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-★Alcibiades, son of Cleinias, c. 450–404 BC. Prominent Athenian statesman, orator and general. After an ancient sculpturAlcibiades, son of Cleinias, c. 450–404 BC. Prominent Athenian statesman, orator and general. After an ancient sculpture. From Ward and Lock‘s Illustrated History of the World, published c.1882.、クレジット：Ｋｅｎ Ｗｅｌｓｈ／Ｕｎｉｖｅｒｓａｌ Ｉｍａｇｅｓ Ｇｒｏｕｐ／共同通信イメージズ
商品コード: 2020072803537
-Apollo and the Muses on Parnassus.Apollo and the Muses on Parnassus. Artist: After Anton Raphael Mengs (German, Ústi nad Labem (Aussig) 1728-1779 Rome); Raphael Morghen (Italian, Naples 1758-1833 Florence). Dimensions: Sheet: 24 15/16 × 35 1/16 in. (63.4 × 89 cm)Plate: 19 11/16 × 29 15/16 in. (50 × 76 cm). Date: 1784.One of the most significant commissions of the eighteenth century was the Parnassus painted by Mengs in 1761 for the Villa Albani, Rome, and hailed as a manifesto of the new style of Neoclassicism. The carefully differentiated Muses, accompanied by their mother, Mnemosyne, derive from ancient sculpture, while the setting, a small grove of laurels in which the Muses are grouped around their leader, 、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ Ｍｕｓｅｕｍ ｏｆ Ａｒｔ，ＮＹ／共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。
商品コード: 2020062303429
-A Winged Putto Riding a Sea Horse and a Lion (after Raphael); verso; The Three Graces (after Raphael).A Winged Putto Riding a Sea Horse and a Lion (after Raphael); verso; The Three Graces (after Raphael). Artist: After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome); Denijs Calvaert (Netherlandish, Antwerp ca. 1540-1619 Bologna). Dimensions: sheet: 10 11/16 x 15 1/16 in. (27.1 x 38.2 cm). Date: 1574.One of around twenty Italian drawings from the Massar collection, this double-sided sheet has recently been recognized as the work of Denijs Calvaert. Now almost illegible, the sheet is dated and signed at the bottom by the artist, “1574 / Dionisio Calvaert,“ together with his place of birth, “DE ANVERSA“ (Antwerp). Calvaert was in Rome between 1573 and 1576 where he made numerous studies after ancient sculpture and painting, but few have survived.クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ Ｍｕｓｅｕｍ ｏｆ Ａｒｔ，ＮＹ／共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。
商品コード: 2020061106076
-Persepolis was an important city at the hear of the Persian Empire.Persepolis was an important city at the hear of the Persian Empire. The palaces were built between 518 and 339 BC. The long plaster case above is from a section of ancient sculptures still at the site. This copy was made in 1892 especially for display in the British Museum and was the result of a special expedition.、クレジット：Ｗｏｒｌｄ Ｈｉｓｔｏｒｙ Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ
商品コード: 2020010600390
-Titus Flavius Josephus (37-100 A.B). First-century Romano-Jewish scholar, historian and hagiographer. Portrait. Engraving, 16thTitus Flavius Josephus (37-100 A.B). First-century Romano-Jewish scholar, historian and hagiographer. Portrait. Engraving, 16th century.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。
商品コード: 2019101705230
-Persepolis was an important city at the hear of the Persian Empire.Persepolis was an important city at the hear of the Persian Empire. The palaces were built between 518 and 339 BC. The long plaster case above is from a section of ancient sculptures still at the site. This copy was made in 1892 especially for display in the British Museum and was the result of a special expedition.、クレジット：Ｗｏｒｌｄ Ｈｉｓｔｏｒｙ Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ
商品コード: 2020010600349
2010年06月02日INDIA-DAILYAncient carved stones with the images of Buddhist deities at a religious shrine among the ruins of Rabdentse Palace in Rabdentse Sikkim, India on June 02 2010. Towards the reign of Tenzing Namgyal, the frequent Gorkha attack from the western boarder finally caused the capital to be shifted. Rabdentse was acknowledged to be the second capital of Sikkim. With passing time, Rabdentse was desolated and ravages of time and the royal capital turned into ruins. The site has been recently very fully excavated and restored by the Archaeological survey of India. (Photo by Creative Touch Imaging Ltd./NurPhoto)＝クレジット：Ｃｒｅａｔｉｖｅ Ｔｏｕｃｈ Ｉｍａｇｉｎｇ Ｌｔｄ／ＮｕｒＰｈｏｔｏ／共同通信イメージズ
商品コード: 2022020214372
2010年06月02日INDIA-DAILYAncient carved stones with the images of Buddhist deities at a religious shrine among the ruins of Rabdentse Palace in Rabdentse Sikkim, India on June 02, 2010. Towards the reign of Tenzing Namgyal, the frequent Gorkha attack from the western boarder finally caused the capital to be shifted. Rabdentse was acknowledged to be the second capital of Sikkim. With passing time, Rabdentse was desolated and ravages of time and the royal capital turned into ruins. The site has been recently very fully excavated and restored by the Archaeological survey of India. (Photo by Creative Touch Imaging Ltd./NurPhoto)＝クレジット：Ｃｒｅａｔｉｖｅ Ｔｏｕｃｈ Ｉｍａｇｉｎｇ Ｌｔｄ／ＮｕｒＰｈｏｔｏ／共同通信イメージズ
商品コード: 2022020214213
2010年06月02日INDIA-DAILYAncient carved stones with the images of Buddhist deities at a religious shrine among the ruins of Rabdentse Palace in Rabdentse Sikkim, India on June 02 2010. Towards the reign of Tenzing Namgyal, the frequent Gorkha attack from the western boarder finally caused the capital to be shifted. Rabdentse was acknowledged to be the second capital of Sikkim. With passing time, Rabdentse was desolated and ravages of time and the royal capital turned into ruins. The site has been recently very fully excavated and restored by the Archaeological survey of India. (Photo by Creative Touch Imaging Ltd./NurPhoto)＝クレジット：Ｃｒｅａｔｉｖｅ Ｔｏｕｃｈ Ｉｍａｇｉｎｇ Ｌｔｄ／ＮｕｒＰｈｏｔｏ／共同通信イメージズ
商品コード: 2022020214282
2010年06月02日INDIA-DAILYAncient carved stones with the images of Buddhist deities at a religious shrine among the ruins of Rabdentse Palace in Rabdentse Sikkim, India on June 02 2010. Towards the reign of Tenzing Namgyal, the frequent Gorkha attack from the western boarder finally caused the capital to be shifted. Rabdentse was acknowledged to be the second capital of Sikkim. With passing time, Rabdentse was desolated and ravages of time and the royal capital turned into ruins. The site has been recently very fully excavated and restored by the Archaeological survey of India. From the top of the monument, you can witness the picturesque sight that scans across the subterranean valley to the baffling heights of Kanchendzonga. (Photo by Creative Touch Imaging Ltd./NurPhoto)＝クレジット：Ｃｒｅａｔｉｖｅ Ｔｏｕｃｈ Ｉｍａｇｉｎｇ Ｌｔｄ／ＮｕｒＰｈｏｔｏ／共同通信イメージズ
商品コード: 2022020214302
01:13.582020年05月27日「新華社」河北省の伝統拓本技術「無極伝統古法拓印」「無極伝統古法拓印」は中国河北省無極県に伝わる伝統拓本技法で、主に古代の彫刻や石碑文、さまざまな人物や花鳥、動物の石板彫刻を題材にしている。烏金拓（うきんたく）や蝉翼拓（せんよくたく）、彩拓、朱砂拓など多くの手法を用いる。無極伝統古法拓印は、文字の輪郭が明確で、図案の濃淡に味わいがあるのが特徴で、奥行きと質感を備えている。２０１９年に同省の省級無形文化遺産リストに登録された。同技法の伝承者、張平然（ちょう・へいぜん）さんは近年、拓本技法を紹介した郷土教材「無極古法拓印」を編さんした。地元の学校教育に取り入れられ、多くの生徒や芸術家が民間伝統技巧を理解し、習得するのに役立っている。（記者／駱学峰）＜映像内容＞伝統拓本技法「無極伝統古法拓印」の様子、撮影日：撮影日不明、クレジット：新華社／共同通信イメージズ
商品コード: 2020052802274
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