KYODO NEWS IMAGELINK

報道写真の購入なら共同通信イメージズ

  • 新型コロナウイルス
  • 令和
  • 新型肺炎
  • ロシア軍
  • 紛争
  • 軍隊
  • 軍事作戦
  • ウクライナ侵攻
  • 攻撃
  • アメリカ大統領

「応答」の写真・グラフィックス・映像

絞り込み
  • 提供元
  • 日付
  • 種類
  • 向き
  • カテゴリ
並び順
  • 古い順
25,176
( 1 100 件を表示)
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • ...
25,176
( 1 100 件を表示)
絞り込み
並び順
  • 古い順
  • -
    BELLONA.

    Bellona. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 50 x 38 3/8 in. (127 x 97.5 cm). Date: 1633.Rembrandt‘s sober and powerful depiction of Bellona, the Roman goddess of war, was perhaps intended to suggest the new Dutch Republic‘s readiness to repel foreign forces. Images of Mars and his sister Bellona occasionally decorated the headquarters of civic guard companies. The shield, with its frightful face of Medusa, was added at a late stage of work, probably in response to seeing a version of Rubens‘s well-known painting of a severed Medusa‘s head. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062905442

  • -
    William Shakespeare ‘Much Ado About Nothing‘

    William Shakespeare ‘Much Ado About Nothing‘, play first performed c1598. Dogberry, Constable of the watch, instructing his clerk to write down replies given by Conrade and Borachio: Act 4 Sc 2. There is evidence that the part of Dogberry was written for the Elizabethan comedian William Kemp or Kempe (d1603). Chromolithograph after illustration by Robert Dudley (fl1858-93) for edition of Shakespeare‘s works published London 1856-1858.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019082902132

  • -
    Lady editor replying to correspondence.

    Lady editor replying to correspondence. Engraving 1885.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用はできません。

    商品コード: 2019082901698

  • -
    Charles VI (1368-1422), the Beloved.

    Charles VI (1368-1422), the Beloved. King of France from 1380 to his death. Charles IV‘s secretary Pierre Salmon presents the manuscript to Charles VI. Miniature. 15th century. France National Library.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021052711736

  • -
    Constitution d‘Angleterre.

    Constitution d‘Angleterre. A critical response to the British political system showing Prime Minister William Pitt standing on the British crown, which is possibly being flattened by the weight of his authority. He is holding a flag that depicts implements of slavery, and has an executioner‘s axe at his waist on the left and a tobacco pipe on the right. In his left hand he holds the chains of bondage that are connected to King George III and members of Parliament or members of the working class. There is a gallows on the left, a scaffold with an executioner holding an axe on the right, and billowing smoke filling the background.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019091104928

  • -
    The Rise and Fall of Free Speech in America

    The Rise and Fall of Free Speech in America was D.W. Griffith‘s first response to the attacks made on The Birth of a Nation.、クレジット:World History Archive/ニューズコム/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020041702246

  • -
    Bust of a Woman with an Elaborate Coiffure.

    Bust of a Woman with an Elaborate Coiffure. Artist: Rosso Fiorentino (Italian, Florence 1494-1540 Fontainebleau). Dimensions: 9 5/16 x 6 15/16 in. (23.6 x 17.7 cm). Date: ca. 1530.Rosso intended this drawing as an ideal representation of a beautiful young woman, in response to the genre of “teste divine“ (divine heads) that Michelangelo made famous in drawings of the 1520s and 1530s, especially the “Zenobia“ (Uffizi, Florence). Here, he invented elegant “s“ shaped rhythms for the figural pose. The woman is seen in bust-length from the back, her head turned in profile, slightly lowered, to gaze directly at the viewer, while the exquisite complexity of details of her fashionable dress soften her pose with airy curves and twists. Her fantastic coiffure is laden with braids curled around a pair of ram‘s horns, while her artfully puffed-up dress, with layers of agitated drapery、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031801230

  • -
    King Andrew the First.

    King Andrew the First. A caricature of Andrew Jackson as a despotic monarch, probably issued during the Fall of 1833 in response to the President‘s September order to remove federal deposits from the Bank of the United States. The print is dated a year earlier by Weitenkampf and related to Jackson‘s controversial veto of Congress‘s bill to recharter the Bank in July 1832. The general consensus was that Jackson was exceeding the President‘s constitutional power.、クレジット:World History Archive/ニューズコム/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020041301563

  • -
    Georges Seurat: Models (Poseuses)

    Georges Seurat: Models (Poseuses), Georges Seurat, 1886–1888, Oil on canvas, In this scene set inside Georges Seurat‘s studio, we see models posing in front of A Sunday on La Grande Jatte (Art Institute of Chicago), the famous pointillist painting that caused a scandal when it was first exhibited in 1886. Informed by scientific theories of light, color, and optics, pointillism was dismissed by many critics at the time for being too cold and methodical--a style that could never be applied to noble subjects like the nude. Here, Seurat seems to offer his response, presenting life-size nude bodies from three angles and on a monumental scale., Overall: 78 3/4 x 98 3/8 in. (200 x 249.9 cm).、クレジット:Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020020508505

  • -
    Virgin and Child with Saint Catherine of Alexandria.

    Virgin and Child with Saint Catherine of Alexandria. Artist: Anthony van Dyck (Flemish, Antwerp 1599-1641 London). Dimensions: 43 x 35 3/4 in. (109.2 x 90.8 cm); with added strips 44 1/8 x 37 in. (112.1 x 94 cm). Date: ca. 1630.The infant Jesus responds with playful enthusiasm to an adoring Saint Catherine, a former princess identified by pearls and a martyr‘s palm. She was esteemed as an intercessor for young women because of her mystical marriage to Christ. The picture‘s warm humanity and elegantly rhythmic composition reflect Van Dyck‘s great admiration for Titian, Veronese, and other North Italian artists during his years in Italy (1621-27). Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020032601833

  • -
    Jade plaque showing a seated king and palace attendant.

    Jade plaque showing a seated king and palace attendant.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019030713257

  • -
    USA. New York. Times Square. Police cars.

    USA. New York. Times Square. Police cars.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020051307757

  • -
    Lithograph created

    Lithograph created by Currier and Ives depicts Cornelius Vanderbilt and James Fisk in a race for control of New York‘s rails. Throughout 1868 and 1869, the two men had fought for control of the Erie Railroad. (See also ‘The Statue Unveiled,‘ no. 1869-1.) Here, Vanderbilt straddles his two railroads, the ‘Hudson River R.R.‘ and the ‘New York Central R.R.‘, admonishing his competitor, ‘Now then Jim--No Jockeying You Know!‘ The dwarf like Fisk, sitting astride the ‘Erie R.R.‘, replies, ‘Let em rip Commodore!--But Don‘t Stop to Water or You‘ll be Beat.‘ Dated 1870、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040400701

  • -
    The Source, 1862, Oil on canvas, 47 1/4 x 29 1/4 in.

    The Source, 1862, Oil on canvas, 47 1/4 x 29 1/4 in. (120 x 74.3 cm), Paintings, Gustave Courbet (French, Ornans 18191877 La Tour-de-Peilz), This nude is painted in an unflinchingly naturalistic style and is devoid of the trappings of academic allegory to which the paintings title alludes. Courbet is thought to have intended it as a response to Ingress own La Source (1856, Musée dOrsay, Paris), which was exhibited at the Galerie Martinet, Paris, in 1861.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020022706519

  • -
    Madonna and Child with the Young Saint John the Baptist.

    Madonna and Child with the Young Saint John the Baptist. Artist: Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian, Florence 1473-1517 Florence). Dimensions: 23 x 17 1/4 in. (58.4 x 43.8 cm). Date: ca. 1497.Mother and child are shown in a softly lit domestic interior with a view out the window of a mill copied from a painting by Hans Memling, whose portraits were prized among Florentines. By contrast, the lively play of hands, the elaborate configuration of the drapery, and the treatment of light are Fra Bartolomeo‘s response to the work of Leonardo da Vinci. Fra Bartolomeo was among the most creative painters in late-fifteenth-century Florence. This work was painted before he joined the Dominican order. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031603990

  • -
    Portrait of a Bearded Man with a Ruff, 1625, Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), Paintings, Frans Hals (Dutch,

    Portrait of a Bearded Man with a Ruff, 1625, Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), Paintings, Frans Hals (Dutch, Antwerp 1582/83–1666 Haarlem), As the original inscription indicates, the sitter was thirty-six when portrayed by Hals. The portrait‘s immediacy is enhanced by vivid brushwork, strong modeling, and a glance and heartfelt gesture which respond to the viewer.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021020600124

  • -
    Joan of Arc before King Charles VII at Chinon

    Joan of Arc before King Charles VII at Chinon, replies to the prelates who are interrogating her, February 1429‘. St Joan (c1412-1431) Maid of Orleans, French patriot and martyr .Gillot Saint-Evre (1791-1858) and Dominique-Louis Ferreol Papety. French Painters. Chateau de Versailles.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019072408640

  • -
    Capital and Labour‘: Cartoon from ‘Punch‘

    Capital and Labour‘: Cartoon from ‘Punch‘, London, 1843, in response to Richard Horne‘s report of child employment. In coal mines ‘labourers are obliged to go on all-fours like dogs‘. The labouring poor are locked away in misery, toiling to produce the wealth that enabled ‘upper classes‘ to live in luxury.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019022604405

  • -
    Olive Trees, 1889, Oil on canvas, 28 5/8 x 36 1/4 in.

    Olive Trees, 1889, Oil on canvas, 28 5/8 x 36 1/4 in. (72.7 x 92.1 cm), Paintings, Vincent van Gogh (Dutch, Zundert 18531890 Auvers-sur-Oise), This is one of five pictures of olive orchards that Van Gogh made in November 1889. Painted directly from nature but animated by Seurat-like stippling and stylized passages of broken color, these works responded to recent compositions by Paul Gauguin and Émile Bernard.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020041702651

  • -
    The Libyan Sibyl.

    The Libyan Sibyl. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Anonymous, Italian. Dimensions: Sheet: 10 15/16 x 7 15/16 in. (27.8 x 20.2 cm). Date: ca. 1560-1570.A. Alberti, D‘aprse Michelangelo, 2015, no.51; B. Barnes, Michelangelo in Print: reproductions as response in the sixteenth century, 2010, p. 192, no.41; La Sistina riprodotta: gli affreschi di Michelangelo dalle stampe del Cinquecento alle campagne fotografiche Anderson, exh.cat, 1991, p.67, no.16/1. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031801225

  • -
    The African attendants of David Livingstone (1813-1873) Scottish missionary and explorer of Africa.

    The African attendants of David Livingstone (1813-1873) Scottish missionary and explorer of Africa. Livingstone‘s African attendants Souzi, Chouma and Jacob Wainwright, making an inventory of his possessions after his death. Engraving from ‘Le Journal de la Jeunesse‘ (Paris, c1877).、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019010819106

  • -
    A Useful Manufacture: The ‘Raw Material‘ ‘Worked Up‘.

    A Useful Manufacture: The ‘Raw Material‘ ‘Worked Up‘. The Burning of the Royal Navy training ship ‘Goliath‘, 1876. Destitute boys from the London streets and workhouses were given places on board naval training ships such as ‘Chichester‘, ‘Arethusa‘, ‘Shaftesbury‘ and ‘Goliath‘ and trained to become sailors. When fire broke out on the ‘Goliath‘, because of their training, the boys knew their stations and responded to command and were saved. Cartoon by John Tenniel (1820-1914) from ‘Punch‘ (London, 8 January 1876) showing John Bull rescuing the boys from poverty, left, and the boys being resuced from the fire, right.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019080100311

  • -
    Roma, manifestazione sindacale "Mai più fascismi"

    Foto Mauro Scrobogna /LaPresse16-10-2021 Roma, ItaliaPoliticaCGIL CISL UIL - Manifestazione sindacale ‘mai più fascismi’Nella foto: momenti della manifestazione indetta dai sindacati in risposta all’attacco da parte di no geen pass e Forza Nuova della sede nazionale della cgil dello scorso 9 ottobrePhoto Mauro Scrobogna /LaPresseOctober 16, 2021  Rome, ItalyPoliticsIn the photo: moments of the demonstration organized by the trade unions in response to the attack by no geen pass and Forza Nuova of the national headquarters of the CGIL last 9 October、クレジット:LaPresse/共同通信イメージズ

    商品コード: 2021101708295

  • -
    Omu komachi, Parrot Komachi.

    Omu komachi, Parrot Komachi., Katsukawa, Shunsho, 1726-1793, artist, [between 1776 and 1785], 1 print : woodcut, color ; 14.9 x 21 cm., Fan-shaped print shows a nobleman wearing a long trailing robe, a counsellor for Emperor Yozei who is sitting on the right in the background, standing in front of the aged poetess Ono Komachi who is sitting outside a small building; the nobleman has delivered a poem from the Emperor to which Komachi responds by changing a single character to alter the meaning. Number 5 in the Nana Komachi series.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022010506551

  • -
    The heroic Charlotte la Corday, upon her trial, at the bar of the revolutionary tribunal of Paris, July 17, 1793,

    The heroic Charlotte la Corday, upon her trial, at the bar of the revolutionary tribunal of Paris, July 17, 1793, Gillray, James, 1756-1815, artist, engraving, Charlotte Corday standing before the judges of the Revolutionary Tribunal with the body of Marat which lying between them. She responds to the Tribunal, Wretches, I did not expect to appear before you - I always thought that I should be delivered up to the rage of the people, torn in pieces, & that my head, stuck on the top of a pike, would have preceded Marat on his state bed, to serve as a rallying point to Frenchmen, if there still are any worthy of that name. But, happen what will, if I have the honours of the guillotine, & my clay-cold remains are buried, they will soon have conferred upon them the honours of the Pantheon; and my memory will be more honoured in France than that of Judith in Bethulia.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021113002210

  • -
    A word of comfort, Dent, William, active 1783-1793, en sanguine engraving 1790,

    A word of comfort, Dent, William, active 1783-1793, en sanguine engraving 1790, a British satire on the efforts of Charles James Fox to get the Test and Corporation Acts repealed. Joseph Priestley, preaching, speaks for the concerns of the clergy, stating their opposition to Reynard and Associates (Fox, Richard Brinsley Sheridan, John Townshend, and another man, possibly William Windham). Fox asks, Pray, Doctor is there such a thing as a Devil? to which Priestley responds with a resounding no. The Devil, standing amid flames, is about to skewer Priestley. The Test and Corporation Acts required membership in the Church of England, as well as other religious and civil obligations, for anyone seeking public office. In a touch of irony, the Prince of Wales (George IV) and Maria Fitzherbert, joined in an illegal marriage, sit in a pew on Priestley‘s left, facing the viewer. クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021111803413

  • -
    A society of patriotic ladies, at Edenton in North Carolina, en sanguine engraving shows satire of American women

    A society of patriotic ladies, at Edenton in North Carolina, en sanguine engraving shows satire of American women from Edenton, North Carolina, pledging to boycott English tea in response to Continental Congress resolution in 1774 to boycott English goods.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022012813025

  • -
    Shepherd and Shepherdess, 1878, American, Glazed earthenware, overglaze enamel decoration, Overall: 36 x 49 1/4 in.

    Shepherd and Shepherdess, 1878, American, Glazed earthenware, overglaze enamel decoration, Overall: 36 x 49 1/4 in. (91.4 x 125.1 cm), Ceramics, This surprising work by Homer is one of his rare examples of decorative painting on ceramic. It was produced during the artists active involvement with the Tile Club. One of many New York artist organizations established after the nations centennial, the Tile Club was a self-conscious response to the countrys growing interest in the so-called household art movement, also known as the Aesthetic movement, which called for a marriage of the beautiful and useful.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022041704417

  • -
    And Enid Sang, September 1874 , Albumen silver print from glass negative,

    And Enid Sang, September 1874 , Albumen silver print from glass negative, 35.4 x 28 cm (13 15/16 x 11 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 18151879 Kalutara, Ceylon), In 1874 Tennyson asked Cameron to make photographic illustrations for a new edition of his Idylls of the King, a recasting of the Arthurian legends. Responding that both knew that it is immortality to me to be bound up with you, Cameron willingly accepted the assignment.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022050704033

  • -
    ARTE GOTICO.

    ARTE GOTICO. ESPAÑA. CRISTO CRUCIFICADO. Talla en madera de álamo policromada. Pieza realizada en el siglo XIV y que responde al tipo de Cristo sufriente. Iglesia parroquial de la Vilella Alta. Museo Diocesano de Tarragona. Cataluña.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020050100266

  • -
    Abraham and Isaac.

    Abraham and Isaac. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1645. Dimensions: 156 x 128 mm (image/plate); 159 x 131 mm (sheet). Etching and drypoint on white laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062807712

  • -
    A Peasant Replying: “Dats niet“.

    A Peasant Replying: “Dats niet“. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Date: 1634. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062905557

  • -
    A certain cabinet junto, en sanguine engraving 1775, King George III, speechless (his caption balloon is empty),

    A certain cabinet junto, en sanguine engraving 1775, King George III, speechless (his caption balloon is empty), seated on the right in a high-backed chair at a table, with Lord North seated opposite presenting a paper to the King that states for the total abolition of Civil & Religs liberty in America and says, This will quell the rebels; standing behind the table is a man wearing clerical robes who adds, America is within the realm; and a man, probably Lord Bute, wearing a tam o‘shanter, is standing behind the King‘s chair. A female figure is seated at the far left, holding a staff topped with a liberty cap, at her feet are a bow and a quiver of arrows, and Britannia‘s shield; she speaks toward the heavens Lord thou didst drive out the heathen before us, our hope is in thee, to which a reply issues from the clouds above, I have delivered and I will deliver.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020052902042

  • -
    Snow blizzard in New York

    Snow storm in the historic district of Jackson Heights.、クレジット:Universal Images Group/共同通信イメージズ

    商品コード: 2021060808275

  • -
    Bristol Riots

    Bristol Riots, 1831, a response to the rejection by the House of Lords of the second Reform Bill. Sir Charles Wetherell, Recorder of Bristol and an opponent of Reform, being attacked by the mob on his entry into the city, 23 October 1831. Engraving c1890.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020032700933

  • -
    The heroic Charlotte la Corday, upon her trial, at the bar of the revolutionary tribunal of Paris, July 17, 1793

    The heroic Charlotte la Corday, upon her trial, at the bar of the revolutionary tribunal of Paris, July 17, 1793, Gillray, James, 1756-1815, artist, engraving, Charlotte Corday standing before the judges of the Revolutionary Tribunal with the body of Marat which lying between them. She responds to the Tribunal, Wretches, I did not expect to appear before you - I always thought that I should be delivered up to the rage of the people, torn in pieces, & that my head, stuck on the top of a pike, would have preceded Marat on his state bed, to serve as a rallying point to Frenchmen, if there still are any worthy of that name. But, happen what will, if I have the honours of the guillotine, & my clay-cold remains are buried, they will soon have conferred upon them the honours of the Pantheon; and my memory will be more honoured in France than that of Judith in Bethulia.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020061105143

  • -
    Christian Revival Meeting

    United States: c. 1938 Christian worshippers at a religious tent revival meeting responding to the call of the preacher.、クレジット:Underwood Archives/Universal Images Group/共同通信イメージズ

    商品コード: 2019111306776

  • -
    A word of comfort, Dent, William, active 1783-1793, en sanguine engraving 1790

    A word of comfort, Dent, William, active 1783-1793, en sanguine engraving 1790, a British satire on the efforts of Charles James Fox to get the Test and Corporation Acts repealed. Joseph Priestley, preaching, speaks for the concerns of the clergy, stating their opposition to Reynard and Associates (Fox, Richard Brinsley Sheridan, John Townshend, and another man, possibly William Windham). Fox asks, Pray, Doctor is there such a thing as a Devil? to which Priestley responds with a resounding no. The Devil, standing amid flames, is about to skewer Priestley. The Test and Corporation Acts required membership in the Church of England, as well as other religious and civil obligations, for anyone seeking public office. In a touch of irony, the Prince of Wales (George IV) and Maria Fitzherbert, joined in an illegal marriage, sit in a pew on Priestley‘s left, facing the viewer.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020061105439

  • -
    Caricature showing English naturalist Charles Darwin as a monkey hanging from the tree of Science.

    Caricature showing English naturalist Charles Darwin as a monkey hanging from the tree of Science. A response to the 1871 publication of his book The descent of man.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019080210916

  • -
    The Daughters of Catulle Mendès, Huguette (1871-1964), Claudine (1876-1937), and Helyonne (1879-1955).

    キーワード:ピエール=オーギュスト・ルノワール、The Daughters of Catulle Mendès, Huguette (1871-1964), Claudine (1876-1937), and Helyonne (1879-1955). Artist: Auguste Renoir (French, Limoges 1841-1919 Cagnes-sur-Mer). Dimensions: 63 3/4 x 51 1/8 in. (161.9 x 129.9 cm). Date: 1888.Hoping to recapture the success he had achieved with <i>Madame Georges Charpentier and Her Children</i> (07.122) at the Salon of 1879, Renoir sought to paint the daughters of his friend Catulle Mendès. In addition to the girls‘ manifest charm, he undoubtedly counted on the notoriety of their bohemian parents to gain attention: their father was a Symbolist poet and publisher, and their mother was the virtuoso pianist Augusta Holmès. Renoir completed the commission in a matter of weeks and immediately exhibited the large canvas in May 1888, but the response to his new manner of painting, with its intense hues and schematized faces,、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019111308304

  • -
    The Crucifixion of St Peter (after Michelangelo‘s Frescoes in the Pauline Chapel, Vatican Palace).

    The Crucifixion of St Peter (after Michelangelo‘s Frescoes in the Pauline Chapel, Vatican Palace). Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Michele Lucchese (Italian, active Rome, 1534-64). Dimensions: plate: 16 7/16 x 12 3/4 in. (41.8 x 32.4 cm)sheet: 18 7/16 x 14 1/4 in. (46.8 x 36.2 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Date: 1550-60.See: B. Barnes, ‘Michelangelo in Print: Reproductions as Response in the Sixteenth Century‘, 2010, no.66. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031801109

  • -
    A return from a march or a false alarm in a country village, engraving 1799,

    A return from a march or a false alarm in a country village, engraving 1799, a group of British citizens mustered in response to an alarm that the French were attacking England which proved to be false; they complain of soiled, torn, or lost clothing, and one reads a list of the killed and wounded which includes several pigs, fowl, and an old woman.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020060600246

  • -
    The Source, 1862, Oil on canvas, 47 1/4 x 29 1/4 in. (120 x 74.3 cm), Paintings, Gustave Courbet (French, Ornans 1819–18

    The Source, 1862, Oil on canvas, 47 1/4 x 29 1/4 in. (120 x 74.3 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), This nude is painted in an unflinchingly naturalistic style and is devoid of the trappings of academic allegory to which the painting’s title alludes. Courbet is thought to have intended it as a response to Ingres’s own La Source (1856, Musée d’Orsay, Paris), which was exhibited at the Galerie Martinet, Paris, in 1861.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021012901970

  • -
    Georges Seurat: Models (Poseuses)

    Georges Seurat: Models (Poseuses), Georges Seurat, 1886–1888, Oil on canvas, In this scene set inside Georges Seurat‘s studio, we see models posing in front of A Sunday on La Grande Jatte (Art Institute of Chicago), the famous pointillist painting that caused a scandal when it was first exhibited in 1886. Informed by scientific theories of light, color, and optics, pointillism was dismissed by many critics at the time for being too cold and methodical--a style that could never be applied to noble subjects like the nude. Here, Seurat seems to offer his response, presenting life-size nude bodies from three angles and on a monumental scale., Overall: 78 3/4 x 98 3/8 in. (200 x 249.9 cm).、クレジット:Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020020508435

  • -
    Ōmu komachi

    Ōmu komachi, Parrot Komachi., Katsukawa, Shunshō, 1726-1793, artist, [between 1776 and 1785], 1 print : woodcut, color ; 14.9 x 21 cm., Fan-shaped print shows a nobleman wearing a long trailing robe, a counsellor for Emperor Yōzei who is sitting on the right in the background, standing in front of the aged poetess Ono Komachi who is sitting outside a small building; the nobleman has delivered a poem from the Emperor to which Komachi responds by changing a single character to alter the meaning. Number 5 in the Nana Komachi series.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019122403425

  • -
    print in relief metal cut with pochoir.

    print in relief metal cut with pochoir. Caricature showing the English naturalist Charles Darwin as a monkey hanging from tree of Science. A response to the 1871 publication of his book The descent of man、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019080210946

  • -
    Constitution d‘Angleterre [ca.

    Constitution d‘Angleterre [ca. 1795] print on green laid paper etching, hand-collared. Print shows a critical response to the British political system by showing Prime Minister William Pitt standing on the British crown, which is possibly being flattened by the weight of his authority; he is holding a flag that depicts implements of slavery, and has an executioners axe at his waist on the left and a tobacco pipe on the right, and in his left hand holds the chains of bondage that are connected to King George III, in the foreground on the right, and members of Parliament or members of the working class behind the king and on the left. There is a gallows on the left, a scaffold with an executioner holding an axe on the right, and billowing smoke filling the background.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019091104867

  • -
    THE HOME RULE DEBATE IN THE HOUSE OF COMMONS, LONDON, UK, 1886:

    THE HOME RULE DEBATE IN THE HOUSE OF COMMONS, LONDON, UK, 1886: MR. GLADSTONE LISTENS, MR. GLADSTONE YAWNS, MR. COWEN DEFENDS HOME RULE, MR. GOSCHEN PULVERISES THE BILL, MR. GLADSTONE LAUGHS, MR. GLADSTONE BEGINS HIS REPLY, SIR MICHAEL HICKS-BEACH SUMS UP FOR THE OPPOSITION.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022012812671

  • -
    Iphis changed by Isis young man, Cornelis van Dalen (II), Nicolaes Pietersz. Berchem, F. Poppens, 1648 - 1664.

    Iphis changed by Isis young man, Cornelis van Dalen (II), Nicolaes Pietersz. Berchem, F. Poppens, 1648 - 1664.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022013108008

  • -
    Hunchbacked Figure, 12th9th century B.C.,

    Hunchbacked Figure, 12th9th century B.C., Mexico, Mesoamerica, Olmec, Ceramic, pigment, H. 2 5/8 x W. 2 1/4in. (6.7 x 5.7cm), Ceramics-Sculpture, The many representations of hunchbacks have led to the suggestion hunchbacks people held positions of importance in the ancient Mesoamerican world. Beginning with Olmec peoples, these individuals were thought to possess special abilities due to their physical anomalies.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042105641

  • -
    Christian Revival Meeting

    United States: c. 1948 A man places a bible on the head of an ecstatic kneeling worshipper responding to the call of the preacher at a religious tent revival meeting.、クレジット:Underwood Archives/Universal Images Group/共同通信イメージズ

    商品コード: 2019111306806

  • -
    Hamlet and Laertes at the Tomb of Ophelia.

    Hamlet and Laertes at the Tomb of Ophelia. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: sheet: 9 3/16 x 12 1/16 in. (23.3 x 30.6 cm). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: ca. 1843.This design relates to Delacroix‘s series of lithographs devoted to Shakespeare‘s Hamlet. Here, late in the play (act 5, scene 1), the prince has returned unannounced to Denmark and stumbles upon the funeral for Ophelia, his spurned lover. The girl‘s brother, Laertes, blames Hamlet for causing her madness and subsequent drowning, and they fight within the open grave. Dramatic gestures convey the consternation of the king, queen, and attendant clergy. Strong tonal contrasts convey Delacroix‘s Romantic visual response to a subject concerned with anger, sorrow, and guilt stirred by tragic loss. In the related、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020041702297

  • -
    In the Park at Packington.

    In the Park at Packington. Artist: Heneage Finch, 4th Earl of Aylesford (British, Syon House 1751-1812 Great Packington, Warwickshire). Dimensions: sheet: 8 3/8 x 11 in. (21.3 x 27.9 cm). Date: 1770-1812.Active as a statesman and patron of British cultural institutions, Aylesford was also a gifted amateur draftsman and etcher. Before he became earl in 1777, the artist studied drawing as an undergraduate at Oxford. The strong ink outlines and assured application of wash in this mature drawing suggest a date in the mid-1780s. Italian precedents influenced his draftsmanship, but his expressive response to a tree found on his Warwickshire estate echoes Rembrandt. (Aylesford collected the seventeenth-century Dutch master‘s prints and learned to etch in a similar manner.) 、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062905242

  • -
    Jewish Woman of Algiers Seated on the Ground.

    Jewish Woman of Algiers Seated on the Ground. Artist: Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819-1856 Paris). Dimensions: Sheet: 11 3/4 x 9 1/8 in. (29.8 x 23.2cm). Date: ca. 1846.Chassériau, one of the most important figures in French art of the nineteenth century--although he is not well known today--followed Eugéne Delacroix (French, 1798-1863) and others who traveled to North Africa in response to the prevailing vogue for exotic subjects. Chassériau spent several months of 1846 in Constantine, Algeria, making well over one thousand sketches, which provided him with subject matter for his paintings for the rest of his short life. This young woman with an intense gaze bears a strong resemblance to the one depicted in Chassériau‘s “Scene in the Jewish Quarter of Constantine“ of 1851. Notations along the right edge give details of the fabrics and colors 、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020041701723

  • -
    Portrait of a Man, shortly after 1497, Oil on wood, Overall 15 5/8 x 12 1/8 in.

    Portrait of a Man, shortly after 1497, Oil on wood, Overall 15 5/8 x 12 1/8 in. (39.7 x 30.8 cm); painted surface 15 1/2 x 11 3/4 in. (39.4 x 29.8 cm), Paintings, Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian, Florence 14731517 Florence), In painting this fine portrait, which dates about 1497, Fra Bartolomeo took as his model the work of Hans Memling, whose portraits of Florentine merchants in Bruges were well known in Italy. Like Leonardo da Vinci, Fra Bartolomeo had a keen response to nature, drawing landscape views in an album.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031605479

  • -
    Enoch Arden - The Lonely Isle

    William Tell‘s Reply to the Governor.、クレジット:Universal Images Group/共同通信イメージズ

    商品コード: 2020020512774

  • -
    This grave was not designated as a royal tomb

    This grave was not designated as a royal tomb because there was no brick-built tomb chamber and no attendants, but the grave goods. Buried behind the head of the male occupant was a gold helmet and in his hands a gold bowl inscribed with the name Meskalamdug. The identity of the man is not certain although it is known that there was a king with this name.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019030600269

  • -
    Woman suffering from Lupus Vulgaris

    Woman suffering from Lupus Vulgaris, a tubercular skin infection. From Jules Rengade ‘Les Grands Maux et les Grands Remedes‘, Paris, c1890. Formerly a disfiguring disease, it responds well to modern drugs for tuberculosis and is now rare.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2018110914931

  • -
    Omu komachi, Parrot Komachi.

    Omu komachi, Parrot Komachi., Katsukawa, Shunsho, 1726-1793, artist, [between 1776 and 1785], 1 print : woodcut, color ; 14.9 x 21 cm., Fan-shaped print shows a nobleman wearing a long trailing robe, a counsellor for Emperor Yozei who is sitting on the right in the background, standing in front of the aged poetess Ono Komachi who is sitting outside a small building; the nobleman has delivered a poem from the Emperor to which Komachi responds by changing a single character to alter the meaning. Number 5 in the Nana Komachi series.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021112711718

  • -
    Allegory of the student unions, 1830, print maker: Abraham Vinkeles, print maker: Beijer, 1830 - 1831.

    Allegory of the student unions, 1830, print maker: Abraham Vinkeles, print maker: Beijer, 1830 - 1831.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022012204464

  • -
    Alabaster alabastron (perfume vase), Archaic, early 6th century B.C.,

    Alabaster alabastron (perfume vase), Archaic, early 6th century B.C., Etruscan, Alabaster, H.: 14 in. (35.6 cm), Miscellaneous-Stone Vases, Cut from one piece of stone, the vase consists of the container, in the form of a woman holding a lotos flower, and a base embellished with four female heads. The work is an Etruscan response to perfume flasks with the busts of women that originated in the Near East and spawned adaptations in Cyprus, East Greece, and Etruria.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022050400737

  • -
    A Heroine and Her Lover in a Pavilion: Page from a Dispersed Nayikabheda, ca.

    A Heroine and Her Lover in a Pavilion: Page from a Dispersed Nayikabheda, ca. 166080, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, 8 1/2 x 6 3/16 in. (21.6 x 15.7 cm), Paintings, The extensive poetic Nayikabheda literature examines the nature of romantic interactions between idealized male (nayaka) and female (nayika) types. The related paintings translate this poetry into refined visual representations that in Malwa take on formal and iconic qualities.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042902869

  • 1910年12月31日
    German Nassau class battleship SMS ‘Rheinland‘

    German Nassau class battleship SMS ‘Rheinland‘, by Volcan AG, Stettin, commissioned 1910. Heavily armoured and armed, a response to development British Dreadnought class. Handed to Allies at end of World War I, then broken.、クレジット:World History Archive/ニューズコム/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019070902891

  • 1914年12月31日
    Admiral David Beatty 1914.

    Admiral David Beatty 1914. Admiral of the Fleet David Richard Beatty, 1st Earl Beatty (17 January 1871 11 March 1936) was a Royal Navy officer. After serving in the Mahdist War and then the response to the Boxer Rebellion, he commanded the 1st Battle cruiser Squadron at the Battle of Jutland in 1916, a tactically indecisive engagement after which his aggressive approach was contrasted with the caution of his commander Admiral Sir John Jellicoe.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019080505328

  • 1916年12月31日
    Magic lantern slide Admiral of the Fleet David Richard Beatty

    Magic lantern slide Admiral of the Fleet David Richard Beatty, 1st Earl Beatty GCB, OM, GCVO, DSO, PC (17 January 1871 – 11 March 1936) was a Royal Navy officer. After serving in the Mahdist War and then the response to the Boxer Rebellion, he commanded the 1st Battlecruiser Squadron at the Battle of Jutland in 1916, a tactically indecisive engagement after which his aggressive approach was contrasted with the caution of his commander Admiral Sir John Jellicoe. He is remembered for his comment at Jutland that “There seems to be something wrong with our bloody ships today“, after two of his ships exploded. Later in the war he succeeded Jellicoe as Commander in Chief of the Grand Fleet, in which capacity he received the surrender of the German High Seas Fleet at the end of the war.、クレジット:John Short/Universal Images Group/共同通信イメージズ

    商品コード: 2020090500414

  • 1916年12月31日
    Admiral of the Fleet David Richard Beatty

    Admiral of the Fleet David Richard Beatty, 1st Earl Beatty (17 January 1871 11 March 1936) being awarded the Grand Cross of the Legion d‘Honneur of France on 23 May 1919. After serving in the Mahdist War and then the response to the Boxer Rebellion, he commanded the 1st Battle cruiser Squadron at the Battle of Jutland in 1916, a tactically indecisive engagement after which his aggressive approach was contrasted with the caution of his commander Admiral Sir John Jellicoe. He is remembered for his comment at Jutland that ‘There seems to be something wrong with our bloody ships today‘, after two of his ships exploded. Later in the war he succeeded Jellicoe as Commander in Chief of the Grand Fleet, in which capacity he received the surrender of the German High Seas Fleet at the end of the War.クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019101003433

  • 1916年12月31日
    Magic lantern slide Admiral of the Fleet David Richard Beatty

    Magic lantern slide Admiral of the Fleet David Richard Beatty, 1st Earl Beatty GCB, OM, GCVO, DSO, PC (17 January 1871 – 11 March 1936) was a Royal Navy officer. After serving in the Mahdist War and then the response to the Boxer Rebellion, he commanded the 1st Battlecruiser Squadron at the Battle of Jutland in 1916, a tactically indecisive engagement after which his aggressive approach was contrasted with the caution of his commander Admiral Sir John Jellicoe. He is remembered for his comment at Jutland that “There seems to be something wrong with our bloody ships today“, after two of his ships exploded. Later in the war he succeeded Jellicoe as Commander in Chief of the Grand Fleet, in which capacity he received the surrender of the German High Seas Fleet at the end of the war.、クレジット:John Short/Universal Images Group/共同通信イメージズ

    商品コード: 2020020605578

  • 1918年11月11日
    World War I 1914-1918

    World War I 1914-1918: ‘What England Wants‘ 1918 German propaganda poster showing British planes bombing a factory, a response to article by a Member of Parliament saying Rhine industry must be bombed to destruction.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2018122502318

  • 1918年11月11日
    German battleship ‘Nassau‘ in commission with the Imperial German Navy 1909-1919.

    German battleship ‘Nassau‘ in commission with the Imperial German Navy 1909-1919. She was present at the Battle of Jutland. Nassau class ships were built in response to the British Dreadnought class.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018121922152

  • 1919年12月31日
    China: Revolutionary students and lecturers demonstrating at Beijing University, May 4th Movement, 1919

    The May Fourth Movement (traditional Chinese: 五四運動; simplified Chinese:五四运动; pinyin:Wǔsì Yùndòng) was an anti-imperialist, cultural, and political movement growing out of student demonstrations in Beijing on May 4, 1919, protesting the Chinese government‘s weak response to the Treaty of Versailles, especially the Shandong Problem. These demonstrations sparked national protests and marked the upsurge of Chinese nationalism, a shift towards political mobilization and away from cultural activities, and a move towards a populist base rather than intellectual elites.The broader use of the term “May Fourth Movement“ often refers to the period during 1915-1921 more usually called the New Culture Movement. (Newscom TagID: pfhphotos015141.jpg) [Photo via Newscom]、クレジット:Pictures From History/ニューズコム/共同通信イメージズ

    商品コード: 2021010611951

  • 1919年12月31日
    China: Revolutionary students and lecturers demonstrating at Beijing University, May 4th Movement, 1919

    The May Fourth Movement (traditional Chinese: 五四運動; simplified Chinese:五四运动; pinyin:Wǔsì Yùndòng) was an anti-imperialist, cultural, and political movement growing out of student demonstrations in Beijing on May 4, 1919, protesting the Chinese government‘s weak response to the Treaty of Versailles, especially the Shandong Problem. These demonstrations sparked national protests and marked the upsurge of Chinese nationalism, a shift towards political mobilization and away from cultural activities, and a move towards a populist base rather than intellectual elites.The broader use of the term “May Fourth Movement“ often refers to the period during 1915-1921 more usually called the New Culture Movement. (Newscom TagID: pfhphotos015145.jpg) [Photo via Newscom]、クレジット:Pictures From History/ニューズコム/共同通信イメージズ

    商品コード: 2021010611954

  • 1919年12月31日
    China: Revolutionary students and lecturers demonstrating at Beijing University, May 4th Movement, 1919

    The May Fourth Movement (traditional Chinese: 五四運動; simplified Chinese:五四运动; pinyin:Wǔsì Yùndòng) was an anti-imperialist, cultural, and political movement growing out of student demonstrations in Beijing on May 4, 1919, protesting the Chinese government‘s weak response to the Treaty of Versailles, especially the Shandong Problem. These demonstrations sparked national protests and marked the upsurge of Chinese nationalism, a shift towards political mobilization and away from cultural activities, and a move towards a populist base rather than intellectual elites.The broader use of the term “May Fourth Movement“ often refers to the period during 1915-1921 more usually called the New Culture Movement. (Newscom TagID: pfhphotos015142.jpg) [Photo via Newscom]、クレジット:Pictures From History/ニューズコム/共同通信イメージズ

    商品コード: 2021010611944

  • 1919年12月31日
    China: Revolutionary students and lecturers demonstrating at Beijing University, May 4th Movement, 1919

    The May Fourth Movement (traditional Chinese: 五四運動; simplified Chinese:五四运动; pinyin:Wǔsì Yùndòng) was an anti-imperialist, cultural, and political movement growing out of student demonstrations in Beijing on May 4, 1919, protesting the Chinese government‘s weak response to the Treaty of Versailles, especially the Shandong Problem. These demonstrations sparked national protests and marked the upsurge of Chinese nationalism, a shift towards political mobilization and away from cultural activities, and a move towards a populist base rather than intellectual elites.The broader use of the term “May Fourth Movement“ often refers to the period during 1915-1921 more usually called the New Culture Movement. (Newscom TagID: pfhphotos015143.jpg) [Photo via Newscom]、クレジット:Pictures From History/ニューズコム/共同通信イメージズ

    商品コード: 2021010611950

  • 1919年12月31日
    China: Protesters demonstrating outside the Gate of Heavenly Peace (Tiananmen) in Beijing on May 4, 1919 pfhphotos017621.jpg

    The May Fourth Movement (traditional Chinese: 五四運動; simplified Chinese:五四运动; pinyin:Wǔsì Yùndòng) was an anti-imperialist, cultural, and political movement growing out of student demonstrations in Beijing on May 4, 1919, protesting the Chinese government‘s weak response to the Treaty of Versailles, especially the Shandong Problem. These demonstrations sparked national protests and marked the upsurge of Chinese nationalism, a shift towards political mobilization and away from cultural activities, and a move towards a populist base rather than intellectual elites.The broader use of the term “May Fourth Movement“ often refers to the period during 1915-1921 more usually called the New Culture Movement. (Newscom TagID: pfhphotos017621.jpg) [Photo via Newscom]、クレジット:Pictures From History/ニューズコム/共同通信イメージズ

    商品コード: 2021010611953

  • 1925年12月31日
    Oriental Pleasure Garden, 1925, Oil on cardboard, 16 1/4 in.

    Oriental Pleasure Garden, 1925, Oil on cardboard, 16 1/4 in. × 20 1/2 in. × 1 in. (41.3 × 52.1 × 2.5 cm), Paintings, Paul Klee (German (born Switzerland), Münchenbuchsee 18791940 Muralto-Locarno), Rather than suggesting a garden in bloom, Klees brushwork in Oriental Pleasure Garden illuminates a dynamic scene of sparkling fireworks hovering above a city. Klee created this painting in response to a visit to Tunisia in 1914, which awakened his sense of color and planted him firmly on the path toward abstraction.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022030603206

  • 1928年06月28日
    Televox, The Robot

    Chicago, Illinois: June 28, 1928.A new version of Televox was exhibited in at the Association of Iron and Steel Electrical Convention in Chicago. The new version has a voice with which it responds to spoken words.、クレジット:Underwood Archives/Universal Images Group/共同通信イメージズ

    商品コード: 2020031202278

  • 本画像はログイン後にご覧いただけます
    1932年05月19日

    DC2897 ◎五・一五事件。後継内閣の御下問に応答する大任を帯び入京した西園寺公望公(中央長い杖)=1932(昭和7)年5月19日、東京駅(日本電報通信社撮影)

    商品コード: 1932051900007

  • 1933年01月31日
    日本電報通信社資料

    31日午後衆議院内に満州に関する経費支弁のため公債発行に関する秘密会を開き、質問応答が繰り返された。政府委員席より満州問題について答弁中の荒木貞夫陸相。右、永井柳太郎拓相。左、大角岑生海相=1933(昭和8)年1月31日(日本電報通信社撮影)

    商品コード: 2015110600136

  • 1939年09月03日
    Adolph Hitler addressing a sitting of the German Reichstag on 3 September 1939

    Adolph Hitler addressing a sitting of the German Reichstag on 3 September 1939, the day on which Great Britain and France declared war on Germany in response to the German invasion of Poland on 2 September .、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019011121092

  • 本画像はログイン後にご覧いただけます
    1945年09月07日
    敗戦 太平洋戦争

    日本の降伏と連合国軍の占領の手順に関する交渉で米第3艦隊に向かう日本軍代表団の中尉。中国(国民政府)紙の記者の質問に顔を背け、返答を拒否した=1945年9月、米海軍撮影(ACME)

    商品コード: 2010102600213

  • 本画像はログイン後にご覧いただけます
    1947年03月25日
    敗戦 太平洋戦争

    東京の外国人記者協会で、昼食会のゲストとして講演し、質疑応答の中で、日本との平和条約早期締結の必要性を力説するマッカーサー連合国軍最高司令官(左端)=1947年3月(ACME)

    商品コード: 2013112600323

  • 1951年10月12日
    Nuns Donate Blood For Troops

    New York, New York: October 12, 1951.Eleven Roman Catholic nuns with thermometers in their mouths wait to give blood for the troops in Korea in response to Cardinal Spellman‘s request for assistance. Over 500 nuns responded to the plea.、クレジット:Underwood Archives/Universal Images Group/共同通信イメージズ

    商品コード: 2019120405745

  • 1955年01月01日
    1955. Princess Margaret‘s Caribbean Tour, Trinidad. Princess Margaret is pictured replying to the speech of welcome.

    1955, Princess Margaret‘s Caribbean Tour, Trinidad, Princess Margaret is pictured replying to the speech of welcome (Photo by Popperfoto via Getty Images/Getty Images)、クレジット:Popperfoto/ゲッティ/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用はできません。

    商品コード: 2020012100778

  • 01:28.00
    1958年12月10日
    「福島民報」「民報ニュース」人気を集めた移動県庁

    福島県民の声を反映させる第1回移動県庁。知事、県議ら緊張した表情。録音班も出動。木ノ戸市長の司会で質疑応答。撮影日:1958(昭和33)年12月10日、クレジット:福島民報社/共同通信イメージズ

    商品コード: 2019031202349

  • 1962年12月31日
    To Kill a Mockingbird is a 1962 American drama adaptation of Harper Lee‘s novel of the same name

    To Kill a Mockingbird is a 1962 American drama adaptation of Harper Lee‘s novel of the same name, directed by Robert Mulligan. It stars Gregory Peck and Mary Badham. The film, widely considered to be one of the greatest ever made, earned an overwhelmingly positive response from critics, and was a box office success as well, earning more than 10 times its budget.、クレジット:World History Archive/ニューズコム/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020041601698

  • 1962年12月31日
    To Kill a Mockingbird is a 1962 American drama adaptation of Harper Lee‘s novel of the same name

    To Kill a Mockingbird is a 1962 American drama adaptation of Harper Lee‘s novel of the same name, directed by Robert Mulligan. It stars Gregory Peck and Mary Badham. The film, widely considered to be one of the greatest ever made, earned an overwhelmingly positive response from critics, and was a box office success as well, earning more than 10 times its budget.、クレジット:World History Archive/ニューズコム/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020041601738

  • 1967年07月11日
    コラーサ二世号の鹿島さん、元気に応答

    手を振って巡視船「のじま」に応える鹿島郁夫さん=1967(昭和42)年7月11日(42年内地2989)

    商品コード: 2011042700393

  • 1969年02月16日
    留守番電話の原型 アンサホン

    パイオニアが発売する電話用自動応答録音装置「アンサホンAF-61」=1969(昭和44)年2月16日(44年内地1017)

    商品コード: 2010120900383

  • 1972年01月01日
    UN, DOS, TRES RESPONDA OTRA VEZ-TV (1972).

    UN, DOS, TRES RESPONDA OTRA VEZ-TV (1972).、クレジット:TVE/Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021081010011

  • 1978年04月13日
    符浩中国大使と歓談 首相主催の「観桜会」

    「桜を見る会」で符浩駐日中国大使(左)と歓談する福田赳夫首相。同大使が「あいにくの天気ですね」と言うと、首相は「雨の中の桜も風雅でいいでしょう。これが東洋風の花見です」とさらりとした応答=1978(昭和53)年4月13日、東京・新宿御苑

    商品コード: 2015061000120

  • 1978年05月23日
    「画像応答システム」 TVが答える何でも情報

    旅行計画をつくる場合、必要に応じてボタンを押せば地図や宿泊施設、交通状況なども次々とテレビ画面に出てくる「画像応答システム(VRS)」。電電公社が試作に成功したもので、数学や英語の勉強、ゴルフレッスンから囲碁、将棋など豊富な情報を受け手側の自由裁量で取り出せるという画期的なもの

    商品コード: 2015062900611

  • 1980年03月03日
    日教組臨時大会開く

    質疑応答が続く日教組第54回臨時大会。壇上前列右端が槙枝元文委員長=1980(昭和55)年3月3日、東京・一ツ橋の日本教育会館(55年内地1930)

    商品コード: 2017112100198

  • 1981年12月31日
    MEDICINE FLU EPIDEMIC PANDEMIC INFLUENZA SCIENCE US NEWS PANDEMIC 3 KRT

    KRT US NEWS STORY SLUGGED: PANDEMIC KRT PHOTOGRAPH COURTESY OF AFIP‘S NATIONAL MUSEUM OF HEALTH AND MEDICINE (September 13) An Army doctor sprays the throat of a patient as a preventive treatment against influenza during the 1918 Spanish influenza epidemic. Location unknown. Public health officials are so worried about a flu pandemic, like the 1918 killer of 20 million people worldwide, that they are preparing localized response plans just as they do for hurricanes and earthquakes. (KRT) PL BL KD 2000 (Vert.) (kn) (B&W ONLY) (Newscom TagID: krtphotos034066.jpg) [Photo via Newscom]、クレジット:KRT/ニューズコム/共同通信イメージズ

    商品コード: 2020041402860

  • 1981年12月31日
    MEDICINE FLU EPIDEMIC PANDEMIC INFLUENZA SCIENCE US NEWS PANDEMIC 2 KRT

    KRT US NEWS STORY SLUGGED: PANDEMIC KRT PHOTOGRAPH COURTESY OF THE NATIONAL LIBRARY OF MEDICINE/KRT (September 13) Influenza patients lie on cots at the U.S. Army Camp Hospital #45, Aix-les-Bains, France during the 1918 Spanish influenza outbreak. Public health officials are so worried about a flu pandemic, like the 1918 killer of 20 million people worldwide, that they are preparing localized response plans just as they do for hurricanes and earthquakes. (KRT) PL BL KD 2000 (Horiz.) (kn) (B&W ONLY) (Newscom TagID: krtphotos034065.jpg) [Photo via Newscom]、クレジット:KRT/ニューズコム/共同通信イメージズ

    商品コード: 2020041402859

  • 1981年12月31日
    MEDICINE FLU EPIDEMIC PANDEMIC INFLUENZA SCIENCE US NEWS PANDEMIC 1 KRT

    (KRT9) KRT US NEWS STORY SLUGGED: PANDEMIC KRT PHOTOGRAPH COURTESY OF AFIP‘S NATIONAL MUSEUM OF HEALTH AND MEDICINE (September 13) Influenza epidemic patients lie on cots at the Emergency Hospital in Camp Funston, Kansas during the 1918 Spanish influenza outbreak. Public health officials are so worried about a flu pandemic, like the 1918 killer of 20 million people worldwide, that they are preparing localized response plans just as they do for hurricanes and earthquakes. (KRT) AP PL BL KD 2000 (Horiz.) (kn) (B&W ONLY) (Additional photos available on KRT Direct, KRT/PressLink or upon request) (Newscom TagID: krtphotos034064.jpg) [Photo via Newscom]、クレジット:KRT/ニューズコム/共同通信イメージズ

    商品コード: 2020041402863

  • 1986年12月31日
    Chornobyl disaster

    CHORNOBYL, UKRAINIAN SSR - DECEMBER 1986 - The N4 reactor of the Chornobyl NPP damaged on Saturday, April 26, 1986, is pictured encased in the Shelter Structure (Chornobyl NPP sarcophagus) during the final stages of the response effort to the nuclear accident. =1986(昭和61)年撮影月日不明、クレジット:Ukrinform/共同通信イメージズ

    商品コード: 2022020209652

  • 1987年10月06日
    Jerry Falwell, Sr. Testifies on Tax Exemptions for TV Ministries

    Televangelist and religious leader, Reverend Jerry Falwell, Sr, Founding Pastor, Thomas Road Baptist Church, Lynchburg, Virginia, testifies during the US House Committee on Ways and Means Oversight Subcommittee hearing to review the federal tax rules concerning tax-exempt organizations involving television ministries on Capitol Hill in Washington, DC on October 6, 1987. The hearing was in response to revelations of scandals and financial improprieties in some television ministries. Credit: Arnie Sachs / CNP、クレジット:CNP/DPA/共同通信イメージズ

    商品コード: 2021110912184

  • 1987年10月06日
    Jerry Falwell, Sr. Testifies on Tax Exemptions for TV Ministries

    Televangelist and religious leader, Reverend Jerry Falwell, Sr, Founding Pastor, Thomas Road Baptist Church, Lynchburg, Virginia, looks at his notes as he testifies during the US House Committee on Ways and Means Oversight Subcommittee hearing to review the federal tax rules concerning tax-exempt organizations involving television ministries on Capitol Hill in Washington, DC on October 6, 1987. The hearing was in response to revelations of scandals and financial improprieties in some television ministries. Credit: Arnie Sachs / CNP、クレジット:CNP/DPA/共同通信イメージズ

    商品コード: 2021110912207

  • 1987年10月06日
    Jerry Falwell, Sr. Testifies on Tax Exemptions for TV Ministries

    Televangelist and religious leader, Reverend Jerry Falwell, Sr, Founding Pastor, Thomas Road Baptist Church, Lynchburg, Virginia, testifies during the US House Committee on Ways and Means Oversight Subcommittee hearing to review the federal tax rules concerning tax-exempt organizations involving television ministries on Capitol Hill in Washington, DC on October 6, 1987. The hearing was in response to revelations of scandals and financial improprieties in some television ministries. Credit: Arnie Sachs / CNP、クレジット:CNP/DPA/共同通信イメージズ

    商品コード: 2021110912208

  • 1987年10月06日
    Jerry Falwell, Sr. Testifies on Tax Exemptions for TV Ministries

    Televangelist and religious leader, Reverend Jerry Falwell, Sr, Founding Pastor, Thomas Road Baptist Church, Lynchburg, Virginia, testifies during the US House Committee on Ways and Means Oversight Subcommittee hearing to review the federal tax rules concerning tax-exempt organizations involving television ministries on Capitol Hill in Washington, DC on October 6, 1987. The hearing was in response to revelations of scandals and financial improprieties in some television ministries. Credit: Arnie Sachs / CNP、クレジット:CNP/DPA/共同通信イメージズ

    商品コード: 2021110912193

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • ...