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  •  Standing Figure in a Long Coat, 19th century, Black chalk highlighted with white chalk, Sheet: 14 3/4 x 8 3/8 in.
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    Standing Figure in a Long Coat, 19th century, Black chalk highlighted with white chalk, Sheet: 14 3/4 x 8 3/8 in.

    Standing Figure in a Long Coat, 19th century, Black chalk highlighted with white chalk, Sheet: 14 3/4 x 8 3/8 in. (37.5 x 21.3 cm), Drawings, Anonymous, British, 19th century, This drawing of a coat worn by a lightly sketched form comes from a group of eleven sheets by an unidentified, academically trained artist--academic practice generally separates nude figure study from drapery during the preparation of compositions.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022061801406

  •  Apollo and Daphne, Jan Boeckhorst (German, about 1604 - 1668), about 1640, Black chalk, pen and brown ink, watercolor,
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    Apollo and Daphne, Jan Boeckhorst (German, about 1604 - 1668), about 1640, Black chalk, pen and brown ink, watercolor,

    Apollo and Daphne, Jan Boeckhorst (German, about 1604 - 1668), about 1640, Black chalk, pen and brown ink, watercolor, and white gouache heightening, 22.1 x 23.2 cm (8 11/16 x 9 1/8 in.).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023032400993

  •  Standing Saint (recto), Two Studies of a Standing Youth (verso), Filippino Lippi (Italian, about 1457 - 1504), Italy,
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    Standing Saint (recto), Two Studies of a Standing Youth (verso), Filippino Lippi (Italian, about 1457 - 1504), Italy,

    Standing Saint (recto), Two Studies of a Standing Youth (verso), Filippino Lippi (Italian, about 1457 - 1504), Italy, about 1482, Metalpoint, heightened with white gouache (recto and verso) on gray prepared paper, 27.1 × 17.5 cm (10 11/16 × 6 7/8 in.).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023032401308

  •  Sitta formosa, Print,
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    Sitta formosa, Print,

    Sitta formosa, Print, The beautiful nuthatch (Sitta formosa, sometimes called Callisitta formosa) is a bird species in the Sittidae family, collectively known as nuthatches. It is a large nuthatch, measuring 16.5 cm (6.5 in) in length, that is not sexually dimorphic. Its coloration and markings are dramatic, the upper parts being black and azure, streaked with white and pale blue on the head and lined with the same colors on the wing feathers. The underparts are orange, and the eyebrow and throat are ochre. An irregular, dark eyestripe highlights its eye. S. formosa‘s ecology is not fully described, but it is known to feed on small insects and larvae found on the trunks and epiphyte-covered branches of trees in its range. Reproduction takes place from April to May; the nest is placed in the hole of an oak, rhododendron, or other large tree. The nest is made of plant material and fur in w、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023011411507

  •  Fragment of a terracotta loutrophoros (ceremonial vase for water), Classical,
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    Fragment of a terracotta loutrophoros (ceremonial vase for water), Classical,

    Fragment of a terracotta loutrophoros (ceremonial vase for water), Classical, ca. 460 B.C., Greek, Attic, Terracotta; red-figure, H.: 17 1/2 x 12 in. (44.5 x 30.5 cm), Vases, Obverse, old man and warrior, Reverse, two warriors. The fragment is the neck of a loutrophoros, marble examples of which are exhibited in the fourth-century B.C. sculpture gallery. The tall slender shape emphasizes the statuesque quality of the figures.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022030603544

  •  Pair of Figures, 12th14th century, Peru, Chancay, Ceramic,
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    Pair of Figures, 12th14th century, Peru, Chancay, Ceramic,

    Pair of Figures, 12th14th century, Peru, Chancay, Ceramic, H.. 7 in. (18 cm), Ceramics-Sculpture, After the influence of Wari waned, several ceramic styles evolved on the Pacific coast that emphasized mass production and the fabricating use of molds and stamps. In the valleys north of Lima, the Chancay people produced ceramics that are very distinctive in form and decoration.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022030603749

  •  Women at Chinese Court, Momoyama period (15731615), 16th century, Japan, Hanging scroll; ink, color,
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    Women at Chinese Court, Momoyama period (15731615), 16th century, Japan, Hanging scroll; ink, color,

    Women at Chinese Court, Momoyama period (15731615), 16th century, Japan, Hanging scroll; ink, color, and gold on gilded paper, 61 1/8 x 45 1/2in. (155.3 x 115.6cm), Paintings, In the Style of Kano Eitoku (Japanese, 15341590), In this painting, a vivacious scene of Chinese court life, the grace of the palace beauties is accentuated by their poses, especially that of the woman in the center, who slightly twists her body to admire a bluebird perched on the hand of a lady-in-waiting.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022041704894

  •  Two Ladies, Each with a Portion of a Lacquered Mirror, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print;
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    Two Ladies, Each with a Portion of a Lacquered Mirror, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print;

    Two Ladies, Each with a Portion of a Lacquered Mirror, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print; ink and color on paper, H. 18 5/8 in. (47.3 cm); W. 7 5/8 in. (19.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro selectively used reflection to reinforce narrative and to emphasize themes. In this print, a standing woman holds up a mirror to a seated woman. Ironically, Utamaro chose to show the standing woman‘s reflection in the lacquered back of the mirror rather than the seated woman‘s in the mirror itself.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081009822

  •  DESASTRES DE LA GUERRA (1810-1815) - DESASTRE Nº 76 -EL BUITRE CARNIVORO - DIBUJO PREPARATORIO.
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    DESASTRES DE LA GUERRA (1810-1815) - DESASTRE Nº 76 -EL BUITRE CARNIVORO - DIBUJO PREPARATORIO.

    キーワード:フランシスコ・デ・ゴヤ、DESASTRES DE LA GUERRA (1810-1815) - DESASTRE Nº 76 -EL BUITRE CARNIVORO - DIBUJO PREPARATORIO. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019112704147

  •  Francisco de Goya y Lucientes / ‘Fierce Monster!‘. 1814 - 1815. Red chalk on cream laid paper.
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    Francisco de Goya y Lucientes / ‘Fierce Monster!‘. 1814 - 1815. Red chalk on cream laid paper.

    キーワード:フランシスコ・デ・ゴヤ、Francisco de Goya y Lucientes / ‘Fierce Monster!‘. 1814 - 1815. Red chalk on cream laid paper. Museum: Museo del Prado, Madrid, España.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019112800414

  •  Francisco de Goya y Lucientes / ‘Truth has died‘. 1814 - 1815. Etching, Burnisher on ivory paper.
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    Francisco de Goya y Lucientes / ‘Truth has died‘. 1814 - 1815. Etching, Burnisher on ivory paper.

    キーワード:フランシスコ・デ・ゴヤ、Francisco de Goya y Lucientes / ‘Truth has died‘. 1814 - 1815. Etching, Burnisher on ivory paper. Museum: Museo del Prado, Madrid, España.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019112800299

  •  DISASTERS OF WAR (1810-1815) - DISASTER No. 69 - 155 x 201 mm.
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    DISASTERS OF WAR (1810-1815) - DISASTER No. 69 - 155 x 201 mm.

    キーワード:フランシスコ・デ・ゴヤ、DISASTERS OF WAR (1810-1815) - DISASTER No. 69 - 155 x 201 mm. Author: FRANCISCO DE GOYA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.、クレジット:Album/Oronoz/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019112704149

  •  August, Jacob I Savery (Flemish, 1566 - 1603), Southern Netherlands, Europe, 1595, Brush and indigo ink, indigo wash,
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    August, Jacob I Savery (Flemish, 1566 - 1603), Southern Netherlands, Europe, 1595, Brush and indigo ink, indigo wash,

    August, Jacob I Savery (Flemish, 1566 - 1603), Southern Netherlands, Europe, 1595, Brush and indigo ink, indigo wash, heightened with white opaque watercolor, 21.2 × 31 cm (8 3/8 × 12 3/16 in.).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023040715770

  •  Sheet of Studies of Various Figures, Aurelio Luini (Italian, about 1530 - 1593), 1570s, Pen and brown ink,
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    Sheet of Studies of Various Figures, Aurelio Luini (Italian, about 1530 - 1593), 1570s, Pen and brown ink,

    Sheet of Studies of Various Figures, Aurelio Luini (Italian, about 1530 - 1593), 1570s, Pen and brown ink, brown wash with white gouache heightening over traces of black chalk on paper, 26.7 x 17.9 cm (10 1/2 x 7 1/16 in.).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023040800971

  •  Lantern Slide - Livingstone and the Lion, Life & Work of Dr David Livingstone, circa 1900,
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    Lantern Slide - Livingstone and the Lion, Life & Work of Dr David Livingstone, circa 1900,

    Lantern Slide - Livingstone and the Lion, Life & Work of Dr David Livingstone, circa 1900, Lantern Slide depicting Livingstone being attacked by a lion. It is part of an incomplete set of 40 slides, two are missing, illustrating highlights from Livingstone‘s life and travels. These slides were manufactured by the London Stereoscopic & Photographic Company for The London Missionary Society, circa 1900. Dr. David Livingstone (1813-1873) spent thirty years in Africa as a missionary.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023020105551

  •  New Mexican: Our Lady of Protection (Nuestra Señora del Patrocinio), Pedro Antonio Fresquis, New Mexican,
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    New Mexican: Our Lady of Protection (Nuestra Señora del Patrocinio), Pedro Antonio Fresquis, New Mexican,

    New Mexican: Our Lady of Protection (Nuestra Señora del Patrocinio), Pedro Antonio Fresquis, New Mexican, c. 1815, Water-based paint on wood panel, Painted in New Mexico, this small panel is a retablo, or a religious work meant for private devotion in a chapel or home. Retablos typically depicted saints, angels, or, as is the case here, the Virgin Mary. Holding the Christ child, the Virgin wears a large cloak that envelopes both figures, underscoring her role as protector. The New Mexican painters who specialized in these subjects were called santeros. These artists looked to a variety of printed materialsincluding religious woodcuts, pamphlets, and illustrated biblesas they developed their iconographies., Overall: 9 3/8 x 6 1/2 in. (23.8 x 16.5 cm).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023022101219

  •  Strip of bobbin lace oval formed by whimsical leaf motifs, Strip of natural-colored bobbin lace, blonde.
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    Strip of bobbin lace oval formed by whimsical leaf motifs, Strip of natural-colored bobbin lace, blonde.

    Strip of bobbin lace oval formed by whimsical leaf motifs, Strip of natural-colored bobbin lace, blonde. The repetitive pattern below the center line consists of alternately a small and a large form, which is made up of whimsically shaped leaf motifs that lie around a center of a fine tulip soil. Along the underside runs an edge with a succession of such motifs. The motifs are connected by a mesh ground, a Paris ground. The motifs are made in net stroke, with the thick and shiny contour threads having a strong accentuating effect. The top of the strip is finished straight. The very faintly scalloped bottom is finished with fine picots., anonymous, France, c. 1800 - c. 1810, silk, blonde (lace), l 290 cm × w 13.5 cm ×, 9 cm.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023051001631

  •  Mixed-lace cuff with heart-shaped leaves interspersed with bunches of roses or berries,
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    Mixed-lace cuff with heart-shaped leaves interspersed with bunches of roses or berries,

    Mixed-lace cuff with heart-shaped leaves interspersed with bunches of roses or berries, Natural-mixed mixed lace cuff - bobbin lace combined with a needle-edging base - Brussels duchesse. The pattern consists of heart-shaped leaves, placed in triple and five-fold, and interspersed with bunches of florets (or berries?). The motifs are made in linen and mesh. The large motifs are accentuated by contour threads, which consist of coarsely bonded wire bundles. The lace is placed on a black (artificial) silk surface., anonymous, Brussels (possibly), c. 1875 - c. 1899, linen (material), needle lace ground, l 30 cm × w 7.5 cm ×, 12.5 cm.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023051006329

  •  Japon strip of application side with ribbons in bows and a wavy decorative frame through oval hoops,
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    Japon strip of application side with ribbons in bows and a wavy decorative frame through oval hoops,

    Japon strip of application side with ribbons in bows and a wavy decorative frame through oval hoops, Japon strip from Brussels application side: Brussels duchesse (mixed lace: bobbin lace in combination with needle lace) appliqued on machine tulle. The repetitive pattern on the top of the strip consists of a hanging flower branch with large flowers (a bunch of lilacs, a rose and a twig with two wind flowers) with ribbons swinging along the top (needle side) with a bow on either side of the hanging flower branch. The pattern on the underside consists of a wavy decorative frame that moves through overlapping oval medallions or ‘hoops‘. The hoops provide a semicircular shell edge. Around each golf crest a break in the succession of hoops with a flower arrangement including a tulip, a daisy, a rose and forget-me-nots. A wider semi-circular scallop with a curved decorative frame with a broken、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023051807522

  •  The Public Garden at Pontoise.
    -
    The Public Garden at Pontoise.

    キーワード:ピエール=オーギュスト・ルノワール、The Public Garden at Pontoise. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: 23 5/8 x 28 3/4 in. (60 x 73 cm). Date: 1874.Pissarro‘s paintings of the mid-1870s are largely devoted to the fields and roads near his home in Pontoise. Here, he turned to a more urban subject, of the type favored by colleagues such as Monet and Renoir: the town‘s public garden. The view across the Montmorency plain toward Paris may be glimpsed at left, beyond the spire of Pontoise‘s Notre-Dame church. But rather than emphasizing the vista, Pissarro focused on the park‘s terraces, populated by well-dressed bourgeois and their children. He exhibited a similar scene, painted the year previously (State Hermitage Museum, St. Petersburg), at the first Impressionist exhibition in 1874. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019111308275

  •  The Prajna paramita
    -
    The Prajna paramita

    The Prajna paramita, 868 AD also called the Diamond Sutra is a Mahayana sutra from the Prajna paramita, or ‘Perfection of Wisdom‘ genre, and emphasizes the practice of non-abiding and non-attachment. this copy of the Chinese version of Diamond Sutra, found among the Dunhuang manuscripts in the early 20th century by Aurel Stein, was dated back to May 11, 868 and is the earliest complete printed book、クレジット:World History Archive/ニューズコム/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019061804217

  •  Syria.
    -
    Syria.

    Syria. Great Mosque of Damascus. 8th century. Prayer hall or Haram. Stresses the marble mausoleum who marks the place where the head of Saint John the Baptist was buried.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042703854

  •  Portrait of a Carthusian.
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    Portrait of a Carthusian.

    Portrait of a Carthusian. Artist: Petrus Christus (Netherlandish, Baarle-Hertog (Baerle-Duc), active by 1444-died 1475/76 Bruges). Dimensions: Overall 11 1/2 x 8 1/2 in. (29.2 x 21.6 cm); painted surface 11 1/2 x 7 3/8 in. (29.2 x 18.7 cm). Date: 1446.Christus places his sitter in the corner of a warmly illuminated room and enhances the quality of his “real“ presence by the fly resting momentarily on the fictive frame. The leading painter of Bruges following Jan van Eyck‘s death in 1441, Christus moves beyond the flat neutral backgrounds of his predecessor‘s portraits. The illusionistic inscription underscores the verisimilitude of the portrait, declaring: “Petrus Christus made me in the year 1446.“. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031103448

  •  HORTENSIA.
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    HORTENSIA.

    Hortensia. Artist: Fernand Khnopff (Belgian, Grembergen 1858-1921 Brussels). Dimensions: 18 13/16 × 23 1/2 in. (47.8 × 59.7 cm). Date: 1884.Khnopff was a key member of the artistic vanguard that arose outside of France in the 1880s and 1890s. His sister and favorite model, Marguerite, may have posed for this painting in the family‘s summer home in the Belgian countryside. Disregarding convention, Khnopff adopted a boldly angled, close-up viewpoint that emphasizes the hydrangea (<i>hortensia</i>, in French) over the woman reading in the background. The informality and spontaneity of the scene resonate with the work of French contemporaries, notably Edgar Degas, but the delicate colors and air of reverie are characteristic of the dreamy sensibility that would make Khnopff a guiding force of the mystical Symbolist movement. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031302947

  •  The Family of Cain.
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    The Family of Cain.

    The Family of Cain. Artist: After Paolo Veronese (Paolo Caliari) (Italian, Verona 1528-1588 Venice); Peter Oliver (British, London, 1589/1594-1647 Isleworth, Middlesex). Dimensions: sheet: 7 1/16 x 10 11/16 in. (18 x 27.1 cm). Date: ca. 1638-47.Peter Oliver, the leading miniature painter at the court of Charles I, established his reputation with a series of minute watercolor copies after old master paintings in the collections of the king and his nobles. The Family of Cain reproduces a painting by Paolo Veronese (Museo del Prado, Madrid) presumably in England at the time. No watercolor version of the design is known, but extensive color notes on the back of this drawing suggest that Oliver planned to make one. The assured, softly rendered forms typify the artist‘s mature style, tempered by close study of Venetian art. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031922793

  •  Shield facing in sheet bronze.
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    Shield facing in sheet bronze.

    Shield facing in sheet bronze. 400-300 BC. From the river Witham near Lincoln. The boss is ornamented with complex raised and engraved motifs highlighted with red coral stud. It exhibits great style, quality and technical expertise yet re-used sheet bronze forms the facing. The outline of a stylised boar disappears behind the boss: it is preserved in differential corrosion and nail holes and belongs to the original period of use.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2020010600408

  •  Dionysus Mosaic. Detail. 3rd century. Roman. It decorated the floor of the banquet hall, on the west side of the peristyle of a
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    Dionysus Mosaic. Detail. 3rd century. Roman. It decorated the floor of the banquet hall, on the west side of the peristyle of a

    Dionysus Mosaic. Detail. 3rd century. Roman. It decorated the floor of the banquet hall, on the west side of the peristyle of a large house. The images of Dionysus with maenads and satyrs highlight the festive character of the hall. Found in Cologne, Germany. Roman-Germanic Museum. Cologne. Germany.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019083001230

  •  Dionysus Mosaic. Detail. 3rd century. Roman. It decorated the floor of the banquet hall, on the west side of the peristyle of a
    -
    Dionysus Mosaic. Detail. 3rd century. Roman. It decorated the floor of the banquet hall, on the west side of the peristyle of a

    Dionysus Mosaic. Detail. 3rd century. Roman. It decorated the floor of the banquet hall, on the west side of the peristyle of a large house. The images of Dionysus with maenads and satyrs highlight the festive character of the hall. Found in Cologne, Germany. Roman-Germanic Museum. Cologne. Germany.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019083001233

  •  Marble unfinished kouros torso
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    Marble unfinished kouros torso

    Marble unfinished kouros torso, from Naxian workshop 565-560. The kouros type dominated Greek art of the Archaic period, representing young male aristocrats whose athletic physique underlines their virtue and calour.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019072402507

  •  This long-wavelength image shows most of the constellation Orion
    -
    This long-wavelength image shows most of the constellation Orion

    This long-wavelength image shows most of the constellation Orion, highlighting turbid clouds of cold material, where new stars are being stirred into existence. Planck Telescope.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019072405110

  •  Dancer with a Fan.
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    Dancer with a Fan.

    Dancer with a Fan. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 24 x 16 1/2 in. (61 x 41.9 cm). Date: ca. 1880.This study is for the central figure in Degas‘s <i>Dancers in the Classroom</i> of about 1880 (Sterling and Francine Clark Art Institute, Williamstown, Mass.). In the present drawing, the dancer is at least twice as large as she appears in the painting. Her tutu is also noticeably shorter, emphasizing the rhyming shapes of the flared skirt and open fan. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031302911

  •  Ramesseum.
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    Ramesseum.

    Ramesseum. Temple area designed to barns or warehouses. Nineteenth dynasty. New Kingdom. 13th century B.C. Valley of the Kings. Luxor. Egypt.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042306741

  •  Portrait of Jan Pranger by Frans van der Mijn (1719-1783) oil on canvas
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    Portrait of Jan Pranger by Frans van der Mijn (1719-1783) oil on canvas

    (Detail) Portrait of Jan Pranger by Frans van der Mijn (1719-1783) oil on canvas, 1742. Jan Pranger was Director-General of the Dutch West India Company on the Gold Coast (now Ghana) in West Africa from 1730-1734. He stands in his office at the Fort Elmina trading post. All the details underscore the importance of his position: the servant with the parasol (pojung), the commander‘s baton on the table and the monogram of the Chartered West India Company on the tablecloth.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019041906871

  •  Early autotype of castle and church in Huy, Wallonia, Belgium, historical photograph, 1884
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    Early autotype of castle and church in Huy, Wallonia, Belgium, historical photograph, 1884

    Early autotype of castle and church in Huy, Wallonia, Belgium, historical photograph, 1884.、クレジット:Bildagentur-online/Fischer/Universal Images Group/共同通信イメージズ

    商品コード: 2021062213828

  •  The Flagellation.
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    The Flagellation.

    The Flagellation. Artist: Lombardy (?) , late 15th century. Dimensions: 14 3/4 x 9 1/4 in. (37.5 x 23.5 cm). Date: late 15th century.sfumato technique of softly blended tones that highlights the solemnity of his pose and expression--in marked contrast to the more linear and less finished treatment of his lower body and of his assailants. The use of sfumato suggests the drawing was produced by a Lombard artist under the influence of Leonardo da Vinci. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031605634

  •  This new view of the Orion nebula highlights fledgling stars hidden in the gas and clouds.
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    This new view of the Orion nebula highlights fledgling stars hidden in the gas and clouds.

    This new view of the Orion nebula highlights fledgling stars hidden in the gas and clouds. Spitzer.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019072405182

  •  Melencolia I, 1514, Engraving; second state, sheet: 9 9/16 x 7 7/16 in.
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    Melencolia I, 1514, Engraving; second state, sheet: 9 9/16 x 7 7/16 in.

    Melencolia I, 1514, Engraving; second state, sheet: 9 9/16 x 7 7/16 in. (24.3 x 18.9 cm) trimmed to plate line, Prints, Albrecht Dürer (German, Nuremberg 14711528 Nuremberg), The winged figure in Melencolia I has inspired many readings over its long history, although her ties to mathematical knowledge are often highlighted. Many of her accoutrements are borrowed from medieval and Renaissance allegories of geometry that personify it as a woman working at a table surrounded by tools.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031300703

  •  The outlying regions around the Southern Pinwheel galaxy
    -
    The outlying regions around the Southern Pinwheel galaxy

    The outlying regions around the Southern Pinwheel galaxy, or M83, are highlighted in this composite image from NASA‘s Galaxy Evolution Explorer、クレジット:NASA/World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019091100880

  •  Título: Conquista de México. Autor: Anónimo. Tabla. Pintura al óleo, nácar. Técnica: Enconchado. Forma parte de 6 tablas. Destac
    -
    Título: Conquista de México. Autor: Anónimo. Tabla. Pintura al óleo, nácar. Técnica: Enconchado. Forma parte de 6 tablas. Destac

    Título: Conquista de México. Autor: Anónimo. Tabla. Pintura al óleo, nácar. Técnica: Enconchado. Forma parte de 6 tablas. Destaca la escena inferior en que los indios hacen prisionero a Cortés, que es rescatado por Cristóbal de Olea junto a otros españoles y Tlaxcaltecas. Detalle. 1766-1700. Escuela Mexicana. Virreinato de la Nueva España. México. América del Norte. Museo de América. Madrid. España.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019081608553

  •  Studies of Twelve Greek and Roman Coins.
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    Studies of Twelve Greek and Roman Coins.

    Studies of Twelve Greek and Roman Coins. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Image: 9 5/16 in. × 12 in. (23.6 × 30.5 cm)Sheet: 11 5/8 × 15 7/16 in. (29.6 × 39.2 cm). Date: 1825.Delacroix developed his style of modeling by studying Greek and Roman coins in the collections of his friends Louis Auguste Schwiter and P. L. J. Casimir, duc de Blacas. His “système des oeufs“ or “egg system,“ as his assistant, De Planet, called it, involved constructing with ovoid shapes to emphasize mass rather than line. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020041701736

  •  Coffin of Gua.
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    Coffin of Gua.

    Coffin of Gua. Painted cedar wood. Exterior. Detail. Stresses the pair of eyes on the east side that allowed the deceased “look“ towards the dawn. 1850 BC. 12th Dynasty. Middle Kingdom. From the tomb of Gua, Deir el-Bersha. British Museum. London. United Kingdom.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020070806365

  •  Redheaded Girl in Evening Dress (Jeune fille rousse en robe de soir), Amedeo Modigliani
    -
    Redheaded Girl in Evening Dress (Jeune fille rousse en robe de soir), Amedeo Modigliani

    Redheaded Girl in Evening Dress (Jeune fille rousse en robe de soir), Amedeo Modigliani, 1918, Oil on canvas, Though the woman in this portrait is unidentified, with her vivid hair and strapless dress, she is no less memorable. She drapes her shoulder over the chair. Make up accentuates her eyes. Modigliani used a thick round brush to describe the model‘s flesh. The textured surface seems to invite touch. However, in addition to its sensuality, the painting suggests how women‘s lives had changed. Bold new fashions were a sign of freedom, Overall: 45 3/4 x 28 3/4 in. (116.2 x 73 cm).クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020040301421

  •  ARTE S.
    -
    ARTE S.

    ARTE S. XX. MODERNISMO. MUNCUNILL, Lluís. Arquitecto. MASIA FREIXA (1907-1910). Edificio que actualmente se halla situado en el Parque Municipal de Sant Jordi. Destaca la aplicación del arco parabólico gaudiniano, la ausencia de decoración y la cubierta ondulada. Actualmente el edificio es el conservatorio de música. TERRASSA. Provincia de Barcelona. Cataluña.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042706523

  •  Unknown (French), Luke, 19th century, graphite pencil highlighted with white on tan paper,
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    Unknown (French), Luke, 19th century, graphite pencil highlighted with white on tan paper,

    Unknown (French), Luke, 19th century, graphite pencil highlighted with white on tan paper, Sheet: 11 1/16 × 8 1/2 inches (28.1 × 21.6 cm).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023022606780

  •  Hieronymus van Beverningk by Jan de Baen (1633-1702) oil on canvas
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    Hieronymus van Beverningk by Jan de Baen (1633-1702) oil on canvas

    Hieronymus van Beverningk by Jan de Baen (1633-1702) oil on canvas, 1670 This seems like a princely portrait. Yet Hieronymus van Beverningk was only an ambassador of the States-General of the Netherlands. He had played a successful role in peace conferences, symbolized by the official documents and seals on the table. The splendidly carved frame underscores the dignity of the sitter, whose motto in the cartouche at the bottom translates as: Seek thyself, not outside thyself.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019041801119

  •  Four Saints (recto); Two Saints, Seated Madonna, and Kneeling Figure (verso), 14th century, Pen and brown ink,
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    Four Saints (recto); Two Saints, Seated Madonna, and Kneeling Figure (verso), 14th century, Pen and brown ink,

    Four Saints (recto); Two Saints, Seated Madonna, and Kneeling Figure (verso), 14th century, Pen and brown ink, highlighted with white gouache, sheet: 10 1/2 x 7 13/16 in. (26.6 x 19.8 cm), Drawings, Anonymous, Italian, Umbrian, 14th century.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022060313558

  •  Virgin and Child Enthroned with Saint Anthony Abbot, Saint Peter,
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    Virgin and Child Enthroned with Saint Anthony Abbot, Saint Peter,

    Virgin and Child Enthroned with Saint Anthony Abbot, Saint Peter, Saint Paul, Saint Julian the Hospitaler, Saint Roch, and Saint Mary Magdalen?. Artist: Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501-1547 Rome). Dimensions: 8 3/4 x 7 3/8in. (22.2 x 18.7cm). Date: 1522-23.When the plague struck Rome in 1522, Perino escaped toFlorence, where he reimmersed himself in the artistictraditions of his native city, studying the works of Masaccio,Leonardo da Vinci, Raphael, and Fra Bartolommeo. Thisdrawing of the enthroned Virgin and Child surrounded bya balanced and symmetrical arrangement of saints--acompositional type known as a sacra conversazione, or“sacred conversation“--is based closely on admired modelsby Raphael and Fra Bartolommeo. 、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020061106052

  •  Strip of bobbin lace with diamonds above a border with columns, Strip of natural-colored bobbin lace:
    -
    Strip of bobbin lace with diamonds above a border with columns, Strip of natural-colored bobbin lace:

    Strip of bobbin lace with diamonds above a border with columns, Strip of natural-colored bobbin lace: noose lace or ‘s Gravenmoerse lace. The repeating and geometric pattern consists of a row of net-blown diamonds along the upper half of the strip, which are linked to each other by an inverted V with a smaller diamond hanging underneath on a ‘stalk‘. The smaller pane is made in linen. The contours of the motifs are accentuated by a thick shiny thread. The lower half of the strip consists of three rows of squares in net stroke, between which three rows of openwork ovals in a closed pin stroke ground. A thick shiny contour thread forms a pattern with columns around the openwork ovals and diamonds. The top of the strip is finished straight with the bottom provided with picots., anonymous, ‘s Gravenmoer, c. 1900 - c. 1924, linen (material), ‘s Gravenmoer lace, l 16 cm × w 11 cm ×, 11 cm.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023051109149

  •  Pencil box decorated with rosettes and seahorses, The driven copper box has a rectangular shape with a low wall,
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    Pencil box decorated with rosettes and seahorses, The driven copper box has a rectangular shape with a low wall,

    Pencil box decorated with rosettes and seahorses, The driven copper box has a rectangular shape with a low wall, which becomes a protruding edge. It is divided into two compartments for pens and other writing utensils by a longitudinally elevated rib running across the center. The bottom is decorated decorative with hammer strokes. Four rosettes are struck in the corners, such that the hearts are spherical at the bottom and serve as legs of the object. This motif is repeated opposite to the ends of the rib, on the widened short edges. Two stylized antithetically placed seahorses are driven on either side of it. The centers of the long narrow edges are accentuated with some driven ornament., Jacob Pieter van den Bosch, Amsterdam, c. 1900 - c. 1910, copper (metal), hammering, h 2.5 cm × l 35.7 cm × w 16.6 cm.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023051109873

  •  Fragment of painted wallpaper with columns, flowers and a basket of ears of corn,
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    Fragment of painted wallpaper with columns, flowers and a basket of ears of corn,

    Fragment of painted wallpaper with columns, flowers and a basket of ears of corn, Fragment of paper wallpaper on linen in green-blue, pink, black and partially heightened with gold. Partly painted, partly printed. The wallpaper shows columns with an elongated vase-shaped shaft, above which stylized flowers, between these columns a basket of ears of corn, behind the columns are shrubs, above the spikes a diamond pattern with palmettes. The reverse side is covered with fragments of Dutch-language newspapers from 1800., anonymous, France (possibly), c. 1800, paper, linen (material), printing, h 80.5 cm × w 94 cm.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023051009685

  •  A rider at the crossroads, feather in black and dark gray, gray washed, heightened in white, on gray-blue primed paper,
    -
    A rider at the crossroads, feather in black and dark gray, gray washed, heightened in white, on gray-blue primed paper,

    A rider at the crossroads, feather in black and dark gray, gray washed, heightened in white, on gray-blue primed paper, sheet: 20.1 x 30.4 cm, U. M. monogrammed with a brush in gray: TS [lig.], Tobias Stimmer, (Kopie nach / copy after), Schaffhausen 15391584 Strassburg.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023060600840

  •  Bathers on wooded shore, pencil, heightened in white, on gray-green paper,
    -
    Bathers on wooded shore, pencil, heightened in white, on gray-green paper,

    Bathers on wooded shore, pencil, heightened in white, on gray-green paper, sheet: 42 x 25.2 cm, U. l., Monogrammed and inscribed in pencil: TP [ligated], Lavagna, Theophil Preiswerk, Basel 18461919 Basel.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023060711757

  •  A Banquet, Morazzone (Pier Francesco Mazzuchelli) (Italian, 1573 - 1626), about 1623,
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    A Banquet, Morazzone (Pier Francesco Mazzuchelli) (Italian, 1573 - 1626), about 1623,

    A Banquet, Morazzone (Pier Francesco Mazzuchelli) (Italian, 1573 - 1626), about 1623, Gray and brown wash over black chalk, heightened with white gouache, lightly squared in black chalk, on two sheets of paper, 35.6 x 84.5 cm (14 x 33 1/4 in.).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023031113854

  •  Lidded pot, Lidded pot made of earthenware, belonging to a three-part set of cupboards,
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    Lidded pot, Lidded pot made of earthenware, belonging to a three-part set of cupboards,

    Lidded pot, Lidded pot made of earthenware, belonging to a three-part set of cupboards, with black and liquid-blue transfer decoration, painted with enamel colors and ocher cluster, heightened with gold. On the belly two cartouches with birds and branches, and two cartouches with a landscape., Petrus Regout & Co., Maastricht, 1886, earthenware, luster glaze, vitrification, h 30.0 cm h 23.5 cm × d 17.7 cm d 12.0 cm h 8.5 cm × d 12.0 cm.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023042205611

  •  Strip of needle lace with exotic flowers on a wavy branch, Strip of natural colored needle lace: flat Venetian lace.
    -
    Strip of needle lace with exotic flowers on a wavy branch, Strip of natural colored needle lace: flat Venetian lace.

    Strip of needle lace with exotic flowers on a wavy branch, Strip of natural colored needle lace: flat Venetian lace. Pattern of exotic flowers and curling leaves on wide wavy and curling tendrils. The motifs are made with festival stitches and most (flower) leaves are made entirely or partially with decorative stitches. A slight relief has been applied to emphasize the contours. The motifs are connected by an irregular open bar soil with picots. The top of the strip is finished with a clotted strap. The straight underside of the strip is finished with a simple bow edge., anonymous, Italy, c. 1650 - c. 1674, linen (material), flat Venetian (needle point), l 130 cm × w 11 cm.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023041804884

  •  The Entombment, Niccolo Ricciolini (Italian, 1687 - 1772), Netherlands, about 1760,
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    The Entombment, Niccolo Ricciolini (Italian, 1687 - 1772), Netherlands, about 1760,

    The Entombment, Niccolo Ricciolini (Italian, 1687 - 1772), Netherlands, about 1760, Brush drawing in light brown wash over black chalk, heightened with white and some pink gouache, with occasional touches of pen and brown ink, some framing lines ruled in brown ink and the edges of the sheet, 38.4 x 25.4 cm (15 1/8 x 10 in.).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023042514007

  •  The History of Jacob and the Egyptian Joseph,
    -
    The History of Jacob and the Egyptian Joseph,

    The History of Jacob and the Egyptian Joseph, c. 1590/95, feather (black), middle and side pieces gray, upper and lower marginal piece gray-blue washed, all pieces in gold and partly heightened in white, glued frame in red, leaf: 43.2 x 32.9 cm, Wendel Dietterlin d. Ä., Pfullendorf/Baden 1550 oder 15511599 Strassburg.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023060601068

  •  Cabinet set painted in Imari style, Three-part cabinet set, consisting of two vases and a covered pot of earthenware,
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    Cabinet set painted in Imari style, Three-part cabinet set, consisting of two vases and a covered pot of earthenware,

    Cabinet set painted in Imari style, Three-part cabinet set, consisting of two vases and a covered pot of earthenware, with black and liquid blue transfer decoration, painted with enamel colors and ocher cluster, heightened with gold. The vases and pot of two cartouches with birds and branches, and two cartouches with a landscape., Petrus Regout & Co., Maastricht, 1886, earthenware, luster glaze, vitrification.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023051815549

  •  Portrait of a Man.
    -
    Portrait of a Man.

    Portrait of a Man. Artist: Jan Gossart (called Mabuse) (Netherlandish, Maubeuge ca. 1478-1532 Antwerp (?)). Dimensions: 18 1/2 x 13 3/4 in. (47 x 34.9 cm). Date: ca. 1520-25.This is the only independent portrait by Gossart that is signed; the scroll reads, “Joannes Malbodius pingebat.“ The sitter is turned to the left in a three-quarter view against a dark background, a format that derives from the earlier portraiture tradition of Jan van Eyck and Hans Memling. Like his predecessors, Gossart paid careful attention to tiny details such as the stubble of the beard and the individually painted hairs of the eyebrows, but he emphasized the sculptural form of the sitter in a new and bold way. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031103371

  •  Île aux Fleurs near Vétheuil.
    -
    Île aux Fleurs near Vétheuil.

    Île aux Fleurs near Vétheuil. Artist: Claude Monet (French, Paris 1840-1926 Giverny). Dimensions: 26 x 32 in. (66 x 81.3 cm). Date: 1880.This is one of two views of the Île aux Fleurs, an island in the Seine near Vétheuil, that Monet painted in the summer of 1880. The other, slightly larger version is in the National Gallery of Art, Washington, D.C. A variety of formal problems engaged the artist‘s attention during this period. Here the rapid, flickering brushstrokes create a strong pattern in the foreground that diminishes the illusion of space and emphasizes the abstract character of the painted surface. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020032602892

  •  Leonidas at Thermopylae.
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    Leonidas at Thermopylae.

    Leonidas at Thermopylae. Artist: Jacques Louis David (French, Paris 1748-1825 Brussels). Dimensions: 16 x 21 5/8 in. (40.6 x 54.9 cm). Date: ca. 1814.This is a compositional study for David‘s large canvas of the same subject, signed and dated 1814 and today in the Musée du Louvre, Paris. The drawing was executed in two distinct stages, offering a view into the artist‘s creative process. Over a detailed, lightly sketched composition David reworked the sheet in a darker, more emphatic black chalk, refining and simplifying the landscape and figures, especially on the right side. Leonidas, leader of the Spartan troops, is shown calm and unwavering as his men prepare to battle the Persians at the pass of Thermopylae. Many of the poses and figural types used by David refer to classical prototypes, as does the practice--debated during David‘s time--of depicting classical warriors nude. Museum:、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030304217

  •  Interior of the Oude Kerk, Delft, 1660, Oil on canvas, 32 1/2 x 26 in. (82.6 x 66 cm), Paintings, Hendrick van Vliet (Du
    -
    Interior of the Oude Kerk, Delft, 1660, Oil on canvas, 32 1/2 x 26 in. (82.6 x 66 cm), Paintings, Hendrick van Vliet (Du

    Interior of the Oude Kerk, Delft, 1660, Oil on canvas, 32 1/2 x 26 in. (82.6 x 66 cm), Paintings, Hendrick van Vliet (Dutch, Delft 1611/12–1675 Delft), Van Vliet was one of several artists in Delft who specialized in the depiction of church interiors. In this painting he portrayed the Oude Kerk from one of the side aisles, looking past the crossing to the northeast, an oblique angle which emphasizes the complexity of the space.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021020600139

  •  The Van Moerkerken Family, ca.
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    The Van Moerkerken Family, ca.

    The Van Moerkerken Family, ca. 1653–54, Oil on wood, 16 1/4 x 14 in. (41.3 x 35.6 cm), Paintings, Gerard ter Borch the Younger (Dutch, Zwolle 1617–1681 Deventer), This charming family portrait represents the painter’s cousin Hartogh van Moerkerken (1622–1694), his first wife, Sibilla Nijkerken (1625–1665), and their son Philippus (1652–1688). The woman is placed unconventionally to her husband’s right, a position of honor most likely earned by providing the family with a male heir (as stressed by the family crests).、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020102901300

  •  Eugene of Savoy Carignan (1663-1736), called Prince Eugene.
    -
    Eugene of Savoy Carignan (1663-1736), called Prince Eugene.

    Eugene of Savoy Carignan (1663-1736), called Prince Eugene. French political and military service in Austria. Highlighted in the struggle for the liberation of Vienna from the Turks and in successive campaigns in the Danube. Statue of Prince by Jozsef Rona (1861-1939) in 1900 to commemorate the Battle of Zenta, 1697. Budapest. Hungary.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020051306262

  •  The Sacrifice of Abraham (etching).
    -
    The Sacrifice of Abraham (etching).

    The Sacrifice of Abraham (etching). Rembrandt (1606-1669) emphasizes Abraham‘s horror at what he believes he has been ordered to do and his stunned relief at the interruption of this moment of horror occasioned by the face of the angel. Rembrandt‘s painting ‘The Sacrifice of Isaac‘ hangs in the Hermitage. Dated 1635.、クレジット:World History Archive/ニューズコム/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019071903059

  •  This image from NASA‘s WISE highlights several star-forming regions.
    -
    This image from NASA‘s WISE highlights several star-forming regions.

    This image from NASA‘s WISE highlights several star-forming regions. Gum 22, Gum 23, IRAS 09002-4732, Bran 226, and finally Gum 25.、クレジット:NASA/World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019072500967

  •  The Virgin and Child Enthroned with Saint Sebastian and a Franciscan Saint.
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    The Virgin and Child Enthroned with Saint Sebastian and a Franciscan Saint.

    The Virgin and Child Enthroned with Saint Sebastian and a Franciscan Saint. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 12-1/8 x 9-3/4 in. (30.8 x 24.8 cm). Date: 1696-1770. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033003914

  •  Ochanomizu in the Rain, Edo period (1615–1868), mid-19th century, Japan, Polychrome woodblock print
    -
    Ochanomizu in the Rain, Edo period (1615–1868), mid-19th century, Japan, Polychrome woodblock print

    Ochanomizu in the Rain, Edo period (1615–1868), mid-19th century, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/4 in. (26 cm); W. 13 3/4 in. (34.9 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861), The closely spaced vertical lines that render steady, drenching rain in this print emphasize the simplified forms of river, hills, and a solitary tree, all depicted without outline. Kuniyoshi, one of the principal artists of the Utagawa school, is noted for his effective use of the itabokashi technique, in which ink and color are applied to the block in subtly changing tonalities.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2021060409077

  •  John Kimber
    -
    John Kimber

    John Kimber, Bristol ship‘s captain, holding whip, in 1792 tried for murder of female slave while punishing her for failing to eat. Found not guilty but case used by Abolitionist to highlight cruelty of slave trade. I Cruickshank, 1792.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019022604407

  •  Studies for the Figure of the Virgin, Antoine Coypel (French, 1661-1722), about 1700,
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    Studies for the Figure of the Virgin, Antoine Coypel (French, 1661-1722), about 1700,

    Studies for the Figure of the Virgin, Antoine Coypel (French, 1661-1722), about 1700, black and red chalk heightened with white on grey paper, 8-1/8 x 9-7/8 in. (sight).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023021212844

  •  The hl.
    -
    The hl.

    The hl., Family in the landscape, 1512, pen in black, gray washed, heightened in white, on paper primed in brown-brown, mounted, sheet: 19.3 x 13.8 cm, O. M. monogrammed with a brush in white: AA, u, ., M. r., dated: 1512, Albrecht Altdorfer, um 14801538 Regensburg.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022122904027

  •  The Last Judgment,
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    The Last Judgment,

    The Last Judgment, c. 1500, pen in black, gray washed, with yellow, blue and brown red watercolors, heightened in white, on yellow-brown tinted paper, page: 43.4 x 20.2 cm (side panels) |, Leaf: 59.9 x 21.8 cm (middle part), Martin Schaffner, Ulm um 1478/791547 Ulm.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023011106493

  •  Mourning Ring, 1733, Probably made in New York, New York, United States, American, Gold, enamel, glass, hair, Diam.
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    Mourning Ring, 1733, Probably made in New York, New York, United States, American, Gold, enamel, glass, hair, Diam.

    Mourning Ring, 1733, Probably made in New York, New York, United States, American, Gold, enamel, glass, hair, Diam. 3/4 in. (1.9 cm), Jewelry, Mourning jewelryjewelry that commemorates the deadwas commonly commissioned by early American colonists upon the loss of friends or loved ones. On this ring gold letters highlighted by black enamel wrap around the band and spell out ‘CAT.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042902907

  •  Título: Conquista de México. Autor: Anónimo. Tabla. Pintura al óleo, nácar. Técnica: Enconchado. Forma parte de 6 tablas. Destac
    -
    Título: Conquista de México. Autor: Anónimo. Tabla. Pintura al óleo, nácar. Técnica: Enconchado. Forma parte de 6 tablas. Destac

    Título: Conquista de México. Autor: Anónimo. Tabla. Pintura al óleo, nácar. Técnica: Enconchado. Forma parte de 6 tablas. Destaca la escena inferior en que los indios hacen prisionero a Cortés, que es rescatado por Cristóbal de Olea junto a otros españoles y Tlaxcaltecas. 1766-1700. Escuela Mexicana. Virreinato de la Nueva España. México. América del Norte. Museo de América. Madrid. España.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019081608499

  •  Woman combing her Hair.
    -
    Woman combing her Hair.

    Woman Combing Her Hair. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: 24 1/8 x 18 1/8 in. (61.3 x 46 cm). Date: ca. 1888-90.This is the second of two variants of a composition that Degas created about 1885 (State Hermitage Museum, St. Petersburg). In this version, he used a new technique, applying pastel in so many successive layers that the pigment became burnished and the underlying paper rubbed to such an extent that the fibers were loosened and now project from the surface like many little hairs. Degas also emphasized anti-natural chartreuses and greens in modeling the figure‘s pink flesh, perhaps inspired by the play of complementary color contrasts in the work of such younger contemporaries as Seurat or Van Gogh. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031302831

  •  Anolis equestris, Print, The knight anole (Anolis equestris) is the largest species of anole in the Dactyloidae family.
    -
    Anolis equestris, Print, The knight anole (Anolis equestris) is the largest species of anole in the Dactyloidae family.

    Anolis equestris, Print, The knight anole (Anolis equestris) is the largest species of anole in the Dactyloidae family. Other common names include Cuban knight anole or Cuban giant anole, highlighting its native country, but it has also been introduced to Florida. In Florida they are sometimes referred to as “iguanas“ or “iguanitos.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022083005166

  •  David Leeuw with his Family by Abraham van den Temple (c.
    -
    David Leeuw with his Family by Abraham van den Temple (c.

    David Leeuw with his Family by Abraham van den Temple (c. 1622-1672) oil on canvas, 1671. During the 17th century music making signified harmony. The wealthy merchant David Leeuw thus had himself and his family portrayed making music as an expression of harmonius family life. Their unity is underscored by Leeuw‘s proud hand gesture and his wife‘s gentle embrace of their children. They also convey their piety by performing religious music (the notes and text are legible).、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019040901267

  •  Reino Unido. Inglaterra. Highgate. Población separada de Londres hasta finales de la época Victoriana. En su centro histórico de
    -
    Reino Unido. Inglaterra. Highgate. Población separada de Londres hasta finales de la época Victoriana. En su centro histórico de

    Reino Unido. Inglaterra. Highgate. Población separada de Londres hasta finales de la época Victoriana. En su centro histórico destacan calles residenciales características de la arquitectura Georgiana, destacando la Iglesia de San Miguel (Church of St. Michael). A la izquierda un establecimiento de bebidas que vendía productos de la marca Barclay Perkins. Grabado por John Cox (fl. 1834-1839) a partir de un estudio original del pintor paisajista Josiah Henshall (1801-1869). “London and its Environs“, h. 1840 (Londres y sus Alrededores). Biblioteca Histórico Militar de Barcelona, Cataluña, España.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019081605358

  •  The Transfiguration, after Raphael.
    -
    The Transfiguration, after Raphael.

    The Transfiguration, after Raphael. Artist: Biagio Pupini (Italian, born Bologna, active 1511-51). Dimensions: 15-3/4 x 10-7/8 in. (40.0 x 27.6 cm). Date: 1511-51. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062303433

  •  This visible-light view of the sky highlights the bright M17 nebula
    -
    This visible-light view of the sky highlights the bright M17 nebula

    This visible-light view of the sky highlights the bright M17 nebula, as well as the glowing hot gas filling the ‘bubble‘ to its left. Spitzer.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019072405177

  •  This image from NASA‘s WISE highlights several star-forming regions.
    -
    This image from NASA‘s WISE highlights several star-forming regions.

    This image from NASA‘s WISE highlights several star-forming regions. Gum 22, Gum 23, IRAS 09002-4732, Bran 226, and finally Gum 25.、クレジット:NASA/World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019072500947

  •  Spain.
    -
    Spain.

    Spain. Galicia, La Corua province, San Andres de Teixido (Santo Andre de Teixido). Sanctuary. On the main altar, baroque altarpiece by Miguel Lopez de la Pena, 18th century. General view, depiction of the twelve apostles. Highlights the central figure of Saint Andrew.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020050100486

  •  Garden at Sainte-Adresse.
    -
    Garden at Sainte-Adresse.

    Garden at Sainte-Adresse. Artist: Claude Monet (French, Paris 1840-1926 Giverny). Dimensions: 38 5/8 x 51 1/8 in. (98.1 x 129.9 cm). Date: 1867.Monet spent the summer of 1867 with his family at Sainte-Adresse, a seaside resort near Le Havre. It was there that he painted this buoyant, sunlit scene of contemporary leisure, enlisting his father (shown seated in a panama hat) and other relatives as models. By adopting an elevated viewpoint and painting the terrace, sea, and sky as three distinct bands of high-keyed color, Monet emphasized the flat surface of the canvas. His approach--daring for its time--reflects his admiration for Japanese prints. Twelve years after it was made, Monet exhibited the picture at the fourth Impressionist exhibition of 1879 as <i>Jardin à Sainte-Adresse</i>. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020032602968

  •  日光街道の杉並木
    -
    日光街道の杉並木

    今市は日光に入る交通の要衝で、 この地で御成(日光)街道、 例幣使街道と会津西街道が合している。 これらの街道に徳川家康の三十三回忌にあたって松平正綱が寄進した杉並木がある。 並木中央に香具師のような風采の人を配して杉並木の大きさを強調している。=撮影年月日不明、今市、撮影者:不明、クレジット:長崎大学附属図書館所蔵/共同通信イメージズ ※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。 [整理番号14‐17‐0]

    商品コード: 2017080201436

  •  The Agony in the Garden, Valerio Castello (Italian, 1624 - 1659), about 1645,
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    The Agony in the Garden, Valerio Castello (Italian, 1624 - 1659), about 1645,

    The Agony in the Garden, Valerio Castello (Italian, 1624 - 1659), about 1645, Pen and blackish brown ink and light brown wash, heightened with white gouache, 13 x 15.9 cm (5 1/8 x 6 1/4 in.).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023041803987

  •  Strip of bobbin lace with rosettes made of circles, Strip of natural-colored bobbin lace, Lille lace.
    -
    Strip of bobbin lace with rosettes made of circles, Strip of natural-colored bobbin lace, Lille lace.

    Strip of bobbin lace with rosettes made of circles, Strip of natural-colored bobbin lace, Lille lace. The repeating pattern consists of a rosette made from a decorative soil forming a circle, a rose soil. The motifs are connected by a mesh ground, a lawn ground. Along the underside of the strip, the tulip soil turns into a web of net soil. The contours of the round petals are accentuated with a thicker and shiny thread. Such a same thread has also been used to accentuate the transition from the tulip soil to the net soil and the shells along the underside of the strip. The top of the strip is finished straight. The scallops along the bottom are finished with picots., anonymous, Belgium, c. 1900 - c. 1924, cotton (textile), Lille lace, l 28 cm × w 10 cm ×, 6.9 cm.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023051109420

  •  Polyplectron hardwickii, Print, The peacock-pheasants are a bird genus, Polyplectron, of the family Phasianidae,
    -
    Polyplectron hardwickii, Print, The peacock-pheasants are a bird genus, Polyplectron, of the family Phasianidae,

    Polyplectron hardwickii, Print, The peacock-pheasants are a bird genus, Polyplectron, of the family Phasianidae, consisting of eight species. They are colored inconspicuously, relying on heavily on crypsis to avoid detection. When threatened, peacock-pheasants will alter their shapes using specialised plumage that when expanded reveals numerous iridescent orbs. The birds also vibrate their plume quills further accentuating their aposematism. Peacock-pheasants exhibit well developed metatarsal spurs. Older individuals may have multiple spurs on each leg. These kicking thorns are used in self-defense., 1820-1860.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023061513808

  •  Fantastic mountainous landscape with hikers, feather and brush in black and gray, heightened in white,
    -
    Fantastic mountainous landscape with hikers, feather and brush in black and gray, heightened in white,

    Fantastic mountainous landscape with hikers, feather and brush in black and gray, heightened in white, on dark violet tinted paper, mounted ???, Sheets: 22.4 x 25.8 cm, Unmarked, David Joris (Jorisz.), Brügge (?) oder Gent 1501 (oder 1502) 1556 Basel.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023060711532

  •  Bobbin lace cuff with sickle-shaped leaf and flower sprays, Natural colored tulle cuff with a bobbin lace edge below:
    -
    Bobbin lace cuff with sickle-shaped leaf and flower sprays, Natural colored tulle cuff with a bobbin lace edge below:

    Bobbin lace cuff with sickle-shaped leaf and flower sprays, Natural colored tulle cuff with a bobbin lace edge below: Mechelen lace. The tulle is unadorned and slightly darker in shade than the Mechelen side sewn to the tulle. Trapezoid shaped clocking model. The repeating pattern of the Mechelen side consists of semicircular scallops, formed by fine leaves on the outside of a curved rocaille motif. On the inside feathered long leaves and a group of six rosette flowers or forget-me-nots. Blossoms sprinkled on the field above. The motifs are made in linen and are accentuated by thicker shiny contour threads. The motifs are connected by a Mechelen ground. In the leaves is a decoration with dots made in form stroke. The lace is made in Belgium, the cuffs are made in the Netherlands. This cuff is missing a part of the top of the strip of Mechelen, which has been replaced by a strip of machin、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023052501231

  •  Strip of application side with vine,
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    Strip of application side with vine,

    Strip of application side with vine, Strip of natural-colored Brussels application side: needle lace appliqué on dry ground. Under a scattering pattern of vine leaves runs a continuous branch along the bottom edge, from which sprouts sprout to two sides with vine leaves and bunches of grapes. The very flat shell edge is formed by upright wine leaves, interspersed with wreaths with pearl edges and filled with decorative stitches. Motifs are constructed with festoon stitches and are accentuated by relief contours of widely used wire bundles. The upper side is finished straight with a banded strap, vine, bunch or grapes, anonymous, Brussels, c. 1800 - c. 1815, linen (material), Brussels appliqué, l 125 cm × w 9 cm ×, 3.2 cm.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023052500610

  •  Apple blossoms.
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    Apple blossoms.

    Apple Blossoms. Artist: Charles-François Daubigny (French, Paris 1817-1878 Paris). Dimensions: 23 1/8 x 33 3/8 in. (58.7 x 84.8 cm). Date: 1873.Critic Théophile Gautier extolled Daubigny‘s landscapes as “pieces of nature cut out and set into golden frames.“ The artist first painted flowering orchards about 1857, reprising the motif almost every spring. His unpretentious subject matter, rendered with rapid, summary brushstrokes, soon earned the admiration of younger colleagues like Monet. By the time of this canvas in 1873, Daubigny, had, in turn, assimilated their high-keyed palette, evident in the vivid green foliage and bright blue sky. That same year, Monet painted two views of blossoming fruit trees, one of which is in the Metropolitan‘s collection (26.186.1). Museum: Metropolitan Museum of Art, New York, USA. Author: Charles-Francois Daubigny.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020032602969

  •  Francisco de Goya y Lucientes / ‘Disaster 77.
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    Francisco de Goya y Lucientes / ‘Disaster 77.

    キーワード:フランシスコ・デ・ゴヤ、Francisco de Goya y Lucientes / ‘Disaster 77. The Rope is Breaking‘. XIX century. Wash, Burnished wash, Etching, Drypoint on paper. Museum: Museo del Prado, Madrid, España.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019112800289

  •  Francisco de Goya y Lucientes / ‘Disaster 80. Will She Live Again?‘. XIX century. Etching, Burnisher on paper.
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    Francisco de Goya y Lucientes / ‘Disaster 80. Will She Live Again?‘. XIX century. Etching, Burnisher on paper.

    キーワード:フランシスコ・デ・ゴヤ、Francisco de Goya y Lucientes / ‘Disaster 80. Will She Live Again?‘. XIX century. Etching, Burnisher on paper. Museum: Museo del Prado, Madrid, España.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019112800304

  •  Francisco de Goya y Lucientes / ‘This is the worst of it!‘. 1814 - 1815. Red chalk on laid paper.
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    Francisco de Goya y Lucientes / ‘This is the worst of it!‘. 1814 - 1815. Red chalk on laid paper.

    キーワード:フランシスコ・デ・ゴヤ、Francisco de Goya y Lucientes / ‘This is the worst of it!‘. 1814 - 1815. Red chalk on laid paper. Museum: Museo del Prado, Madrid, España.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019112800265

  •  ‘The Combat of Tus and Human‘, Folio from a Shahnama (Book of Kings),
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    ‘The Combat of Tus and Human‘, Folio from a Shahnama (Book of Kings),

    ‘The Combat of Tus and Human‘, Folio from a Shahnama (Book of Kings), ca. 133040, Attributed to Iran, probably Isfahan, Ink, opaque watercolor, gold, and silver on paper, Page: 7 15/16 x 5 3/16 in. (20.2 x 13.2 cm), Codices, Before they led their armies in battle, the Iranian, Tus, and the Turanian, Human, engaged in single combat. They were so closely matched that only the failing light forced an end to the fighting. The battle scene in this miniature is particularly lively, with spirited horses highlighting the sense of dynamic action.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042106299

  •  Kohl Jar, New Kingdom, Dynasty 18,
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    Kohl Jar, New Kingdom, Dynasty 18,

    Kohl Jar, New Kingdom, Dynasty 18, ca. 14791425 B.C., From Egypt, Upper Egypt, Thebes, Wadi Gabbanat el-Qurud, Wadi D, Tomb of the 3 Foreign Wives of Thutmose III, Diorite, gold leaf, H. 10.5 cm (4 1/8 in); diam. 8.6 cm (3 3/8 in), A set of cosmetic jars highlighted with gold foil are associated with the grave goods of three foreign wives of Hatshepsut‘s nephew, Thutmose III. Most of these vessels are inscribed with the king‘s cartouche, marking them as royal gifts.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042105698

  •  Perspectival Drawing with Three Cubes, 1528, Pen and black ink, brush and grey wash, sheet: 2 9/16 x 4 in.
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    Perspectival Drawing with Three Cubes, 1528, Pen and black ink, brush and grey wash, sheet: 2 9/16 x 4 in.

    Perspectival Drawing with Three Cubes, 1528, Pen and black ink, brush and grey wash, sheet: 2 9/16 x 4 in. (6.5 x 10.2 cm), Drawings, Peter Flötner (German, Thurgau 14851546 Nuremberg), For Renaissance artists, the representation of geometry was often a means of testing and perfecting their ability to work convincingly in perspective. Some drawings, such as this perspectival study by Flötner, depict physical models set into landscapes in order to emphasize their graphic three-dimensionality and as a means of displaying the makers skill at visualizing an object from multiple angles within a single image.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022050703424

  •  Four Studies of a Nude Child, 18th century, Black chalk, heightened with white on beige paper,
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    Four Studies of a Nude Child, 18th century, Black chalk, heightened with white on beige paper,

    Four Studies of a Nude Child, 18th century, Black chalk, heightened with white on beige paper, 7 5/16 x 10 5/16 in. (18.5 x 26.2 cm), Drawings, Joseph François Parrocel (French, Avignon 17041781 Paris).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042309747

  •  Head of an early Ptolemy, possibly from a sphinx, Macedonian or Ptolemaic Period, 4thearly 3rd century B.D.,
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    Head of an early Ptolemy, possibly from a sphinx, Macedonian or Ptolemaic Period, 4thearly 3rd century B.D.,

    Head of an early Ptolemy, possibly from a sphinx, Macedonian or Ptolemaic Period, 4thearly 3rd century B.C., From Egypt, Limestone, H. 25.3 cm (9 15/16 in.); W. 22.8 cm (9 in.); D. 20.9 cm (8 1/4 in.), The early Ptolemies visually emphasized their role as traditional Egyptian kings through stylistic continuities.This head displays features that are a strong continuation of the style of Dynasty 30, notably the single continuous arc created by the brow line over the eyes.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042404714

  •  Pair of Doors Carved in the ‘Beveled Style‘, 9th century, Found Iraq, probably Takrit.
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    Pair of Doors Carved in the ‘Beveled Style‘, 9th century, Found Iraq, probably Takrit.

    Pair of Doors Carved in the ‘Beveled Style‘, 9th century, Found Iraq, probably Takrit. Made in Iraq, probably Samarra, Wood (teak); carved, Left door: , Wood, This carved pair (with ) of teak doors imported into Iraq from Southeast Asia is probably from a royal or domestic residence. They epitomize the Beveled stylea symmetrical, abstract, vegetal formand were probably originally painted and highlighted with gilding.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042404749

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