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「愛の寓意」の写真・グラフィックス・映像

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  •  Molded Dish with an Allegory of Love
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    Molded Dish with an Allegory of Love

    Molded Dish with an Allegory of Love; Unknown; Faenza, Italy, Emilia-Romagna, Europe; about 1535; Tin-glazed earthenware; Object: H: 7.3 x Diam.: 27.94cm (H: 2 7/8 x Diam.: 11 in.).、クレジット:Universal Images Group/共同通信イメージズ

    商品コード: 2021060811988

  •  Allegory of Love (in box with 43 drawings), (personifications and symbolic representations of) Love,
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    Allegory of Love (in box with 43 drawings), (personifications and symbolic representations of) Love,

    Allegory of Love (in box with 43 drawings), (personifications and symbolic representations of) Love, ‘Amore (secondo Seneca)‘ (Ripa) (allegorical scene, i.e. two or more personifications involved in an action), Louis Fabritius Dubourg, 1744, paper, ink, pencil, brush, h 121 mm × w 121 mm.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2023051107512

  •  Studies for The Allegories of Love.
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    Studies for The Allegories of Love.

    Studies for The Allegories of Love. Artist: Paolo Veronese (Paolo Caliari) (Italian, Verona 1528-1588 Venice). Dimensions: 12 5/8 x 8 3/4in. (32 x 22.2cm). Date: 1570-75.Drawn with awesome rapidity and a dazzling economy of means, this sheet of sketches attests to Veronese‘s extraordinary powers of invention as a storyteller. Here, he explored a variety of solutions to motifs that he later used in four canvases of the “Allegories of Love“ painted around 1575 (National Gallery, London). Veronese may have studied the figures from sketchy clay models, as suggested by the frequency with which he drew the same figures from different angles. To judge from the final paintings, it is clear that he shuffled figures, poses, and points of view from scene to scene but made use of all the design elements in this sheet.On the right, immediately below the studies for “Happy Union“、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031922995

  •  Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at right,
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    Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at right,

    Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at right,Venus in a chariot drawn by three doves at the left. Artist: After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome); Anonymous, 16th century; After Master of the Die (Italian, active Rome, ca. 1530-60). Dimensions: plate: 6 7/8 x 8 7/16 in. (17.5 x 21.5 cm). Date: ca. 1540-60. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062303445

  •  Molded Dish with an Allegory of Love; Unknown; Faenza, Italy, Emilia-Romagna, Europe; about 1535; Tin-glazed earthenware
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    Molded Dish with an Allegory of Love; Unknown; Faenza, Italy, Emilia-Romagna, Europe; about 1535; Tin-glazed earthenware

    Molded Dish with an Allegory of Love; Unknown; Faenza, Italy, Emilia-Romagna, Europe; about 1535; Tin-glazed earthenware; Object: H: 7.3 x Diam.: 27.94cm (H: 2 7/8 x Diam.: 11 in.).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021113002159

  •  Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at left,
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    Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at left,

    Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at left, Venus in a chariot drawn by three doves at the right, 153060, Engraving, sheet: 7 1/16 x 8 11/16 in. (18 x 22 cm), Prints, Master of the Die (Italian, active Rome, ca. 153060), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 14831520 Rome).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062303379

  •  Reconstruction Garrison Church
    2020年10月06日
    Reconstruction Garrison Church

    06 October 2020, Brandenburg, Potsdam: One of the flame vases is set on the balustrade above the western staircase of the Garrison Church. The sandstone sculpture on the side of the future church tower is supposed to be the symbol against the evil powers of Satan as an allegory of sacrificial Christian love. The foundation stone for the reconstruction of the Garrison Church was laid in 2005, the building permit for the first phase of construction was granted by the city of Potsdam in July 2013, and the start of construction was celebrated four years later with a large church service. Photo: Soeren Stache/dpa-Zentralbild/ZB、クレジット:ZB/DPA/共同通信イメージズ

    商品コード: 2020101605176

  •  Reconstruction Garrison Church
    2020年10月06日
    Reconstruction Garrison Church

    06 October 2020, Brandenburg, Potsdam: A flame vase with a satyr head is placed on the floor before being transported to the balustrade above the eastern staircase of the Garrison Church. The sandstone sculpture on the side of the future church tower is supposed to be the symbol against the evil powers of Satan as an allegory of sacrificial Christian love. The foundation stone for the reconstruction of the Garrison Church was laid in 2005, the building permit for the first phase of construction was granted by the city of Potsdam in July 2013, and the start of construction was celebrated four years later with a large church service. Photo: Soeren Stache/dpa-Zentralbild/ZB、クレジット:ZB/DPA/共同通信イメージズ

    商品コード: 2020101605454

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