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-Renaissance.Renaissance. Andrea Mantegna (1431-1506). Italian Painter. Quattrocento. The Crucifixion. Central part of the predella of altarpiece. 1457-1459. Oil on panel. Louvre, Pari_s.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。
商品コード: 2021021008984
-Predella with the adoration of the kings, the deathbed of Mary and the mission in the temple, anonymous, Franken,Predella with the adoration of the kings, the deathbed of Mary and the mission in the temple, anonymous, Franken, c. 1475 - c. 1500, linden, h 39.5 cm × w 142.5 cm × d 5 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。
商品コード: 2023051714891
-Predella from the altarpiece in the church of Santa Maria in Rubió. Master of Rubió. Third quarter of the 14th century. TemperaPredella from the altarpiece in the church of Santa Maria in Rubió. Master of Rubió. Third quarter of the 14th century. Tempera on wood. 76.5 x 207 cm; 76 x 206.5 cm. From the parish church of Santa Maria in Rubió (Anoia). Museu Episcopal de Vic. Author: MESTRE DE RUBIÓ.、クレジット：Ａｌｂｕｍ／Ｒａｍｏｎ Ｍａｎｅｎｔ／共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。
商品コード: 2019081508168
-Saint Bartholomew,Saint Bartholomew, ca. 131719, Tempera on wood, gold ground, Overall, with arched top and engaged frame, 11 5/8 x 8 5/8 in. (29.5 x 21.9 cm); painted surface 10 3/8 x 7 3/4 in. (26.4 x 19.7 cm), Paintings, Workshop of Simone Martini (Italian, Siena, active by 1315died 1344 Avignon), Six other panels from the series are known. All were owned by the German painter and collector Johann Anton Ramboux in the nineteenth century, and they formed either the predella or a row of figures above the main panels of an altarpiece.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。
商品コード: 2022042107243
-Il Miracolo degli impiccati (Predella of the Altarpiece of Saint Nicholas of Tolentino).Il Miracolo degli impiccati (Predella of the Altarpiece of Saint Nicholas of Tolentino). Museum: Museo Nazionale di Palazzo Reale, Pisa. Author: Raphael (Raffaello Sanzio da Urbino).、クレジット：Ａｌｂｕｍ／Ｆｉｎｅ Ａｒｔ Ｉｍａｇｅｓ／共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。
商品コード: 2020061106091
-SAN JUAN EVANGELISTA.SAN JUAN EVANGELISTA. Apóstol y uno de los cuatro evangelistas. Llamado “el águila de patmos“. Escultura en madera de “SAN JUAN EVANGELISTA JUNTO AL AGUILA TETRAMORFO“. Detalle de la predela del Altar Mayor de la COLEGIATA DE SANTA JULIANA. Santillana del Mar. Cantabria. España.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。
商品コード: 2020042306392
2020年11月19日Presentation of the restoration of the predella of the Centenary AltarpieceNovember 19, 2020, Valencia, Madrid, Spain: A woman points out the restoration of the predella of the Altarpiece of San Jorge del Centenar de la Ploma after its presentation, in Valencia, Valencian Community (Spain), on November 19, 2020. The restoration will remain on display until the end of January 2021 at the Museu de Belles Arts de València. The predella, dating from the 15th century, arrived in Valencia in April 2019 from the Victoria and Albert Museum in London and has undergone a process of restoration and a series of treatments in order to return the work to a suitable state of conservation...19 NOVEMBER 2020;ALTARPIECE;ART;HISTORY;CULTURE;RESTORATION;LEAD;REFORM;ANTIQUITY..Rober Solsona / Europa Press..11/19/2020 (Credit Image: © Rober Solsona/Contacto via ZUMA Press)、クレジット：©Ｒｏｂｅｒ Ｓｏｌｓｏｎａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2020112102096
2020年11月19日Presentation of the restoration of the predella of the Centenary AltarpieceNovember 19, 2020, Valencia, Madrid, Spain: A woman speaks during the presentation of the restoration of the predella of the Altarpiece of San Jorge del Centenar de la Ploma, in Valencia, Valencian Community (Spain), on November 19, 2020. The restoration will remain on display until the end of January 2021 at the Museu de Belles Arts de València. The predella, dating from the 15th century, arrived in Valencia in April 2019 from the Victoria and Albert Museum in London and has undergone a process of restoration and a series of treatments in order to return the work to a suitable state of conservation...19 NOVEMBER 2020;ALTARPIECE;ART;HISTORY;CULTURE;RESTORATION;LEAD;REFORM;ANTIQUITY..Rober Solsona / Europa Press..11/19/2020 (Credit Image: © Rober Solsona/Contacto via ZUMA Press)、クレジット：©Ｒｏｂｅｒ Ｓｏｌｓｏｎａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2020112102072
2020年11月19日Presentation of the restoration of the predella of the Centenary AltarpieceNovember 19, 2020, Valencia, Madrid, Spain: A man takes a photo during the presentation of the restoration of the predella of the Altarpiece of San Jorge del Centenar de la Ploma, in Valencia, Valencian Community (Spain), on November 19, 2020. The restoration will remain on display until the end of January 2021 at the Museu de Belles Arts de València. The predella, dating from the 15th century, arrived in Valencia in April 2019 from the Victoria and Albert Museum in London and has undergone a process of restoration and a series of treatments in order to return the work to a suitable state of conservation...19 NOVEMBER 2020;ALTARPIECE;ART;HISTORY;CULTURE;RESTORATION;LEAD;REFORM;ANTIQUITY..Rober Solsona / Europa Press..11/19/2020 (Credit Image: © Rober Solsona/Contacto via ZUMA Press)、クレジット：©Ｒｏｂｅｒ Ｓｏｌｓｏｎａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2020112102304
2020年11月19日Presentation of the restoration of the predella of the Centenary AltarpieceNovember 19, 2020, Valencia, Madrid, Spain: A man observes the restoration of the predella of the Altarpiece of San Jorge del Centenar de la Ploma after its presentation, in Valencia, Valencian Community (Spain), on November 19, 2020. The restoration will remain on display until the end of January 2021 at the Museu de Belles Arts de València. The predella, dating from the 15th century, arrived in Valencia in April 2019 from the Victoria and Albert Museum in London and has undergone a process of restoration and a series of treatments in order to return the work to a suitable state of conservation...19 NOVEMBER 2020;ALTARPIECE;ART;HISTORY;CULTURE;RESTORATION;LEAD;REFORM;ANTIQUITY..Rober Solsona / Europa Press..11/19/2020 (Credit Image: © Rober Solsona/Contacto via ZUMA Press)、クレジット：©Ｒｏｂｅｒ Ｓｏｌｓｏｎａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2020112102390
2024年03月19日Augustinian Polyptych On Display In MilanMarch 19, 2024, Milan, Italy: Dismembered at the end of the sixteenth century, the Augustinian Polyptych created by Piero Della Francesca for the high altar of the Augustinian church in Borgo San Sepolcro in the Arezzo area is recomposed for the first time. It does so at the Poldi Pezzoli museum in Milan which managed to bring together the 8 known panels (the central panel and a large part of the predella were lost), uniting with its S. Nicola, the four from the Frick Collection in New York and those from National Gallery in London, National in Washington and the Museum of Antique Art in Lisbon to exhibit them in the exhibition ‘Piero della Francesca and the reunited Augustinian polyptych‘, Milan, 19 March 2024. ANSA/MATTEO CORNER (Credit Image: © ANSA via ZUMA Press)、クレジット：©Ｍａｔｔｅｏ Ｃｏｒｎｅｒ ／ Ｚ１４／ＡＮＳＡ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Italy Rights Out
商品コード: 2024032003208
2024年03月19日Polittico di Piero della Francesca ricomposto dopo 555 anniMarch 19, 2024, Milan, Italy: Dismembered at the end of the sixteenth century, the Augustinian Polyptych created by Piero Della Francesca for the high altar of the Augustinian church in Borgo San Sepolcro in the Arezzo area is recomposed for the first time. It does so at the Poldi Pezzoli museum in Milan which managed to bring together the 8 known panels (the central panel and a large part of the predella were lost), uniting with its S. Nicola, the four from the Frick Collection in New York and those from National Gallery in London, National in Washington and the Museum of Antique Art in Lisbon to exhibit them in the exhibition ‘Piero della Francesca and the reunited Augustinian polyptych‘, Milan, 19 March 2024. ANSA/MATTEO CORNER (Credit Image: © ANSA via ZUMA Press)、クレジット：©Ｍａｔｔｅｏ Ｃｏｒｎｅｒ ／ Ｚ１４／ＡＮＳＡ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Italy Rights Out
商品コード: 2024032000901
2024年03月19日Augustinian Polyptych On Display In MilanMarch 19, 2024, Milan, Italy: Dismembered at the end of the sixteenth century, the Augustinian Polyptych created by Piero Della Francesca for the high altar of the Augustinian church in Borgo San Sepolcro in the Arezzo area is recomposed for the first time. It does so at the Poldi Pezzoli museum in Milan which managed to bring together the 8 known panels (the central panel and a large part of the predella were lost), uniting with its S. Nicola, the four from the Frick Collection in New York and those from National Gallery in London, National in Washington and the Museum of Antique Art in Lisbon to exhibit them in the exhibition ‘Piero della Francesca and the reunited Augustinian polyptych‘, Milan, 19 March 2024. ANSA/MATTEO CORNER (Credit Image: © ANSA via ZUMA Press)、クレジット：©Ｍａｔｔｅｏ Ｃｏｒｎｅｒ ／ Ｚ１４／ＡＮＳＡ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Italy Rights Out
商品コード: 2024032003072
2024年03月19日Polittico di Piero della Francesca ricomposto dopo 555 anniMarch 19, 2024, Milan, Italy: Dismembered at the end of the sixteenth century, the Augustinian Polyptych created by Piero Della Francesca for the high altar of the Augustinian church in Borgo San Sepolcro in the Arezzo area is recomposed for the first time. It does so at the Poldi Pezzoli museum in Milan which managed to bring together the 8 known panels (the central panel and a large part of the predella were lost), uniting with its S. Nicola, the four from the Frick Collection in New York and those from National Gallery in London, National in Washington and the Museum of Antique Art in Lisbon to exhibit them in the exhibition ‘Piero della Francesca and the reunited Augustinian polyptych‘, Milan, 19 March 2024. ANSA/MATTEO CORNER (Credit Image: © ANSA via ZUMA Press)、クレジット：©Ｍａｔｔｅｏ Ｃｏｒｎｅｒ ／ Ｚ１４／ＡＮＳＡ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Italy Rights Out
商品コード: 2024032000479
2024年03月19日Polittico di Piero della Francesca ricomposto dopo 555 anniMarch 19, 2024, Milan, Italy: Dismembered at the end of the sixteenth century, the Augustinian Polyptych created by Piero Della Francesca for the high altar of the Augustinian church in Borgo San Sepolcro in the Arezzo area is recomposed for the first time. It does so at the Poldi Pezzoli museum in Milan which managed to bring together the 8 known panels (the central panel and a large part of the predella were lost), uniting with its S. Nicola, the four from the Frick Collection in New York and those from National Gallery in London, National in Washington and the Museum of Antique Art in Lisbon to exhibit them in the exhibition ‘Piero della Francesca and the reunited Augustinian polyptych‘, Milan, 19 March 2024. ANSA/MATTEO CORNER (Credit Image: © ANSA via ZUMA Press)、クレジット：©Ｍａｔｔｅｏ Ｃｏｒｎｅｒ ／ Ｚ１４／ＡＮＳＡ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Italy Rights Out
商品コード: 2024032000830
2024年03月19日Augustinian Polyptych On Display In MilanMarch 19, 2024, Milan, Italy: Dismembered at the end of the sixteenth century, the Augustinian Polyptych created by Piero Della Francesca for the high altar of the Augustinian church in Borgo San Sepolcro in the Arezzo area is recomposed for the first time. It does so at the Poldi Pezzoli museum in Milan which managed to bring together the 8 known panels (the central panel and a large part of the predella were lost), uniting with its S. Nicola, the four from the Frick Collection in New York and those from National Gallery in London, National in Washington and the Museum of Antique Art in Lisbon to exhibit them in the exhibition ‘Piero della Francesca and the reunited Augustinian polyptych‘, Milan, 19 March 2024. ANSA/MATTEO CORNER (Credit Image: © ANSA via ZUMA Press)、クレジット：©Ｍａｔｔｅｏ Ｃｏｒｎｅｒ ／ Ｚ１４／ＡＮＳＡ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Italy Rights Out
商品コード: 2024032002404
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