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architectural feature from the Doge‘s Palace in Venice

(Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401527

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architectural feature from the Doge‘s Palace in Venice

(Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401534

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(Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

(Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401537

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Interior courtyard

Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401539

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401492

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architectural feature from the Doge‘s Palace in Venice

(Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401493

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sculpture at the Doge‘s Palace in Venice

(Detail) sculpture at the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401494

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401495

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architectural feature from the Doge‘s Palace in Venice

(Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401529

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sculpture at the Doge‘s Palace in Venice

(Detail) sculpture at the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401515

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401509

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Interior courtyard

Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401487

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401490

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401483

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A Sermon in a Village Church.

A Sermon in a Village Church. Artist: Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Dimensions: 16 5/8 x 22 9/16 in. (42.2 x 57.3 cm). Date: ca. 1630.This sheet, a relatively recent addition to Rubens‘s drawn oeuvre, is exceptional in several ways. Even if it seems to have been slightly cropped (especially at the left and the top), it remains one of the artist‘s largest works on paper. Its technique is much richer than that of most of his other drawings, combining chalk and paints, and gives the work the appearance of an oil sketch. The subject matter may be considered unique for Rubens. In a simple village church, a Catholic priest can be seen preaching to farmers and peasants--men on the left and women on the right--who listen with varying degrees of attentiveness.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020033002935

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稲佐のイサバ船と弁財船

長崎稲佐海岸にもやっている船。中央の船は比較的大型に見える。向かって左から二番目の船は中型で、大型船を含めて弁財船と呼ばれた。左の小船は近距離用として関西を中心に活躍したイサバ船であろう。＝撮影年月日不明、長崎、撮影者：不明、クレジット：長崎大学附属図書館所蔵／共同通信イメージズ　※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。　［整理番号１５‐３６‐０］

商品コード: 2017080201456

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Man with a Celestial Globe.

Man with a Celestial Globe. Artist: Nicolaes Eliasz Pickenoy (Dutch, Amsterdam 1588-1650/56 Amsterdam). Dimensions: 41 1/4 x 30 in. (104.8 x 76.2 cm). Date: 1624.Although recently published as a work by Werner van den Valckert (born about 1585, died 1627/28), this panel is almost certainly a comparatively early work by another Amsterdam portraitist, Nicolaes Eliasz. At the death of the conservative Cornelis van der Voort (born about 1576, died 1624), Eliasz. and the young Thomas de Keyser (see A Musician and His Daughter of 1629, 64.65.4) became the leading portraitists in Amsterdam until Rembrandt arrived in the winter of 1631-32. In its description of physical qualities and in expression this portrait is engaging, クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020062905363

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This montage compares New Horizons‘ best views of Ganymede

This montage compares New Horizons‘ best views of Ganymede, Jupiter‘s largest moon. LORRI.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019072405163

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Computerized Stock Quotes

New York, New York: c. 1966. New computers aided stock quotations in the 1960‘s. Here, stock exchange employees compare the old ticker tape and new computerized systems.、クレジット：Ｕｎｄｅｒｗｏｏｄ　Ａｒｃｈｉｖｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2019111306621

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Dancer at a Café Concert.

Dancer at a Café Concert. Artist: Théophile-Alexandre Steinlen (French (born Switzerland), Lausanne 1859-1923 Paris). Dimensions: 17 1/16 x 14 1/8 in. (43.4 x 35.8 cm). Date: 1892-93.An illustrator and poster artist, Steinlen‘s flamboyant imagery of the café concert invites comparison with Henri de Toulouse-Lautrec, his neighbor in Paris. Steinlen was the principal illustrator of Le Mirliton, a journal published by Aristide Bruant, the owner of a cabaret by the same title. Steinlen made this drawing as a cover design for the 17 February 1893 issue of the journal, to illustrate the song “Tha-ma-ra-boum-di-hé“ and its accompanying dance, the high-kicking chahut. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020031700835

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(Friedrich) Max Muller (1823-1900) Anglo-German orientalist and philologist

(Friedrich) Max Muller (1823-1900) Anglo-German orientalist and philologist, born at Dessau, who moved to England in 1846. Cartoon by ‘Ape‘ (Carlo Pellegrini - 1838-1889) from ‘Vanity Fair‘ (London, 6 February 1875). Chromolithograph.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2018122521309

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Delicate instruments were developed by al-Zahrawi and others for eye surgery including scalpels

Delicate instruments were developed by al-Zahrawi and others for eye surgery including scalpels, cauteries, retractors, speculums and scissors. The scissors created for eye surgery were amongst the first scissors used anywhere in the world. The scalpels invented by early Islamic surgeons compare in quality with the instruments used today.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019052104489

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Spitzer Space Telescope composite comparison visible-light and infrared views

Spitzer Space Telescope composite comparison visible-light and infrared views of the glowing Trifid Nebula, a giant star-forming cloud of gas and dust located in the constellation Sagittarius. Credit NASA. Science Astronomy、クレジット：ＮＡＳＡ／Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019022103714

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This skull

This skull, one of several different kinds of giant lemur inhabiting Madagascar that became extinct in relatively recent times. The fossil evidence strongly points to these mammals becoming extinct soon after modern man reached Madagascar - evidence that people have been affecting the ecological balance since prehistoric times.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019100400236

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This skull

This skull, one of several different kinds of giant lemur inhabitating Madagascar that became extinct in relatively recent times. The fossil evidence strongly points to these mammals becoming extinct soon after modern man reached Madagascar - evidence that people have been affecting the ecological balance since prehistoric times.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019100400278

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Portrait of Louis XVI

Portrait of Louis XVI, King of France. Workshop of Joseph Siffred Duplessis (1725-1802), oil on canvas, c. 1777-1789. Duplessis painted the first version of this portrait in 1777. Although the king wears his principal chivalric orders, he is portrayed in relatively simple attire and assumes an informal pose. This portrait found great favour, and Duplessis was repeatedly commissioned to copy it. This likeness was thus widely disseminated and hung in government buildings and palaces, among other places.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019072603450

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Marble stairscase in Kedleston Hall in Kedleston

Marble stairscase in Kedleston Hall in Kedleston, Derbyshire, is approximately four miles north-west of Derby, and is the seat of the Curzon family since at least 1297. The house was designed by the Palladian architects James Paine and Matthew Brettingham At the time a relatively unknown architect, Robert Adam was designing some garden temples to enhance the landscape of the park; Curzon was so impressed with Adam‘s designs, that Adam was quickly put in charge of the construction of the new mansion. this statue in the Corps de logis sits within the six-columned Corinthian portico, then the south front (illustrated right) is pure Robert Adam.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019070402179

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Kedleston Hall in Kedleston

Kedleston Hall in Kedleston, Derbyshire, is approximately four miles north-west of Derby, and is the seat of the Curzon family since at least 1297. The house was designed by the Palladian architects James Paine and Matthew Brettingham At the time a relatively unknown architect, Robert Adam was designing some garden temples to enhance the landscape of the park; Curzon was so impressed with Adam‘s designs, that Adam was quickly put in charge of the construction of the new mansion. The Bridge is designed by Robert Adam、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019070402175

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ornate underside of the prtico on the North entrance of Kedleston Hall in Kedleston

ornate underside of the prtico on the North entrance of Kedleston Hall in Kedleston, Derbyshire, is approximately four miles north-west of Derby, and is the seat of the Curzon family since at least 1297. The house was designed by the Palladian architects James Paine and Matthew Brettingham At the time a relatively unknown architect, Robert Adam was designing some garden temples to enhance the landscape of the park; Curzon was so impressed with Adam‘s designs, that Adam was quickly put in charge of the construction of the new mansion. this statue in the Corps de logis sits within the six-columned Corinthian portico, then the south front (illustrated right) is pure Robert Adam.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019070402154

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This montage compares New Horizons‘ best views of Ganymede

This montage compares New Horizons‘ best views of Ganymede, Jupiter‘s largest moon. LORRI.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019072405213

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A Farm in Brittany.

A Farm in Brittany. Artist: Paul Gauguin (French, Paris 1848-1903 Atuona, Hiva Oa, Marquesas Islands). Dimensions: 28 1/2 x 35 5/8 in. (72.4 x 90.5 cm). Date: ca. 1894.From early in his career Gauguin was attracted to the relatively remote and unspoiled terrain of Brittany in northwestern France. Breton culture, infused with vestiges of its pagan Celtic past, appealed to his taste for the primitive and the exotic. The artist is thought to have made this work during his fifth and final visit to the region in 1894, between voyages to the tropics. The brushwork recalls Gauguin‘s earlier Impressionist pictures, while the palette evokes his Tahitian paintings. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020041702659

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Man in Oriental Costume (‘The Noble Slav‘), 1632, Oil on canvas, 60 1/8 x 43 3/4in. (152.7 x 111.1cm), Paintings, Rembra

Man in Oriental Costume (‘The Noble Slav‘), 1632, Oil on canvas, 60 1/8 x 43 3/4in. (152.7 x 111.1cm), Paintings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Compared with Rembrandt‘s formal portraits of the same year, this picture is remarkable for its brilliant brushwork and dramatic illumination. It was probably painted shortly after he moved from his native Leiden to Amsterdam, and in its exotic subject and style was surely intended for a knowledgeable collector.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2021020600039

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Naked bodies compared to irises in hot water

Naked bodies compared to irises in hot water, comparing hips to a snow laden willow in hot water by Kunichika Toyohara, 1835-1900, japanes artist. dated 1868. Print shows a scene in a women‘s public bath, with many women bathing, some washing children, and a small group are fighting among themselves.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020021306100

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A Shaded Avenue.

A Shaded Avenue. Artist: Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). Dimensions: 11 1/2 x 9 1/2 in. (29.2 x 24.1 cm). Date: ca. 1775.While Fragonard was primarily a figure painter, he was also a gifted landscapist, influenced by Dutch views of the previous century, as well as by scenes in France and Italy. He made several drawings that are variations of this subject and larger that the present panel (one sheet is in the Petit Palais, Paris). He often showed light entering a relatively dark space through an arched opening. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020030404505

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Interior courtyard

Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401452

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Interior courtyard

Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401429

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401476

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architectural feature from the Doge‘s Palace in Venice

(Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401464

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401473

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 157、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401458

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401449

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(Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

(Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401450

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401451

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Man in Oriental Costume (“The Noble Slav“).

Man in Oriental Costume (“The Noble Slav“). Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 60 1/8 x 43 3/4in. (152.7 x 111.1cm). Date: 1632.Compared with Rembrandt‘s formal portraits of the same year, this picture is remarkable for its brilliant brushwork and dramatic illumination. It was probably painted shortly after he moved from his native Leiden to Amsterdam, and in its exotic subject and style was surely intended for a knowledgeable collector. Pictures of imaginary Persian, Ottoman, or otherwise “Oriental“ princes were popular at the time because of new trade contacts between the Dutch and the Middle East. However, the model is a Dutchman who appears in other paintings by Rembrandt and by artists in his circle. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2020062807481

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Kwan-yu seated

Utagawa Kuniyoshi print of deified General Kwan-yu seated from the ‘Comparison of the Ogura One Hundred Poets, One Poem Each‘ series.、クレジット：？　Ａｓｈｍｏｌｅａｎ　Ｍｕｓｅｕｍ／Ｍａｒｙ　Ｅｖａｎｓ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019101101079

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México.

México. Idolos de Campeche y de Yucatán. Se incluye en la obra “Cérémonies et coutumes religieuses de tous les peuples du monde“, que ofrece una visión comparada e ilustrada de las religiones. Bernard Picart. Amsterdam. Países Bajos. Primera mitad del siglo XVIII. Grabado. Museo de América. Madrid. España.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2019102904289

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1855

1855, Colton Map or Comparative Chart of the World‘s Islands and Lakes.、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020020700793

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1826

1826, Finley Comparative Map of the Principle Mountains of the World.、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020020701148

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芝増上寺五重の石塔

二代将軍秀忠（台徳院）霊廟奥院中門脇に立てられていた石塔である。石塔前に配された女性と比較すると高さは約５ｍ程と思われる。左端に僅かに写るのが秀忠の木製宝塔の覆屋を囲む玉垣の一部である。＝撮影年月日不明、東京、撮影者：不明、クレジット：長崎大学附属図書館所蔵／共同通信イメージズ　※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。　［整理番号８５‐３４‐０］

商品コード: 2017081401461

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James Clerk Maxwell‘s (1831-1879)

James Clerk Maxwell‘s (1831-1879) apparatus for the comparison of electrostatic and electromagnetic units. From JEH Gordon A Physical Treatise on Electricity and Magnetism, London, 1880、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019080210850

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401381

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401382

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401383

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401408

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 157、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401420

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architectural feature on the facade of the Doge‘s Palace in Venice

(Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401424

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401416

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401542

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Exterior facade of the Doge‘s Palace in Venice

Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401543

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architectural feature from the Doge‘s Palace in Venice

(Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible fades look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019040401548

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Delicate instruments were developed by al-Zahrawi and others for eye surgery including scalpels

Delicate instruments were developed by al-Zahrawi and others for eye surgery including scalpels, cauteries, retractors, speculums and scissors. The scissors created for eye surgery were amongst the first scissors used anywhere in the world. The scalpels invented by early Islamic surgeons compare in quality with the instruments used today.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

商品コード: 2019052104461

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Man Putting

Man Putting.、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2020103001837

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Diesel engine: internal combustion engine invented by Rudolph Diesel in 1897.

Diesel engine: internal combustion engine invented by Rudolph Diesel in 1897. In 1892, Diesel (1858-1913) patented a design for a new type of internal combustion engine. Research into his invention was subsidised by the German armaments manufacturers Krupps. In 1897 Diesel produced a 25 horsepower, four-stroke, single vertical cylinder compression engine, the high efficiency of which, together with its comparative simplicity of design, made it an immediate commercial success. Subsequent royalty fees brought great wealth to its inventor. From ‘Grande Encyclopedie Practique de Mecanique et d‘Electricite‘ by H Desarces. (Paris, c1910).、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019022107127

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湖畔の宿場町

場所を特定する手掛かりはないが、他の写真などとの比較から、芦ノ湖あたりの雰囲気がうかがえる。いずれにせよかなり賑いを見せる宿場町のようである。風景写真としても美しい。＝撮影年月日不明、場所不明、撮影者：不明、クレジット：長崎大学附属図書館所蔵／共同通信イメージズ　※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。　［整理番号３７‐７５‐０］

商品コード: 2017080902449

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Camelus dromedarius, Print, The dromedary, also called the Arabian camel (Camelus dromedarius), is a large,

Camelus dromedarius, Print, The dromedary, also called the Arabian camel (Camelus dromedarius), is a large, even-toed ungulate with one hump on its back. The dromedary is the tallest of the three species of camel; adult males stand 1.82 m (5.96.6 ft) at the shoulder, while females are 1.71.9 m (5.66.2 ft) tall. Males typically weigh between 400 and 600 kg (880 and 1, 320 lb), and females weigh between 300 and 540 kg (660 and 1, 190 lb). The species‘ distinctive features include its long, curved neck, narrow chest, a single hump (compared with two on the Bactrian camel and wild Bactrian camel), and long hairs on the throat, shoulders and hump. The coat is generally a shade of brown. The hump, 20 cm (7.9 in) tall or more, is made of fat bound together by fibrous tissue., skeleton.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022090413465

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Strombus luhuanus, Print, Conomurex luhuanus, common name Strawberry conch or Tiger conch,

Strombus luhuanus, Print, Conomurex luhuanus, common name Strawberry conch or Tiger conch, is a species of medium-sized sea snail, a marine gastropod mollusk in the family Strombidae, the true conchs. C. luhuanus is found in sandy habitat among corals in the Indopacific region. They feed on algae or detritus, move with a modified foot, and have complex eyes compared to other gastropods.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022090413295

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Sus scrofa domestica, Print, The domestic pig (Sus scrofa domesticus or only Sus domesticus), often called swine, hog,

Sus scrofa domestica, Print, The domestic pig (Sus scrofa domesticus or only Sus domesticus), often called swine, hog, or simply pig when there is no need to distinguish it from other pigs, is a domesticated large, even-toed ungulate. It is variously considered a subspecies of the Eurasian boar or a distinct species. The domestic pig‘s head-plus-body-length ranges from 0.9 to 1.8 m (35 to 71 in), and adult pigs typically weigh between 50 and 350 kg (110 and 770 lb), with well-fed individuals often exceeding this weight range. The size and weight of a hog largely depends on its breed. Compared to other artiodactyls, its head is relatively long, pointed, and free of warts. Even-toed ungulates are generally herbivorous, but the domestic pig is an omnivore, like its wild relative., reproductive organs.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022090413241

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Trionyx aegyptiacus, Print, Trionyx is a genus of softshell turtles belonging to the family Trionychidae.

Trionyx aegyptiacus, Print, Trionyx is a genus of softshell turtles belonging to the family Trionychidae. In the past many species in the family were classified in this genus, but today T. triunguis, the African or Nile softshell turtle, is the only extant softshell still classified as Trionyx. The other species still assigned to this genus are only known from fossils. T. triunguis is a relatively large, aquatic piscivore., 1700-1880.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022090413554

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WEIGHING THE COMPENSATION MONEY EXACTED FROM THE CHINESE FOR THE RELEASED BRITISH PRISONERS.

WEIGHING THE COMPENSATION MONEY EXACTED FROM THE CHINESE FOR THE RELEASED BRITISH PRISONERS.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022082212015

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Formicivora rufimarginata, Print, Formicivora is a genus of insectivorous birds in the antbird family, Thamnophilidae.

Formicivora rufimarginata, Print, Formicivora is a genus of insectivorous birds in the antbird family, Thamnophilidae. These relatively small, long-tailed antbirds are strongly sexually dichromatic. They are found in semi-open habitats in woodland and shrub in South America. They have several rows of white spots on the wings. Males are usually darker below than they are above, and sometimes have a fringe of white on the side., 1700-1880.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022091009414

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Planorbis corneus, Print, Planorbarius corneus, common name the great ramshorn,

Planorbis corneus, Print, Planorbarius corneus, common name the great ramshorn, is a relatively large species of air-breathing freshwater snail, an aquatic pulmonate gastropod mollusk in the family Planorbidae, the ram‘s horn snails, or planorbids, which all have sinistral or left-coiling shells.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022091010081

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Antennarius tridens, Print, Antennarius is a genus of 11 species of fish in the family Antennariidae.

Antennarius tridens, Print, Antennarius is a genus of 11 species of fish in the family Antennariidae. These fish spend most of their lives on the bottom in relatively shallow water between 20 and 100 m.They can be found worldwide in tropical and subtropical waters. They are well-camouflaged ambush predators that wait for prey fish to pass by. They have “lures“ which they move to attract the prey. They have little economic value other than a minor role in the aquarium trade. Commerson‘s frogfish was the first species in this genus to be described, in 1798., 1700-1880.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022091006894

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Sterna cantiaca, Print, Sterna is a genus of terns in the bird family Laridae.

Sterna cantiaca, Print, Sterna is a genus of terns in the bird family Laridae. Sterna is derived from Old English “stearn“ which appears in the poem The Seafarer; a similar word was used to refer to terns by the Frisians. It used to encompass most “white“ terns indiscriminately, but mtDNA sequence comparisons have recently determined that this arrangement is paraphyletic. It is now restricted to the typical medium-sized white terns occurring near-globally in coastal regions., 1700-1880.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022091009985

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Portrait of a Seated Man, late 1650s or early 1660s, Oil on wood, 14 1/8 x 12 in.

Portrait of a Seated Man, late 1650s or early 1660s, Oil on wood, 14 1/8 x 12 in. (35.9 x 30.5 cm), Paintings, Gerard ter Borch the Younger (Dutch, Zwolle 16171681 Deventer), Although Ter Borch was born in the comparatively provincial eastern Dutch town of Zwolle and made his career at nearby Deventer after 1654, he was intimately familiar with painting in Haarlem, Amsterdam, and The Hague.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022061904205

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Courtesan Reading Beside a Potted Plum Tree (From the series Seven Courtesans Compared to Taoist Immortals),

Courtesan Reading Beside a Potted Plum Tree (From the series Seven Courtesans Compared to Taoist Immortals), early 1820s. Yashima Gakutei (Japanese, 1786(?)-1868). Color woodblock print (surimono); sheet: 20.7 x 18.5 cm (8 1/8 x 7 5/16 in.).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022072810645

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Antennarius marmoratus, Print, Antennarius is a genus of 11 species of fish in the family Antennariidae.

Antennarius marmoratus, Print, Antennarius is a genus of 11 species of fish in the family Antennariidae. These fish spend most of their lives on the bottom in relatively shallow water between 20 and 100 m. They can be found worldwide in tropical and subtropical waters. They are well-camouflaged ambush predators that wait for prey fish to pass by. They have “lures“ which they move to attract the prey. They have little economic value other than a minor role in the aquarium trade. Commerson‘s frogfish was the first species in this genus to be described, in 1798., 1700-1880.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022083006304

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Antennarius commersonii, Print, Antennarius is a genus of 11 species of fish in the family Antennariidae.

Antennarius commersonii, Print, Antennarius is a genus of 11 species of fish in the family Antennariidae. These fish spend most of their lives on the bottom in relatively shallow water between 20 and 100 m.They can be found worldwide in tropical and subtropical waters. They are well-camouflaged ambush predators that wait for prey fish to pass by. They have “lures“ which they move to attract the prey. They have little economic value other than a minor role in the aquarium trade. Commerson‘s frogfish was the first species in this genus to be described, in 1798., 1700-1880.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022083004735

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Pair of elephant-head vases (vases à tête d‘éléphant), ca. 1758, French, Sèvres, Soft-paste porcelain, 1983.

Pair of elephant-head vases (vases à tête d‘éléphant), ca. 1758, French, Sèvres, Soft-paste porcelain, 1983.185.10: 13 1/2 × 8 1/2 in. (34.3 × 21.6 cm); 1983.185.11: 13 3/4 × 8 1/2 in. (34.9 × 21.6 cm), Ceramics-Porcelain, Relatively few elephant head vases were produced at Sèvres, perhaps due to the sculptural complexity of the model and thus the cost in making it.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

商品コード: 2022010507597

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Female compares the sun with a drawing of the sun next to her on a wall, Jan Luyken, Pieter Arentsz II, 1687.

Female compares the sun with a drawing of the sun next to her on a wall, Jan Luyken, Pieter Arentsz II, 1687.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022012206649

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Panel with Birds, Griffins, and Animals, 11th12th century, Attributed to Egypt, Wood; carved, L.

Panel with Birds, Griffins, and Animals, 11th12th century, Attributed to Egypt, Wood; carved, L. 35 1/2 in. (90.1 cm), Wood, Later Fatimid art is characterized by the increased use of relatively naturalistic human and animal motifs. The pattern of antelopes, flying eagles, and griffins on this wooden panel demonstrates that tendency.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022042309873

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? ??? ?????? ?, Four anecdotes from the life of Wang Xizhi, Yuan dynasty (12711368), 1310s, China,

? ??? ?????? ?, Four anecdotes from the life of Wang Xizhi, Yuan dynasty (12711368), 1310s, China, Handscroll; ink on paper, Image: 9 5/8 x 46 1/16 in. (24.4 x 117 cm), Calligraphy, Zhao Mengfu (Chinese, 12541322), The emperor Yuan Renzong (r. 131220) is said to have remarked that no one could compare with Zhao Mengfu, who possessed seven outstanding qualities: Song royal ancestry, elegant appearance, wide learning, pure character and righteous conduct, literary accomplishment, skill in calligraphy and painting, and profound knowledge of Buddhist and Daoist teachings.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022042309950

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?? ??? ?????? ?, Poems on Painting Plum Blossoms and Bamboo, Song dynasty (9601279), dated 1260, China, Handscroll;

?? ??? ?????? ?, Poems on Painting Plum Blossoms and Bamboo, Song dynasty (9601279), dated 1260, China, Handscroll; ink on paper, Image: 13 3/8 in. × 11 ft. 7 in. (34 × 353.1 cm), Calligraphy, Zhao Mengjian (Chinese, 1199before 1267), An accomplished poet, collector, painter, and calligrapher and a member of the Song royal family, Zhao Mengjian was compared by his contemporaries to the famous scholar-connoisseur Mi Fu (10521107). Like Mi‘s, Zhao‘s writing does not derive from a single source but combines the best of many earlier models: the natural charm of the fourth-century Jin writers, the brush method and character structure of the seventh-century Tang masters, and the free expression of the eleventh-century Northern Song calligraphers.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022050400591

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Plate, probably mid-19th century, Russian, Kyschtymsk (Kyshtym), Iron, cast and patinated, 3/4 × 8 5/8 in.

Plate, probably mid-19th century, Russian, Kyschtymsk (Kyshtym), Iron, cast and patinated, 3/4 × 8 5/8 in. (1.9 × 21.9 cm), Metalwork-Iron, Plates of this design were made in ironworks from Coalbrookdale, England, to Kyshtym in the Ural Mountains of Russia, as well as in a number of foundries in Central Europe. The relative inexpensiveness of the medium was suited to the means of a growing middle class; its manufacture supplied middle-class patrons with decorative objects.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022050400872

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Hell in triumph or The devil has got his own, Peepo Mellico, scratchavit.

Hell in triumph or The devil has got his own, Peepo Mellico, scratchavit., en sanguine engraving 1779, Sir Hugh Palliser, a naval admiral and accuser of Admiral Augustus Keppel following the inconclusive battle off the coast of Ushant in 1778, being pulled off a cliff by demons toward the open mouth of the Devil. During Keppel‘s trial he was compared to Admiral John Byng, shown blindfolded at center, who was executed on charges for losing Minorca in 1756. Also shown is Alexander Hood, an admiral in Palliser‘s fleet, holding a log-book; he testified in defense of Keppel. Fame flies overhead bearing two medallions, A.K. for Augustus Keppel, and S.R.H. possibly for Admiral Samuel Hood, brother of Alexander Hood.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2021112712317

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Mt. Holyoke, Massachusetts - Scenes.

Mt. Holyoke, Massachusetts - Scenes. A very old independent paper mill, wood pulp, not rags, continuing site and ownership in relatively straight line, once connected with a wood pulp mill near to Hoosie Tunnel; the type of near-to-mill transportation; the canal; glimpse of most modern mill type in background. Franklin Paper Company. Farr Alpaca - No. 4, 1936, Lewis Hine, 1874 - 1940, was an American photographer, who used his camera as a tool for social reform. US,USA.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022012812176

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Camelus dromedarius, Print, The dromedary, also called the Arabian camel (Camelus dromedarius), is a large,

Camelus dromedarius, Print, The dromedary, also called the Arabian camel (Camelus dromedarius), is a large, even-toed ungulate with one hump on its back. The dromedary is the tallest of the three species of camel; adult males stand 1.82 m (5.96.6 ft) at the shoulder, while females are 1.71.9 m (5.66.2 ft) tall. Males typically weigh between 400 and 600 kg (880 and 1, 320 lb), and females weigh between 300 and 540 kg (660 and 1, 190 lb). The species‘ distinctive features include its long, curved neck, narrow chest, a single hump (compared with two on the Bactrian camel and wild Bactrian camel), and long hairs on the throat, shoulders and hump. The coat is generally a shade of brown. The hump, 20 cm (7.9 in) tall or more, is made of fat bound together by fibrous tissue., tongue.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2022101112564

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Photograph - ‘Hun Prisoners near Pont d‘Achelles‘, France, Sergeant John Lord, World War I, 1916-1917,

Photograph - ‘Hun Prisoners near Pont d‘Achelles‘, France, Sergeant John Lord, World War I, 1916-1917, Black and white photographic print which shows two German prisoners being treated by two New Zealand soldiers. Over the course of World War I Britain had captured 72,000 prisoners of war, most of these just before Armistice in 1918. In comparison, Germany had captured 2.5 million prisoners, with the majority of these being released upon the conclusion of the war. Central Powers.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023011804134

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Trionyx japonicus, Print, Trionyx is a genus of softshell turtles belonging to the family Trionychidae.

Trionyx japonicus, Print, Trionyx is a genus of softshell turtles belonging to the family Trionychidae. In the past many species in the family were classified in this genus, but today T. triunguis, the African or Nile softshell turtle, is the only extant softshell still classified as Trionyx. The other species still assigned to this genus are only known from fossils. T. triunguis is a relatively large, aquatic piscivore., 1700-1880.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023011106845

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Formicivora malura, Print, Formicivora is a genus of insectivorous birds in the antbird family, Thamnophilidae.

Formicivora malura, Print, Formicivora is a genus of insectivorous birds in the antbird family, Thamnophilidae. These relatively small, long-tailed antbirds are strongly sexually dichromatic. They are found in semi-open habitats in woodland and shrub in South America. They have several rows of white spots on the wings. Males are usually darker below than they are above, and sometimes have a fringe of white on the side., 1700-1880.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023011411172

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Salminus brevidens, Print, Salminus, popularly known as dorado or dourado,

Salminus brevidens, Print, Salminus, popularly known as dorado or dourado, is a genus of relatively large (up to 1.31.4 m or 4.34.6 ft long), predatory freshwater fish from the Characidae family. They are native to large tropical and subtropical rivers in South America, and undertake migrations during the rainy season to spawn. They are very popular among recreational anglers and also support important commercial fisheries., 1700-1880.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023011411251

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Sir Richard Owen (20 July 1804 18 December 1892) was an English biologist

Sir Richard Owen (20 July 1804 18 December 1892) was an English biologist, comparative anatomist and paleontologist. Best known for his work with interpreting fossils.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

商品コード: 2019072505650

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Strip of bobbin lace with green pin card or punctured lace pattern,

Strip of bobbin lace with green pin card or punctured lace pattern, Strip of natural-colored bobbin lace - Parisian lace - with corresponding pattern in the form of a green pin card. This is a strip that has been cloned by a so-called ‘front worker‘, an example or ‘lace model‘. The pattern consists of a split twig and a c-shaped twig at the center line of the strip and a chain of comparable twigs along the underside of the strip. The motifs are connected by a lattice ground, a Parisian ground. The motifs are made in linen, with thicker and shiny contour threads. The top and bottom are finished straight, with the bottom provided with picots. The loose threads along the short sides are braided for finishing., anonymous, Belgium, c. 1800 - c. 1899, kant, prikkaart/patroon, Paris lace, l 7.5 cm × w 4.2 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023051109489

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God Saving the Infant Jerusalem, God saves the child Jerusalem, Rectangular window pane with the representation of God,

God Saving the Infant Jerusalem, God saves the child Jerusalem, Rectangular window pane with the representation of God, who, dressed as a high priest, bends over to a child. In one of Ezekiel‘s prophecies, Jerusalem is compared to a child left behind after birth. However, the child is saved and lovingly raised by God. When he passed by and saw the child lying in his blood, he said ‘Live!‘ To the Bible text in Ez twice. 16: 6. On a cartouche the word ‘VIVE‘ is written twice, high priest, hierarchy of priests, parables or Ezekiel, God the Father as a bearded old man, usually with crown or tiara or scepter and / or globe, anonymous, Leiden (possibly), c. 1525 - c. 1530, glass, silver stain, h 29.0 cm × w 22.8 cm × w 22.2 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023051007159

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Bust of bearded old man with cap whose rim is turned upwards,

Bust of bearded old man with cap whose rim is turned upwards, Bust of bearded old man with hat whose rim is turned upwards. Red wax with dark brown finish. Hollow molded. Condition: dented at the rear, bottom filled in and closed with brown wax. Note: It may be a wax casting of a model in terracotta for a relief composition, of which this figure was a part. Perhaps the figure represents a Jewish scholar. Similar figures appear in reliefs of Giambologna. Compare: Aveng, Giambologna, figs. 199.284., Giambologna (circle of), Florence, c. 1580 - c. 1599, wax, founding, h 6.0 cm × w 4.5 cm × d 5.0 cm.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023051214478

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Camelus dromedarius, Print, The dromedary, also called the Arabian camel (Camelus dromedarius), is a large,

Camelus dromedarius, Print, The dromedary, also called the Arabian camel (Camelus dromedarius), is a large, even-toed ungulate with one hump on its back. The dromedary is the tallest of the three species of camel; adult males stand 1.82 m (5.96.6 ft) at the shoulder, while females are 1.71.9 m (5.66.2 ft) tall. Males typically weigh between 400 and 600 kg (880 and 1, 320 lb), and females weigh between 300 and 540 kg (660 and 1, 190 lb). The species‘ distinctive features include its long, curved neck, narrow chest, a single hump (compared with two on the Bactrian camel and wild Bactrian camel), and long hairs on the throat, shoulders and hump. The coat is generally a shade of brown. The hump, 20 cm (7.9 in) tall or more, is made of fat bound together by fibrous tissue., intestines.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023062212691

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Planorbis corneus, Print, Planorbarius corneus, common name the great ramshorn,

Planorbis corneus, Print, Planorbarius corneus, common name the great ramshorn, is a relatively large species of air-breathing freshwater snail, an aquatic pulmonate gastropod mollusk in the family Planorbidae, the ram‘s horn snails, or planorbids, which all have sinistral or left-coiling shells.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023062212293

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Bubo virginianus, Print, The great horned owl (Bubo virginianus), also known as the tiger owl (originally derived from e

Bubo virginianus, Print, The great horned owl (Bubo virginianus), also known as the tiger owl (originally derived from early naturalists‘ description as the “winged tiger“ or “tiger of the air“) or the hoot owl, is a large owl native to the Americas. It is an extremely adaptable bird with a vast range and is the most widely distributed true owl in the Americas. Its primary diet is rabbits and hares, rats and mice, and voles, although it freely hunts any animal it can overtake, including rodents and other small mammals, larger mid-sized mammals, birds, reptiles, amphibians, and invertebrates. In ornithological study, the great horned owl is often compared to the Eurasian eagle-owl (Bubo bubo), a closely related species, which despite the latter‘s notably larger size, occupies the same ecological niche in Eurasia, and the red-tailed hawk (Buteo jamaicensis), with which it often shares simi、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023062212639

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Canis azarae, Print, Canis is a genus of the Canidae containing multiple extant species, such as wolves,

Canis azarae, Print, Canis is a genus of the Canidae containing multiple extant species, such as wolves, coyotes and jackals. Species of this genus are distinguished by their moderate to large size, their massive, well-developed skulls and dentition, long legs, and comparatively short ears and tails., 1834.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023062212656

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Rhamphichthys rostratus, Print, Rhamphichthys is a genus of South American sand knifefishes found in the Amazon,

Rhamphichthys rostratus, Print, Rhamphichthys is a genus of South American sand knifefishes found in the Amazon, Orinoco, Río de la Plata and Paranaíba basins, as well as rivers in the Guianas. They are found along vegetated edges or near the bottom of rivers; they are often quite common in deep river channels.Rhamphichthys feed on small invertebrates. Little else is known about their behavior, but observations in aquariums indicate that they are nocturnal. They have a relatively long slender snout and depending on the exact species reach up to 26.5100 cm (0.93.3 ft) in total length., 1700-1880.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023062211672

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Canis acmon, Print, Canis is a genus of the Canidae containing multiple extant species, such as wolves,

Canis acmon, Print, Canis is a genus of the Canidae containing multiple extant species, such as wolves, coyotes and jackals. Species of this genus are distinguished by their moderate to large size, their massive, well-developed skulls and dentition, long legs, and comparatively short ears and tails., 1833-1866.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

商品コード: 2023062211902

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