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    Illustration depicting ships of the British Navy anchored off of Spithead.

    Illustration depicting ships of the British Navy anchored off of Spithead. Spithead is an aread of the Solent in Hampshire, England. The Fleet Review, a British tradition where the Monarch reviews the massed Royal Navy, usually takes place in Spithead. Dated 1897、クレジット:World History Archive/ニューズコム/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019091704908

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    The khanda is an Indian double-edge straight sword.

    The khanda is an Indian double-edge straight sword. It was used by the Marathas, Rajputs, Jats, Nairs and Sikhs. The blade is usually broad and quite heavy and broadens from the hilt to the tip. The blade transforms into tip rather abruptly. The hilt has a small metal spike coming out in the opposite direction typical of the khanda. Many other straight swords around the world were primarily used for thrusting and stabbing with the tip, whereas the khanda was mainly used to hack or cleave with the edge of the blade.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019070106780

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    Gaius Sallustius Crispus, usually known as Sallust (86-c. 35 BC.). The Jugurthine War (112-106 BC), between Rome and Jugurtha of

    Gaius Sallustius Crispus, usually known as Sallust (86-c. 35 BC.). The Jugurthine War (112-106 BC), between Rome and Jugurtha of Numidia. Rise of the army of the Roman consul Quintus Caecilius Metellus Numidicus (ca. 160 BC-91 BC) against the men of Jugurtha. Battle. A: formation of the battalion before discovering Jugurtha; B: formation after discovering him. Engraving, 1772.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019083000886

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    Millennium Point Time Capsule - a historic cache of goods or information

    Millennium Point Time Capsule - a historic cache of goods or information, usually intended as a method of communication with future people and to help future archaeologists, anthropologists or historians.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019082702950

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    An Extensive Wooded Landscape, 1670s, Oil on canvas, 32 3/4 x 44 5/8 in.

    An Extensive Wooded Landscape, 1670s, Oil on canvas, 32 3/4 x 44 5/8 in. (83.2 x 113.3 cm), Paintings, Philips Koninck (Dutch, Amsterdam 1619–1688 Amsterdam), The topography in this late work by Koninck was probably inspired by the easterm Dutch province of Gelderland but is nonetheless imaginary. Dutch landscapists usually made up their views in the studio, often using drawings from nature for particular motifs.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020102901246

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    Egyptian: Relief or Votive Plaque of the God Bes, Unidentified artist, Egyptian, 664–30 B.C., Limestone with red and bla

    ☆Egyptian: Relief or Votive Plaque of the God Bes, Unidentified artist, Egyptian, 664–30 B.C., Limestone with red and black pigment, This limestone plaque depicts Bes, an ancient Egyptian god believed to protect against evil. Bes is usually shown with a grimacing face, sometimes sticking out his tongue; and unlike other Egyptian deities, he is often rendered nude. In this example, the shaft of his (now lost) phallus was carved separately, perhaps from a different material, and inserted in the hole. Because of his role in warding off danger, Bes was one of the most popular gods of ancient Egypt. His image was depicted on household items like furniture, tools and mirrors., Overall: 9 3/4 x 7 5/8 x 2 in. (24.8 x 19.4 x 5.1 cm).、クレジット:Universal Images Group/共同通信イメージズ

    商品コード: 2021062502240

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    Turban Helmet

    Turban Helmet, late 15th century–1st quarter 16th century, possibly Istanbul, Turkey, possibly Istanbul, in the style of Turkman armor, Steel, iron, gold, silver, copper alloy, H. 11 3/16 in. (28.5 cm); W. 8 7/8 in. (22.53 cm); Wt. 2 lb. 6 oz. (1092 g), Helmets, Helmets of this type are usually called turban helmets because of their large bulbous shape and the flutings that imitate the folds of a turban. Because certain dervish groups wore turbans wound with a prescribed number of folds to represent an important mystical number, it is likely that turban helmets were regarded not merely as armor but also a kind of religious insignia, their very shape marking the wearer as a fighter in the Holy War.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2020091700745

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    Turban Helmet

    Turban Helmet, late 15th century, Iranian, Steel, gold, silver, H. 11 11/16 in. (29.7 cm); Diam. 9 1/4 in. (23.5 cm); Wt. 3 lb. 0.7 oz. (1380.6 g), Helmets, Helmets of this type are usually called turban helmets becuase of their large bulbous shape and the flutings that imitate the folds of a turban. Because certain dervish groups wore turbans wound with a prescribed number of folds to represent an important mystical number, it is likely that turban helmets were regarded not merely as armor but also as a kind of religious insignia, their very shape marking the wearer as a fighter in a Holy War.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2020091700776

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    Edward the Confessor (between 1003 and 1005 1066)

    Edward the Confessor (between 1003 and 1005 1066), son of Ethelred the Unready and Emma of Normandy, was one of the last Anglo-Saxon kings of England and is usually regarded as the last king of the House of Wessex, ruling from 1042 to 1066.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019091101074

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    Francois Certain de Canrobert, usually known as Francois Certain-Canrobert and later simply as Marschal Canrobert, 1809

    Francois Certain de Canrobert, usually known as Francois Certain-Canrobert and later simply as Marschal Canrobert, 1809 - 1895, was a marshal of France, Situation from the time of The Franco-Prussian War or Franco-German War, Deutsch-Franzoesischer Krieg, 1870-1871, Reproduction of an original woodcut from the year 1885, digital improved.、クレジット:Bildagentur-online  /Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021030300592

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    A galliass or galleass

    A galliass or galleass, part of the Spanish Armarda which sailed against England during the Anglo-Spanish War of 1585-1604. A vessel larger and more heavily built than a galley, and propelled by both sail and oars. They carried 32 oars, eached worked by up to five men. Usually equipped with three masts and a forecastle and aftcastle.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020032700878

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    The Basilica di Santa Maria del Fiore

    The Basilica di Santa Maria del Fiore (English: Basilica of Saint Mary of the Flower) is the cathedral church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th century Gothic Revival fa軋de by Emilio De Fabris. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto‘s Campanile、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417422

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    Giotto‘s Campanile or Tower at the Basilica di Santa Maria del Fiore

    Giotto‘s Campanile or Tower at the Basilica di Santa Maria del Fiore (English: Basilica of Saint Mary of the Flower) is the cathedral church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th century Gothic Revival fa軋de by Emilio De Fabris. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto‘s Campanile、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417434

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    The Basilica of St Mary of Health (Santa Maria della Salute)

    The Basilica of St Mary of Health (Santa Maria della Salute), Roman Catholic church and minor basilica located in the Dorsoduro sestiere of the Italian city of Venice. It stands on a narrow finger of land between the Grand Canal and the Bacino di San Marco making the church visible when entering the Piazza San Marco from the water. In 1630 Venice experienced an unusually devastating outbreak of the plague. As a votive offering for the city‘s deliverance from the pestilence, the Republic of Venice vowed to build and dedicate a church to Our Lady of Health (or of Deliverance, Italian: Salute). The church was designed in the then fashionable baroque style by Baldassare Longhena, who studied under the architect Vincenzo Scamozzi. Construction began in 1631.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417488

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    The Basilica di Santa Maria del Fiore

    The Basilica di Santa Maria del Fiore (English: Basilica of Saint Mary of the Flower) is the cathedral church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th century Gothic Revival fa軋de by Emilio De Fabris. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto‘s Campanile、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417602

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    The Basilica di Santa Maria del Fiore

    The Basilica di Santa Maria del Fiore (English: Basilica of Saint Mary of the Flower) is the cathedral church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th century Gothic Revival fa軋de by Emilio De Fabris. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto‘s Campanile、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417717

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    The Basilica di Santa Maria del Fiore

    The Basilica di Santa Maria del Fiore (English: Basilica of Saint Mary of the Flower) is the cathedral church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th century Gothic Revival fa軋de by Emilio De Fabris. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto‘s Campanile、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417751

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    The Basilica di Santa Maria del Fiore

    The Basilica di Santa Maria del Fiore (English: Basilica of Saint Mary of the Flower) is the cathedral church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th century Gothic Revival fa軋de by Emilio De Fabris. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto‘s Campanile、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417776

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    The Basilica di Santa Maria del Fiore

    The Basilica di Santa Maria del Fiore (English: Basilica of Saint Mary of the Flower) is the cathedral church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th century Gothic Revival fa軋de by Emilio De Fabris. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto‘s Campanile、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417834

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    Giotto‘s Campanile or Tower at the Basilica di Santa Maria del Fiore

    Giotto‘s Campanile or Tower at the Basilica di Santa Maria del Fiore (English: Basilica of Saint Mary of the Flower) is the cathedral church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th century Gothic Revival fa軋de by Emilio De Fabris. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto‘s Campanile、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417856

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    The Basilica of St Mary of Health (Santa Maria della Salute)

    The Basilica of St Mary of Health (Santa Maria della Salute), Roman Catholic church and minor basilica located in the Dorsoduro sestiere of the Italian city of Venice. It stands on a narrow finger of land between the Grand Canal and the Bacino di San Marco making the church visible when entering the Piazza San Marco from the water. In 1630 Venice experienced an unusually devastating outbreak of the plague. As a votive offering for the city‘s deliverance from the pestilence, the Republic of Venice vowed to build and dedicate a church to Our Lady of Health (or of Deliverance, Italian: Salute). The church was designed in the then fashionable baroque style by Baldassare Longhena, who studied under the architect Vincenzo Scamozzi. Construction began in 1631.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417911

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    Giotto‘s Campanile or Tower at the Basilica di Santa Maria del Fiore

    Giotto‘s Campanile or Tower at the Basilica di Santa Maria del Fiore (English: Basilica of Saint Mary of the Flower) is the cathedral church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th century Gothic Revival fa軋de by Emilio De Fabris. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto‘s Campanile、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417941

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    The Basilica di Santa Maria del Fiore

    The Basilica di Santa Maria del Fiore (English: Basilica of Saint Mary of the Flower) is the cathedral church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th century Gothic Revival fa軋de by Emilio De Fabris. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto‘s Campanile、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111418019

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    The bronze statue of Archangel Michael

    The bronze statue of Archangel Michael, standing on top of the castle of St Angelo, Rome, modelled in 1753 by Peter Anton von Verschaffelt (17101793). The Mausoleum of Hadrian, usually known as the Castel St Angelo, Rome, Italy.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111418487

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    The bronze statue of Archangel Michael

    The bronze statue of Archangel Michael, standing on top of the castle of St Angelo, Rome, modelled in 1753 by Peter Anton von Verschaffelt (17101793). The Mausoleum of Hadrian, usually known as the Castel St Angelo, Rome, Italy.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111418531

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    The bronze statue of Archangel Michael

    The bronze statue of Archangel Michael, standing on top of the castle of St Angelo, Rome, modelled in 1753 by Peter Anton von Verschaffelt (17101793). The Mausoleum of Hadrian, usually known as the Castel St Angelo, Rome, Italy.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111418556

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    The bronze statue of Archangel Michael

    The bronze statue of Archangel Michael, standing on top of the castle of St Angelo, Rome, modelled in 1753 by Peter Anton von Verschaffelt (17101793). The Mausoleum of Hadrian, usually known as the Castel St Angelo, Rome, Italy.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111418568

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    Sandals

    Sandals were commonly worn for walking in the ancient world and usually consisted of a protective leather sole that was secured to the wearer‘s foot with straps or thongs.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019111505531

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    Insurance Company Office

    London, England: July, 1923 The offices of the Equitable Life Assurance Society, the world‘s oldest mutual insurer.、クレジット:Underwood Archives/Universal Images Group/共同通信イメージズ

    商品コード: 2019111306869

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    Maria Anna Angelika Kauffmann, 1741 1807, usually known in English as Angelica Kauffman,

    Maria Anna Angelika Kauffmann, 1741 1807, usually known in English as Angelica Kauffman, a Swiss Neoclassical painter who had a successful career in London and Rome, reproduction of a woodcut from the year 1880, digital improved.、クレジット:Bildagentur-online  /Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021030300888

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    Stone from wood.

    Stone from wood. This is a petrified tree trunk. (Arizona, USA). When a tree dies the wood usually rots, but under certain conditions the plant issue may be replaced by minerals and it turns to stone.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2020040801294

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    Chimney piece with images of Adam and Eve.

    Chimney piece with images of Adam and Eve. Artist: Unknown. Culture: American. Dimensions: 16 x 38 in. (40.6 x 96.5 cm). Date: ca. 1760.Eighteenth-century embroideries wider than they are tall, like this one, were called “chimneypieces“ because they were meant to be hung above a parlor mantel, a place of honor. The prominent display of this type of schoolgirl needlework signaled that the young lady of the home had been well educated and was ready to become an accomplished wife. The designs found on chimneypieces were usually derived from European print sources; in this case, scenes from the story of Adam and Eve were adapted from prints of paintings in the renowned collection of Archduke Leopold Wilhelm of Austria. クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020040301433

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    The Cassiopeia A supernova‘s first flash of radiation

    The Cassiopeia A supernova‘s first flash of radiation makes six clumps of dust (circled in annotated version) unusually hot. The supernova remnant is the large white ball in the center. This infrared picture was taken by NASA‘s Spitzer Space Telescope.、クレジット:NASA/World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019091100961

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    Magic lantern slide circa 1900.Victorian/Edwardian.Social History.

    Magic lantern slide circa 1900.Victorian/Edwardian.Social History. The Beauties of Venice,photographs created in 1888 Joseph John William ACWORTH F.I.C., F.C.S.J. The Beauties of Venice . Slide 21 Fishing Boats. Few vessels are anywhere to be found which combine such an amount of beauty and utility as the fishing boats of Venice. These vessels, ever flitting to and from Venice and the Adriatic in search of fish, are decorated by their owners in all manner of fantastic designs,often bordering on the grotesque. These boats usually arrive in a continuous stream early every morning [B] and a prettier or more interesting sight is scarcely to be found in Venice.、クレジット:John Short/Universal Images Group/共同通信イメージズ

    商品コード: 2021041514123

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    four men (20-23) lean in a relaxed fashion on their staves in front of four divinities (24-27)

    four men (20-23) lean in a relaxed fashion on their staves in front of four divinities (24-27) seated on stools. Like the two men on the preceding block III, they are usually identified as the eponymous heroes, founders of the attic tribes、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019052902828

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    The Portland Vase.

    The Portland Vase. Cameo glass, probably made in Rome About 15BC - AD 25. The Portland Vase is one of the finest surviving pieces Roman glass, and is named after the Duke of Portland who owned it from 1785 to 1945. It made of cameo glass a technique in which vessels and plaques, sometimes free-blown, sometimes cast, are created with two layers of glass. The outer layer (usually white) is carved away from the underlying dark layer (usually blue) to create decorative scenes and patterns.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019070404023

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    Charcoal burner at work in Kent

    Charcoal burner at work in Kent, England. The charcoal burners would spend the summer in the woods cutting timber and producing charcoal, living with their families in caravans or, more usually, in rough cabins constructed of wood and turf. Woodcut from ‘The Saturday Magazine‘ (London, 9 January 1836).、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019072502071

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    Digital improved reproduction, a tobacco college is a group of people, mostly men, who regularly come together

    a tobacco college is a group of people, mostly men, who regularly come together for tobacco enjoyment and socializing. Historically, the term is usually used with the appropriate institution under the Prussian king Friedrich Wilhelm I. connected, from an original print from the 19th century.、クレジット:Bildagentur-online/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021033008143

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    Scandinavia. Fishing. Sinkers, were usually of sopastone. Norway. Historical Museum. Oslo. Norway.

    Scandinavia. Fishing. Sinkers, were usually of sopastone. Norway. Historical Museum. Oslo. Norway.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101700446

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    The Last Supper, after Leonardo da Vinci.

    The Last Supper, after Leonardo da Vinci. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 14 1/4 x 18 11/16 in. (36.2 x 47.5 cm). Date: 1634-35.This unusually large red-chalk drawing by Rembrandt is closely based on an early print after Leonardo da Vinci‘s famous mural of the Last Supper in Santa Maria delle Grazie, Milan. Far from slavishly replicating his model, Rembrandt has recast all the figures, intensifying their reactions to Christ‘s words, and has condensed the space they occupy. The Lehman sheet is one of three drawings by Rembrandt based on Leonardo‘s “Last Supper,“ a work that profoundly captured his imagination. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031605637

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    The Holy Family with the Infant Saint John the Baptist.

    The Holy Family with the Infant Saint John the Baptist. Artist: Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501-1547 Rome). Dimensions: 34 3/4 x 25 5/8 in. (88.3 x 65.1 cm). Date: ca. 1524-26.Florentine by birth, Perino was trained in Raphael‘s workshop in Rome, where he soon became one of the most inventive artists of his generation. This is a rare devotional painting by him. It includes traditional symbols such as the goldfinch (symbolic of the Resurrection), but also more unusual details, especially a young Saint John who is crowned with grape leaves and wears a leopard skin, usually associated with the god Bacchus--a mingling of pagan and Christian iconography. The exquisite depiction of the infant Christ shows the care with which Perino approached this panel. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020061105969

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    A Young Woman Warming her Hands over a Brazier: Allegory of Winter.

    A Young Woman Warming her Hands over a Brazier: Allegory of Winter. Cesar Boetius van Everdingen (1617-1678) oil on canvas, c 1644-1648. The young woman warms her hands above a dish of glowing coals. She personifies Winter. This season was usually represented as a shabbily dressed old man or woman; old because the year is coming to an end and poor because the crops do not grow in the winter. Van Everdingen‘s choice of a young, richly attired woman is thus rather unusual.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019041801111

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    four men (20-23) lean in a relaxed fashion on their staves in front of four divinities (24-27)

    four men (20-23) lean in a relaxed fashion on their staves in front of four divinities (24-27) seated on stools. Like the two men on the preceding block III, they are usually identified as the eponymous heroes, founders of the attic tribes、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019052902822

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    Peru and South America.

    Peru and South America. From the Map of the World of 1544, usually ascribed to Sebastian Cabot. At the top is shown the River Amazon, discovered by Orellana in 1541.、クレジット:World History Archive/ニューズコム/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020042203008

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    Mill near the Grand Chartreuse. Dated: published 1816. Medium: etching and mezzotint.

    Mill near the Grand Chartreuse. Dated: published 1816. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Warren B. Davis.、クレジット:Album/National Gallery of Art,Washington DC/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030402935

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    Limestone false door of KaihapFrom Saqqara

    Limestone false door of KaihapFrom Saqqara, Egypt. 5th Dynasty, around 2400 BC. Kahihap was a minor official, though his titles rather grandly claim that he was ‘King‘s Confidant‘ and ‘Chosen Inspector Of Those Who Are In Attendance‘. This false door is all that survives of his tomb-chapel at Saqqara. In addition to the normal inscriptions, the stela depicts an unusually large number of people. Either side of the couple on the central panel at the top are a row of five male and five female children, while on the jambs either side of the standing couple on the lower part of the door are six male and three female grandchildren. Below the standing figures are ten men carrying offerings, at least two of whom are ‘soul priests‘, who would look after the rituals to be performed in the tomb.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019011121125

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    Bronze head of Apollo: the ‘Chatsworth Head‘ Greek

    Bronze head of Apollo: the ‘Chatsworth Head‘ Greek, from about 460 BC, Found near Tamassos, Cyprus (AD 1836) By the end of the Archaic period (about 600-480 BC) sculptors had mastered the complexities of anatomy. However, they did not immediately pursue complete realism, but an idealized concept of human perfection. This often makes it difficult to determine whether a representation is intended to be a human being or a god, unless the figure holds or wears something to aid identification. At this period it is usually deities who are represented over life-size, and the long curly locks of hair probably indicate that this is the Greek god Apollo.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019012203252

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    Sioux War Dance

    Sioux (Dakota, North American Plains Indians) War Dance: Usually 4 days of ceremonies before departure for battle. Ceremonies such as this induce a state of self hypnosis. Chromolithograph 1888.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019053106410

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    Italy.

    Italy. Rome. Sant‘Ambrogio e Carlo al Corso, usually known as San Carlo al Corso with the dome of St. Peter‘s Basilica in the background, at sunset. Backlighting.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042704483

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    Study of a Young Woman in Three-quarter Bust-Length.

    Study of a Young Woman in Three-quarter Bust-Length. Artist: Bronzino (Agnolo di Cosimo di Mariano) (Italian, Monticelli 1503-1572 Florence). Dimensions: Sheet: 7 5/8 × 5 5/16 in. (19.4 × 13.5 cm). Date: ca. 1540-42.The surviving corpus of securely attributed drawings by Bronzino numbers around sixty-two, or so sheets. This is by all accounts an extraordinarily small number for a Tuscan artist of his generation. The Museum was fortunate to acquire this drawing which was unknown until its discovery at auction in 2013. It is a sketch after a living model, and belongs with a small group of Bronzino‘s sheets of ca. 1540-45 for the frescoes and altarpiece in the Chapel of Eleonora di Toledo (Palazzo Vecchio, Florence), because of its style, technique, design, and pictorial approach to life drawing. As is seen here, the most plentiful kind of drawing by Bronzino to have survived, his life-stu、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020022706855

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    Antonio Allegri da Correggio (August 1489 March 5, 1534), usually known as Correggio,

    Antonio Allegri da Correggio (August 1489 March 5, 1534), usually known as Correggio, was the foremost painter of the Parma school of the Italian Renaissance, digital improved reproduction of an original print from the year 1881.、クレジット:Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021021304271

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    Prison Hulks: Convict hulk ‘Warrior‘ at Woolwich.

    Prison Hulks: Convict hulk ‘Warrior‘ at Woolwich. This hulk held 600 and was an intermediate confinement between an ordinary gaol or transportation. Prisoners were used as labourers in the naval dockyards Hulks (Tenders) were usually old naval vessels that were no longer seaworthy. From ‘The Illustrated London News‘, 1848. Wood engraving、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019082400074

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    Turban Helmet

    Turban Helmet, late 15th century, Iranian, Steel, gold, silver, H. 13 1/8 in. (33.34 cm); Diam. 9 1/2 in. (24.13 cm); Wt. 2 lb. 11 oz. (1219 g), Helmets, Helmets of this type are usually called turban helmets becuase of their large bulbous shape and the flutings that imitate the folds of a turban. Because certain dervish groups wore turbans wound with a prescribed number of folds to represent an important mystical number, it is likely that turban helmets were regarded not merely as armor but also as a kind of religious insignia, their very shape marking the wearer as a fighter in a Holy War.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2020091701024

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    A Dutch Merchant

    A Dutch Merchant, Possibly Andreas Everardus van Braam Houckgeest. Chitqua (c. 1740-1796) Canton, c 1770, unfired clay, oil paint. Van Braam Houckgeest was director of the Dutch East India Company trading post in the southern China port of Canton from 1790-1795. He possibly ordered this figure of himself during one of his earlier journeys through China. The Chinese sculptor Chitqua specialized in such clay portraits, usually of foreigners. Comparable likenesses of other Dutch merchants and captains of VOC ships are also known.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019051007527

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    The Basilica di Santa Maria del Fiore

    The Basilica di Santa Maria del Fiore (English: Basilica of Saint Mary of the Flower) is the cathedral church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th century Gothic Revival fa軋de by Emilio De Fabris. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto‘s Campanile、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417563

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    The bronze statue of Archangel Michael

    The bronze statue of Archangel Michael, standing on top of the castle of St Angelo, Rome, modelled in 1753 by Peter Anton von Verschaffelt (17101793). The Mausoleum of Hadrian, usually known as the Castel St Angelo, Rome, Italy.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417646

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    The Basilica of St Mary of Health (Santa Maria della Salute)

    The Basilica of St Mary of Health (Santa Maria della Salute), Roman Catholic church and minor basilica located in the Dorsoduro sestiere of the Italian city of Venice. It stands on a narrow finger of land between the Grand Canal and the Bacino di San Marco making the church visible when entering the Piazza San Marco from the water. In 1630 Venice experienced an unusually devastating outbreak of the plague. As a votive offering for the city‘s deliverance from the pestilence, the Republic of Venice vowed to build and dedicate a church to Our Lady of Health (or of Deliverance, Italian: Salute). The church was designed in the then fashionable baroque style by Baldassare Longhena, who studied under the architect Vincenzo Scamozzi. Construction began in 1631.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417693

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    The Basilica of St Mary of Health (Santa Maria della Salute)

    The Basilica of St Mary of Health (Santa Maria della Salute), Roman Catholic church and minor basilica located in the Dorsoduro sestiere of the Italian city of Venice. It stands on a narrow finger of land between the Grand Canal and the Bacino di San Marco making the church visible when entering the Piazza San Marco from the water. In 1630 Venice experienced an unusually devastating outbreak of the plague. As a votive offering for the city‘s deliverance from the pestilence, the Republic of Venice vowed to build and dedicate a church to Our Lady of Health (or of Deliverance, Italian: Salute). The church was designed in the then fashionable baroque style by Baldassare Longhena, who studied under the architect Vincenzo Scamozzi. Construction began in 1631.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111418132

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    The Basilica of St Mary of Health (Santa Maria della Salute)

    The Basilica of St Mary of Health (Santa Maria della Salute), Roman Catholic church and minor basilica located in the Dorsoduro sestiere of the Italian city of Venice. It stands on a narrow finger of land between the Grand Canal and the Bacino di San Marco making the church visible when entering the Piazza San Marco from the water. In 1630 Venice experienced an unusually devastating outbreak of the plague. As a votive offering for the city‘s deliverance from the pestilence, the Republic of Venice vowed to build and dedicate a church to Our Lady of Health (or of Deliverance, Italian: Salute). The church was designed in the then fashionable baroque style by Baldassare Longhena, who studied under the architect Vincenzo Scamozzi. Construction began in 1631.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111418169

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    The Basilica of St Mary of Health (Santa Maria della Salute)

    The Basilica of St Mary of Health (Santa Maria della Salute), Roman Catholic church and minor basilica located in the Dorsoduro sestiere of the Italian city of Venice. It stands on a narrow finger of land between the Grand Canal and the Bacino di San Marco making the church visible when entering the Piazza San Marco from the water. In 1630 Venice experienced an unusually devastating outbreak of the plague. As a votive offering for the city‘s deliverance from the pestilence, the Republic of Venice vowed to build and dedicate a church to Our Lady of Health (or of Deliverance, Italian: Salute). The church was designed in the then fashionable baroque style by Baldassare Longhena, who studied under the architect Vincenzo Scamozzi. Construction began in 1631.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111418243

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    The Basilica of St Mary of Health (Santa Maria della Salute)

    The Basilica of St Mary of Health (Santa Maria della Salute), Roman Catholic church and minor basilica located in the Dorsoduro sestiere of the Italian city of Venice. It stands on a narrow finger of land between the Grand Canal and the Bacino di San Marco making the church visible when entering the Piazza San Marco from the water. In 1630 Venice experienced an unusually devastating outbreak of the plague. As a votive offering for the city‘s deliverance from the pestilence, the Republic of Venice vowed to build and dedicate a church to Our Lady of Health (or of Deliverance, Italian: Salute). The church was designed in the then fashionable baroque style by Baldassare Longhena, who studied under the architect Vincenzo Scamozzi. Construction began in 1631.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111418263

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    Prison Ships (Hulks or Tenders) in the Thames off the Tower of London

    Prison Ships (Hulks or Tenders) in the Thames off the Tower of London; also used to hold men newly press-ganged into the Royal Navy. Hulks were usually old naval (London, 1805). Aquatint.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019082902518

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    Portrait of a Venetian Family with a Manservant Serving Coffee

    Portrait of a Venetian Family with a Manservant Serving Coffee by Pietro longhi (1702-1785) oil on canvas, c1752. In his paintings, Longhi usually poked gentle fun at the everyday activities of the Venetian elite. This is not, however the case here. It is simply a portrait of a family drinking coffee, with the lady of the house taking centre stage. The conspicuous inclusion of the servant is noteworthy. He must have been a valued member of the household.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用はできません。

    商品コード: 2019083000235

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    Yoshitoshi, Tsukioka

    Usually I Dislike a Cloudy Sky.、クレジット:Universal Images Group/共同通信イメージズ

    商品コード: 2021101109261

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    Spring Rain Collection (Harusame shū), vol. 1:

    Spring Rain Collection (Harusame shū), vol. 1: “Books from Kanazawa Library” (Kanazawa Bunko) and “Foreign Cat of Shōmyōji Temple” (Shōmyōji no kara neko), from the series History of Kamakura (Kamakura shi), Edo period (1615–1868), early to mid-1810s, Japan, Privately published woodblock prints (surimono) mounted in an album; ink and color on paper, 7 11/16 x 7 3/16 in. (19.5 x 18.3 cm), Prints, Kubo Shunman (Japanese, 1757–1820), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021082009262

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    Screen and Utensils for the Incense Ceremony, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print

    Screen and Utensils for the Incense Ceremony, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/16 x 7 1/4 in. (20.5 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820), Surimono, literally ‘printed matter‘, are high-quality, limited-edition, privately commissioned, woodblock-printed ‘greeting cards,‘ mainly produced between the 1790s and the 1830s, and usually ordered for New Year‘s greetings.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021082009207

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    Beans for Tossing During Setsubun Exorcism Ceremony, from the series Ise Calendars for the Asakusa Group

    ☆Beans for Tossing During Setsubun Exorcism Ceremony, from the series Ise Calendars for the Asakusa Group (Asakusa-gawa Ise goyomi), 『浅草側いせ暦』 節分の悪霊ばらい, Edo period (1615–1868), 1810s, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 7 3/8 in. (21.1 x 18.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820) (?), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021082009180

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    『春雨集』 摺物帖, Edo period (1615–1868), early to mid-1810s, Japan, Privately published woodblock prints (surimono)

    『春雨集』 摺物帖, Edo period (1615–1868), early to mid-1810s, Japan, Privately published woodblock prints (surimono) mounted in an album; ink and color on paper, 7 7/8 x 7 1/8 in. (20 x 18.1 cm), Prints, Kubo Shunman (Japanese, 1757–1820), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021082009226

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    『浅草側いせ暦』 弓道具, Edo period (1615–1868), ca. 1814, Japan, Polychrome woodblock print (surimono); ink and color on paper,

    『浅草側いせ暦』 弓道具, Edo period (1615–1868), ca. 1814, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 5/16 in. (21 x 18.6 cm), Prints, Kubo Shunman (Japanese, 1757–1820) (?), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021091310590

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    印籠と牛根付, Edo period (1615–1868), probably 1817, Japan, Part of an album of woodblock prints (surimono);

    印籠と牛根付, Edo period (1615–1868), probably 1817, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 1/4 x 7 3/8 in. (13.3 x 18.7 cm), Prints, Totoya Hokkei (Japanese, 1780–1850), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081009517

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    『鳥合』 桃花に目白, Japanese White-eyes on a Branch of Peach Tree,” from the Series An Array of Birds (Tori awase),

    『鳥合』 桃花に目白, Japanese White-eyes on a Branch of Peach Tree,” from the Series An Array of Birds (Tori awase), from Spring Rain Surimono Album (Harusame surimono-jō, vol. 3), Edo period (1615–1868), ca. 1805–10, Japan, Privately published polychrome woodblock prints (surimono) mounted in an album; ink and color on paper, 8 3/16 x 5 3/8 in. (20.8 x 13.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820), Surimono are privately published woodblock prints, usually commissioned by poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081010198

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    Desk Screen, Writing Set, Painting of Tiger, and Mounting Paraphernalia,

    Desk Screen, Writing Set, Painting of Tiger, and Mounting Paraphernalia, from Spring Rain Surimono Album (Harusame surimono-jō, vol. 1), 衝立、虎図、文具一式, Edo period (1615–1868), probably 1818, Japan, Privately published polychrome woodblock prints (surimono) mounted in an album; ink and color on paper, 5 1/2 x 7 3/8 in. (14 x 18.7 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823), Surimono are privately published woodblock prints, usually commissioned by poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700509

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    『和歌三神』衣通姫, Edo period (1615–1868), ca. 1820s, Japan, Polychrome woodblock print (surimono); ink and color on paper,

    『和歌三神』衣通姫, Edo period (1615–1868), ca. 1820s, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 5 3/8 in. (20.3 x 13.7 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700606

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    文具一式, Writing Set and Poem Card Box (Shikishi-bako), from Spring Rain Surimono Album (Harusame surimono-jō), vol. 1,

    文具一式, Writing Set and Poem Card Box (Shikishi-bako), from Spring Rain Surimono Album (Harusame surimono-jō), vol. 1, Edo period (1615–1868), ca. 1805–10, Japan, Privately published polychrome woodblock prints (surimono) mounted in an album; ink and color on paper, 4 15/16 x 6 13/16 in. (12.5 x 17.3 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823), Surimono are privately published woodblock prints, usually commissioned by poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700610

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    「一陽連文房四友 筆 道風」, Edo period (1615–1868), ca. 1827, Japan, Polychrome woodblock print (surimono); ink and color on paper,

    ☆「一陽連文房四友 筆 道風」, Edo period (1615–1868), ca. 1827, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 7 1/16 in. (20.3 x 17.9 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups s a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021071700570

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    ????? ???, Edo period (16151868), 1810s, Japan, Privately published woodblock prints (surimono) mounted in an album;

    ????? ???, Edo period (16151868), 1810s, Japan, Privately published woodblock prints (surimono) mounted in an album; ink and color on paper, 5 1/2 x 7 1/4 in. (14 x 18.4 cm), Prints, Ryuryukyo Shinsai (Japanese, active ca. 17991823), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Years greeting card. The poems, most commonly kyoka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042310026

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    ?? ???? ??, ??? ??, Moon Jar, Joseon dynasty (13921910), second half of the 18th century, Korea, Porcelain,

    ?? ???? ??, ??? ??, Moon Jar, Joseon dynasty (13921910), second half of the 18th century, Korea, Porcelain, H. 15 1/4 in. (38.7 cm); Diam. 13 in. (33 cm); Diam. of rim 5 1/2 in. (14 cm); Diam. of foot 4 7/8 in. (12.4 cm), Ceramics, A distinctive type of porcelain from the late Joseon period, the moon jar (Korean: dalhangari)so called because of its evocative formwas usually made by joining two hemispherical halves. The peach hue of the glaze, unintentionally acquired during firing, adds to the charm of this jar.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042902787

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    Child god with the Amonian crown named Horus of Mednit (Aphroditopolis), Late PeriodPtolemaic Period, 66430 B.C.,

    Child god with the Amonian crown named Horus of Mednit (Aphroditopolis), Late PeriodPtolemaic Period, 66430 B.C., From Egypt, Cupreous metal, precious metal inlay, H. 26.8 cm (10 9/16 in.); W. 5.4 cm (2 1/8 in.); D. 10 cm (3 15/16 in.), The figure represents a child god in a seated/reclining position, wearing the double feather crown, which associates him with the god Amun. The child god is usually distinguished from adult gods by a range of iconographic clues: his nudity, the finger raised to the mouth (a child-like gesture), and a sidelock on the right side of his head.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022041704935

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    Linen marks from the wrappings of Henhenet‘s mummy, Middle Kingdom, Dynasty 11, ca.

    Linen marks from the wrappings of Henhenet‘s mummy, Middle Kingdom, Dynasty 11, ca. 20512030 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Temple of Mentuhotep II, Pit 11 (Henhenet), Egypt Exploration Fund excavations, 190607, Linen, h. 9 x w. 12 cm (3 9/16 x 4 3/4 in.), Linen marks are usually short inscriptions written in ink on the corners of large sheets of linen. Some mention the names and titles of high officials to whose estate the linen may have belonged or who may have been overseeing its acquisition or production.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022061904309

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    Spring Rain Collection (Harusame shu),

    ??? ????? ???, Spring Rain Collection (Harusame shu), vol. 1: Duck and Scallions, Edo period (16151868), 1810s, Japan, Privately published woodblock prints (surimono) mounted in an album; ink and color on paper, 5 5/8 x 7 9/16 in. (14.3 x 19.2 cm), Prints, Ryuryukyo Shinsai (Japanese, active ca. 17991823), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Years greeting card. The poems, most commonly kyoka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022061903652

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    A Fisherman Leaning on an Oar.

    A Fisherman Leaning on an Oar. Artist: Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). Dimensions: 19 7/8 × 15 1/16 in. (50.5 × 38.3 cm). Date: 1774.In 18th century France, many aspiring young artists were given the opportunity to study in Italy, but Fragonard had the rare privilege of returning at the height of his powers as part of a year-long voyage underwritten by collector and financier Pierre-Jacques Onésyme Bergeret de Grancourt. In the Spring of 1774, at the southernmost point of their tour, the traveling party spent two months installed at lodgings at the edge of the bay of Naples. In between their sightseeing jaunts and social engagements, Fragonard clearly relished making drawings of local types, including fishermen and their wives.Drawn on an unusually large scale, this pair of studies (see also 2006.353.1) embodies the accomplishment and confidence of Fragonard‘s 、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030404408

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    Mediums William and Ira Davenport

    Undated illustration of American mediums and spiritualists William and Ira Davenport. The Davenport Brothers were instrumental in building the popularity of the American Spiritualist movement prior to the Civil War. They created a sensation all over the country and in Europe and continued mystifying audiences for years. William Henry and Ira Erastas Davenport introduced the spirit cabinet for mediums to use during a sÚance. These cabinets, or enclosures, would section the medium off from view while they were producing their strange phenomena. This would prove to be both popular and astounding to audiences as the mediums were usually bound hand and foot in the cabinet while the seemingly impossible phenomena manifested about them. Ira Davenport was born in 1839 and his brother William came along two years later in 1841. HPG/8/1/1 (iv) Date: circa 1860、クレジット:Mary Evans Picture Library/HARRY PRICE/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033002312

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    The Basilica di Santa Maria del Fiore

    The Basilica di Santa Maria del Fiore (English: Basilica of Saint Mary of the Flower) is the cathedral church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th century Gothic Revival fa軋de by Emilio De Fabris. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto‘s Campanile、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417845

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    The Basilica of St Mary of Health (Santa Maria della Salute)

    The Basilica of St Mary of Health (Santa Maria della Salute), Roman Catholic church and minor basilica located in the Dorsoduro sestiere of the Italian city of Venice. It stands on a narrow finger of land between the Grand Canal and the Bacino di San Marco making the church visible when entering the Piazza San Marco from the water. In 1630 Venice experienced an unusually devastating outbreak of the plague. As a votive offering for the city‘s deliverance from the pestilence, the Republic of Venice vowed to build and dedicate a church to Our Lady of Health (or of Deliverance, Italian: Salute). The church was designed in the then fashionable baroque style by Baldassare Longhena, who studied under the architect Vincenzo Scamozzi. Construction began in 1631.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111418162

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    The Basilica of St Mary of Health (Santa Maria della Salute)

    The Basilica of St Mary of Health (Santa Maria della Salute), Roman Catholic church and minor basilica located in the Dorsoduro sestiere of the Italian city of Venice. It stands on a narrow finger of land between the Grand Canal and the Bacino di San Marco making the church visible when entering the Piazza San Marco from the water. In 1630 Venice experienced an unusually devastating outbreak of the plague. As a votive offering for the city‘s deliverance from the pestilence, the Republic of Venice vowed to build and dedicate a church to Our Lady of Health (or of Deliverance, Italian: Salute). The church was designed in the then fashionable baroque style by Baldassare Longhena, who studied under the architect Vincenzo Scamozzi. Construction began in 1631.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111418307

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    The bronze statue of Archangel Michael

    The bronze statue of Archangel Michael, standing on top of the castle of St Angelo, Rome, modelled in 1753 by Peter Anton von Verschaffelt (17101793). The Mausoleum of Hadrian, usually known as the Castel St Angelo, Rome, Italy.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111418550

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    Giotto‘s Campanile or Tower at the Basilica di Santa Maria del Fiore

    Giotto‘s Campanile or Tower at the Basilica di Santa Maria del Fiore (English: Basilica of Saint Mary of the Flower) is the cathedral church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th century Gothic Revival fa軋de by Emilio De Fabris. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto‘s Campanile、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417429

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    The Basilica of St Mary of Health (Santa Maria della Salute)

    The Basilica of St Mary of Health (Santa Maria della Salute), Roman Catholic church and minor basilica located in the Dorsoduro sestiere of the Italian city of Venice. It stands on a narrow finger of land between the Grand Canal and the Bacino di San Marco making the church visible when entering the Piazza San Marco from the water. In 1630 Venice experienced an unusually devastating outbreak of the plague. As a votive offering for the city‘s deliverance from the pestilence, the Republic of Venice vowed to build and dedicate a church to Our Lady of Health (or of Deliverance, Italian: Salute). The church was designed in the then fashionable baroque style by Baldassare Longhena, who studied under the architect Vincenzo Scamozzi. Construction began in 1631.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417729

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    The Basilica di Santa Maria del Fiore

    The Basilica di Santa Maria del Fiore (English: Basilica of Saint Mary of the Flower) is the cathedral church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th century Gothic Revival fa軋de by Emilio De Fabris. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto‘s Campanile、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111417740

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    Heracles attempting to abduct the nymph Auge.

    Heracles attempting to abduct the nymph Auge. Mirrors were usually owned by women, but may have been gifts from their male lovers. Many of the mirrors dating to the 4th century BC show scenes of abduction and male dominance: the subjects reflect the subordinate place women held in society. Made about 330-300 BC、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019041700662

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    The bronze statue of Archangel Michael

    The bronze statue of Archangel Michael, standing on top of the castle of St Angelo, Rome, modelled in 1753 by Peter Anton von Verschaffelt (17101793). The Mausoleum of Hadrian, usually known as the Castel St Angelo, Rome, Italy.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111418523

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    The bronze statue of Archangel Michael

    The bronze statue of Archangel Michael, standing on top of the castle of St Angelo, Rome, modelled in 1753 by Peter Anton von Verschaffelt (17101793). The Mausoleum of Hadrian, usually known as the Castel St Angelo, Rome, Italy.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111418537

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    Paul Cézanne: The Card Players (Les Joueurs de cartes)

    Paul Cézanne: The Card Players (Les Joueurs de cartes), Paul Cézanne, 1890–1892, Oil on canvas, For much of the 1890s, Paul Cézanne lived at his father‘s estate in Aix-en-Provence, painting the southern France landscape and the people who worked on the property. Here, Cézanne shows a group of farmhands enjoying a game of cards—one of five canvases he devoted to this subject. In this one, the largest and most ambitious of the series, Cézanne gives these humble figures an imposing presence, depicting them on a scale usually reserved for grander subjects like history or mythology. His card players appear stoic and silent—quite unlike the rowdy figures in the 17th-century tavern scenes by which he was surely inspired., Overall: 53 1/4 x 71 5/8 in. (135.3 x 181.9 cm).、クレジット:Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020020508245

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    The khanda is an Indian double-edge straight sword.

    The khanda is an Indian double-edge straight sword. It was used by the Marathas, Rajputs, Jats, Nairs and Sikhs. The blade is usually broad and quite heavy and broadens from the hilt to the tip. The blade transforms into tip rather abruptly. The hilt has a small metal spike coming out in the opposite direction typical of the khanda. Many other straight swords around the world were primarily used for thrusting and stabbing with the tip, whereas the khanda was mainly used to hack or cleave with the edge of the blade.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019062601687

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    Main Street of the Yoshiwara on a Starlight Night, Edo period (1615–1868), 1852–64, Japan

    Main Street of the Yoshiwara on a Starlight Night, Edo period (1615–1868), 1852–64, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/8 x 7 1/8 in. (20.6 x 18.1 cm), Prints, Utagawa Kunisada II (Japanese, 1823–1880), Kunisada II, a pupil of Utagawa Kunisada, placed his signature on the lantern in the foreground. Before his marriage to Kunisada‘s daughter in 1846, his prints were usually signed Baidō Kunimasa; from then on he used the artist‘s name Kunisada II, until the death of his father-in-law in 1870, when he began to use the name Toyokuni IV.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021060408610

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    Charcoal burner‘s caravan and cabin in a wood in the Hythe region of Kent

    Charcoal burner‘s caravan and cabin in a wood in the Hythe region of Kent, England. The charcoal burners would spend the summer in the woods cutting wood and producing charcoal, living with their families in caravans or, more usually, in rough cabins constructed of wood and turf. Woodcut from ‘The Saturday Magazine‘ (London, 9 January 1836).、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019072502057

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    The Portland Vase.

    The Portland Vase. Cameo glass, probably made in Rome About 15BC - AD 25. The Portland Vase is one of the finest surviving pieces Roman glass, and is named after the Duke of Portland who owned it from 1785 to 1945. It made of cameo glass a technique in which vessels and plaques, sometimes free-blown, sometimes cast, are created with two layers of glass. The outer layer (usually white) is carved away from the underlying dark layer (usually blue) to create decorative scenes and patterns.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019070403989

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    The Harvesters.

    The Harvesters. Artist: Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels). Dimensions: Overall, including added strips at top, bottom, and right, 46 7/8 x 63 3/4 in. (119 x 162 cm); original painted surface 45 7/8 x 62 7/8 in. (116.5 x 159.5 cm). Date: 1565.This panel belongs to a series, commissioned by the Antwerp merchant Niclaes Jongelinck for his suburban home. The cycle originally included six paintings showing the times of the year. Apart from <i>The Harvesters</i>, which is usually identified as representing July-August, or late summer, four other paintings of the group have survived (now in the Kunsthistorisches Museum, Vienna, and Lobkowicz Collection, Prague). Bruegel‘s series is a watershed in the history of western art. クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020041701385

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    Japan: Woodblock print of the Namazu and the god Ebisu sleeping on the kaname-ishi rock, 1855

    The Namazu, also called the Onamazu, is a creature in Japanese mythology and folktales. The Namazu is a gigantic catfish said to cause earthquakes and tremors. Living in the mud under the Japanese isles, the Namazu is guarded by the protector god Kashima, who restrains the catfish using the kaname-ishi rock. Whenever Kashima lets his guard down, Namazu thrashes about and causes violent earthquakes.The Namazu rose to new fame and popularity after the Ansei great earthquakes that happened near Edo in 1855. This led to the Namazu being worshipped as a god of world rectification (yonaoshi daimyojin), sent by the gods to correct some of the imbalances in the world.Catfish woodblock prints known as namazu-e became their own popular genre within days of the earthquake. They were usually unsigned and often depicted scenes of a namazu or many namazu atoning for their deeds. 、クレジット:Pictures From History/ニューズコム/共同通信イメージズ

    商品コード: 2020080101769

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    Japan: The god Kashima stabbing his sword into the throat of a namazu (catfish), while a crowd is divided into ‘smilers‘ pfhphotos036130.jpg

    The Namazu, also called the Onamazu, is a creature in Japanese mythology and folktales. The Namazu is a gigantic catfish said to cause earthquakes and tremors. Living in the mud under the Japanese isles, the Namazu is guarded by the protector god Kashima, who restrains the catfish using the kaname-ishi rock. Whenever Kashima lets his guard down, Namazu thrashes about and causes violent earthquakes.The Namazu rose to new fame and popularity after the Ansei great earthquakes that happened near Edo in 1855. This led to the Namazu being worshipped as a god of world rectification (yonaoshi daimyojin), sent by the gods to correct some of the imbalances in the world.Catfish woodblock prints known as namazu-e became their own popular genre within days of the earthquake. They were usually unsigned and often depicted scenes of a namazu or many namazu atoning for their deeds. 、クレジット:Pictures From History/ニューズコム/共同通信イメージズ

    商品コード: 2020080101775

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