「文脈化」の写真・グラフィックス・映像
- 提供元
- 日付
- 種類
- 向き
- カテゴリ
- 色
- 提供元
- 日付
- 24時間以内 0
- 48時間以内 0
- 72時間以内 0
- 7日以内 0
- 30日以内 0
- 1年以内 0
- 期間を指定 38
- 日付指定なし 38
- 種類
- 写真 38
- グラフィックス 0
- 映像 0
- 向き
- 縦 3
- 横 35
- 正方形 0
- カテゴリ
- ニュース
- スポーツ
- エンターテインメント
- 教育向け
- カテゴリ指定なし
- 色
- カラー 38
- モノクロ 0
- 古い順
- 1
- 古い順
2021年04月07日Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘ at the 2021 DesertX art presentation.April 6, 2021, Palm Springs, California, USA: Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘..Kim Stringfellowââ¬â¢s book ‘‘Jackrabbit Homestead: Tracing the Small Tract Act in the Southern Californian Landscape 1938-2008‘‘ explores how the public land policy made the desert accessible to a new demographic of land owners and introduced an architectural vernacular whose imprint persists to this day. The 112-square-foot cabin she created for Desert X trades the stark solitary romanticism of sand and sky for a small patch of sprawl nestled between the Palm Desert Chamber of Commerce and a CVS Pharmacy. Decontextualized in this way, the diminutive and unglamorous 1950s proletariat kit home becomes a beacon for conversations about class, sustainability, capitalism, public land, and the commons. Inside the cabin, a womanââ¬â¢s voice ââ¬â that of Catherine Venn Peterson, who chronicled her 1950 homesteading experience for Desert Magazine ââ¬â is heard as part of an audioscape collaboration between the artist, Geo...
商品コード: 2021040713328
2021年04月07日Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘ at the 2021 DesertX art presentation.April 6, 2021, Palm Springs, California, USA: Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘..Kim Stringfellowââ¬â¢s book ‘‘Jackrabbit Homestead: Tracing the Small Tract Act in the Southern Californian Landscape 1938-2008‘‘ explores how the public land policy made the desert accessible to a new demographic of land owners and introduced an architectural vernacular whose imprint persists to this day. The 112-square-foot cabin she created for Desert X trades the stark solitary romanticism of sand and sky for a small patch of sprawl nestled between the Palm Desert Chamber of Commerce and a CVS Pharmacy. Decontextualized in this way, the diminutive and unglamorous 1950s proletariat kit home becomes a beacon for conversations about class, sustainability, capitalism, public land, and the commons. Inside the cabin, a womanââ¬â¢s voice ââ¬â that of Catherine Venn Peterson, who chronicled her 1950 homesteading experience for Desert Magazine ââ¬â is heard as part of an audioscape collaboration between the artist, Geo...
商品コード: 2021040713325
2021年04月07日Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘ at the 2021 DesertX art presentation.April 6, 2021, Palm Springs, California, USA: Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘..Kim Stringfellowââ¬â¢s book ‘‘Jackrabbit Homestead: Tracing the Small Tract Act in the Southern Californian Landscape 1938-2008‘‘ explores how the public land policy made the desert accessible to a new demographic of land owners and introduced an architectural vernacular whose imprint persists to this day. The 112-square-foot cabin she created for Desert X trades the stark solitary romanticism of sand and sky for a small patch of sprawl nestled between the Palm Desert Chamber of Commerce and a CVS Pharmacy. Decontextualized in this way, the diminutive and unglamorous 1950s proletariat kit home becomes a beacon for conversations about class, sustainability, capitalism, public land, and the commons. Inside the cabin, a womanââ¬â¢s voice ââ¬â that of Catherine Venn Peterson, who chronicled her 1950 homesteading experience for Desert Magazine ââ¬â is heard as part of an audioscape collaboration between the artist, Geo...
商品コード: 2021040713493
2021年04月07日Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘ at the 2021 DesertX art presentation.April 6, 2021, Palm Springs, California, USA: Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘..Kim Stringfellowââ¬â¢s book ‘‘Jackrabbit Homestead: Tracing the Small Tract Act in the Southern Californian Landscape 1938-2008‘‘ explores how the public land policy made the desert accessible to a new demographic of land owners and introduced an architectural vernacular whose imprint persists to this day. The 112-square-foot cabin she created for Desert X trades the stark solitary romanticism of sand and sky for a small patch of sprawl nestled between the Palm Desert Chamber of Commerce and a CVS Pharmacy. Decontextualized in this way, the diminutive and unglamorous 1950s proletariat kit home becomes a beacon for conversations about class, sustainability, capitalism, public land, and the commons. Inside the cabin, a womanââ¬â¢s voice ââ¬â that of Catherine Venn Peterson, who chronicled her 1950 homesteading experience for Desert Magazine ââ¬â is heard as part of an audioscape collaboration between the artist, Geo...
商品コード: 2021040713433
2021年04月07日Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘ at the 2021 DesertX art presentation.April 6, 2021, Palm Springs, California, USA: Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘..Kim Stringfellowââ¬â¢s book ‘‘Jackrabbit Homestead: Tracing the Small Tract Act in the Southern Californian Landscape 1938-2008‘‘ explores how the public land policy made the desert accessible to a new demographic of land owners and introduced an architectural vernacular whose imprint persists to this day. The 112-square-foot cabin she created for Desert X trades the stark solitary romanticism of sand and sky for a small patch of sprawl nestled between the Palm Desert Chamber of Commerce and a CVS Pharmacy. Decontextualized in this way, the diminutive and unglamorous 1950s proletariat kit home becomes a beacon for conversations about class, sustainability, capitalism, public land, and the commons. Inside the cabin, a womanââ¬â¢s voice ââ¬â that of Catherine Venn Peterson, who chronicled her 1950 homesteading experience for Desert Magazine ââ¬â is heard as part of an audioscape collaboration between the artist, Geo...
商品コード: 2021040713342
2021年04月07日Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘ at the 2021 DesertX art presentation.April 6, 2021, Palm Springs, California, USA: Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘..Kim Stringfellowââ¬â¢s book ‘‘Jackrabbit Homestead: Tracing the Small Tract Act in the Southern Californian Landscape 1938-2008‘‘ explores how the public land policy made the desert accessible to a new demographic of land owners and introduced an architectural vernacular whose imprint persists to this day. The 112-square-foot cabin she created for Desert X trades the stark solitary romanticism of sand and sky for a small patch of sprawl nestled between the Palm Desert Chamber of Commerce and a CVS Pharmacy. Decontextualized in this way, the diminutive and unglamorous 1950s proletariat kit home becomes a beacon for conversations about class, sustainability, capitalism, public land, and the commons. Inside the cabin, a womanââ¬â¢s voice ââ¬â that of Catherine Venn Peterson, who chronicled her 1950 homesteading experience for Desert Magazine ââ¬â is heard as part of an audioscape collaboration between the artist, Geo...
商品コード: 2021040713497
2021年04月07日Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘ at the 2021 DesertX art presentation.April 6, 2021, Palm Springs, California, USA: Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘..Kim Stringfellowââ¬â¢s book ‘‘Jackrabbit Homestead: Tracing the Small Tract Act in the Southern Californian Landscape 1938-2008‘‘ explores how the public land policy made the desert accessible to a new demographic of land owners and introduced an architectural vernacular whose imprint persists to this day. The 112-square-foot cabin she created for Desert X trades the stark solitary romanticism of sand and sky for a small patch of sprawl nestled between the Palm Desert Chamber of Commerce and a CVS Pharmacy. Decontextualized in this way, the diminutive and unglamorous 1950s proletariat kit home becomes a beacon for conversations about class, sustainability, capitalism, public land, and the commons. Inside the cabin, a womanââ¬â¢s voice ââ¬â that of Catherine Venn Peterson, who chronicled her 1950 homesteading experience for Desert Magazine ââ¬â is heard as part of an audioscape collaboration between the artist, Geo...
商品コード: 2021040713501
2021年04月07日Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘ at the 2021 DesertX art presentation.April 6, 2021, Palm Springs, California, USA: Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘..Kim Stringfellowââ¬â¢s book ‘‘Jackrabbit Homestead: Tracing the Small Tract Act in the Southern Californian Landscape 1938-2008‘‘ explores how the public land policy made the desert accessible to a new demographic of land owners and introduced an architectural vernacular whose imprint persists to this day. The 112-square-foot cabin she created for Desert X trades the stark solitary romanticism of sand and sky for a small patch of sprawl nestled between the Palm Desert Chamber of Commerce and a CVS Pharmacy. Decontextualized in this way, the diminutive and unglamorous 1950s proletariat kit home becomes a beacon for conversations about class, sustainability, capitalism, public land, and the commons. Inside the cabin, a womanââ¬â¢s voice ââ¬â that of Catherine Venn Peterson, who chronicled her 1950 homesteading experience for Desert Magazine ââ¬â is heard as part of an audioscape collaboration between the artist, Geo...
商品コード: 2021040713307
2021年04月07日Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘ at the 2021 DesertX art presentation.April 6, 2021, Palm Springs, California, USA: Kim Stringfellow, ‘‘Jackrabbit Homestead‘‘..Kim Stringfellowââ¬â¢s book ‘‘Jackrabbit Homestead: Tracing the Small Tract Act in the Southern Californian Landscape 1938-2008‘‘ explores how the public land policy made the desert accessible to a new demographic of land owners and introduced an architectural vernacular whose imprint persists to this day. The 112-square-foot cabin she created for Desert X trades the stark solitary romanticism of sand and sky for a small patch of sprawl nestled between the Palm Desert Chamber of Commerce and a CVS Pharmacy. Decontextualized in this way, the diminutive and unglamorous 1950s proletariat kit home becomes a beacon for conversations about class, sustainability, capitalism, public land, and the commons. Inside the cabin, a womanââ¬â¢s voice ââ¬â that of Catherine Venn Peterson, who chronicled her 1950 homesteading experience for Desert Magazine ââ¬â is heard as part of an audioscape collaboration between the artist, Geo...
商品コード: 2021040713458
2021年04月12日Tour of the silos decorated by urban artists of Ciudad RealApril 12, 2021, Ciudad Real, (Castilla-La Mancha, Madrid, Spain: Silo entitled ‘The pillar of unified Love‘ on 12 April 2021, in Ciudad Real, Castilla-La Mancha, (Spain). The work has been made by the artist Nychos (Austria) with which he wanted the skeleton, human and animal, to be the protagonist of the intervention. The fear of death is a very human characteristic, and the skeleton is the representation of it. However, the artist wanted to take advantage of his recent research and personal experiences on the physical body, consciousness and spirituality to decontextualize the concept of death. For the Austrian artist, there is no place for the fear of death since love is everything and infinite...16 APRIL 2021;CIUDAD REAL;CASTILLA LA MANCHA..Patricia Galiana / Europa Press..04/12/2021 (Credit Image: © Patricia Galiana/Contacto via ZUMA Press)、クレジット：©Ｐａｔｒｉｃｉａ Ｇａｌｉａｎａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042006396
2021年04月12日Tour of the silos decorated by urban artists of Ciudad RealApril 12, 2021, Ciudad Real, (Castilla-La Mancha, Madrid, Spain: Silo entitled ‘The pillar of unified Love‘ on 12 April 2021, in Ciudad Real, Castilla-La Mancha, (Spain). The work has been made by the artist Nychos (Austria) with which he wanted the skeleton, human and animal, to be the protagonist of the intervention. The fear of death is a very human characteristic, and the skeleton is the representation of it. However, the artist wanted to take advantage of his recent research and personal experiences on the physical body, consciousness and spirituality to decontextualize the concept of death. For the Austrian artist, there is no place for the fear of death since love is everything and infinite...16 APRIL 2021;CIUDAD REAL;CASTILLA LA MANCHA..Patricia Galiana / Europa Press..04/12/2021 (Credit Image: © Patricia Galiana/Contacto via ZUMA Press)、クレジット：©Ｐａｔｒｉｃｉａ Ｇａｌｉａｎａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042006791
2021年04月12日Tour of the silos decorated by urban artists of Ciudad RealApril 12, 2021, Ciudad Real, (Castilla-La Mancha, Madrid, Spain: Silo entitled ‘The pillar of unified Love‘ on 12 April 2021, in Ciudad Real, Castilla-La Mancha, (Spain). The work has been made by the artist Nychos (Austria) with which he wanted the skeleton, human and animal, to be the protagonist of the intervention. The fear of death is a very human characteristic, and the skeleton is the representation of it. However, the artist wanted to take advantage of his recent research and personal experiences on the physical body, consciousness and spirituality to decontextualize the concept of death. For the Austrian artist, there is no place for the fear of death since love is everything and infinite...16 APRIL 2021;CIUDAD REAL;CASTILLA LA MANCHA..Patricia Galiana / Europa Press..04/12/2021 (Credit Image: © Patricia Galiana/Contacto via ZUMA Press)、クレジット：©Ｐａｔｒｉｃｉａ Ｇａｌｉａｎａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042006346
2021年04月12日Tour of the silos decorated by urban artists of Ciudad RealApril 12, 2021, Ciudad Real, (Castilla-La Mancha, Madrid, Spain: Silo entitled ‘The pillar of unified Love‘ on 12 April 2021, in Ciudad Real, Castilla-La Mancha, (Spain). The work has been made by the artist Nychos (Austria) with which he wanted the skeleton, human and animal, to be the protagonist of the intervention. The fear of death is a very human characteristic, and the skeleton is the representation of it. However, the artist wanted to take advantage of his recent research and personal experiences on the physical body, consciousness and spirituality to decontextualize the concept of death. For the Austrian artist, there is no place for the fear of death since love is everything and infinite...16 APRIL 2021;CIUDAD REAL;CASTILLA LA MANCHA..Patricia Galiana / Europa Press..04/12/2021 (Credit Image: © Patricia Galiana/Contacto via ZUMA Press)、クレジット：©Ｐａｔｒｉｃｉａ Ｇａｌｉａｎａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042004089
2021年04月12日Tour of the silos decorated by urban artists of Ciudad RealApril 12, 2021, Ciudad Real, (Castilla-La Mancha, Madrid, Spain: Silo entitled ‘The pillar of unified Love‘ on 12 April 2021, in Ciudad Real, Castilla-La Mancha, (Spain). The work has been made by the artist Nychos (Austria) with which he wanted the skeleton, human and animal, to be the protagonist of the intervention. The fear of death is a very human characteristic, and the skeleton is the representation of it. However, the artist wanted to take advantage of his recent research and personal experiences on the physical body, consciousness and spirituality to decontextualize the concept of death. For the Austrian artist, there is no place for the fear of death since love is everything and infinite...16 APRIL 2021;CIUDAD REAL;CASTILLA LA MANCHA..Patricia Galiana / Europa Press..04/12/2021 (Credit Image: © Patricia Galiana/Contacto via ZUMA Press)、クレジット：©Ｐａｔｒｉｃｉａ Ｇａｌｉａｎａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042006451
2021年04月12日Tour of the silos decorated by urban artists of Ciudad RealApril 12, 2021, Ciudad Real, (Castilla-La Mancha, Madrid, Spain: Silo entitled ‘The pillar of unified Love‘ on 12 April 2021, in Ciudad Real, Castilla-La Mancha, (Spain). The work has been made by the artist Nychos (Austria) with which he wanted the skeleton, human and animal, to be the protagonist of the intervention. The fear of death is a very human characteristic, and the skeleton is the representation of it. However, the artist wanted to take advantage of his recent research and personal experiences on the physical body, consciousness and spirituality to decontextualize the concept of death. For the Austrian artist, there is no place for the fear of death since love is everything and infinite...16 APRIL 2021;CIUDAD REAL;CASTILLA LA MANCHA..Patricia Galiana / Europa Press..04/12/2021 (Credit Image: © Patricia Galiana/Contacto via ZUMA Press)、クレジット：©Ｐａｔｒｉｃｉａ Ｇａｌｉａｎａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042006488
2021年04月12日Tour of the silos decorated by urban artists of Ciudad RealApril 12, 2021, Ciudad Real, (Castilla-La Mancha, Madrid, Spain: Silo entitled ‘The pillar of unified Love‘ on 12 April 2021, in Ciudad Real, Castilla-La Mancha, (Spain). The work has been made by the artist Nychos (Austria) with which he wanted the skeleton, human and animal, to be the protagonist of the intervention. The fear of death is a very human characteristic, and the skeleton is the representation of it. However, the artist wanted to take advantage of his recent research and personal experiences on the physical body, consciousness and spirituality to decontextualize the concept of death. For the Austrian artist, there is no place for the fear of death since love is everything and infinite...16 APRIL 2021;CIUDAD REAL;CASTILLA LA MANCHA..Patricia Galiana / Europa Press..04/12/2021 (Credit Image: © Patricia Galiana/Contacto via ZUMA Press)、クレジット：©Ｐａｔｒｉｃｉａ Ｇａｌｉａｎａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042006454
2021年04月12日Tour of the silos decorated by urban artists of Ciudad RealApril 12, 2021, Ciudad Real, (Castilla-La Mancha, Madrid, Spain: Silo entitled ‘The pillar of unified Love‘ on 12 April 2021, in Ciudad Real, Castilla-La Mancha, (Spain). The work has been made by the artist Nychos (Austria) with which he wanted the skeleton, human and animal, to be the protagonist of the intervention. The fear of death is a very human characteristic, and the skeleton is the representation of it. However, the artist wanted to take advantage of his recent research and personal experiences on the physical body, consciousness and spirituality to decontextualize the concept of death. For the Austrian artist, there is no place for the fear of death since love is everything and infinite...16 APRIL 2021;CIUDAD REAL;CASTILLA LA MANCHA..Patricia Galiana / Europa Press..04/12/2021 (Credit Image: © Patricia Galiana/Contacto via ZUMA Press)、クレジット：©Ｐａｔｒｉｃｉａ Ｇａｌｉａｎａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042004075
2021年04月12日Tour of the silos decorated by urban artists of Ciudad RealApril 12, 2021, Ciudad Real, (Castilla-La Mancha, Madrid, Spain: Silo entitled ‘The pillar of unified Love‘ on 12 April 2021, in Ciudad Real, Castilla-La Mancha, (Spain). The work has been made by the artist Nychos (Austria) with which he wanted the skeleton, human and animal, to be the protagonist of the intervention. The fear of death is a very human characteristic, and the skeleton is the representation of it. However, the artist wanted to take advantage of his recent research and personal experiences on the physical body, consciousness and spirituality to decontextualize the concept of death. For the Austrian artist, there is no place for the fear of death since love is everything and infinite...16 APRIL 2021;CIUDAD REAL;CASTILLA LA MANCHA..Patricia Galiana / Europa Press..04/12/2021 (Credit Image: © Patricia Galiana/Contacto via ZUMA Press)、クレジット：©Ｐａｔｒｉｃｉａ Ｇａｌｉａｎａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042006390
2021年04月12日Tour of the silos decorated by urban artists of Ciudad RealApril 12, 2021, Ciudad Real, (Castilla-La Mancha, Madrid, Spain: Silo entitled ‘The pillar of unified Love‘ on 12 April 2021, in Ciudad Real, Castilla-La Mancha, (Spain). The work has been made by the artist Nychos (Austria) with which he wanted the skeleton, human and animal, to be the protagonist of the intervention. The fear of death is a very human characteristic, and the skeleton is the representation of it. However, the artist wanted to take advantage of his recent research and personal experiences on the physical body, consciousness and spirituality to decontextualize the concept of death. For the Austrian artist, there is no place for the fear of death since love is everything and infinite...16 APRIL 2021;CIUDAD REAL;CASTILLA LA MANCHA..Patricia Galiana / Europa Press..04/12/2021 (Credit Image: © Patricia Galiana/Contacto via ZUMA Press)、クレジット：©Ｐａｔｒｉｃｉａ Ｇａｌｉａｎａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042006757
2021年04月24日The exhibition ‘Isidro Blasco. There is no place like home‘ comes to the Condeduque CentreApril 24, 2021, MADRID, Madrid, Spain: One of the works that make up the exhibition ‘Isidro Blasco. There is no place like home‘, on 24 April 2021, at Centro Condeduque, Madrid, (Spain). With this exhibition by Isidro Blasco, organized by MadBlue, the artist reflects on the way of looking at and contextualizing places. The artist also meditates on the mediatized way we often have about the vision of things. To do so, he fragments, reconstructs and recycles materials and sensations that help to recreate the architectural space, which is reinterpreted and depends on the subjective perception of the observer...24 APRIL 2021;ISIDRO BLASCO;EXHIBITION;CONDEDUQUE CENTER;ART;CULTURE..Jesús HellÃÂn / Europa Press..04/24/2021 (Credit Image: © JesúS HellÃÂN/Contacto via ZUMA Press)、クレジット：©ＪｅｓúＳ ＨｅｌｌÃÂＮ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042504793
2021年04月24日The exhibition ‘Isidro Blasco. There is no place like home‘ comes to the Condeduque CentreApril 24, 2021, MADRID, Madrid, Spain: One of the works that make up the exhibition ‘Isidro Blasco. There is no place like home‘, on 24 April 2021, at Centro Condeduque, Madrid, (Spain). With this exhibition by Isidro Blasco, organized by MadBlue, the artist reflects on the way of looking at and contextualizing places. The artist also meditates on the mediatized way we often have about the vision of things. To do so, he fragments, reconstructs and recycles materials and sensations that help to recreate the architectural space, which is reinterpreted and depends on the subjective perception of the observer...24 APRIL 2021;ISIDRO BLASCO;EXHIBITION;CONDEDUQUE CENTER;ART;CULTURE..Jesús HellÃÂn / Europa Press..04/24/2021 (Credit Image: © JesúS HellÃÂN/Contacto via ZUMA Press)、クレジット：©ＪｅｓúＳ ＨｅｌｌÃÂＮ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042504574
2021年04月24日The exhibition ‘Isidro Blasco. There is no place like home‘ comes to the Condeduque CentreApril 24, 2021, MADRID, Madrid, Spain: One of the works that make up the exhibition ‘Isidro Blasco. There is no place like home‘, on 24 April 2021, at Centro Condeduque, Madrid, (Spain). With this exhibition by Isidro Blasco, organized by MadBlue, the artist reflects on the way of looking at and contextualizing places. The artist also meditates on the mediatized way we often have about the vision of things. To do so, he fragments, reconstructs and recycles materials and sensations that help to recreate the architectural space, which is reinterpreted and depends on the subjective perception of the observer...24 APRIL 2021;ISIDRO BLASCO;EXHIBITION;CONDEDUQUE CENTER;ART;CULTURE..Jesús HellÃÂn / Europa Press..04/24/2021 (Credit Image: © JesúS HellÃÂN/Contacto via ZUMA Press)、クレジット：©ＪｅｓúＳ ＨｅｌｌÃÂＮ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042504499
2021年04月24日The exhibition ‘Isidro Blasco. There is no place like home‘ comes to the Condeduque CentreApril 24, 2021, MADRID, Madrid, Spain: One of the works that make up the exhibition ‘Isidro Blasco. There is no place like home‘, on 24 April 2021, at Centro Condeduque, Madrid, (Spain). With this exhibition by Isidro Blasco, organized by MadBlue, the artist reflects on the way of looking at and contextualizing places. The artist also meditates on the mediatized way we often have about the vision of things. To do so, he fragments, reconstructs and recycles materials and sensations that help to recreate the architectural space, which is reinterpreted and depends on the subjective perception of the observer...24 APRIL 2021;ISIDRO BLASCO;EXHIBITION;CONDEDUQUE CENTER;ART;CULTURE..Jesús HellÃÂn / Europa Press..04/24/2021 (Credit Image: © JesúS HellÃÂN/Contacto via ZUMA Press)、クレジット：©ＪｅｓúＳ ＨｅｌｌÃÂＮ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042504048
2021年04月24日The exhibition ‘Isidro Blasco. There is no place like home‘ comes to the Condeduque CentreApril 24, 2021, MADRID, Madrid, Spain: One of the works that make up the exhibition ‘Isidro Blasco. There is no place like home‘, on 24 April 2021, at Centro Condeduque, Madrid, (Spain). With this exhibition by Isidro Blasco, organized by MadBlue, the artist reflects on the way of looking at and contextualizing places. The artist also meditates on the mediatized way we often have about the vision of things. To do so, he fragments, reconstructs and recycles materials and sensations that help to recreate the architectural space, which is reinterpreted and depends on the subjective perception of the observer...24 APRIL 2021;ISIDRO BLASCO;EXHIBITION;CONDEDUQUE CENTER;ART;CULTURE..Jesús HellÃÂn / Europa Press..04/24/2021 (Credit Image: © JesúS HellÃÂN/Contacto via ZUMA Press)、クレジット：©ＪｅｓúＳ ＨｅｌｌÃÂＮ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042504381
2021年04月24日The exhibition ‘Isidro Blasco. There is no place like home‘ comes to the Condeduque CentreApril 24, 2021, MADRID, Madrid, Spain: One of the works that make up the exhibition ‘Isidro Blasco. There is no place like home‘, on 24 April 2021, at Centro Condeduque, Madrid, (Spain). With this exhibition by Isidro Blasco, organized by MadBlue, the artist reflects on the way of looking at and contextualizing places. The artist also meditates on the mediatized way we often have about the vision of things. To do so, he fragments, reconstructs and recycles materials and sensations that help to recreate the architectural space, which is reinterpreted and depends on the subjective perception of the observer...24 APRIL 2021;ISIDRO BLASCO;EXHIBITION;CONDEDUQUE CENTER;ART;CULTURE..Jesús HellÃÂn / Europa Press..04/24/2021 (Credit Image: © JesúS HellÃÂN/Contacto via ZUMA Press)、クレジット：©ＪｅｓúＳ ＨｅｌｌÃÂＮ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042504775
2021年04月24日The exhibition ‘Isidro Blasco. There is no place like home‘ comes to the Condeduque CentreApril 24, 2021, MADRID, Madrid, Spain: One of the works that make up the exhibition ‘Isidro Blasco. There is no place like home‘, on 24 April 2021, at Centro Condeduque, Madrid, (Spain). With this exhibition by Isidro Blasco, organized by MadBlue, the artist reflects on the way of looking at and contextualizing places. The artist also meditates on the mediatized way we often have about the vision of things. To do so, he fragments, reconstructs and recycles materials and sensations that help to recreate the architectural space, which is reinterpreted and depends on the subjective perception of the observer...24 APRIL 2021;ISIDRO BLASCO;EXHIBITION;CONDEDUQUE CENTER;ART;CULTURE..Jesús HellÃÂn / Europa Press..04/24/2021 (Credit Image: © JesúS HellÃÂN/Contacto via ZUMA Press)、クレジット：©ＪｅｓúＳ ＨｅｌｌÃÂＮ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042504791
2021年04月24日The exhibition ‘Isidro Blasco. There is no place like home‘ comes to the Condeduque CentreApril 24, 2021, MADRID, Madrid, Spain: One of the works that make up the exhibition ‘Isidro Blasco. There is no place like home‘, on 24 April 2021, at Centro Condeduque, Madrid, (Spain). With this exhibition by Isidro Blasco, organized by MadBlue, the artist reflects on the way of looking at and contextualizing places. The artist also meditates on the mediatized way we often have about the vision of things. To do so, he fragments, reconstructs and recycles materials and sensations that help to recreate the architectural space, which is reinterpreted and depends on the subjective perception of the observer...24 APRIL 2021;ISIDRO BLASCO;EXHIBITION;CONDEDUQUE CENTER;ART;CULTURE..Jesús HellÃÂn / Europa Press..04/24/2021 (Credit Image: © JesúS HellÃÂN/Contacto via ZUMA Press)、クレジット：©ＪｅｓúＳ ＨｅｌｌÃÂＮ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042504615
2021年04月24日The exhibition ‘Isidro Blasco. There is no place like home‘ comes to the Condeduque CentreApril 24, 2021, MADRID, Madrid, Spain: One of the works that make up the exhibition ‘Isidro Blasco. There is no place like home‘, on 24 April 2021, at Centro Condeduque, Madrid, (Spain). With this exhibition by Isidro Blasco, organized by MadBlue, the artist reflects on the way of looking at and contextualizing places. The artist also meditates on the mediatized way we often have about the vision of things. To do so, he fragments, reconstructs and recycles materials and sensations that help to recreate the architectural space, which is reinterpreted and depends on the subjective perception of the observer...24 APRIL 2021;ISIDRO BLASCO;EXHIBITION;CONDEDUQUE CENTER;ART;CULTURE..Jesús HellÃÂn / Europa Press..04/24/2021 (Credit Image: © JesúS HellÃÂN/Contacto via ZUMA Press)、クレジット：©ＪｅｓúＳ ＨｅｌｌÃÂＮ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021042504068
2021年06月15日Canisia LubrinJune 15, 2021, Whitby, on, Canada: Poet and writer Canisia Lubrin is photographed in Whitby, Ontario, on Tuesday June 15, 2021. Lubrin doesn‘t have much interest in the ‘‘autobiographical self.‘‘ But perhaps she won‘t mind letting you in on a few details about her, if only to contextualize the Griffin Poetry Prize finalist‘s rise as a wordsmith to watch in Canada‘s literary scene. (Credit Image: © Chris Young/The Canadian Press via ZUMA Press)、クレジット：©Ｃｈｒｉｓ Ｙｏｕｎｇ／Ｔｈｅ Ｃａｎａｄｉａｎ Ｐｒｅｓｓ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｃａｎａｄａ ａｎｄ Ｕ．Ｓ． ＲＩＧＨＴＳ ＯＵＴ
商品コード: 2021062214279
2021年09月23日The Regional Government of Madrid signs the Madrid Strategy for Employment 2021-23September 23, 2021, Madrid, Madrid, Spain: The President of the Community of Madrid, Isabel DÃÂaz Ayuso, during the signing of the Madrid Strategy for Employment 2021-23, at the Real Casa de Correos, on 23 September 2021, in Madrid, (Spain). With an initial investment of more than 1,000 million euros, this signature, agreed with the social partners last February, aims to improve employability, especially for those people with greater difficulty in accessing employment, and is contextualized in the Sustainable Development Goals presented in the 2030 Agenda...23 SEPTEMBER 2021;MADRID STRATEGY;COMMUNITY OF MADRID;INVESTMENT..Eduardo Parra / Europa Press..09/23/2021 (Credit Image: © Eduardo Parra/Contacto via ZUMA Press)、クレジット：©Ｅｄｕａｒｄｏ Ｐａｒｒａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021092401920
2021年09月23日The Regional Government of Madrid signs the Madrid Strategy for Employment 2021-23September 23, 2021, Madrid, Madrid, Spain: The President of the Community of Madrid, Isabel DÃÂaz Ayuso, speaks during the signing of the Madrid Strategy for Employment 2021-23, at the Real Casa de Correos, on 23 September 2021, in Madrid, (Spain). With an initial investment of more than 1,000 million euros, this signature, agreed with the social partners last February, aims to improve employability, especially for those people with greater difficulty in accessing employment, and is contextualized in the Sustainable Development Goals presented in the 2030 Agenda...23 SEPTEMBER 2021;MADRID STRATEGY;COMMUNITY OF MADRID;INVESTMENT..Eduardo Parra / Europa Press..09/23/2021 (Credit Image: © Eduardo Parra/Contacto via ZUMA Press)、クレジット：©Ｅｄｕａｒｄｏ Ｐａｒｒａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021092401937
2021年09月23日The Regional Government of Madrid signs the Madrid Strategy for Employment 2021-23September 23, 2021, Madrid, Madrid, Spain: The President of the Community of Madrid, Isabel DÃÂaz Ayuso, speaks during the signing of the Madrid Strategy for Employment 2021-23, at the Real Casa de Correos, on 23 September 2021, in Madrid, (Spain). With an initial investment of more than 1,000 million euros, this signature, agreed with the social partners last February, aims to improve employability, especially for those people with greater difficulty in accessing employment, and is contextualized in the Sustainable Development Goals presented in the 2030 Agenda...23 SEPTEMBER 2021;MADRID STRATEGY;COMMUNITY OF MADRID;INVESTMENT..Eduardo Parra / Europa Press..09/23/2021 (Credit Image: © Eduardo Parra/Contacto via ZUMA Press)、クレジット：©Ｅｄｕａｒｄｏ Ｐａｒｒａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021092401915
2021年09月23日The Regional Government of Madrid signs the Madrid Strategy for Employment 2021-23September 23, 2021, Madrid, Madrid, Spain: The President of the Community of Madrid, Isabel DÃÂaz Ayuso and the Regional Government‘s Minister of Economy, Finance and Employment, Javier Fernández-Lasquetty, during the signing of the Madrid Strategy for Employment 2021-23, at the Real Casa de Correos, on 23 September 2021, in Madrid, (Spain). With an initial investment of more than 1,000 million euros, this signature, agreed with the social partners last February, aims to improve employability, especially for those people with greater difficulty in accessing employment, and is contextualized in the Sustainable Development Goals presented in the 2030 Agenda...23 SEPTEMBER 2021;MADRID STRATEGY;COMMUNITY OF MADRID;INVESTMENT..Eduardo Parra / Europa Press..09/23/2021 (Credit Image: © Eduardo Parra/Contacto via ZUMA Press)、クレジット：©Ｅｄｕａｒｄｏ Ｐａｒｒａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021092401870
2021年09月23日The Regional Government of Madrid signs the Madrid Strategy for Employment 2021-23September 23, 2021, Madrid, Madrid, Spain: The President of the Community of Madrid, Isabel DÃÂaz Ayuso, during the signing of the Madrid Strategy for Employment 2021-23, at the Real Casa de Correos, on 23 September 2021, in Madrid, (Spain). With an initial investment of more than 1,000 million euros, this signature, agreed with the social partners last February, aims to improve employability, especially for those people with greater difficulty in accessing employment, and is contextualized in the Sustainable Development Goals presented in the 2030 Agenda...23 SEPTEMBER 2021;MADRID STRATEGY;COMMUNITY OF MADRID;INVESTMENT..Eduardo Parra / Europa Press..09/23/2021 (Credit Image: © Eduardo Parra/Contacto via ZUMA Press)、クレジット：©Ｅｄｕａｒｄｏ Ｐａｒｒａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021092401887
2021年09月23日The Regional Government of Madrid signs the Madrid Strategy for Employment 2021-23September 23, 2021, Madrid, Madrid, Spain: The President of the Community of Madrid, Isabel DÃÂaz Ayuso, speaks during the signing of the Madrid Strategy for Employment 2021-23, at the Real Casa de Correos, on 23 September 2021, in Madrid, (Spain). With an initial investment of more than 1,000 million euros, this signature, agreed with the social partners last February, aims to improve employability, especially for those people with greater difficulty in accessing employment, and is contextualized in the Sustainable Development Goals presented in the 2030 Agenda...23 SEPTEMBER 2021;MADRID STRATEGY;COMMUNITY OF MADRID;INVESTMENT..Eduardo Parra / Europa Press..09/23/2021 (Credit Image: © Eduardo Parra/Contacto via ZUMA Press)、クレジット：©Ｅｄｕａｒｄｏ Ｐａｒｒａ／Ｃｏｎｔａｃｔｏ ｖｉａ ＺＵＭＡ Ｐｒｅｓｓ／共同通信イメージズ ※Ｆｒａｎｃｅ， Ｇｅｒｍａｎｙ ， ＵＫ ａｎｄ Ｓｐａｉｎ Ｒｉｇｈｔｓ ＯＵＴ
商品コード: 2021092401955
2021年09月23日The Regional Government of Madrid signs the Madrid Strategy for Employment 2021-23September 23, 2021, Madrid, Madrid, Spain: (L-R) The Regional Government‘s Minister of Economy, Finance and Employment, Javier Fernández-Lasquetty, the Secretary General of CCOO Madrid, Paloma López; the President of the Community of Madrid, Isabel DÃÂaz Ayuso; the President of the Madrid Business Confederation CEIM- CEOE, Miguel Garrido and the Secretary General of UGT Madrid, Luis Miguel López Reillo, pose during the signing of the Madrid Strategy for Employment 2021-23, at the Real Casa de Correos, on 23 September 2021, in Madrid, (Spain). With an initial investment of more than 1,000 million euros, this signature, agreed with the social partners last February, aims to improve employability, especially for those people with greater difficulty in accessing employment, and is contextualized in the Sustainable Development Goals presented in the 2030 Agenda...23 SEPTEMBER 2021;MADRID STRATEGY;COMMUNITY OF MADRID;INVESTMENT..Eduardo Parra / Europa Press..09/23/2021 (Credit Image: © Eduardo Parra/Cont...
商品コード: 2021092401840
2021年10月15日Jubilee for Climate Campaign in London, UKOctober 15, 2021, London, England: Protestors climb on St Paul‘s and hang a banner dedicated to the Jubilee For Climate campaign that is just being launched downstairs by Africans Rising UK. It is Thomas Sankara Day, the anniversary of the president of Burkina Faso‘s assassination, but also the tenth anniversary of Occupy London. The day was chosen to contextualise the campaign within the long history of the struggle for ecological, social and economic sovereignty and to put the voices of the global South at the heart of this initiative. (Credit Image: © Sabrina Merolla/ZUMA Press Wire)、クレジット：©Ｓａｂｒｉｎａ Ｍｅｒｏｌｌａ／ＺＵＭＡ Ｐｒｅｓｓ Ｗｉｒｅ／共同通信イメージズ
商品コード: 2021101612471
2021年10月15日Protestors from Around the World Launch the Jubilee for Climate Campaign in London, UKOctober 15, 2021, London, England, United Kingdom: Paternoster Square, London, UK, 15th October 2021. MET police are showing in St. Paulââ¬â¢s as protestors gather to launch the Jubilee For Climate campaign by Africans Rising UK. Today is Thomas Sankara Day, the anniversary of the president of Burkina Faso‘s assassination, and the tenth anniversary of Occupy London..The day has been chosen to contextualise the campaign within the long history of the struggle for ecological, social and economic sovereignty and to put the voices of the global South at the heart of this initiative. ââ¬ÅBecause without self-determination, there will be no end to the inequalities and exploitative practices driving the climate crisis. (Credit Image: © Sabrina Merolla/ZUMA Press Wire)、クレジット：©Ｓａｂｒｉｎａ Ｍｅｒｏｌｌａ／ＺＵＭＡ Ｐｒｅｓｓ Ｗｉｒｅ／共同通信イメージズ
商品コード: 2021101611368
- 1
