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  • -
    Ukraine.

    Ukraine. Kiev. Saint Andrew‘s church. Baroque. Constructed in 1747-1754. Designed by the Imperial Russian architect Bartolomeo Rastrelli (1700-1771).、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020051309025

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    Italy.

    Italy. Pavia. Courtyard in University of Pavia. From left to right, statues: Luigi Porta Pavese (1800-1875), Antonio Maria Bordoni (1789-1860) and Bartolomeo Panizza (1785-1667).、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020050801910

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    MAESTRE DE CAMPO DE LOS TERCIOS ESPAÑOLES - SIGLO XVII - LIENZO - 2,23x1,11 - Nº INVENTARIO 112.

    MAESTRE DE CAMPO DE LOS TERCIOS ESPAÑOLES - SIGLO XVII - LIENZO - 2,23x1,11 - Nº INVENTARIO 112. Author: BARTOLOMEO MANFREDI. Location: SENADO-PINTURA. MADRID. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020061104263

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    The Adoration of the Magi.

    The Adoration of the Magi. Artist: Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian, Florence 1473-1517 Florence) (?). Dimensions: 10-15/16 x 9-7/16 in. (27.8 x 24.0 cm). Date: ca. 1500.In this early drawing by the artist, the Holy Family appears on a raised platform: the seated Virgin holds the blessing Christ Child on her knee and the pensive Saint Joseph stands at left. The Magi are grouped at the foot of the steps leading to the platform. On the horizon appear more knights, two watching shepherds are seen on the hill at left, and further spectators are perched on the top of a building that is lightly indicated at upper right. Fra Bartolomeo‘s composition was inspired by portrayals of the Adoration of the Magi made by Leonardo da Vinci and Sandro Botticelli, all characterized by a similar pyramidal grouping. The same composition was studied by the artist、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031603983

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    The Holy Family with Saint John the Baptist.

    The Holy Family with Saint John the Baptist. Artist: Workshop of Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian, Florence 1473-1517 Florence). Dimensions: 5-7/16 x 4-3/4 in. (13.8 x 12.0 cm). Date: ca. 1515-17.Quickly drawn in black chalk, this study was formerly part of the same sketchbook which likely also included two studies for a Madonna and Child with Infant St. John of almost the same size: one in the Museum‘s collection (no. 80.3.134; black chalk, 14.3 x 11.6 cm) and the other one in The Morgan Library & Museum, New York (inv. IV,8; black chalk, 13.5 x 9.7 cm). Even though the drawings show similarities with Fra‘ Bartolomeo‘s shorthand and late draftsmanship, the three sketchbook sheets should be attributed to a talented member of his workshop, possibly the monk Fra‘ Paolino da Pistoia (1488-1547), who inherited his master‘s drawings and cartoons at his death 、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031604014

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    Russia. Saint Petersburg. The State Hermitage Museum. Winter Palace. 18th-19th centuries. Facade at night.

    Russia. Saint Petersburg. The State Hermitage Museum. Winter Palace. 18th-19th centuries. Facade at night.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101501974

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    Russia. Saint Petersburg. The State Hermitage Museum. Winter Palace. 18th-19th centuries. Facade.

    Russia. Saint Petersburg. The State Hermitage Museum. Winter Palace. 18th-19th centuries. Facade.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101501979

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401527

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401534

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    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401537

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    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401539

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401492

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401493

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    sculpture at the Doge‘s Palace in Venice

    (Detail) sculpture at the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401494

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401495

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401529

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    sculpture at the Doge‘s Palace in Venice

    (Detail) sculpture at the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401515

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401509

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    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401487

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401490

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401483

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    Church of St. Charles

    Church of St. Charles (1716-1737). Left column with spiral decoration depicting scenes from the life of St. Charles Borromeo. The Persistence. Carved by Lorenzo Mattielli (1678/88-1748). Detail. Vienna. Austria.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020070311951

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    Church of St. Charles

    Church of St. Charles (1716-1737). Right column with spiral decoration depicting scenes from the life of St. Charles Borromeo. The Courage. Carved by Lorenzo Mattielli (1678/88-1748). Detail. Vienna. Austria.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020070312009

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    The Virgin and Child, between 1630 and 1655, Coriolano, Bartolomeo, approximately 1599-approximately 1676.

    The Virgin and Child, between 1630 and 1655, Coriolano, Bartolomeo, approximately 1599-approximately 1676.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020071406145

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    After Fra Bartolommeo: Christ Study, 1866/69, pencil, verso: pencil, leaf: 17.

    After Fra Bartolommeo: Christ Study, 1866/69, pencil, verso: pencil, leaf: 17.7 x 24 cm, not marked, Paul Cézanne, Aix-en-Provence 18391906 Aix-en-Provence.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031923542

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    Italian conjuror Bartholomeo Bosco

    Print of etching of Italian conjuror, Bartholomeo Bosco, drawn in 1838. Giovanni Bartholomew (Bartolomeo) Bosco (January 3, 1793 - March 7, 1863) was an Italian illusionist born in Turin who became one of the greatest conjurers of the 19th century. HPG/8/1/1 (xi) Date: 1838、クレジット:Mary Evans Picture Library/HARRY PRICE/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033002298

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    Juggler‘s stall at a fair

    Coloured print of etching, ‘Caroline Fair, or Mat Pudding and his Mountebank, showing a juggler‘s stall at a fair and featuring portraits of Joseph Robert Hownam; Bartolomeo Pergami; Caroline Amelia Elizabeth of Brunswick; Henry Brougham and Thomas Denman in attendance. Etching by Theodore Lane, published by George Humphrey, 16 April 1821. HPF/5C/49 Date: 1821、クレジット:Mary Evans Picture Library/HARRY PRICE/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033002331

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    Romeo and Juliet‘ play by Wiliam Shakespeare written c1895.

    Romeo and Juliet‘ play by Wiliam Shakespeare written c1895. Romeo leaving Juliet at dawn and about to climb down from the balcony of her room.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019083003965

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    Romeo and Juliet‘ play by Wiliam Shakespeare written c1895.

    Romeo and Juliet‘ play by Wiliam Shakespeare written c1895. Juliet wakes from her drugged sleep to find that Romeo has killed himself thinking she was dead. Late 19th century illustration.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019083004032

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    Romeo and Juliet‘ play by Wiliam Shakespeare written c1895.

    Romeo and Juliet‘ play by Wiliam Shakespeare written c1895. Romeo and Juliet meeting clandestinely. Juliet‘s nurse acts as a lookout. After a Bartolozzi print published ondon 1785.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019083004033

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    The Fountain of Neptune in the Piazza della Signoria

    The Fountain of Neptune in the Piazza della Signoria (a square in front of the Palazzo Vecchio) Florence, Italy. It was commissioned in 1565 and is by the sculptor Bartolomeo Ammannati, the design however was done by Baccio Bandinelli before he died. The sculpture is made from Apuan Marble, and is meant to represent the Florentine dominion over the sea. It was commissioned for a wedding, and the face of Neptune resembles that of Cosimo I de‘Medici, Duke of Florence/Grand Duke of Tuscany, and father of the groom.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019061305312

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    Detail from the Fountain of Neptune in the Piazza della Signoria

    Detail from the Fountain of Neptune in the Piazza della Signoria (a square in front of the Palazzo Vecchio) Florence, Italy. It was commissioned in 1565 and is by the sculptor Bartolomeo Ammannati, the design however was done by Baccio Bandinelli before he died. The sculpture is made from Apuan Marble, and is meant to represent the Florentine dominion over the sea. It was commissioned for a wedding, and the face of Neptune resembles that of Cosimo I de‘Medici, Duke of Florence/Grand Duke of Tuscany, and father of the groom.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019061305329

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    Detail from the Fountain of Neptune in the Piazza della Signoria

    Detail from the Fountain of Neptune in the Piazza della Signoria (a square in front of the Palazzo Vecchio) Florence, Italy. It was commissioned in 1565 and is by the sculptor Bartolomeo Ammannati, the design however was done by Baccio Bandinelli before he died. The sculpture is made from Apuan Marble, and is meant to represent the Florentine dominion over the sea. It was commissioned for a wedding, and the face of Neptune resembles that of Cosimo I de‘Medici, Duke of Florence/Grand Duke of Tuscany, and father of the groom.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019061305355

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    The Fountain of Neptune in the Piazza della Signoria

    The Fountain of Neptune in the Piazza della Signoria (a square in front of the Palazzo Vecchio) Florence, Italy. It was commissioned in 1565 and is by the sculptor Bartolomeo Ammannati, the design however was done by Baccio Bandinelli before he died. The sculpture is made from Apuan Marble, and is meant to represent the Florentine dominion over the sea. It was commissioned for a wedding, and the face of Neptune resembles that of Cosimo I de‘Medici, Duke of Florence/Grand Duke of Tuscany, and father of the groom.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019061305361

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    The Fountain of Neptune in the Piazza della Signoria

    The Fountain of Neptune in the Piazza della Signoria (a square in front of the Palazzo Vecchio) Florence, Italy. It was commissioned in 1565 and is by the sculptor Bartolomeo Ammannati, the design however was done by Baccio Bandinelli before he died. The sculpture is made from Apuan Marble, and is meant to represent the Florentine dominion over the sea. It was commissioned for a wedding, and the face of Neptune resembles that of Cosimo I de‘Medici, Duke of Florence/Grand Duke of Tuscany, and father of the groom.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019061305374

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    MAPA DE TURQUIA.

    MAPA DE TURQUIA. Author: CLAUDIO TOLOMEO. Location: ACADEMIA DE LA HISTORIA-COLECCION. MADRID. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021062210407

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    Giuseppe Cerbara, Gregory XVI (Bartolomeo Alberto Cappellari, 1765-1846), Pope 1830 [obverse], Italian, 1770 - 1856,

    Giuseppe Cerbara, Gregory XVI (Bartolomeo Alberto Cappellari, 1765-1846), Pope 1830 [obverse], Italian, 1770 - 1856, 1831, bronze.、クレジット:Quint Lox/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021062501244

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    Baroque Art.

    Baroque Art. Karlskirche or Church of St. Charles Borromeo (1716-1737). Column on the left side of the church, decorated with spirals. Detail depicting scenes from the life of St. Charles Borromeo. Vienna. Austria.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020070402333

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    NUMISMATICA. MONEDA GRIEGA. TETRADRACMA DE PLATA. ANVERSO. CABEZA DIADEMADA DE PTOLOMEO I LLEVANDO AEGIS, A LA DERECHA. 305-283

    NUMISMATICA. MONEDA GRIEGA. TETRADRACMA DE PLATA. ANVERSO. CABEZA DIADEMADA DE PTOLOMEO I LLEVANDO AEGIS, A LA DERECHA. 305-283 A.C. (DEPOSITO: MUSEO ARQUEOLOGICO NACIONAL).、クレジット:Album/ASF/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019081305891

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    Polyptych with Saint James Major, Madonna and Child, and Saints

    Polyptych with Saint James Major, Madonna and Child, and Saints; Bartolomeo Vivarini, Italian (Venetian), about 1432 - 1499; 1490; Tempera and gold leaf on panel; Framed: 280 x 214.9 cm (110 1/4 x 84 5/8 in.).、クレジット:Universal Images Group/共同通信イメージズ

    商品コード: 2021052013937

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    Cupid Chastised.

    Cupid Chastised. Bartolomeo Manfredi; Italian, 1582-1622. Date: 1613. Dimensions: 69 x 51 3/8 in. (175.3 x 130.6 cm). Oil on canvas. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020040301318

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    Renaissance italian sculptor

    Donatello (1386-1466). Renaissance italian sculptor. Reliefs for the bronze pulpits in the church of San Lorenzo, with help from students Bartolomeo Bellano and Bertoldo di Giovanni. The Pulpit of the Passion: left, The flagellation. Center, St. John the Evangelist. Right, The prayer in the Garden. (1463-66). Florence. Italy.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020040301372

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    David With the Head of Goliath.

    David with the Head of Goliath. Artist: Bartolomeo Bellano (Italian, Padua 1437/38-1496/97 Padua). Culture: Italian, Padua. Dimensions: Overall (confirmed): 11 1/4 × 5 1/4 × 4 7/8 in., 9.7 lb. (28.6 × 13.3 × 12.4 cm, 4.4 kg). Date: 1470-80.This is a key work in the early Renaissance development of bronze statuettes in northern Italy. Its creator, Bartolomeo Bellano, was a disciple of Donatello‘s, as is documented by a payment in connection with that master‘s Judith Slaying Holofernes (ca. 1459, Palazzo Vecchio, Florence).クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020040301386

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    Tiber Island and San Bartolomeo, Fratelli Alinari, c. 1880 - c. 1895

    Tiber Island and San Bartolomeo, Fratelli Alinari, c. 1880 - c. 1895.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021060811959

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    The Descent from the Cross - 1595 - 263x181 cm - oil on canvas - Spanish Baroque - NP 66.

    The Descent from the Cross - 1595 - 263x181 cm - oil on canvas - Spanish Baroque - NP 66. Author: BARTOLOMÉ CARDUCHO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS. MARY MAGDALENE. JOSEPH OF ARIMATHEA. VIRGIN MARY. NICODEMO. SAN JUAN EVANGELISTA Y APOSTOL. CRISTO MUERTO. TRES MARIAS.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042709638

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    FRAY JOSE DE SIGÜENZA PRIOR DEL CONVENTO DE SAN LORENZO - 1602 - 130X117,5 CM - O/L. Attributed to CARDUCHO BARTOLOME.

    FRAY JOSE DE SIGÜENZA PRIOR DEL CONVENTO DE SAN LORENZO - 1602 - 130X117,5 CM - O/L. Author: Attributed to CARDUCHO BARTOLOME. Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042709858

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    Lady Playing a Lute

    Lady Playing a Lute; Bartolomeo Veneto and workshop, Italian (Venetian), died 1531, active 1502 - 1555; about 1530; Oil on panel; Unframed: 55.9 x 41.3 cm (22 x 16 1/4 in.), Framed: 71.8 x 57.5 x 7 cm (28 1/4 x 22 5/8 x 2 3/4 in.).、クレジット:Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021061804811

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    The Works of Shakspere (Imperial Edition) edited by Charles Knight. An etched drawing Published by Virtue & Co Ltd 1870.

    The Works of Shakspere (Imperial Edition) edited by Charles Knight. An etched drawing Published by Virtue & Co Ltd 1870. William Shakespeare. Juliet and the nurse.、クレジット:John Short/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021040610966

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    The Works of Shakspere (Imperial Edition) edited by Charles Knight. An etched drawing Published by Virtue & Co Ltd 1870.

    The Works of Shakspere (Imperial Edition) edited by Charles Knight. An etched drawing Published by Virtue & Co Ltd 1870. William Shakespeare. Juliet in the cell of Friar Lawrence from Romeo and Juliet.、クレジット:John Short/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021040610902

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    Virgin and Child Enthroned with Saint Anthony Abbot, Saint Peter,

    Virgin and Child Enthroned with Saint Anthony Abbot, Saint Peter, Saint Paul, Saint Julian the Hospitaler, Saint Roch, and Saint Mary Magdalen?. Artist: Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501-1547 Rome). Dimensions: 8 3/4 x 7 3/8in. (22.2 x 18.7cm). Date: 1522-23.When the plague struck Rome in 1522, Perino escaped toFlorence, where he reimmersed himself in the artistictraditions of his native city, studying the works of Masaccio,Leonardo da Vinci, Raphael, and Fra Bartolommeo. Thisdrawing of the enthroned Virgin and Child surrounded bya balanced and symmetrical arrangement of saints--acompositional type known as a sacra conversazione, or“sacred conversation“--is based closely on admired modelsby Raphael and Fra Bartolommeo. 、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020061106052

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    Interiors of the Winter Palace. The First Reserved Apartment. The Large Study of Grand Princess Maria Nikolayevna.

    ‘Interiors of the Winter Palace. The First Reserved Apartment. The Large Study of Grand Princess Maria Nikolayevna‘. Russia, 1867. Dimensions: 31,6x46,2 cm. Museum: State Hermitage, St. Petersburg. Author: Edward Hau.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020061106655

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    Johann Bernhard Fischer von Erlach (1656-1723).

    Johann Bernhard Fischer von Erlach (1656-1723). Karlskirche (St. Charles Church). Baroque style. 1716-1737. Dedicated to St. Charles Borromeo. Detail of the great dome crowned by a cross. Vienna. Austria.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020051309945

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    Giotto / ‘Washing the Feet‘ (detail), 1304-1306, Fresco. JESUS.

    Giotto / ‘Washing the Feet‘ (detail), 1304-1306, Fresco. Museum: Cappella degli Scrovegni, Pavoda. JESUS.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031705032

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    Russia. Saint Petersburg. The State Hermitage Museum. Winter Palace. 18th-19th centuries. Facade.

    Russia. Saint Petersburg. The State Hermitage Museum. Winter Palace. 18th-19th centuries. Facade.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101503985

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    Print from ‘History of the composition of the human body‘.

    Print from ‘History of the composition of the human body‘. By Juan Valverde de Amusco, student of medicine in Padua and Rome under Realdo Colombo and Bartolomeo Eustachi. He published several works on anatomy. Dated 1560、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020041600478

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    Bartolomé Carducho / ‘The Last Supper‘, 1605, Spanish School, Canvas, 256 cm x 248 cm, P00068.

    Bartolomé Carducho / ‘The Last Supper‘, 1605, Spanish School, Canvas, 256 cm x 248 cm, P00068. Museum: MUSEO DEL PRADO, MADRID, SPAIN. JESUS.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020052801011

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    MIGUEL ANGEL IN HIS CLASS OF ANATOMY. PASSEROTTI O PASSAROTTI BARTOLOMEO.

    MIGUEL ANGEL IN HIS CLASS OF ANATOMY. Author: PASSEROTTI O PASSAROTTI BARTOLOMEO. Location: GALERIA BORGHESE. Rome. ITALIA.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031800890

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    Bust of Sleeping Cupid.

    Bust of Sleeping Cupid. Bartolomeo Coriolano (Italian, c. 1599-c. 1676); after Guido Reni (Italian, 1575-1642). Date: 1627-1653. Dimensions: 298 x 378 mm (image); 302 x 380 mm (sheet). Chiaroscuro woodcut from two blocks in grayish-green and black on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031801151

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    MIGUEL ANGEL IN HIS CLASS OF ANATOMY. PASSEROTTI O PASSAROTTI BARTOLOMEO.

    MIGUEL ANGEL IN HIS CLASS OF ANATOMY. Author: PASSEROTTI O PASSAROTTI BARTOLOMEO. Location: GALERIA BORGHESE. Rome. ITALIA.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062202157

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    Russia. Saint Petersburg. Alexander column in the Palace Square. It was designed by Auguste de Montferrand (1786-1858) and Anton

    Russia. Saint Petersburg. Alexander column in the Palace Square. It was designed by Auguste de Montferrand (1786-1858) and Antonio Adamini (1792-1846). Built between 1830-1834. The column commemorates the Russian Victory against the French invasion, leaded by Napoleon I.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101502269

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    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401452

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    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401429

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401476

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401464

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401473

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 157、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401458

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    Characters in the new piece now poforming at the Theatre Royal Cotten Garden 1820, 16 vignettes regarding the collection

    Characters in the new piece now poforming at the Theatre Royal Cotten Garden 1820, 16 vignettes regarding the collection of evidence, the infamous green bags documenting the affair between Caroline and Bartolomeo Bergami, for the attempt by George IV to divorce his wife.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020071406357

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    Sibyll, between 1630 and 1655, Coriolano, Bartolomeo, approximately 1599-approximately 1676.

    Sibyll, between 1630 and 1655, Coriolano, Bartolomeo, approximately 1599-approximately 1676.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020071406400

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401449

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    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401450

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401451

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    Russia. Saint Petersburg. The State Hermitage Museum. Winter Palace. 18th-19th centuries. Baroque style. Facade. Winter.

    Russia. Saint Petersburg. The State Hermitage Museum. Winter Palace. 18th-19th centuries. Baroque style. Facade. Winter.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101504035

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    Bartolomeo Vivarini (1432-1491). Italian painter. Virgin with the Child with Saint Augustine, Saint Roch, Saint Louis of Toulous

    Bartolomeo Vivarini (1432-1491). Italian painter. Virgin with the Child with Saint Augustine, Saint Roch, Saint Louis of Toulouse and Saint Nicholas of Bari. In the heaven, half-length, Saint Catherine, Saint Dominic, Saint Peter the Martyr and Mary Magdalene, 1465. Bourbon Collection. National Museum of Capodimonte. Naples. Italy.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101700959

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    Italy. Rome. Basilica of Carlo al Corso at sunset. Backlight.

    Italy. Rome. Basilica of Carlo al Corso at sunset. Backlight.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042704532

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    Adoration of the Shepherds

    Adoration of the Shepherds, circle of Bartolommeo Suardi, 1500 - 1535.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019122602944

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    Jean Morin after Philippe de Champaigne

    Jean Morin after Philippe de Champaigne, French (c. 1600-1650), Saint Charles, Cardinal Borromeo, etching, engraving, and stippling on laid paper.、クレジット:Quint Lox Limited/Universal Images Group/共同通信イメージズ

    商品コード: 2020020605124

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    Russia. Saint Petersburg. The State Hermitage Museum. Winter Palace. 18th-19th centuries. Baroque style. Facade. Winter.

    Russia. Saint Petersburg. The State Hermitage Museum. Winter Palace. 18th-19th centuries. Baroque style. Facade. Winter.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101504099

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    Baroque Art.

    Baroque Art. Karlskirche or Church of St. Charles Borromeo (1716-1737). Column on the left side of the church, decorated with spirals and depicting scenes from the life of St. Charles Borromeo. Vienna. Austria.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020070107449

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    Egyptian Art.

    Egyptian Art. Torso of a Ptolemaic King, inscribed with cartouches of a late Ptolemy. Ptolemaic Period. 8030 B.C. Basalt. Egypt. Metropolitan Museum of Art. New York. United States.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020070107563

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    Donatello (1386-1466).

    Donatello (1386-1466). Renaissance italian sculptor. Reliefs for the bronze pulpits in the church of San Lorenzo, with help from students Bartolomeo Bellano and Bertoldo di Giovanni. The Pulpit of the Passion: left, The flagellation. Center, St. John the Evangelist. Right, The prayer in the Garden. (1463-66). Florence. Italy.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020070107589

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    Baroque Art.

    Baroque Art. Karlskirche or Church of St. Charles Borromeo (1716-1737). Column on the right side of the church, decorated with spirals and depicting scenes from the life of St. Charles Borromeo. Vienna. Austria.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020070107649

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401381

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401382

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401383

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401408

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 157、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401420

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401424

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401416

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401542

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401543

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible fades look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401548

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    Juliet

    Juliet, Shakespearean heroine in ““Romeo and Juliet““, historical illustration, 1868、クレジット:imageBROKER.com/Jaime Abecasis/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020122201653

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    Austria.

    Austria. Vienna. Karlskirche (St. Charles‘s Church). Baroque. Architect: Johann Bernhard Fischer von Erlach (1656-1723). Dome.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020051310329

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    Holy Family with Saint John the Baptist Adored by an Unidentifie

    Holy Family with Saint John the Baptist Adored by an Unidentified Figure; Bartolomeo Cesi, Italian, 1556 - 1629; Italy, Europe; about 1590s; Black chalk; 28.9 x 25.7 cm (11 3/8 x 10 1/8 in. ).、クレジット:Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020020609047

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    Russia. Saint Petersburg. The State Hermitage Museum. Winter Palace. 18th-19th centuries. Facade.

    Russia. Saint Petersburg. The State Hermitage Museum. Winter Palace. 18th-19th centuries. Facade.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101501961

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    Russia. Saint Petersburg. The State Hermitage Museum. Winter Palace. 18th-19th centuries. Facade.

    Russia. Saint Petersburg. The State Hermitage Museum. Winter Palace. 18th-19th centuries. Facade.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101501926

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    Russia. Saint Petersburg. The State Hermitage Museum. Winter Palace. 18th-19th centuries. Facade.

    Russia. Saint Petersburg. The State Hermitage Museum. Winter Palace. 18th-19th centuries. Facade.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101501933

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    Ptolemy IV Philopator (reigned 221-204 BC). Fourth Pharaoh of Ptolemaic Egypt. Portrait. Engraving, 16th century.

    Ptolemy IV Philopator (reigned 221-204 BC). Fourth Pharaoh of Ptolemaic Egypt. Portrait. Engraving, 16th century.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101705205

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    GARRICK AND MRS. BELLAMY AS ROMEO AND JULIET, SHAKESPEARE, ENGLISH POET AND PLAYWRIGHT, 1564-1616, UK, 1893 engraving.

    GARRICK AND MRS. BELLAMY AS ROMEO AND JULIET, SHAKESPEARE, ENGLISH POET AND PLAYWRIGHT, 1564-1616, UK, 1893 engraving.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021100514323

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    Nude Studies

    Nude Studies; Bartolomeo Passarotti, Italian, 1529 - 1592; Italy, Europe; about 1570 - 1580; Pen and ink; 29.5 x 23.5 cm (11 5/8 x 9 1/4 in.).、クレジット:Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021091800697

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