吸収の写真・画像 : 報道写真・ニュース映像ならKYODO NEWS IMAGELINK(イメージリンク)

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Nicholas I (1796-1855) Emperor (Tsar) of Russia from 1825; Nicholas on his deathbed

Nicholas I (1796-1855) Emperor (Tsar) of Russia from 1825; Nicholas on his deathbed, priests saying prayers over his body. His ambition was to absorb Turkey into the Russian empire, an ambition opposed by Britain and France and which resulted in the Crimean (Russo-Turkish) War of 1853-1856. From ‘The Illustrated London News‘ (London, 1855). Engraving. 、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019052402054

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Greco-Roman Intaglios.

Greco-Roman Intaglios. In the course of the 2nd and 1st centuries BC, the Hellenistic kingdoms were gradually absorbed into the spreading area of Roman domination. With the intaglios of this time it is rarely possible to distinguish between Greek and Roman manufacture or to determine precise dates or origins. Their wide range of styles and subjects demonstrates the eclecticism of the ages: while some seem deliberately archaising or classic, others appear to allude to contemporary events.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019071902576

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Greco-Roman Intaglios.

Greco-Roman Intaglios. In the course of the 2nd and 1st centuries BC, the Hellenistic kingdoms were gradually absorbed into the spreading area of Roman domination. With the intaglios of this time it is rarely possible to distinguish between Greek and Roman manufacture or to determine precise dates or origins. Their wide range of styles and subjects demonstrates the eclecticism of the ages: while some seem deliberately archaising or classic, others appear to allude to contemporary events.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019071902627

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Italy. Rome. Basilica of Saint Sabina. Interior with fresco by Taddeo Zuccari (1529-1566), 1559, in the apse.

Italy. Rome. Basilica of Saint Sabina. Interior with fresco by Taddeo Zuccari (1529-1566), 1559, in the apse.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020061105024

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St.Louis in Glory

St. Louis in Glory, ca041, Black chalk, heightened with white chalk, on beige paper. Framing lines in pen and brown ink., 15 3/8 x 11 1/4 in. (39.1 x 28.6 cm), Drawings, Simon Vouet (French, Paris 15901649 Paris), After a trip to Venice from 1612 to 1614 where he discovered the color of Veronese and Titian, Simon Vouet spent the following fourteen years in Rome where he absorbed the lessons of Caravaggio and Annibale Carracci.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020040301036

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Claude Monet: Madame Monet Embroidering (Camille au mier), Claude Monet, 1875, Oil on canvas

Claude Monet: Madame Monet Embroidering (Camille au mier), Claude Monet, 1875, Oil on canvas, Though Monet preferred painting in the open air, surrounded by shifting light and atmosphere, here he brings his easel indoors to capture his first wife, Camille Doncieux, sitting at her embroidery loom. Quietly absorbed in her task, Monet‘s figure recalls the genre scenes of 17th-century Dutch masters like Vermeer, which were enjoying a revival in France at the time. Even indoors, light is a primary concern for the artist; note how touches of white flicker across the front of Camille‘s dress, creating a tapestry-like texture that perhaps alludes to her work on the loom. Monet began this picture during the summer of 1874, when the couple rented a house in Argenteuil., Overall: 25 3/4 x 22 in. (65.4 x 55.9 cm).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020032602710

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Roger de La Fresnaye: Married Life (La Vie conjugale), Roger de La Fresnaye, 1913, Oil on canvas

Roger de La Fresnaye: Married Life (La Vie conjugale), Roger de La Fresnaye, 1913, Oil on canvas, French painter Roger de La Fresnaye absorbed the cubist vocabulary developed by Pablo Picasso and Georges Braque. He was a member of the Section d‘Or, the group of artists who, in 1911, first brought cubism to the attention of the public by exhibiting their works at the Salon. In the cubism of de la Fresnaye, objects from the natural world are translated into stylized forms; here, for example, fingers take on the same shape as a pile of books. Painted in 1913, this work seems to sum up the standard roles assigned to men and women in representation. With a newspaper open on his lap, the fully clothed man participates in the realm of culture and intellect, while the woman, her naked body in dreamy repose, is all physical sensuality., Overall: 47 x 59 1/2 in. (119.4 x 151.1 cm).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031918482

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Tacuinum Sanitatis.

Tacuinum Sanitatis. 14th century. Medieval handbook of health. Wine cellar. Two men drinking wine while another man is extracting wine from a barrel. Folio 86v.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020051307315

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Huaxtec small sculptures from the Gulf of Mexico circa 900-1450 Ad.

Huaxtec small sculptures from the Gulf of Mexico circa 900-1450 Ad. The Huaxtec culture was conquered and absorbed by the Aztecs. Pre-Columbian Mesoamerican Mythology、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019011022690

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Figure incarcerated in tomb (circle) with soul and spirit leaving (two boy-headed birds)

Figure incarcerated in tomb (circle) with soul and spirit leaving (two boy-headed birds) and absorbing the black crow. In body are salt, sulphur ＆ mercury. From Stolcius ‘Viridarium Chymicum‘, 1624. Woodcut.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019081300008

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Magic lantern slide WW1

Magic lantern slide WW1, 1914-1918, World war one images. The Punjab Christian Battalion was raised on 9 July 1917[1] in Montgomery. It was numbered as the 71st Punjabis in December 1917 and joined the 44th (Ferozepore) Brigade in 16th Indian Division. It served with the brigade and division on the North West Frontier until May 1918 when it was transferred to Bushire in 1919, the regiment was absorbed into the 111th Mahars.、クレジット：Ｊｏｈｎ　Ｓｈｏｒｔ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2020020601926

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A Young Woman at Her Toilet with a Maid, ca.

A Young Woman at Her Toilet with a Maid, ca. 1650–51, Oil on wood, 18 3/4 x 13 5/8 in. (47.6 x 34.6 cm), Paintings, Gerard ter Borch the Younger (Dutch, Zwolle 1617–1681 Deventer), This small panel is the earliest known picture by Ter Borch to set full-length figures in a domestic interior. His sister Gesina served as a model for the young lady of the house, whose self-absorption contrasts with the alertness of the maid.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020103001472

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Tatekawa in Honjō (Honjō Tatekawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　本所立川, Ed

☆Tatekawa in Honjō (Honjō Tatekawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　本所立川, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 10 1/16 x 15 in. (25.6 x 38.1 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)), Honjō was a district for lumberyards. Mount Fuji peeks through the planks stacked up in such a yard next to the Tate canal. The figures in the print are completely absorbed in their work, unaffected by the handsome vista of Fuji.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2021082009269

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Magic Lantern slide circa 1900. Victorian or Edwardian era.

Magic Lantern slide circa 1900. Victorian or Edwardian era. The origional monchrome ( black and white ) photograph hand coloured.The photograph is the work of G.W. Wilson photographer and slide manufacturer 1823-1893.George Washington Wilson (7 February 1823 – 9 March 1893) was a pioneering Scottish photographer. The French Riviera and Monte Carlo (lecture ) Slide 17 Grasse Cathedral. Grasse Cathedral (Cathédrale Notre-Dame-du-Puy de Grasse) is a 12th-century Roman Catholic church in the Romanesque style located in Grasse, France. The former cathedral is a national monument.[1] It is now the church of Notre-Dame-du-Puy.It was the seat of the Bishop of Grasse. The diocese of Grasse was absorbed by the diocese of Nice under the Concordat of 1801.、クレジット：Ｊｏｈｎ　Ｓｈｏｒｔ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021111209234

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Fan box with loose lid, made of cardboard covered with light green paper on which white flower garlands,

Fan box with loose lid, made of cardboard covered with light green paper on which white flower garlands, Fan box with loose cardboard cover covered with light green paper with white flower garlands. Inside with cotton wool., anonymous, c. 1890 - c. 1900, geheel, printing, l 36.2 cm × w 6 cm × h 5.2 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023051008233

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Canopy bed made of walnut, fully rigged with curtains and falls from silk,

Canopy bed made of walnut, fully rigged with curtains and falls from silk, fully rigged with curtains and falls from silk. The bed consists of a wooden box with raised headboard, resting on ball legs, where a construction is imitated with false hinges, as if the two long sides can be folded down. There is a loose bottom in the box, consisting of an oak frame with red and white checkered webbing. The square corner posts with imitation bedstead bolts continue in four double-twisted bed posts, on which the sky and the framework with the outer traps rest on four iron pins. between the posts there are four rods on which hang three curtains of red moiré, trimmed with trimmings with yellow and red tassels. The raised sky is covered on the inside with yellow-pink changeant silk, trimmed with ditto trimmings. In the sky, two yellow curtains are attached to the headboard, which were originally inc、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023050413676

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Strip of bobbin lace with a peony between two curved leaves, Strip of natural-colored Dutch bobbin lace.

Strip of bobbin lace with a peony between two curved leaves, Strip of natural-colored Dutch bobbin lace. The repetitive and symmetrical pattern consists of a peony between two upwardly bending leaves, which spring from underneath the flower. The motifs are connected by a sparingly used irregular grid. The motifs are made in linen with openwork edges. The top and bottom are straight finished, with picots on one side. A darker thread runs through parts of the pattern, according to an apparently random pattern. This was probably caused during the coloring of the strip, whereby the dye is absorbed better by some threads than by others., anonymous, Antwerp (possibly), c. 1685 - c. 1699, linen (material), bobbin lace, l 217 cm × w 2.5 cm ×, 6.5 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023051715592

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19th century French gaming table

19th century French gaming table with gamblers absorbed in a game、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019071600813

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Huaxtec small sculpture of a head from the Gulf of Mexico 900-1450 AD.

Huaxtec small sculpture of a head from the Gulf of Mexico 900-1450 AD. The Huaxtec culture was conquered and absorbed by the Aztecs. Pre-Columbian Mesoamerican Mythology、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019011022685

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Huaxtec small sculpture of a head from the Gulf of Mexico 900-1450 AD.

Huaxtec small sculpture of a head from the Gulf of Mexico 900-1450 AD. The Huaxtec culture was conquered and absorbed by the Aztecs. Pre-Columbian Mesoamerican Mythology、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019011022385

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Nicholas 1 (1796-1855) Emperor (Tsar) of Russia from 1825.

Nicholas 1 (1796-1855) Emperor (Tsar) of Russia from 1825. Nicholas in military uniform. His ambition was to absorb Turkey into the Russian empire, an ambition opposed by Britain and France and which resulted in the Crimean (Russo-Turkish) War of 1853-1856. From ‘The Illustrated London News‘ (London, 1855). Engraving. 、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019031803468

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The Reader, Oil on canvas, 15 x 11 in.

The Reader, Oil on canvas, 15 x 11 in. (38.1 x 27.9 cm), Paintings, Eglon van der Neer (Dutch, Amsterdam 1635/36–1703 Düsseldorf), A young woman looks up from her reading—possibly of an emblem book or illustrated treatise—absorbed in thought or distracted by something unseen. The theme was already well-established in the early 1660s, when this painting was likely made, and in his treatment Van der Neer suggests, in the young woman’s fine but modest attire, the silver writing set and sealing wax, and the extinguished candle (a conventional vanitas symbol), a degree of virtue and cultivation.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020102901169

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ARTE SIGLO XIX. HOLANDA. VINCENT VAN GOGH (Groot-Zundert, Holanda, 1853-Auvers-sur-Oise, Francia, 1890). Pintor postimpresionist

ARTE SIGLO XIX. HOLANDA. VINCENT VAN GOGH (Groot-Zundert, Holanda, 1853-Auvers-sur-Oise, Francia, 1890). Pintor postimpresionista holand駸. “LOS BEBEDORES“ (1890). Detalle. Instituto de Arte de Chicago. Estado de Illinois. Estados Unidos.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019082400352

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Greco-Roman Intaglios.

Greco-Roman Intaglios. In the course of the 2nd and 1st centuries BC, the Hellenistic kingdoms were gradually absorbed into the spreading area of Roman domination. With the intaglios of this time it is rarely possible to distinguish between Greek and Roman manufacture or to determine precise dates or origins. Their wide range of styles and subjects demonstrates the eclecticism of the ages: while some seem deliberately archaising or classic, others appear to allude to contemporary events.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019071902582

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Allegory in Honor of Cardinal Richelieu.

Allegory in Honor of Cardinal Richelieu. Artist: Charles Le Brun (French, Paris 1619-1690 Paris). Dimensions: 14 11/16 x 29 1/2 in. (37.3 x 74.9 cm). Date: 1641.The long career of Le Brun spans much of the seventeenth century. He owes his reputation to the central role he played during Louis XIV‘s reign in designing the décor for major buildings and gardens, especially those of Versailles. In 1634, he enters the studio of Simon Vouet at the suggestion of chancellor Pierre Séguier, where he quickly absorbed the lessons of the master, an influence evident in Le Brun‘s earliest works and visible until the end of the 1650s. In 1648, he was one of the twelve founding members of the Académie Royale de Peinture et de Sculpture and was appointed First Painter to the King in 1662, which enabled him to control the entire official production during the years 1660 to 1685. 、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031920049

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Woman Reading a Letter. Dating: c. 1663. Measurements: h 46.5 cm x w 39 cm x d 6.5 cm; h 70 cm x w 63 cm.

Woman Reading a Letter. Dating: c. 1663. Measurements: h 46.5 cm x w 39 cm x d 6.5 cm; h 70 cm x w 63 cm. Museum: Rijksmuseum, Amsterdam. Author: JOHANNES VERMEER.、クレジット：Ａｌｂｕｍ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031104832

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Huaxtec small sculptures from the Gulf of Mexico circa 900-1450 Ad.

Huaxtec small sculptures from the Gulf of Mexico circa 900-1450 Ad. The Huaxtec culture was conquered and absorbed by the Aztecs. Pre-Columbian Mesoamerican Mythology、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019042601179

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Greco-Roman Intaglios.

Greco-Roman Intaglios. In the course of the 2nd and 1st centuries BC, the Hellenistic kingdoms were gradually absorbed into the spreading area of Roman domination. With the intaglios of this time it is rarely possible to distinguish between Greek and Roman manufacture or to determine precise dates or origins. Their wide range of styles and subjects demonstrates the eclecticism of the ages: while some seem deliberately archaising or classic, others appear to allude to contemporary events.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019073000755

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Cold Douche: used to ‘‘arouse the activity of the absorbent system‘‘.

Cold Douche: used to ‘‘arouse the activity of the absorbent system‘‘. Treatment for swelling and stiff joints, gout, constipation, etc. From ‘‘The Hydropathic Encyclopaedia‘‘, New York, 1874.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019060407464

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詩歌写真鏡　李白, Ri Haku from the series Mirrors of Japanese and Chinese Poems (Shiika shashin kyō), Edo period (1615–1868),

詩歌写真鏡　李白, Ri Haku from the series Mirrors of Japanese and Chinese Poems (Shiika shashin kyō), Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on paper, 20 3/8 x 9 in. (51.8 x 22.9 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)), The lofty character of Chinese poets as well as the time-honored theme of the poet Li Bo viewing a waterfall are transformed by Hokusai into a joyous, thrilling spectacle of natural wonder. The contrast between the poet‘s profound absorption and the two boy attendants fussing over him gives the scene its animating piquancy.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021081010736

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Page from Tales of a Parrot (Tuti-nama): Sixth night:

Page from Tales of a Parrot (Tuti-nama): Sixth night: Seven men disputing possession of a woman bring her before the Tree of Justice into which she is absorbed, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper; overall: 20 x 14.3 cm (7 7/8 x 5 5/8 in.).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022072810959

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Sectional view of Gay-Lussac‘s lead chambers and absorption towers

Sectional view of Gay-Lussac‘s lead chambers and absorption towers, 1870. These were for the large-scale production of sulphuric acid also known as Oil of Vitriol or H2SO4, one of the most important industrial chemicals. Invented in 1827, Gay-Lussac‘s (1778-1850) method only came into use after the invention by John Glover (1817-1902) of the denitrating tower (E) some thirty years later. From ‘Les Merveilles de l‘Industrie‘ by Louis Figuier. (Paris, c1870). Engraving、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019081300052

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Model of the Bed of a 20-cm Sea Service Mortar on a Pivoting Undercarriage,

Model of the Bed of a 20-cm Sea Service Mortar on a Pivoting Undercarriage, Model of a mortar chair for mortar of 20 inches (cm) on swivel bed. The swivel bed consists of a flat wooden plate with a hole for the spindle bolt in the middle. At the rear is a fixed buffer beam with five removable beams, which serve as a buffer for absorbing the recoil, small spools are arranged between these beams, alternately at the ends or in the middle, through which the beams can spring. The chair consists of two parts placed in the direction of the layers and has taps made entirely of brass, a trough for the mortar in lying position and a removable guide block, which gives the mortar an elevation of 45 °. Scale 1: 5 (scale on model)., Rijkswerf Amsterdam, Amsterdam, 1855, wood (plant material), brass (alloy), h 13 cm × w 38.1 cm × d 25.4 cm × h 22 cm w 50.5 cm × d 31 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023051914819

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Red wooden box, The inside of the box is filled with cotton wool, Suriname, Mattheus Sigismundus Schuster, anonymous,

Red wooden box, The inside of the box is filled with cotton wool, Suriname, Mattheus Sigismundus Schuster, anonymous, England, 1775 - 1825, wood (plant material), copper (metal), h 9.2 cm × w 7 cm × d 1.8 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023051914252

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Greco-Roman Intaglios.

Greco-Roman Intaglios. In the course of the 2nd and 1st centuries BC, the Hellenistic kingdoms were gradually absorbed into the spreading area of Roman domination. With the intaglios of this time it is rarely possible to distinguish between Greek and Roman manufacture or to determine precise dates or origins. Their wide range of styles and subjects demonstrates the eclecticism of the ages: while some seem deliberately archaising or classic, others appear to allude to contemporary events.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019071902680

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Magic Lantern slide circa 1900 hand coloured

Magic Lantern slide circa 1900. Victorian or Edwardian era. The origional monchrome ( black and white ) photograph hand coloured.The photograph is the work of G.W. Wilson photographer and slide manufacturer 1823-1893.George Washington Wilson (7 February 1823 – 9 March 1893) was a pioneering Scottish photographer. The French Riviera and Monte Carlo (lecture ) Slide 17 Grasse Cathedral. Grasse Cathedral (Cathédrale Notre-Dame-du-Puy de Grasse) is a 12th-century Roman Catholic church in the Romanesque style located in Grasse, France. The former cathedral is a national monument.[1] It is now the church of Notre-Dame-du-Puy.It was the seat of the Bishop of Grasse. The diocese of Grasse was absorbed by the diocese of Nice under the Concordat of 1801.、クレジット：Ｊｏｈｎ　Ｓｈｏｒｔ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2019112801697

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隅田川の舟遊び

桜をめでたり、墨堤の名所旧跡を見物したり、料亭で一杯やったりする隅田川の舟遊び。このように屋根に人が乗っていられるのは、両岸が土手で流れがおだやかだったからではないだろうか。コンクリートで土手が固められた現在は、波が吸収されないためか波高しである。とても悠長に屋根に座っていられないとだろう。＝撮影年月日不明、東京、撮影者：不明、クレジット：長崎大学附属図書館所蔵／共同通信イメージズ　※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。　［整理番号９１‐１５‐０］

商品コード: 2017081400945

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Nicholas I (1796-1855) Emperor (Tsar) of Russia from 1825; Nicholas on his deathbed

Nicholas I (1796-1855) Emperor (Tsar) of Russia from 1825; Nicholas on his deathbed, priests saying prayers over his body. His ambition was to absorb Turkey into the Russian empire, an ambition opposed by Britain and France and which resulted in the Crimean (Russo-Turkish) War, 1853-1856.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019052500388

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Nicholas I (1796-1855) Emperor (Tsar) of Russia from 1825; Nicholas on his deathbed

Nicholas I (1796-1855) Emperor (Tsar) of Russia from 1825; Nicholas on his deathbed, priests saying prayers over his body. His ambition was to absorb Turkey into the Russian empire, an ambition opposed by Britain and France and which resulted in the Crimean (Russo-Turkish) War of 1853-1856. From ‘The Illustrated London News‘ (London, 1855). Engraving. 、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019052402048

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Bracket with Tree Spirits (100-200) Yakshi.

Bracket with Tree Spirits (100-200) Yakshi. Kushan period. In early Indian cults yakshis were female nature spirits. They were then absorbed into Buddhist and Jain worship as images of fertility. This bracket is carved on each side with a figure of a yakshi holding a flowering part of a gateway marking one of the approaches to a Buddhist or Jain stupa (relic mound).、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019061804267

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Roger de La Fresnaye: Married Life (La Vie conjugale), Roger de La Fresnaye, 1913, Oil on canvas

Roger de La Fresnaye: Married Life (La Vie conjugale), Roger de La Fresnaye, 1913, Oil on canvas, French painter Roger de La Fresnaye absorbed the cubist vocabulary developed by Pablo Picasso and Georges Braque. He was a member of the Section d‘Or, the group of artists who, in 1911, first brought cubism to the attention of the public by exhibiting their works at the Salon. In the cubism of de la Fresnaye, objects from the natural world are translated into stylized forms; here, for example, fingers take on the same shape as a pile of books. Painted in 1913, this work seems to sum up the standard roles assigned to men and women in representation. With a newspaper open on his lap, the fully clothed man participates in the realm of culture and intellect, while the woman, her naked body in dreamy repose, is all physical sensuality., Overall: 47 x 59 1/2 in. (119.4 x 151.1 cm).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031918487

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Antoni Miro (b.1944). Spanish painter. The drinker, 1960. Group of paintings Opera Prima (1962-1972).

キーワード：イラスト、画家、絵画、スペイン、ジョアン・ミロ、シュルレアリスム、ダダ、Antoni Miro (b.1944). Spanish painter. The drinker, 1960. Group of paintings Opera Prima (1962-1972).、クレジット：Ａｌｂｕｍ／Ｋｕｒｗｅｎａｌ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019082603435

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Pierre-Auguste Renoir: Bather Drying Herself (Baigneuse s‘essuyant), Pierre-Auguste Renoir, c.

キーワード：ピエール＝オーギュスト・ルノワール、Pierre-Auguste Renoir: Bather Drying Herself (Baigneuse s‘essuyant), Pierre-Auguste Renoir, c. 1908, Oil on canvas, Renoir painted the female nude obsessively during the later part of his career. In hundreds of canvases, bathing figures, presented alone or in groups, perform intimate actions like getting dressed, pulling back hair, or drying off. Here, as in the vast majority of these canvases, the bather does not acknowledge the artist/ viewer‘s presence but remains absorbed in her task, heightening the sense of voyeurism. Skin is soft and velvety-looking, an effect achieved through liquid-thin paint applied in short, delicate strokes; this a hallmark of Renoir‘s late works., Overall: 36 7/16 x 29 1/8 in. (92.5 x 74 cm).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019111400258

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TAPIZ DEL APOCALIPSIS - LA TIERRA ABSORBE EL RIO .

TAPIZ DEL APOCALIPSIS - LA TIERRA ABSORBE EL RIO ... (carton de Jean de Bruges) - S XIV. Location: CASTILLO. Angers. France. SAN JUAN EVANGELISTA Y APOSTOL.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020062901017

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CELEBRATING YULE-TIDE, From a painting by A.

CELEBRATING YULE-TIDE, From a painting by A. Tidemand. Yule or Yuletide (“Yule time“) is a religious festival observed by the Northern European peoples, later being absorbed into and equated with the Christian festival of Christmas.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020061105494

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Roger de La Fresnaye: Married Life (La Vie conjugale), Roger de La Fresnaye, 1913, Oil on canvas

Roger de La Fresnaye: Married Life (La Vie conjugale), Roger de La Fresnaye, 1913, Oil on canvas, French painter Roger de La Fresnaye absorbed the cubist vocabulary developed by Pablo Picasso and Georges Braque. He was a member of the Section d‘Or, the group of artists who, in 1911, first brought cubism to the attention of the public by exhibiting their works at the Salon. In the cubism of de la Fresnaye, objects from the natural world are translated into stylized forms; here, for example, fingers take on the same shape as a pile of books. Painted in 1913, this work seems to sum up the standard roles assigned to men and women in representation. With a newspaper open on his lap, the fully clothed man participates in the realm of culture and intellect, while the woman, her naked body in dreamy repose, is all physical sensuality., Overall: 47 x 59 1/2 in. (119.4 x 151.1 cm).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031918576

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A Young Woman at Her Toilet with a Maid, ca. 1650–51, Oil on wood, 18 3/4 x 13 5/8 in. (47.6 x 34.6 cm), Paintings,

A Young Woman at Her Toilet with a Maid, ca. 1650–51, Oil on wood, 18 3/4 x 13 5/8 in. (47.6 x 34.6 cm), Paintings, Gerard ter Borch the Younger (Dutch, Zwolle 1617–1681 Deventer), This small panel is the earliest known picture by Ter Borch to set full-length figures in a domestic interior. His sister Gesina served as a model for the young lady of the house, whose self-absorption contrasts with the alertness of the maid.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021020600116

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The Reader, Oil on canvas, 15 x 11 in. (38.1 x 27.9 cm), Paintings,

The Reader, Oil on canvas, 15 x 11 in. (38.1 x 27.9 cm), Paintings, Eglon van der Neer (Dutch, Amsterdam 1635/36–1703 Düsseldorf), A young woman looks up from her reading—possibly of an emblem book or illustrated treatise—absorbed in thought or distracted by something unseen. The theme was already well-established in the early 1660s, when this painting was likely made, and in his treatment Van der Neer suggests, in the young woman’s fine but modest attire, the silver writing set and sealing wax, and the extinguished candle (a conventional vanitas symbol), a degree of virtue and cultivation.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021020600129

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Seated Man Reading, 1774, Red chalk, 13 3/8 x 9 3/16 in.

Seated Man Reading, 1774, Red chalk, 13 3/8 x 9 3/16 in. (34 x 23.3 cm), Drawings, Jean Honoré Fragonard (French, Grasse 17321806 Paris), This confident drawing of a seated man absorbed in his book is closely related to a group of portraitlike drawings made by Fragonard on his second trip to Italy (177374) sponsored by the fermier général Pierre-Jacques-Onésyme Bergeret de Grancourt.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020030404503

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This image of the moon is from NASA‘s Moon Mineralogy Mapper on the Indian Space Research Organizati

This image of the moon is from NASA‘s Moon Mineralogy Mapper on the Indian Space Research Organization‘s Chandrayaan-1 mission. It is a three-color composite of reflected near-infrared radiation from the sun, and illustrates the extent to which different materials are mapped across the side of the moon that faces Earth. Small amounts of water and hydroxyl (blue) were detected on the surface of the moon at various locations. This image illustrates their distribution at high latitudes toward the poles. Blue shows the signature of water and hydroxyl molecules as seen by a highly diagnostic absorption of infrared light with a wavelength of three micrometres.、クレジット：ＮＡＳＡ／Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019022103943

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Spain. Catalonia. Barcelona. Conduction of water towards Dos Rius. Working in an absorption gallery. Engraving by E. Alba. “La I

Spain. Catalonia. Barcelona. Conduction of water towards Dos Rius. Working in an absorption gallery. Engraving by E. Alba. “La Ilustracion Espanola y Americana“, 1876. Colored.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019083001077

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Tacuinum Sanitatis.

Tacuinum Sanitatis. Medieval Health Handbook, dated before 1400, based on observations of medical order detailing the most important aspects of food, beverages and clothing. Developing liquor with nutmeg. Miniature. Fol. 14r.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020070107226

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Spain. Catalonia. Barcelona. Conduction of water towards Dos Rius. Working in an absorption gallery. Engraving by E. Alba. “La I

Spain. Catalonia. Barcelona. Conduction of water towards Dos Rius. Working in an absorption gallery. Engraving by E. Alba. “La Ilustracion Espanola y Americana“, 1876.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019091800232

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Spectroscopist observing (top).

Spectroscopist observing (top). Bottom, left to right, Absorption spectra of Indigo, Chromic Chloride, and Magenta. Lithograph.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019080210836

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Dust Band Around the Nucleus of ‘Black Eye Galaxy‘ M64.

Dust Band Around the Nucleus of ‘Black Eye Galaxy‘ M64. A collision of two galaxies has left a merged star system with an unusual appearance as well as bizarre internal motions. Messier 64 (M64) has a spectacular dark band of absorbing dust in front of the galaxy‘s bright nucleus, giving rise to its nicknames of the ‘Black Eye‘ or ‘Evil Eye‘ galaxy. M64 resides roughly 17 million light-years from Earth. At first glance, M64 appears to be a fairly normal pinwheel-shaped spiral galaxy. As in the majority of galaxies, all of the stars in M64 are rotating in the same direction, clockwise as seen in the Hubble image. However, detailed studies in the 1990‘s led to the remarkable discovery that the interstellar gas in the outer regions of M64 rotates in the opposite direction from the gas and stars in the inner regions.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019091002594

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冨嶽三十六景　遠江山中, In the Mountains of Tōtomi Province (Tōtomi sanchū), from the series Thirty-six Views of Mount Fuji

冨嶽三十六景　遠江山中, In the Mountains of Tōtomi Province (Tōtomi sanchū), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 9 3/5 x 14 29/32 in. (24.4 x 37.9 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)), A massive inclined piece of lumber dominates the pictorial space of the print, and a small image of Mount Fuji is encapsulated in the frame of the raised support. Completely absorbed in cutting the trunk into planks, the lumbermen are unaffected by the magnificent vista beyond.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021081010517

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Battle of the frog and the mouse, print maker: Dirk Stoop, John Ogilby, 1665.

Battle of the frog and the mouse, print maker: Dirk Stoop, John Ogilby, 1665.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022080507689

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Pierre-Auguste Renoir: Bather Drying Herself (Baigneuse s‘essuyant), Pierre-Auguste Renoir, c.

キーワード：ピエール＝オーギュスト・ルノワール、Pierre-Auguste Renoir: Bather Drying Herself (Baigneuse s‘essuyant), Pierre-Auguste Renoir, c. 1908, Oil on canvas, Renoir painted the female nude obsessively during the later part of his career. In hundreds of canvases, bathing figures, presented alone or in groups, perform intimate actions like getting dressed, pulling back hair, or drying off. Here, as in the vast majority of these canvases, the bather does not acknowledge the artist/ viewer‘s presence but remains absorbed in her task, heightening the sense of voyeurism. Skin is soft and velvety-looking, an effect achieved through liquid-thin paint applied in short, delicate strokes; this a hallmark of Renoir‘s late works., Overall: 36 7/16 x 29 1/8 in. (92.5 x 74 cm).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019111400494

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Pierre-Auguste Renoir: Bather Drying Herself (Baigneuse s‘essuyant), Pierre-Auguste Renoir, c.

キーワード：ピエール＝オーギュスト・ルノワール、Pierre-Auguste Renoir: Bather Drying Herself (Baigneuse s‘essuyant), Pierre-Auguste Renoir, c. 1908, Oil on canvas, Renoir painted the female nude obsessively during the later part of his career. In hundreds of canvases, bathing figures, presented alone or in groups, perform intimate actions like getting dressed, pulling back hair, or drying off. Here, as in the vast majority of these canvases, the bather does not acknowledge the artist/ viewer‘s presence but remains absorbed in her task, heightening the sense of voyeurism. Skin is soft and velvety-looking, an effect achieved through liquid-thin paint applied in short, delicate strokes; this a hallmark of Renoir‘s late works., Overall: 36 7/16 x 29 1/8 in. (92.5 x 74 cm).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019111400590

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Woman and girl applying transfers to Blue Ware

Woman and girl applying transfers to Blue Ware, the Potteries, Staffordshire, England. Transfer placed face down on plate and backing paper rubbed with padded stick. Unglazed item absorbs the pattern. Engraving, London, 1843.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019083001255

1903年12月31日

Examining patient‘s thorax using X-ray tube and fluorescent screen.

Examining patient‘s thorax using X-ray tube and fluorescent screen. X-ray tube (on tripod) is set at reqauired height and patient stands directly in front of it. In front of patient, operator holds specially coated paper screen. When X-rays fall on paper, coating fluoresces, leaving as shadows those dense portions of thorax, such as bones, which absorb X-rays. Engraving, Leipzig, 1903. Many who worked with early x-rays suffered the effects of over-exposure to radiation.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019053006692

1908年12月31日

Pierre-Auguste Renoir: Bather Drying Herself (Baigneuse s‘essuyant), Pierre-Auguste Renoir, c. 1908, Oil on canvas,

Pierre-Auguste Renoir: Bather Drying Herself (Baigneuse s‘essuyant), Pierre-Auguste Renoir, c. 1908, Oil on canvas, Renoir painted the female nude obsessively during the later part of his career. In hundreds of canvases, bathing figures, presented alone or in groups, perform intimate actions like getting dressed, pulling back hair, or drying off. Here, as in the vast majority of these canvases, the bather does not acknowledge the artist/ viewer‘s presence but remains absorbed in her task, heightening the sense of voyeurism. Skin is soft and velvety-looking, an effect achieved through liquid-thin paint applied in short, delicate strokes; this a hallmark of Renoir‘s late works., Overall: 36 7/16 x 29 1/8 in. (92.5 x 74 cm).、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2021111211487

1908年12月31日

Pierre-Auguste Renoir: Bather Drying Herself (Baigneuse s‘essuyant), Pierre-Auguste Renoir, c. 1908, Oil on canvas,

Pierre-Auguste Renoir: Bather Drying Herself (Baigneuse s‘essuyant), Pierre-Auguste Renoir, c. 1908, Oil on canvas, Renoir painted the female nude obsessively during the later part of his career. In hundreds of canvases, bathing figures, presented alone or in groups, perform intimate actions like getting dressed, pulling back hair, or drying off. Here, as in the vast majority of these canvases, the bather does not acknowledge the artist/ viewer‘s presence but remains absorbed in her task, heightening the sense of voyeurism. Skin is soft and velvety-looking, an effect achieved through liquid-thin paint applied in short, delicate strokes; this a hallmark of Renoir‘s late works., Overall: 36 7/16 x 29 1/8 in. (92.5 x 74 cm).、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2021111211500

1911年12月31日

Roger de La Fresnaye: Married Life (La Vie conjugale)

Roger de La Fresnaye: Married Life (La Vie conjugale), Roger de La Fresnaye, 1913, Oil on canvas, French painter Roger de La Fresnaye absorbed the cubist vocabulary developed by Pablo Picasso and Georges Braque. He was a member of the Section d‘Or, the group of artists who, in 1911, first brought cubism to the attention of the public by exhibiting their works at the Salon. In the cubism of de la Fresnaye, objects from the natural world are translated into stylized forms; here, for example, fingers take on the same shape as a pile of books. Painted in 1913, this work seems to sum up the standard roles assigned to men and women in representation. With a newspaper open on his lap, the fully clothed man participates in the realm of culture and intellect, while the woman, her naked body in dreamy repose, is all physical sensuality., Overall: 47 x 59 1/2 in. (119.4 x 151.1 cm).、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020020508126

1911年12月31日

Roger de La Fresnaye: Married Life (La Vie conjugale)

Roger de La Fresnaye: Married Life (La Vie conjugale), Roger de La Fresnaye, 1913, Oil on canvas, French painter Roger de La Fresnaye absorbed the cubist vocabulary developed by Pablo Picasso and Georges Braque. He was a member of the Section d‘Or, the group of artists who, in 1911, first brought cubism to the attention of the public by exhibiting their works at the Salon. In the cubism of de la Fresnaye, objects from the natural world are translated into stylized forms; here, for example, fingers take on the same shape as a pile of books. Painted in 1913, this work seems to sum up the standard roles assigned to men and women in representation. With a newspaper open on his lap, the fully clothed man participates in the realm of culture and intellect, while the woman, her naked body in dreamy repose, is all physical sensuality., Overall: 47 x 59 1/2 in. (119.4 x 151.1 cm).、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020020508710

1916年12月31日

World War I - 1914-1918.

World War I - 1914-1918. After conscription in 1916, British women took over many civilian jobs. Girls filling shells in a munitions factory, wearing masks and gloves to stop inhalation and absorption of harmful chemicals.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2018122721098

1918年12月31日

Magic lantern slide WW1

Magic lantern slide WW1, 1914-1918, World war one images. The Punjab Christian Battalion was raised on 9 July 1917[1] in Montgomery. It was numbered as the 71st Punjabis in December 1917 and joined the 44th (Ferozepore) Brigade in 16th Indian Division. It served with the brigade and division on the North West Frontier until May 1918 when it was transferred to Bushire in 1919, the regiment was absorbed into the 111th Mahars.、クレジット：Ｊｏｈｎ　Ｓｈｏｒｔ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2020090500327

1933年12月31日

Holodomor

One of the most terrible periods in the history of the Ukrainian people was the years of mass collectivization and artificial famine of 1932-1933, caused by the totalitarian system and the Stalinist regime. It was a crime against one‘s own people, their future. According to its terrifying consequences, it can be classified as one of the most tragic events known to the history of mankind. The Holodomor took every fifth resident of Ukraine. Millions of peasants were thrown into the death vortex of hunger. It was a cruel reality: hungry people gathered frozen beets in the field, tore up mouse nests to get a few grains, and raked sprouted peas from the sown field. Peasants secretly picked vegetables from the collective farm kahats, at night they cut ears of corn on the collective farm fields. Inexorable time absorbs everything, but it cannot absorb the memory of the people. Monuments and memorials were erected in memory of the victims of the Holodomor in Ukraine. …、クレジット：Ｕｋｒｉｎｆｏｒｍ／共同通信イメージズ

商品コード: 2023041207734

1933年12月31日

Holodomor

One of the most terrible periods in the history of the Ukrainian people was the years of mass collectivization and artificial famine of 1932-1933, caused by the totalitarian system and the Stalinist regime. It was a crime against one‘s own people, their future. According to its terrifying consequences, it can be classified as one of the most tragic events known to the history of mankind. The Holodomor took every fifth resident of Ukraine. Millions of peasants were thrown into the death vortex of hunger. It was a cruel reality: hungry people gathered frozen beets in the field, tore up mouse nests to get a few grains, and raked sprouted peas from the sown field. Peasants secretly picked vegetables from the collective farm kahats, at night they cut ears of corn on the collective farm fields. Inexorable time absorbs everything, but it cannot absorb the memory of the people. Monuments and memorials were erected in memory of the victims of the Holodomor in Ukraine. …、クレジット：Ｕｋｒｉｎｆｏｒｍ／共同通信イメージズ

商品コード: 2023041207682

1933年12月31日

Holodomor

One of the most terrible periods in the history of the Ukrainian people was the years of mass collectivization and artificial famine of 1932-1933, caused by the totalitarian system and the Stalinist regime. It was a crime against one‘s own people, their future. According to its terrifying consequences, it can be classified as one of the most tragic events known to the history of mankind. The Holodomor took every fifth resident of Ukraine. Millions of peasants were thrown into the death vortex of hunger. It was a cruel reality: hungry people gathered frozen beets in the field, tore up mouse nests to get a few grains, and raked sprouted peas from the sown field. Peasants secretly picked vegetables from the collective farm kahats, at night they cut ears of corn on the collective farm fields. Inexorable time absorbs everything, but it cannot absorb the memory of the people. Monuments and memorials were erected in memory of the victims of the Holodomor in Ukraine. …、クレジット：Ｕｋｒｉｎｆｏｒｍ／共同通信イメージズ

商品コード: 2023041207782

1933年12月31日

Holodomor

One of the most terrible periods in the history of the Ukrainian people was the years of mass collectivization and artificial famine of 1932-1933, caused by the totalitarian system and the Stalinist regime. It was a crime against one‘s own people, their future. According to its terrifying consequences, it can be classified as one of the most tragic events known to the history of mankind. The Holodomor took every fifth resident of Ukraine. Millions of peasants were thrown into the death vortex of hunger. It was a cruel reality: hungry people gathered frozen beets in the field, tore up mouse nests to get a few grains, and raked sprouted peas from the sown field. Peasants secretly picked vegetables from the collective farm kahats, at night they cut ears of corn on the collective farm fields. Inexorable time absorbs everything, but it cannot absorb the memory of the people. Monuments and memorials were erected in memory of the victims of the Holodomor in Ukraine. …、クレジット：Ｕｋｒｉｎｆｏｒｍ／共同通信イメージズ

商品コード: 2023041207763

1933年12月31日

Holodomor

One of the most terrible periods in the history of the Ukrainian people was the years of mass collectivization and artificial famine of 1932-1933, caused by the totalitarian system and the Stalinist regime. It was a crime against one‘s own people, their future. According to its terrifying consequences, it can be classified as one of the most tragic events known to the history of mankind. The Holodomor took every fifth resident of Ukraine. Millions of peasants were thrown into the death vortex of hunger. It was a cruel reality: hungry people gathered frozen beets in the field, tore up mouse nests to get a few grains, and raked sprouted peas from the sown field. Peasants secretly picked vegetables from the collective farm kahats, at night they cut ears of corn on the collective farm fields. Inexorable time absorbs everything, but it cannot absorb the memory of the people. Monuments and memorials were erected in memory of the victims of the Holodomor in Ukraine. …、クレジット：Ｕｋｒｉｎｆｏｒｍ／共同通信イメージズ

商品コード: 2023041207774

1933年12月31日

Holodomor

One of the most terrible periods in the history of the Ukrainian people was the years of mass collectivization and artificial famine of 1932-1933, caused by the totalitarian system and the Stalinist regime. It was a crime against one‘s own people, their future. According to its terrifying consequences, it can be classified as one of the most tragic events known to the history of mankind. The Holodomor took every fifth resident of Ukraine. Millions of peasants were thrown into the death vortex of hunger. It was a cruel reality: hungry people gathered frozen beets in the field, tore up mouse nests to get a few grains, and raked sprouted peas from the sown field. Peasants secretly picked vegetables from the collective farm kahats, at night they cut ears of corn on the collective farm fields. Inexorable time absorbs everything, but it cannot absorb the memory of the people. Monuments and memorials were erected in memory of the victims of the Holodomor in Ukraine. …、クレジット：Ｕｋｒｉｎｆｏｒｍ／共同通信イメージズ

商品コード: 2023041207721

1933年12月31日

Holodomor

One of the most terrible periods in the history of the Ukrainian people was the years of mass collectivization and artificial famine of 1932-1933, caused by the totalitarian system and the Stalinist regime. It was a crime against one‘s own people, their future. According to its terrifying consequences, it can be classified as one of the most tragic events known to the history of mankind. The Holodomor took every fifth resident of Ukraine. Millions of peasants were thrown into the death vortex of hunger. It was a cruel reality: hungry people gathered frozen beets in the field, tore up mouse nests to get a few grains, and raked sprouted peas from the sown field. Peasants secretly picked vegetables from the collective farm kahats, at night they cut ears of corn on the collective farm fields. Inexorable time absorbs everything, but it cannot absorb the memory of the people. Monuments and memorials were erected in memory of the victims of the Holodomor in Ukraine. …、クレジット：Ｕｋｒｉｎｆｏｒｍ／共同通信イメージズ

商品コード: 2023041207779

1933年12月31日

Holodomor

One of the most terrible periods in the history of the Ukrainian people was the years of mass collectivization and artificial famine of 1932-1933, caused by the totalitarian system and the Stalinist regime. It was a crime against one‘s own people, their future. According to its terrifying consequences, it can be classified as one of the most tragic events known to the history of mankind. The Holodomor took every fifth resident of Ukraine. Millions of peasants were thrown into the death vortex of hunger. It was a cruel reality: hungry people gathered frozen beets in the field, tore up mouse nests to get a few grains, and raked sprouted peas from the sown field. Peasants secretly picked vegetables from the collective farm kahats, at night they cut ears of corn on the collective farm fields. Inexorable time absorbs everything, but it cannot absorb the memory of the people. Monuments and memorials were erected in memory of the victims of the Holodomor in Ukraine. …、クレジット：Ｕｋｒｉｎｆｏｒｍ／共同通信イメージズ

商品コード: 2023041207781

1950年12月31日

BORN YESTERDAY

BORN YESTERDAY [US 1950] JUDY HOLLIDAY is the ‘dumb blonde‘ absorbing some culture in this colour photo to publicise the film which was photographed and released in black and white Date: 1950、クレジット：ＣＯＬＵＭＢＩＡ　ＰＩＣＴＵＲＥＳ／Ｒｏｎａｌｄ　Ｇｒａｎｔ　Ａｒｃｈｉｖｅ／Ｍａｒｙ　Ｅｖａｎｓ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019071902257

1952年03月13日

三菱商事本社ビル

旧・三菱商事は１９４７年財閥解体の一環としてＧＨＱから解散命令を受け清算手続きに入り、１９５０年、同社の特定の債権債務を継承し一部の営業活動を引き継ぐ光和実業を設立。１９５２年財閥商号の使用禁止が解かれ、同年８月商号を再び三菱商事に変更。１９５４年には株式を上場すると共に、この間旧三菱商事の旧役職員が設立した会社の内、主要なものを吸収合併し、総合商社として新たに発足した＝１９５２（昭和２７）年３月１３日撮影、東京都千代田区丸の内

商品コード: 2011082000224

1952年03月13日

三菱商事本社ビル

旧・三菱商事は１９４７年財閥解体の一環としてＧＨＱから解散命令を受け清算手続きに入り、１９５０年、同社の特定の債権債務を継承し一部の営業活動を引き継ぐ光和実業を設立。１９５２年財閥商号の使用禁止が解かれ、同年８月商号を再び三菱商事に変更。１９５４年には株式を上場すると共に、この間旧三菱商事の旧役職員が設立した会社の内、主要なものを吸収合併し、総合商社として新たに発足した＝１９５２（昭和２７）年３月１３日撮影、東京都千代田区丸の内

商品コード: 2011081700213

1954年02月06日

新球団が岡山でキャンプ

この年２月、プロ野球パリーグの新球団、高橋ユニオンズが岡山市で結団式をあげ、県営球場でキャンプに入った。もっとも本拠地は川崎市。地元球団ではなかったが、県民には人気があった。監督は浜崎真二、選手３５人は他球団から集めた。写真は岡山市・柳川筋の中央郵便局前を走る選手たち。長身の３００勝投手スタルヒンの姿も見える。選手層の薄さから成績は低迷、一時トンボユニオンズと改称したが、３年後、大映に吸収された。＝１９５４（昭和２９）年２月６日、岡山市、クレジット：山陽新聞／共同通信イメージズ

商品コード: 2018091220645

1958年12月02日

太陽熱利用冷暖装置完成

太陽熱を吸収する受熱板＝１９５８（昭和３３）年１２月２日出稿

商品コード: 2012052900258

1959年12月31日

BALLAD OF A SOLDIER

BALLAD OF A SOLDIER SHANNA PROKHORENKO, VLADIMIR IVASHOV Date: 1959、クレジット：Ｒｏｎａｌｄ　Ｇｒａｎｔ　Ａｒｃｈｉｖｅ／Ｍａｒｙ　Ｅｖａｎｓ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019032902400

1974年04月27日

別府市のレジャー施設「きじまモートピア」は遊園地内に「キティプラザ」を開設、チビッ子の吸収を狙っている。

1974年4月27日朝刊11面掲載、クレジット：大分合同新聞社／共同通信イメージズ

商品コード: 2023052406809

1975年08月13日

“太陽熱”で電灯ともる

放物面反射鏡を使った太陽熱吸収装置。後方は、同型の自動追尾式装置。工業技術院電子技術総合研究所が新エネルギー研究開発計画「サンシャイン計画」の一環として進めている太陽熱発電システムの大型実験装置が完成。初の公開実験で２０ワットの電球をともすことに成功した＝１９７５（昭和５０）年８月１３日、東京都田無市

商品コード: 2013030400350

1975年08月29日

“脳診断”に新兵器が登場

ＥＭＩスキャナーで撮影した上方が前頭部。下方が後頭部。肺ガンの転移した病巣が白い斑点状に見える。腫瘍や血腫、石炭化層などがあると、そこだけエクス線吸収量が異なるから、異常のある場所や異常の質がスポット状にはっきり分かる

商品コード: 2013030400458

1975年12月24日

大阪市の本社ビル安宅産業が経営危機

総合商社・安宅産業（右）の経営危機が表面化。米国子会社が手掛けた石油採掘が失敗し行き詰まった。最終的に７７年年、伊藤忠商事に吸収された＝１９７５（昭和５０）年１２月２４日、大阪市東区「ザ･クロニクル　戦後日本の７０年」第７巻使用画像（Ｐ５５）

商品コード: 2015030400339

1976年01月20日

太陽熱利用住宅を実用化へ

東芝が開発した太陽熱利用の自動暖冷房実験住宅。このソーラーハウス（太陽熱利用住宅）は、太陽熱を利用して自動的に暖房、給湯ができるシステム。従来の「東芝メイゾン」の屋根部分を、太陽エネルギーを吸収する空気集熱器と水集熱器に置き換えたもの

商品コード: 2013060500144

1976年02月18日

特殊鋼３社合併覚書に調印

合併覚書に調印後、記者会見する（左から）葦沢大義特殊製鋼社長、武田喜三大同製鋼社長、間端夫日本特殊鋼社長。吸収合併の方式で、大同製鋼を存続会社とし、他の２社は解散。社名は、大同特殊鋼に＝１９７６（昭和５１）年２月１８日、東京・大手町の経団連会館（５１年内地　１２４４）

商品コード: 2013070300296

1976年03月03日

初の“太陽の家”完成間近

ソーラーハウス金岡集会所に急ピッチで進められるコレクターの取り付け作業。太陽温水器の原理を応用した縦２メートル、横１メートル、厚さ１０センチのコレクター（集熱板）２４０セットを取り付け、太陽熱を吸収する＝１９７６（昭和５１）年３月３日、静岡県沼津市金岡

商品コード: 2013073100371

1976年07月29日

世界初の太陽模擬装置開発

工業技術院が開発した太陽模擬装置（人工太陽）の本体。次代の新エネルギーのホープ「太陽熱発電」のカギを握る“集熱装置”の開発を大きく前進させる世界初の装置。太陽熱吸収材料の特性を適切、容易につかむため、本物の太陽の持つスペクトルなどの特質を、現在の技術水準として限度に近いところまで再現することができる

商品コード: 2014010800107