 127 x 180 cm.
    -
    Albert Rieger / ‘View of the Suez Canal‘, 1864, Oil on canvas, 127 x 180 cm.

    Albert Rieger / ‘View of the Suez Canal‘, 1864, Oil on canvas, 127 x 180 cm. Museum: REVOLTELLA MUSEUM, TRIESTE, ITALIA.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020061105126

  •  Glass double cosmetic flask (kohl tube)
    -
    Glass double cosmetic flask (kohl tube)

    Glass double cosmetic flask (kohl tube), Late Imperial, 4th century A.D., Roman, Glass; blown and trailed, Overall: 5in. (12.7cm), Glass, Translucent pale green, combined with translucent blue green; trails in translucent pale green., Thick, everted rim, folded over and in; body comprising two tubes, side by side, made from a single inflated gather by pinching sides vertically to make diaphragm; small, uneven bottom with trace of pontil mark.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2020091700521

  •  Negative - Ballarat, Victoria, 1924, A young athlete.
    -
    Negative - Ballarat, Victoria, 1924, A young athlete.

    Negative - Ballarat, Victoria, 1924, A young athlete. He wears spiked shoes and a singlet with a three-leafed clover on it.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023012910812

  •  Unholy Union.
    -
    Unholy Union.

    Unholy Union. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: 6 15/16 x 5 in. (17.6 x 12.7 cm). Date: ca. 1801-3 or ca. 1813-19. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042002220

  •  Bar Torino on the Paseo de Gracia in Barcelona.
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    Bar Torino on the Paseo de Gracia in Barcelona.

    Bar Torino on the Paseo de Gracia in Barcelona. Author: ANTONI GAUDヘ (1852-1926). PERE FALQUノS (1850-1916). JOSEP PUIG I CADAFALCH (1867-1956).、クレジット:Album/Gaudi Research Institute/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020032601140

  •  Madame Félix Gallois.
    -
    Madame Félix Gallois.

    Madame Félix Gallois. Artist: Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). Dimensions: Sheet: 13 5/8 x 10 9/16 in. (34.6 x 26.8 cm). Date: 1852.Ingres made portraits of his contemporaries all his life. Whether working in oil on canvas or graphite on paper, he brought painstaking concentration to the task, creating likenesses of stunning verisimilitude. Nathalie Gallois was a cousin of Ingres‘s second wife Delphine Ramel, whom he married in 1852. With customary ease and the touch of a pencil, Ingres presents his bourgeois relative with patrician finery, detailing the folds and ruffles of her elegant dress. Sparing no adornments, Ingres has highlighted Nathalie‘s jewelry in gold paint and traced the lacey hair ornament with meticulous precision. The sitter‘s porcelain skin and comely expression made the drawing a perfect gift for Monsieur Gallois, as detailed in the 、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031103178

  •  Condesa de Altamira and Her Daughter, María Agustina.
    -
    Condesa de Altamira and Her Daughter, María Agustina.

    Condesa de Altamira and Her Daughter, María Agustina. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: 76 3/4 x 45 1/4 in. (195 x 115 cm). Date: 1787-88.This imposing portrait is one of four that Goya painted of members of Count Altamira‘s family. (Another is the Museum‘s portrait of Don Manuel Osorio Manrique de Zuñiga [49.7.41].) The patronage of this powerful family greatly advanced the artist‘s career; shortly after this work was completed, he was appointed court painter to Charles IV, king of Spain. Goya‘s brilliant treatment of the countess‘ gown, with its shimmering embroidered silk, attests to his mastery of technique, while the distant, introspective expressions of the sitters reveal his ability to endow even the most formal of portraits with a penetrating psychological immediacy. Museum: Metropolitan Museum of Art, New York, U、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042002270

  •  Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.
    -
    Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.

    Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042707404

  •  Two aborigines of the Worki tribe
    -
    Two aborigines of the Worki tribe

    Two aborigines of the Worki tribe, Gilbert River, N. Queensland、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019062801486

  •  Five Nude Infants in Various Poses.
    -
    Five Nude Infants in Various Poses.

    Five Nude Infants in Various Poses. Artist: Circle of Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: 9 3/8 x 7 7/16 in. (23.8 x 18.9 cm). Date: ca. 1500.Among the studies of children on this sheet, the figure portrayed seated upon a tree stump may represent the Christ Child, while the child holding a book may portray the infant Saint John. Although the subject remains unidentifiable, the tree stump, and the new branch which grows from it, are references to the Old and New Testament and were frequent symbols of rebirth and resurrection. This carefully executed drawing has long been associated with the circles of Perugino and his most gifted pupil, Raphael. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062303455

  •  Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825-1860), Princesse de Broglie.
    -
    Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825-1860), Princesse de Broglie.

    Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825-1860), Princesse de Broglie. Artist: Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). Dimensions: 47 3/4 x 35 3/4 in. (121.3 x 90.8 cm). Date: 1851-53.Jean-Auguste-Dominique Ingres, the neo-classical French artist par excellence, painted this masterpiece toward the end of his life when his reputation as a portraitist to prominent citizens and Orléanist aristocrats had been long established. Pauline de Broglie sat for the artist‘s final commission. Ingres captures the shy reserve of his subject while illuminating through seamless brushwork the material quality of her many fine attributes: her rich blue satin and lace ball gown, the gold embroidered shawl, and silk damask chair, together with finely tooled jewels of pearl, enamel, and gold. The portrait was commissioned by the sitter‘s husband, Albert d、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031103094

  •  Juan Bautista Perez Rubert (ca.
    -
    Juan Bautista Perez Rubert (ca.

    Juan Bautista Perez Rubert (ca.1537-1597). Spanish ecclesiastic. Bishop of Segorbe (1591-1597). Portrait. Illustration by Llanta. Lithography. Cronica General de Espaa. Historia Ilustrada y Descriptiva de sus Provincias. Valencia, 1867.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021062211097

  •  Juan Bautista Perez Rubert (ca.
    -
    Juan Bautista Perez Rubert (ca.

    Juan Bautista Perez Rubert (ca.1537-1597). Spanish ecclesiastic. Bishop of Segorbe (1591-1597). Portrait. Illustration by Llanta. Lithography. Cronica General de Espaa. Historia Ilustrada y Descriptiva de sus Provincias. Valencia, 1867.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021062211128

  •  Landscape with Road and Monument.
    -
    Landscape with Road and Monument.

    Landscape with Road and Monument. Artist: Imitator of Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). Dimensions: 6 3/16 x 8 3/4 in. (15.7 x 22.3 cm). Former Attribution: Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). Date: mid-18th century-early 19th century.Long considered a drawing by Fragonard, this work is probably by an imitator whose technique is too weak to masquerade as anything else. It is likely a copy after a now-lost drawing, identical in size, sold by Edmond de Goncourt at the turn of the century. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030404406

  •  Apollo and Aurora.
    -
    Apollo and Aurora.

    Apollo and Aurora. Artist: Gerard de Lairesse (Dutch, Liège 1641-1711 Amsterdam). Dimensions: 80 1/2 x 76 1/8 in. (204.5 x 193.4 cm). Date: 1671.Lairesse left his native Liège in 1664 and settled in Amsterdam the following year. He found work immediately with the art dealer Gerrit Uylenburgh and through him became acquainted with Rembrandt, who painted Lairesse‘s portrait in about 1665-1667 (Robert Lehman Collection, The Metropolitan Museum of Art). As a painter and (after he became blind about 1690) as an art theorist, Lairesse favored idealized decorations influenced by artists of the French Academy. The Museum‘s painting, an early work, was probably intended as a chimney-piece for a large house in Amsterdam. クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062905352

  •  Adam and Eve in Paradise.
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    Adam and Eve in Paradise.

    Adam and Eve in Paradise. Artist: David Teniers the Younger (Flemish, Antwerp 1610-1690 Brussels). Dimensions: 8 3/4 x 6 1/2 in. (22.3 x 16.5 cm). Date: 1650s. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020040301559

  •  [Young Man], late 1840s, Paper negative,
    -
    [Young Man], late 1840s, Paper negative,

    [Young Man], late 1840s, Paper negative, 20.9 x 15.8 cm (8 1/4 x 6 1/4 in.), Negatives, Calvert Richard Jones (British, Swansea, Wales 18021877 Bath, England), Calvert Jones applied his considerable experience as a watercolorist and amateur daguerreotypist to his use of the calotype process, but he struggled with the required manipulations and formulations and finally sought instruction directly from Talbot and Henneman in 1845.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042902943

  •  Glass beaker, Late Imperial, 4th century A.
    -
    Glass beaker, Late Imperial, 4th century A.

    Glass beaker, Late Imperial, 4th century A.D., Roman, Glass; blown in a dip mold and trailed, H.: 4 3/8 in. (11.1 cm), Glass, Translucent pale blue green; trail in same color., Everted rim with rounded lip; cylindrical body with vertical side, then curving in sharply to solid pad base; concave bottom with pontil mark., Single horizontal trail wound once round upper body; side decorated with faint wavy ribs, becoming twenty-seven prominent ribs on side of base.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042902652

  •  Siege of Pskov by Polish King Stefan Batory‘
    -
    Siege of Pskov by Polish King Stefan Batory‘

    Siege of Pskov by Polish King Stefan Batory‘, 1843. Oil on canvas. Karl Briullov (1799 1852) Russian painter. Livonian War 1581-1582 between Poland and Russia. Result: Stefan Batory and Ivan IV signed Treaty of Jam Zapolski. Battle、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2018121820679

  •  Bust of Pseudo-Seneca.
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    Bust of Pseudo-Seneca.

    Bust of Pseudo-Seneca. Artist: Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp) , and Assistant (?). Dimensions: 10 7/16 x 6 15/16 in. (26.5 x 17.7 cm). Date: 1600-1626.Rubens was deeply engaged with classical antiquity and the Italian Renaissance - subjects with which he acquired close familiarity during a stay in Italy from 1600 to 1608. The Flemish master produced numerous drawn copies after Renaissance and antique works. In his treatise, De Imitatione Statuarum (On the Imitation of Statues) Rubens argues for a profound knowledge and selective imitation of ancient sculpture. He also amassed an important collection of antique portrait busts. Among these is a celebrated Roman portrait then believed to represent the Stoic philosopher Seneca, which appears in a number of his paintings, prints, and drawings. 、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033002865

  •  Antonio Gisbert Pérez / ‘Liuva I, Visigothic King‘, 1855, Spanish School, Canvas, 224 cm x 140 cm, P06091.
    -
    Antonio Gisbert Pérez / ‘Liuva I, Visigothic King‘, 1855, Spanish School, Canvas, 224 cm x 140 cm, P06091.

    Antonio Gisbert Pérez / ‘Liuva I, Visigothic King‘, 1855, Spanish School, Canvas, 224 cm x 140 cm, P06091. Museum: MUSEO DEL PRADO, MADRID, SPAIN.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020052200351

  •  The Last Supper.
    -
    The Last Supper.

    ★The Last Supper. Artist: Ugolino da Siena (Ugolino di Nerio) (Italian, Siena, active by 1317-died ?1339/49). Dimensions: Overall, with engaged (modern) frame, 15 x 22 1/4 in. (38.1 x 56.5 cm); painted surface 13 1/2 x 20 3/4 in. (34.3 x 52.7 cm). Date: ca. 1325-30.Ugolino da Siena was the most original and accomplished follower of Duccio di Buoninsegna, the greatest Sienese painter of the fourteenth century. Among Ugolino‘s most important commissions was the multi-panel altarpiece for the high altar of Santa Croce, the Franciscan church in Florence. This painting of the Last Supper formed part of the predella (the lowermost horizontal component) of the now dismembered altarpiece. A reconstruction of the altarpiece‘s original appearance is possible through an 18th-century drawing, which indicates that the “Last Supper“ panel was the left-most of seven predella panels. The altarpiece‘s ce、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031705069

  •  Santa Lucia
    -
    Santa Lucia

    Santa Lucia, Naples, 1845–46, Salted paper prints from paper negatives, 22.4 x 36.2 cm (8 13/16 x 14 1/4 in.) overall, Photographs, Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England), Jones set out from England on an ambitious photographic Grand Tour of Italy and Malta in 1845, having learned the paper negative photographic process directly from its British inventor, William Henry Fox Talbot.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021021006669

  •  Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.
    -
    Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.

    Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031201040

  •  Self-Portrait in a Cocked Hat.
    -
    Self-Portrait in a Cocked Hat.

    Self-Portrait in a Cocked Hat. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: 3 7/8 x 3 7/16 in. (9.8 x 8.8 cm). Date: ca. 1790.This vigorous portrait, stippled and lined in brown ink, is likely one of Goya‘s most faithful self-studies. The artist was probably middle-aged when he made the drawing, but his dashing appearance, complete with tricorne hat, belies his years. It shows Goya before a grave illness of 1793 that would compromise his vitality. Drawn with a blunt pen in distinct marks, the self-portrait was used to engrave the frontispiece for the third edition of Goya‘s suite of lithographs illustrating bull fights, La Tauromaquia (1876). Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042002303

  •  Hieronymus Bosch (1450-1516).
    -
    Hieronymus Bosch (1450-1516).

    Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Left panel. The Creation. Detail. Prado Museum. Madrid. Spain.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042707331

  •  Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.
    -
    Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.

    Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042707353

  •  Trifolium pratense; Red Clover.
    -
    Trifolium pratense; Red Clover.

    Trifolium pratense; Red Clover.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020052205659

  •  The Adoration of the Magi.
    -
    The Adoration of the Magi.

    ★The Adoration of the Magi. Artist: Italian, Neapolitan Follower of Giotto (active second third of the 14th century). Culture: Italian, Naples. Dimensions: Overall, with engaged frame, 26 1/8 x 18 3/8 in. (66.4 x 46.7 cm); painted surface, including tooled border, 21 3/8 x 15 in. (54.3 x 38.1 cm). Date: ca. 1340-43.Dressed in sumptuous gold embroidered robes, three Magi and two angels, shown in profile at the right, adore the Virgin and Child, who are seated in the doorway of a palace. They are accompanied by three diminutive attendants in the lower left corner. Adding to the elaborate surface pattern is the punched gold border that integrates the painted scene with the original engaged frame. Hinge marks on both the left and right sides of the frame indicate that the painting was originally part of a folding altarpiece comprised of multiple panels. The ensemble included scenes of the An、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031705067

  •  Cassetta frame.
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    Cassetta frame.

    Cassetta frame. Culture: Italian, Venice. Dimensions: 73.6 x 54.9, 57.2 x 38.3, 59 x 40.6 cm.. Date: ca. 1520. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031705074

  •  Study of a Male Nude Study for “The Death of Seneca“.
    -
    Study of a Male Nude Study for “The Death of Seneca“.

    Study of a Male Nude Study for “The Death of Seneca“. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: 12 3/16 x 9 3/16 in. (31 x 23.4 cm). Date: 1838-40.This drawing relates to The Death of Seneca, one of Delacroix‘s ceiling paintings found in the library of the Chambre des Députés in the Palais Bourbon, Paris (now the Assemblé Nationale).The Roman philosopher-dramatist Seneca was implicated in a conspiracy to kill Nero. Ordered by the emperor to commit suicide, he stoically met his fate by having his veins opened, presumably while standing in a bath. Delacroix adroitly captures the recoiling, suicidal figure. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020041701706

  •  The Capitoline
    -
    The Capitoline

    The Capitoline, 1846, Salted paper print from a paper negative, 16.2 x 21.2 cm. (6 3/8 x 8 3/6 in.), Photographs, Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021030814056

  •  Santa Lucia, Naples, 1845–46, Salted paper prints from paper negatives, 22.4 x 36.2 cm (8 13/16 x 14 1/4 in.) overall,
    -
    Santa Lucia, Naples, 1845–46, Salted paper prints from paper negatives, 22.4 x 36.2 cm (8 13/16 x 14 1/4 in.) overall,

    Santa Lucia, Naples, 1845–46, Salted paper prints from paper negatives, 22.4 x 36.2 cm (8 13/16 x 14 1/4 in.) overall, Photographs, Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England), Jones set out from England on an ambitious photographic Grand Tour of Italy and Malta in 1845, having learned the paper negative photographic process directly from its British inventor, William Henry Fox Talbot.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2020101204414

  •  Yvette Guilbert--‘Linger, Longer, Loo‘, from Yvette Guilbert.
    -
    Yvette Guilbert--‘Linger, Longer, Loo‘, from Yvette Guilbert.

    Yvette Guilbert--‘Linger, Longer, Loo‘, from Yvette Guilbert. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1898. Dimensions: 324 × 266 mm (image); 499 × 375 mm (sheet). Lithograph with beige tint stone, on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031701138

  •  Portrait of Madame Rhode (Rhoda? ).
    -
    Portrait of Madame Rhode (Rhoda? ).

    Portrait of Madame Rhode (Rhoda?). Artist: Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). Dimensions: 8 1/8 x 6 5/8 in. (20.6 x 16.9 cm). Date: 1810-20.Unlike other presentation portraits by Ingres in this gallery, this one appears unfinished. Even its signature, Ing, is incomplete, and the inscription is only partially legible. The ethereal figure may have been a British subject who posed for Ingres in Rome in the early nineteenth century. Her exotic headdress and Empire clothing and jewelry accord with such a date. The drawing remained in the artist‘s studio at his death, further supporting its presumed role as a study. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031103180

  •  “Albert Lieven (born Albert Fritz Liévin; 22 June 1906 – 22 December 1971) was a German actor“
    -
    “Albert Lieven (born Albert Fritz Liévin; 22 June 1906 – 22 December 1971) was a German actor“

    “Albert Lieven (born Albert Fritz Liévin; 22 June 1906 – 22 December 1971) was a German actor“, digital improved reproduction of an historical image.、クレジット:Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せ下さい。

    商品コード: 2020013004827

  •  Albert Lieven
    -
    Albert Lieven

    Albert Lieven (born Albert Fritz Liévin, 22 June 1906 – 22 December 1971) was a German actor, digital improved reproduction of an historical image.、クレジット:Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せ下さい。

    商品コード: 2020013004541

  •  Glass amphoriskos (flask), Early Imperial, 1st century A.D.
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    Glass amphoriskos (flask), Early Imperial, 1st century A.D.

    Glass amphoriskos (flask), Early Imperial, 1st century A.D., Roman, Glass; blown in a two-part mold, H.: 2 5/8 x 1 3/4 in. (6.7 x 4.4 cm), Glass, Translucent yellow, with one handle in purple and the other in pale blue green., Everted rim, partially tubular and folded over and in, and pressed into flaring mouth; short cylindrical neck; globular body, with small indent in one side; projecting circular base with flat bottom; rod handles applied to top of body in a pad, drawn up and out, then curved in a trailed onto edge and underside of rim and top of neck.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042309824

  •  Caricature of a Man Holding a Tricorne, Seen from Behind.
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    Caricature of a Man Holding a Tricorne, Seen from Behind.

    Caricature of a Man Holding a Tricorne, Seen from Behind. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 7 3/4 x 4 13/16 in. (19.7 x 12.2 cm). Date: 1760 (?). Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033003960

  •  Caricature of a Man Holding a Tricorne, Walking to the Left.
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    Caricature of a Man Holding a Tricorne, Walking to the Left.

    Caricature of a Man Holding a Tricorne, Walking to the Left. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 6 13/16 x 4 3/8 in. (17.3 x 11.1 cm). Date: ca. 1740-45. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033004106

  •  Portrait of Albert Ryssel, Gerrit Konsé, 1789
    -
    Portrait of Albert Ryssel, Gerrit Konsé, 1789

    Portrait of Albert Ryssel, Gerrit Konsé, 1789.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2020072801174

  •  Portrait of the Painter Eduardo García Bénito.
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    Portrait of the Painter Eduardo García Bénito.

    Portrait of the Painter Eduardo García Bénito. Artist: Amedeo Modigliani (Italian, Livorno 1884-1920 Paris). Dimensions: 8 x 4 in. (20.3 x 10.2 cm). Date: ca. 1914-15. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020032602603

  •  Seated female nude.
    -
    Seated female nude.

    Seated Female Nude. Artist: Attributed to Amedeo Modigliani (Italian, Livorno 1884-1920 Paris). Dimensions: 14 7/8 x 13 3/8 in. (37.8 x 34 cm). Date: ca. 1917. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020032602634

  •  Robert Rich (1587-1658), Second Earl of Warwick.
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    Robert Rich (1587-1658), Second Earl of Warwick.

    Robert Rich (1587-1658), Second Earl of Warwick. Artist: Anthony van Dyck (Flemish, Antwerp 1599-1641 London). Dimensions: 81 7/8 x 50 3/8 in. (208 x 128 cm), with added strip of 2 1/8 in. (5.4 cm) at top. Date: ca. 1632-35.A Puritan sailor of fortune, the first earl of Warwick set up companies in Virginia and the Caribbean, helped colonize Connecticut, Massachusetts, and Rhode Island, and seized Spanish ships on behalf of the Duke of Savoy and Charles I. The latter‘s policies made Warwick side with Parliament as commander of the navy (from 1642). Despite allusions to his maritime adventures in the armor and ships, Warwick wears the everyday dress of an aristocrat and the witty smile for which he was known. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020032601708

  •  Self-Portrait with Upraised Arm.
    -
    Self-Portrait with Upraised Arm.

    Self-Portrait with Upraised Arm. Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 10 1/2 x 7 3/4 in. (26.7 x 19.7 cm). Date: ca. 1840. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020022706604

  •  Don‘t sign that declaration
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    Don‘t sign that declaration

    Don‘t sign that declaration, gentlemen! You‘ll hurt business!‘ A sketch after Trumbull‘s painting ‘The Declaration of Independence‘ with John Adams, Roger Sherman, Robert R. Livingston, Thomas Jefferson, and Charles Thomson, standing around a table where John Hancock is sitting, as a businessman labelled ‘Spirit of 1908‘ rushes in from the left.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用はできません。

    商品コード: 2019082602957

  •  Caricature of a Man in a Mask and a Tricorne, Standing in Profile to the Left.
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    Caricature of a Man in a Mask and a Tricorne, Standing in Profile to the Left.

    Caricature of a Man in a Mask and a Tricorne, Standing in Profile to the Left. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 7 5/16 x 4 in. (18.5 x 10.2 cm). Date: 1760 (?). Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033003993

  •  Soldiers Around a Monument.
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    Soldiers Around a Monument.

    Soldiers Around a Monument. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 16 5/8 x 11 in. (42.3 x 28 cm). Date: 1743-45. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033004005

  •  Dancer at a Café Concert.
    -
    Dancer at a Café Concert.

    Dancer at a Café Concert. Artist: Théophile-Alexandre Steinlen (French (born Switzerland), Lausanne 1859-1923 Paris). Dimensions: 17 1/16 x 14 1/8 in. (43.4 x 35.8 cm). Date: 1892-93.An illustrator and poster artist, Steinlen‘s flamboyant imagery of the café concert invites comparison with Henri de Toulouse-Lautrec, his neighbor in Paris. Steinlen was the principal illustrator of Le Mirliton, a journal published by Aristide Bruant, the owner of a cabaret by the same title. Steinlen made this drawing as a cover design for the 17 February 1893 issue of the journal, to illustrate the song “Tha-ma-ra-boum-di-hé“ and its accompanying dance, the high-kicking chahut. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031700835

  •  Youth in an Attitude of Defense.
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    Youth in an Attitude of Defense.

    Youth in an Attitude of Defense. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 12 15/16 x 8 1/4 in. (32.8 x 21 cm). Date: 1859-60. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031302861

  •  Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.
    -
    Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.

    Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031200951

  •  Yvette Guilbert.
    -
    Yvette Guilbert.

    Yvette Guilbert. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1894. Dimensions: 300 x 149 mm (image); 388 x 385 mm (sheet, folded, approx.). Lithograph with letterpress, on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031701593

  •  NUMISMATICA. MONEDA MODERNA. TRIPLE DUCATON DE PLATA, DE FELIPE IV. REVERSO. ESCUDO SOPORTADO POR DOS LEONES, CON LAS ARMAS DE C
    -
    NUMISMATICA. MONEDA MODERNA. TRIPLE DUCATON DE PLATA, DE FELIPE IV. REVERSO. ESCUDO SOPORTADO POR DOS LEONES, CON LAS ARMAS DE C

    NUMISMATICA. MONEDA MODERNA. TRIPLE DUCATON DE PLATA, DE FELIPE IV. REVERSO. ESCUDO SOPORTADO POR DOS LEONES, CON LAS ARMAS DE CASTILLA,LEON, NAPOLES Y SICILIA. 1648. (DEPOSITO: MUSEO ARQUEOLOGICO NACIONAL).、クレジット:Album/ASF/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019081607520

  •  Evening Calm, Concarneau, Opus 220 (Allegro Maestoso).
    -
    Evening Calm, Concarneau, Opus 220 (Allegro Maestoso).

    Evening Calm, Concarneau, Opus 220 (Allegro Maestoso). Artist: Paul Signac (French, Paris 1863-1935 Paris). Dimensions: 25 1/2 x 32in. (64.8 x 81.3cm); Framed: 40 1/4 x 34 in. (102.2 x 86.4cm). Date: 1891.As Georges Seurat‘s most ardent follower, Paul Signacsteadfastly promoted the principles of Neo-Impressionism all his life. Adopting Seurat‘s systemof color harmony, Signac argued for the meticulousapplication of precise hues in separate strokes ofpaint across the canvas, a technique he said evoked“brilliantly colored lights.“ This painting is one offive related images of fishing boats near the Frenchtown of Concarneau, in Brittany. Signac endowedhis Concarneau paintings with musical sub-titles,suggesting a symphonic arrangement. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033003540

  •  Foal (Le Poulain) [also called “The Colt“].
    -
    Foal (Le Poulain) [also called “The Colt“].

    Foal (Le Poulain) [also called “The Colt“]. Artist: Georges Seurat (French, Paris 1859-1891 Paris). Dimensions: 9 3/4 x 12 1/2 in. (24.8 x 31.8 cm). Date: 1882-83.This unbridled foal is remarkably anomalous among Seurat‘s drawings. Its flurry of scratchy lines and sense of unrestrained motion contrast the silence and calm generally found in Seurat‘s velvety Conté crayon sheets. Seurat kept this drawing through his short life, after which it passed to fellow Neo-Impressionist Henri Edmond Cross, another artist favored by Robert Lehman. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033003622

  •  Albert Ritzler, born 1836, Main Post Office director, picture from 1895, digital improved
    -
    Albert Ritzler, born 1836, Main Post Office director, picture from 1895, digital improved

    Albert Ritzler, born 1836, Main Post Office director, picture from 1895, digital improved.、クレジット:Bildagentur-online  /Universal Images Group/共同通信イメージズ

    商品コード: 2021041513113

  •  Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.
    -
    Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.

    Hieronymus Bosch (1450-1516). The Garden of Earthly Delights. Central panel. Detail. Prado Museum. Madrid. Spain.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042707402

  •  Secret Service agents
    -
    Secret Service agents

    Secret Service agents, between 1861 and 1865. Stereograph showing group of seven men seated on a rock by a river. The five men in front are identified on verso as: 1) A. Harper Caldwell, Chief Tel. Operator, Army Headquarters; 2) Albert Linde, Perminsky Indian Scout from near Whitehouse, Virginia; 3) Jessie Brunell, Secret Service Tel. Operator at Army Headquarters; 4) Harry Thomas, Secret Service Operator; 5) G.H. Thiel, Secret Service Operative.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019050902504

  •  JUSTICE.
    -
    JUSTICE.

    Justice. Artist: Follower of Fra Angelico (Guido di Pietro) (Italian, Vicchio di Mugello ca. 1395-1455 Rome). Dimensions: 19.3 x 17 cm. (7 5/8 x 6 3/4 in.). Date: ca. 1440.The figure of Justice, bearing a sword and globe, reflects the tradition of seated Virtues found in Medieval and early Renaissance model books. While the sheet‘s provenance remains uncertain, the framing lines have been viewed as evidence of Giorgio Vasari‘s ownership. Vasari, the sixteenth-century biographer and artist, added such devices to the sheets in his celebrated album of drawings. The figure recalls the Madonnas painted by the celebrated Florentine artist, Fra Angelico, and the drawing was probably executed by an artist in his circle. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033004232

  •  At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol).
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    At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol).

    At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol). Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Dimensions: 13 3/4 x 9 13/16 in. (35 x 25 cm). Date: 1899.The grand master of urban entertainments, Henri de Toulouse-Lautrec made many paintings and drawings on the circus theme in the late 1880s and 1890s, just as his popularity as a commercial artist soared. Fin-de-siècle Paris hosted an assortment of professional circuses, and Lautrec frequented them all. He was personally drawn to circus performers-those colorful equestrians, animal trainers, clowns and acrobats on society‘s “fringes.“ It was while undergoing treatment for alcoholism at a sanitarium on the outskirts of Paris in 1899 that Lautrec produced an ambitious group of crayon/chalk drawings of circus figures. These imaginative sketches were drawn entirely from memory, without recourse 、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031701080

  •  Young Girl Bathing.
    -
    Young Girl Bathing.

    キーワード:ピエール=オーギュスト・ルノワール、Young Girl Bathing. Artist: Auguste Renoir (French, Limoges 1841-1919 Cagnes-sur-Mer). Dimensions: 32 x 25 1/2 in. (81.3 x 64.8 cm). Date: 1892.Pierre Auguste Renoir painted a great many canvases of single bathers in outdoor settings, timeless studies of fulsome young women. In the Lehman painting, his model averts her glance, seated in shy three-quarter profile. Innocent yet sensual, this charming nude would have pleased Renoir‘s audience in the later nineteenth century. The picture is thinly painted, its brushwork soft and supple. Renoir probably posed his model in the studio, since the rapidly brushed landscape background is far more imaginary than real. Claude Monet first owned this painting, and remarked to a friend that while the nude was beautiful, the landscape was conventional. 、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019111308286

  •  SAINT PAUL.
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    SAINT PAUL.

    Saint Paul. Artist: Circle of Jan van Eyck (Netherlandish, Maaseyck (?) 1390-Brussels 1441). Culture: Netherlandish. Dimensions: 5 3/4 x 3 1/8 in. (14.6 x 7.9 cm). Date: ca. 1430.Once attributed to Petrus Christus (1410-1472/73), this drawing on vellum has since been reassigned to an artist in the Circle of Jan van Eyck. It is one of two extant drawings in a series of the twelve Apostles. The vellum is so transparent that it is conceivable that the straight pen lines defining the contours and folds of the drapery were traced from a model and the hatching filled in afterward with point of brush. It is likely that the Lehman drawing and its prototype related to a painting, possibly a grisaille painting, rather than to sculpture. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031103428

  •  Study for “A Sunday on La Grande Jatte“.
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    Study for “A Sunday on La Grande Jatte“.

    Study for “A Sunday on La Grande Jatte“. Artist: Georges Seurat (French, Paris 1859-1891 Paris). Dimensions: 6 1/8 x 9 1/2 in. (15.6 x 24.1 cm). Date: 1884.This small panel is one of approximately fifty oil sketches and drawings made as preparatory studies for Seurat‘s monumental masterpiece, A Sunday on La Grand Jatte. Painted from 1884-86, the scene depicts Parisians at leisure on an island in the Seine. Illustrating Seurat‘s process of investigation, the figures in the present panel were significantly transformed in the final painting. Seurat‘s style came to be known as Pointillism (from the French word “point,“ or “dot“), but he preferred the term divisionism--the principle of separating color into small touches placed side-by-side and meant to blend in the eye of the viewer. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033003547

  •  Caricature of a Fat Man, Seen From Behind.
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    Caricature of a Fat Man, Seen From Behind.

    Caricature of a Fat Man, Seen From Behind. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 6 1/2 x 4 3/4 in. (16.5 x 12 cm). Date: 1760 (?). Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033003959

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