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  • -
    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401527

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401534

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    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401537

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    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401539

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401492

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401493

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    sculpture at the Doge‘s Palace in Venice

    (Detail) sculpture at the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401494

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401495

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401529

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    sculpture at the Doge‘s Palace in Venice

    (Detail) sculpture at the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401515

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401509

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    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401487

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401490

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401483

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    A Sermon in a Village Church.

    A Sermon in a Village Church. Artist: Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Dimensions: 16 5/8 x 22 9/16 in. (42.2 x 57.3 cm). Date: ca. 1630.This sheet, a relatively recent addition to Rubens‘s drawn oeuvre, is exceptional in several ways. Even if it seems to have been slightly cropped (especially at the left and the top), it remains one of the artist‘s largest works on paper. Its technique is much richer than that of most of his other drawings, combining chalk and paints, and gives the work the appearance of an oil sketch. The subject matter may be considered unique for Rubens. In a simple village church, a Catholic priest can be seen preaching to farmers and peasants--men on the left and women on the right--who listen with varying degrees of attentiveness.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033002935

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    稲佐のイサバ船と弁財船

    長崎稲佐海岸にもやっている船。中央の船は比較的大型に見える。向かって左から二番目の船は中型で、大型船を含めて弁財船と呼ばれた。左の小船は近距離用として関西を中心に活躍したイサバ船であろう。=撮影年月日不明、長崎、撮影者:不明、クレジット:長崎大学附属図書館所蔵/共同通信イメージズ ※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。 [整理番号15‐36‐0]

    商品コード: 2017080201456

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    Man with a Celestial Globe.

    Man with a Celestial Globe. Artist: Nicolaes Eliasz Pickenoy (Dutch, Amsterdam 1588-1650/56 Amsterdam). Dimensions: 41 1/4 x 30 in. (104.8 x 76.2 cm). Date: 1624.Although recently published as a work by Werner van den Valckert (born about 1585, died 1627/28), this panel is almost certainly a comparatively early work by another Amsterdam portraitist, Nicolaes Eliasz. At the death of the conservative Cornelis van der Voort (born about 1576, died 1624), Eliasz. and the young Thomas de Keyser (see A Musician and His Daughter of 1629, 64.65.4) became the leading portraitists in Amsterdam until Rembrandt arrived in the winter of 1631-32. In its description of physical qualities and in expression this portrait is engaging, クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062905363

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    This montage compares New Horizons‘ best views of Ganymede

    This montage compares New Horizons‘ best views of Ganymede, Jupiter‘s largest moon. LORRI.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019072405163

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    Computerized Stock Quotes

    New York, New York: c. 1966. New computers aided stock quotations in the 1960‘s. Here, stock exchange employees compare the old ticker tape and new computerized systems.、クレジット:Underwood Archives/Universal Images Group/共同通信イメージズ

    商品コード: 2019111306621

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    Magic Lantern slide circa 1900 hand coloured

    Magic Lantern slide circa 1900 hand coloured. Titled Cities and places of interest in the Mediterranean.42—THE ENTRANCE TO VALETTA GRAND HARBOUR. We here are presented with a view of the harbour somewhat different from -the one previously shown. The houses looking down upon it belong to that part of the town known as the Citta Vittoriosa, and are in some cases of great antiquity. At one time they were the residences of the old Maltese nobility and gentry, but they have now passed into the occupation of the sailors, boatmen, and others whose business is carried on in such places. The Grand Harbour is of comparatively modern construction, though it is actually built upon the lines of an ancient one that existed here as long back as the time when St. Paul visited the island.、クレジット:John Short/Universal Images Group/共同通信イメージズ

    商品コード: 2019112801673

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    Dancer at a Café Concert.

    Dancer at a Café Concert. Artist: Théophile-Alexandre Steinlen (French (born Switzerland), Lausanne 1859-1923 Paris). Dimensions: 17 1/16 x 14 1/8 in. (43.4 x 35.8 cm). Date: 1892-93.An illustrator and poster artist, Steinlen‘s flamboyant imagery of the café concert invites comparison with Henri de Toulouse-Lautrec, his neighbor in Paris. Steinlen was the principal illustrator of Le Mirliton, a journal published by Aristide Bruant, the owner of a cabaret by the same title. Steinlen made this drawing as a cover design for the 17 February 1893 issue of the journal, to illustrate the song “Tha-ma-ra-boum-di-hé“ and its accompanying dance, the high-kicking chahut. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031700835

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    (Friedrich) Max Muller (1823-1900) Anglo-German orientalist and philologist

    (Friedrich) Max Muller (1823-1900) Anglo-German orientalist and philologist, born at Dessau, who moved to England in 1846. Cartoon by ‘Ape‘ (Carlo Pellegrini - 1838-1889) from ‘Vanity Fair‘ (London, 6 February 1875). Chromolithograph.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2018122521309

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    Delicate instruments were developed by al-Zahrawi and others for eye surgery including scalpels

    Delicate instruments were developed by al-Zahrawi and others for eye surgery including scalpels, cauteries, retractors, speculums and scissors. The scissors created for eye surgery were amongst the first scissors used anywhere in the world. The scalpels invented by early Islamic surgeons compare in quality with the instruments used today.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019052104489

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    Spitzer Space Telescope composite comparison visible-light and infrared views

    Spitzer Space Telescope composite comparison visible-light and infrared views of the glowing Trifid Nebula, a giant star-forming cloud of gas and dust located in the constellation Sagittarius. Credit NASA. Science Astronomy、クレジット:NASA/World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019022103714

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    This skull

    This skull, one of several different kinds of giant lemur inhabiting Madagascar that became extinct in relatively recent times. The fossil evidence strongly points to these mammals becoming extinct soon after modern man reached Madagascar - evidence that people have been affecting the ecological balance since prehistoric times.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019100400236

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    This skull

    This skull, one of several different kinds of giant lemur inhabitating Madagascar that became extinct in relatively recent times. The fossil evidence strongly points to these mammals becoming extinct soon after modern man reached Madagascar - evidence that people have been affecting the ecological balance since prehistoric times.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019100400278

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    Sir Richard Owen (20 July 1804 18 December 1892) was an English biologist

    Sir Richard Owen (20 July 1804 18 December 1892) was an English biologist, comparative anatomist and paleontologist. Best known for his work with interpreting fossils.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019072505650

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    Portrait of Louis XVI

    Portrait of Louis XVI, King of France. Workshop of Joseph Siffred Duplessis (1725-1802), oil on canvas, c. 1777-1789. Duplessis painted the first version of this portrait in 1777. Although the king wears his principal chivalric orders, he is portrayed in relatively simple attire and assumes an informal pose. This portrait found great favour, and Duplessis was repeatedly commissioned to copy it. This likeness was thus widely disseminated and hung in government buildings and palaces, among other places.、クレジット:World History Archive/ニューズコム/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019072603450

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    Marble stairscase in Kedleston Hall in Kedleston

    Marble stairscase in Kedleston Hall in Kedleston, Derbyshire, is approximately four miles north-west of Derby, and is the seat of the Curzon family since at least 1297. The house was designed by the Palladian architects James Paine and Matthew Brettingham At the time a relatively unknown architect, Robert Adam was designing some garden temples to enhance the landscape of the park; Curzon was so impressed with Adam‘s designs, that Adam was quickly put in charge of the construction of the new mansion. this statue in the Corps de logis sits within the six-columned Corinthian portico, then the south front (illustrated right) is pure Robert Adam.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019070402179

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    Kedleston Hall in Kedleston

    Kedleston Hall in Kedleston, Derbyshire, is approximately four miles north-west of Derby, and is the seat of the Curzon family since at least 1297. The house was designed by the Palladian architects James Paine and Matthew Brettingham At the time a relatively unknown architect, Robert Adam was designing some garden temples to enhance the landscape of the park; Curzon was so impressed with Adam‘s designs, that Adam was quickly put in charge of the construction of the new mansion. The Bridge is designed by Robert Adam、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019070402175

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    ornate underside of the prtico on the North entrance of Kedleston Hall in Kedleston

    ornate underside of the prtico on the North entrance of Kedleston Hall in Kedleston, Derbyshire, is approximately four miles north-west of Derby, and is the seat of the Curzon family since at least 1297. The house was designed by the Palladian architects James Paine and Matthew Brettingham At the time a relatively unknown architect, Robert Adam was designing some garden temples to enhance the landscape of the park; Curzon was so impressed with Adam‘s designs, that Adam was quickly put in charge of the construction of the new mansion. this statue in the Corps de logis sits within the six-columned Corinthian portico, then the south front (illustrated right) is pure Robert Adam.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019070402154

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    This montage compares New Horizons‘ best views of Ganymede

    This montage compares New Horizons‘ best views of Ganymede, Jupiter‘s largest moon. LORRI.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019072405213

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    田子ノ浦沼川からの富士山

    田子の浦より見た富士山。現在の沼川、鈴川付近の橋。人力車と旅人を眺める人物は舟の船頭か。舟は比較的大きな和船で荷船であったと考えられる。=撮影年月日不明、静岡、撮影者:日下部金兵衛、クレジット:長崎大学附属図書館所蔵/共同通信イメージズ ※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。 [整理番号4‐19‐0]

    商品コード: 2017080200822

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    A Farm in Brittany.

    A Farm in Brittany. Artist: Paul Gauguin (French, Paris 1848-1903 Atuona, Hiva Oa, Marquesas Islands). Dimensions: 28 1/2 x 35 5/8 in. (72.4 x 90.5 cm). Date: ca. 1894.From early in his career Gauguin was attracted to the relatively remote and unspoiled terrain of Brittany in northwestern France. Breton culture, infused with vestiges of its pagan Celtic past, appealed to his taste for the primitive and the exotic. The artist is thought to have made this work during his fifth and final visit to the region in 1894, between voyages to the tropics. The brushwork recalls Gauguin‘s earlier Impressionist pictures, while the palette evokes his Tahitian paintings. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020041702659

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    Man in Oriental Costume (‘The Noble Slav‘), 1632, Oil on canvas, 60 1/8 x 43 3/4in. (152.7 x 111.1cm), Paintings, Rembra

    Man in Oriental Costume (‘The Noble Slav‘), 1632, Oil on canvas, 60 1/8 x 43 3/4in. (152.7 x 111.1cm), Paintings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Compared with Rembrandt‘s formal portraits of the same year, this picture is remarkable for its brilliant brushwork and dramatic illumination. It was probably painted shortly after he moved from his native Leiden to Amsterdam, and in its exotic subject and style was surely intended for a knowledgeable collector.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021020600039

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    Naked bodies compared to irises in hot water

    Naked bodies compared to irises in hot water, comparing hips to a snow laden willow in hot water by Kunichika Toyohara, 1835-1900, japanes artist. dated 1868. Print shows a scene in a women‘s public bath, with many women bathing, some washing children, and a small group are fighting among themselves.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020021306100

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    A Shaded Avenue.

    A Shaded Avenue. Artist: Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). Dimensions: 11 1/2 x 9 1/2 in. (29.2 x 24.1 cm). Date: ca. 1775.While Fragonard was primarily a figure painter, he was also a gifted landscapist, influenced by Dutch views of the previous century, as well as by scenes in France and Italy. He made several drawings that are variations of this subject and larger that the present panel (one sheet is in the Petit Palais, Paris). He often showed light entering a relatively dark space through an arched opening. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030404505

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    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401452

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    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401429

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401476

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401464

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401473

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 157、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401458

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401449

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    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401450

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401451

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    Man in Oriental Costume (“The Noble Slav“).

    Man in Oriental Costume (“The Noble Slav“). Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 60 1/8 x 43 3/4in. (152.7 x 111.1cm). Date: 1632.Compared with Rembrandt‘s formal portraits of the same year, this picture is remarkable for its brilliant brushwork and dramatic illumination. It was probably painted shortly after he moved from his native Leiden to Amsterdam, and in its exotic subject and style was surely intended for a knowledgeable collector. Pictures of imaginary Persian, Ottoman, or otherwise “Oriental“ princes were popular at the time because of new trade contacts between the Dutch and the Middle East. However, the model is a Dutchman who appears in other paintings by Rembrandt and by artists in his circle. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062807481

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    Kwan-yu seated

    Utagawa Kuniyoshi print of deified General Kwan-yu seated from the ‘Comparison of the Ogura One Hundred Poets, One Poem Each‘ series.、クレジット:? Ashmolean Museum/Mary Evans/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101101079

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    México.

    México. Idolos de Campeche y de Yucatán. Se incluye en la obra “Cérémonies et coutumes religieuses de tous les peuples du monde“, que ofrece una visión comparada e ilustrada de las religiones. Bernard Picart. Amsterdam. Países Bajos. Primera mitad del siglo XVIII. Grabado. Museo de América. Madrid. España.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019102904289

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    1855

    1855, Colton Map or Comparative Chart of the World‘s Islands and Lakes.、クレジット:Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020020700793

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    1826

    1826, Finley Comparative Map of the Principle Mountains of the World.、クレジット:Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020020701148

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    芝増上寺五重の石塔

    二代将軍秀忠(台徳院)霊廟奥院中門脇に立てられていた石塔である。石塔前に配された女性と比較すると高さは約5m程と思われる。左端に僅かに写るのが秀忠の木製宝塔の覆屋を囲む玉垣の一部である。=撮影年月日不明、東京、撮影者:不明、クレジット:長崎大学附属図書館所蔵/共同通信イメージズ ※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。 [整理番号85‐34‐0]

    商品コード: 2017081401461

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    James Clerk Maxwell‘s (1831-1879)

    James Clerk Maxwell‘s (1831-1879) apparatus for the comparison of electrostatic and electromagnetic units. From JEH Gordon A Physical Treatise on Electricity and Magnetism, London, 1880、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019080210850

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    山手谷戸坂からの関内居留地

    山手谷戸坂途中から関内居留地を見た写真である。外国人居留地の大規模な近代建築と、元町の日本住宅の比較ができる。写真中央は、横浜港である。=撮影年月日不明、横浜、撮影者:日下部金兵衛、クレジット:長崎大学附属図書館所蔵/共同通信イメージズ ※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。 [整理番号43‐21‐0]

    商品コード: 2017080902777

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    Atacamite is a copper halide mineral

    Atacamite is a copper halide mineral, a copperchloride hydroxide. It was first described for deposits in the Atacama Desert of Chile in 1801 and is a comparatively rare mineral.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019080105139

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401381

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401382

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401383

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401408

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 157、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401420

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401424

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401416

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401542

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401543

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible fades look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401548

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    Delicate instruments were developed by al-Zahrawi and others for eye surgery including scalpels

    Delicate instruments were developed by al-Zahrawi and others for eye surgery including scalpels, cauteries, retractors, speculums and scissors. The scissors created for eye surgery were amongst the first scissors used anywhere in the world. The scalpels invented by early Islamic surgeons compare in quality with the instruments used today.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019052104461

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    Man Putting

    Man Putting.、クレジット:Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020103001837

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    Diesel engine: internal combustion engine invented by Rudolph Diesel in 1897.

    Diesel engine: internal combustion engine invented by Rudolph Diesel in 1897. In 1892, Diesel (1858-1913) patented a design for a new type of internal combustion engine. Research into his invention was subsidised by the German armaments manufacturers Krupps. In 1897 Diesel produced a 25 horsepower, four-stroke, single vertical cylinder compression engine, the high efficiency of which, together with its comparative simplicity of design, made it an immediate commercial success. Subsequent royalty fees brought great wealth to its inventor. From ‘Grande Encyclopedie Practique de Mecanique et d‘Electricite‘ by H Desarces. (Paris, c1910).、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019022107127

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    湖畔の宿場町

    場所を特定する手掛かりはないが、他の写真などとの比較から、芦ノ湖あたりの雰囲気がうかがえる。いずれにせよかなり賑いを見せる宿場町のようである。風景写真としても美しい。=撮影年月日不明、場所不明、撮影者:不明、クレジット:長崎大学附属図書館所蔵/共同通信イメージズ ※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。 [整理番号37‐75‐0]

    商品コード: 2017080902449

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    Pair of elephant-head vases (vases à tête d‘éléphant), ca. 1758, French, Sèvres, Soft-paste porcelain, 1983.

    Pair of elephant-head vases (vases à tête d‘éléphant), ca. 1758, French, Sèvres, Soft-paste porcelain, 1983.185.10: 13 1/2 × 8 1/2 in. (34.3 × 21.6 cm); 1983.185.11: 13 3/4 × 8 1/2 in. (34.9 × 21.6 cm), Ceramics-Porcelain, Relatively few elephant head vases were produced at Sèvres, perhaps due to the sculptural complexity of the model and thus the cost in making it.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2022010507597

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    Female compares the sun with a drawing of the sun next to her on a wall, Jan Luyken, Pieter Arentsz II, 1687.

    Female compares the sun with a drawing of the sun next to her on a wall, Jan Luyken, Pieter Arentsz II, 1687.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022012206649

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    Panel with Birds, Griffins, and Animals, 11th12th century, Attributed to Egypt, Wood; carved, L.

    Panel with Birds, Griffins, and Animals, 11th12th century, Attributed to Egypt, Wood; carved, L. 35 1/2 in. (90.1 cm), Wood, Later Fatimid art is characterized by the increased use of relatively naturalistic human and animal motifs. The pattern of antelopes, flying eagles, and griffins on this wooden panel demonstrates that tendency.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042309873

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    ? ??? ?????? ?, Four anecdotes from the life of Wang Xizhi, Yuan dynasty (12711368), 1310s, China,

    ? ??? ?????? ?, Four anecdotes from the life of Wang Xizhi, Yuan dynasty (12711368), 1310s, China, Handscroll; ink on paper, Image: 9 5/8 x 46 1/16 in. (24.4 x 117 cm), Calligraphy, Zhao Mengfu (Chinese, 12541322), The emperor Yuan Renzong (r. 131220) is said to have remarked that no one could compare with Zhao Mengfu, who possessed seven outstanding qualities: Song royal ancestry, elegant appearance, wide learning, pure character and righteous conduct, literary accomplishment, skill in calligraphy and painting, and profound knowledge of Buddhist and Daoist teachings.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042309950

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    ?? ??? ?????? ?, Poems on Painting Plum Blossoms and Bamboo, Song dynasty (9601279), dated 1260, China, Handscroll;

    ?? ??? ?????? ?, Poems on Painting Plum Blossoms and Bamboo, Song dynasty (9601279), dated 1260, China, Handscroll; ink on paper, Image: 13 3/8 in. × 11 ft. 7 in. (34 × 353.1 cm), Calligraphy, Zhao Mengjian (Chinese, 1199before 1267), An accomplished poet, collector, painter, and calligrapher and a member of the Song royal family, Zhao Mengjian was compared by his contemporaries to the famous scholar-connoisseur Mi Fu (10521107). Like Mi‘s, Zhao‘s writing does not derive from a single source but combines the best of many earlier models: the natural charm of the fourth-century Jin writers, the brush method and character structure of the seventh-century Tang masters, and the free expression of the eleventh-century Northern Song calligraphers.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022050400591

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    Plate, probably mid-19th century, Russian, Kyschtymsk (Kyshtym), Iron, cast and patinated, 3/4 × 8 5/8 in.

    Plate, probably mid-19th century, Russian, Kyschtymsk (Kyshtym), Iron, cast and patinated, 3/4 × 8 5/8 in. (1.9 × 21.9 cm), Metalwork-Iron, Plates of this design were made in ironworks from Coalbrookdale, England, to Kyshtym in the Ural Mountains of Russia, as well as in a number of foundries in Central Europe. The relative inexpensiveness of the medium was suited to the means of a growing middle class; its manufacture supplied middle-class patrons with decorative objects.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022050400872

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    Hell in triumph or The devil has got his own, Peepo Mellico, scratchavit.

    Hell in triumph or The devil has got his own, Peepo Mellico, scratchavit., en sanguine engraving 1779, Sir Hugh Palliser, a naval admiral and accuser of Admiral Augustus Keppel following the inconclusive battle off the coast of Ushant in 1778, being pulled off a cliff by demons toward the open mouth of the Devil. During Keppel‘s trial he was compared to Admiral John Byng, shown blindfolded at center, who was executed on charges for losing Minorca in 1756. Also shown is Alexander Hood, an admiral in Palliser‘s fleet, holding a log-book; he testified in defense of Keppel. Fame flies overhead bearing two medallions, A.K. for Augustus Keppel, and S.R.H. possibly for Admiral Samuel Hood, brother of Alexander Hood.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021112712317

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    Mt. Holyoke, Massachusetts - Scenes.

    Mt. Holyoke, Massachusetts - Scenes. A very old independent paper mill, wood pulp, not rags, continuing site and ownership in relatively straight line, once connected with a wood pulp mill near to Hoosie Tunnel; the type of near-to-mill transportation; the canal; glimpse of most modern mill type in background. Franklin Paper Company. Farr Alpaca - No. 4, 1936, Lewis Hine, 1874 - 1940, was an American photographer, who used his camera as a tool for social reform. US,USA.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022012812176

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    Portrait of a Seated Man, late 1650s or early 1660s, Oil on wood, 14 1/8 x 12 in.

    Portrait of a Seated Man, late 1650s or early 1660s, Oil on wood, 14 1/8 x 12 in. (35.9 x 30.5 cm), Paintings, Gerard ter Borch the Younger (Dutch, Zwolle 16171681 Deventer), Although Ter Borch was born in the comparatively provincial eastern Dutch town of Zwolle and made his career at nearby Deventer after 1654, he was intimately familiar with painting in Haarlem, Amsterdam, and The Hague.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022061904205

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    Courtesan Reading Beside a Potted Plum Tree (From the series Seven Courtesans Compared to Taoist Immortals),

    Courtesan Reading Beside a Potted Plum Tree (From the series Seven Courtesans Compared to Taoist Immortals), early 1820s. Yashima Gakutei (Japanese, 1786(?)-1868). Color woodblock print (surimono); sheet: 20.7 x 18.5 cm (8 1/8 x 7 5/16 in.).、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022072810645

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    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401366

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    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401540

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    sculpture at the Doge‘s Palace in Venice

    (Detail) sculpture at the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401497

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    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401528

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401531

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401516

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401524

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401506

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401505

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    Spitzer Space Telescope comparison views in visible light and infrared of the glowing Trifid Nebula

    Spitzer Space Telescope comparison views in visible light and infrared of the glowing Trifid Nebula, a giant star-forming cloud of gas and dust located 5,400 light-years away in the Sagittarius. Credit NASA. Science Astronomy、クレジット:NASA/World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019022103730

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    Delicate instruments were developed by al-Zahrawi and others for eye surgery including scalpels

    Delicate instruments were developed by al-Zahrawi and others for eye surgery including scalpels, cauteries, retractors, speculums and scissors. The scissors created for eye surgery were amongst the first scissors used anywhere in the world. The scalpels invented by early Islamic surgeons compare in quality with the instruments used today.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019052104477

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    Delicate instruments were developed by al-Zahrawi and others for eye surgery including scalpels

    Delicate instruments were developed by al-Zahrawi and others for eye surgery including scalpels, cauteries, retractors, speculums and scissors. The scissors created for eye surgery were amongst the first scissors used anywhere in the world. The scalpels invented by early Islamic surgeons compare in quality with the instruments used today.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019052104471

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    The optical properties (color

    The optical properties (color, intensity) of minerals such as azurite and malachite are explained in the context of conventional electronic spectroscopy of coordination complexes. Relatively detailed descriptions are proided by ligand field theory.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019111505581

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    Kedleston Hall in Kedleston

    Kedleston Hall in Kedleston, Derbyshire, is approximately four miles north-west of Derby, and is the seat of the Curzon family since at least 1297. The house was designed by the Palladian architects James Paine and Matthew Brettingham At the time a relatively unknown architect, Robert Adam was designing some garden temples to enhance the landscape of the park; Curzon was so impressed with Adam‘s designs, that Adam was quickly put in charge of the construction of the new mansion. this statue in the Corps de logis sits within the six-columned Corinthian portico, then the south front (illustrated right) is pure Robert Adam.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019101805398

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    Young Lady in 1866.

    Young Lady in 1866. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 72 7/8 x 50 5/8 in. (185.1 x 128.6 cm). Date: 1866.Manet‘s model, Victorine Meurent, had recently posed as the brazen nudes in <i>Olympia</i> and <i>Luncheon on the Grass</i> (both Musée d‘Orsay, Paris). Here, appearing relatively demure, she flaunts an intimate silk dressing gown. Critics eyed the painting as a rejoinder to Courbet‘s <i>Woman with a Parrot</i> (29.100.57) and as indicative of Manet‘s “current vice“ of failing to “value a head more than a slipper.“ Recent scholars have interpreted it as an allegory of the five senses: the nosegay (smell), the orange (taste), the parrot-confidant (hearing), and the man‘s monocle she fingers (sight and touch). Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031303979

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    King David with Angels.

    King David with Angels. Artist: Morazzone (Pier Francesco Mazzucchelli) (Italian, Morazzone 1573-1626 Piacenza). Dimensions: 10 7/16 x 8 11/16 in. (26.5 x 22.1 cm). Date: ca. 1625-26.The monumental seated figure of David who points downward as he receives inspiration from an angel at upper left dominates this scene; in the right background the youthful figure of an angel can be discerned playing the harp. This relatively finished, squared demonstration drawing (‘modello‘) was preparatory for a fresco on one of the spandrels supporting the dome of Piacenza Cathedral, painted by Morazzone in 1625-26, shortly before his death. The frescoes were left unfinished by Morazzone and the remaining compartments were finished by Guercino. Among the only differences between study and finished work, the drawing omits the monumental flying figure of the angel bearing a scroll、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020061106484

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    仁王像

    金剛力士像の阿形と吽形が一対となった仁王像である。寺門の両辺に安置する護法の憤怒尊であるが、本写真の像は大きさを推定する比較物はないが、陶土彩色人形のようである。=撮影年月日不明、場所不明、撮影者:小川一真、クレジット:長崎大学附属図書館所蔵/共同通信イメージズ ※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。 [整理番号25‐17‐0]

    商品コード: 2017080400592

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    稲佐のイサバ船と弁財船

    長崎稲佐海岸における大型、中型の弁財船とイサバ船。向かって右側の二隻は比較的大型で1000石級の上方型弁財船、中央一隻は中型で500石級の弁財船。左側一隻は小型で線型も異なり、近距離用として関西を中心に活躍したイサバ船であろう。=1877(明治10)年、長崎、撮影者:不明、クレジット:長崎大学附属図書館所蔵/共同通信イメージズ ※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。 [整理番号21‐18‐0]

    商品コード: 2017080201835

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    Statue of Saint Marc at the Doge‘s Palace in Venice

    Statue of Saint Marc at the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible fa軋des look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111418094

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401359

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    (Friedrich) Max Muller (1823-1900) Anglo-German orientalist and philologist

    (Friedrich) Max Muller (1823-1900) Anglo-German orientalist and philologist, born at Dessau, who moved to England in 1846. From ‘The Cabinet Portrait Gallery‘ (London, 1890-1894). Woodburytype after photograph by W & D Downey.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2018122521379

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