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  • -
    Mastaba of Ptahhotep and Akhethotep.

    Mastaba of Ptahhotep and Akhethotep. 5th Dynasty. Old Kingdom. Egyptian viziers. Father and son. Hieroglyphs. Saqqara. Egypt.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020051308529

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    The Altarpiece of the Holy Kinship (left wing).

    The Altarpiece of the Holy Kinship (left wing). Museum: Städtische Galerie Im Städelschen Kunstinstitut, Frankfurt am Main. Author: Cranach, Lucas, the Elder.、クレジット:Album/Fine Art Images/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031604852

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    The Holy Kinship. Medium: woodcut.

    The Holy Kinship. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Lucas Cranach the Elder.、クレジット:Album/National Gallery of Art,Washington DC/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031605017

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401527

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401534

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    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401537

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    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401539

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401492

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401493

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    sculpture at the Doge‘s Palace in Venice

    (Detail) sculpture at the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401494

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401495

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401529

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    sculpture at the Doge‘s Palace in Venice

    (Detail) sculpture at the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401515

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401509

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    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401487

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401490

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401483

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    A Hoplite

    A Hoplite, a citizen-soldier of one of the Ancient Greek city-states of the archaic and classical period, woodcut from 1880、クレジット:imageBROKER.com/BAO/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021020300849

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    ARTE EGIPCIO.

    ARTE EGIPCIO. EGIPTO. IMPERIO ANTIGUO. VI DINASTIA. MASTABA DE MERERUKA. Situada en el lado norte de la Pirámide de Teti, del que Mereruka era sacerdote. Es la más grande del Imperio Antiguo. Vista de la ESTATUA DE MERERUKA situada en una hornacina de la sala mayor. SAKKARA.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042707194

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    A Sermon in a Village Church.

    A Sermon in a Village Church. Artist: Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Dimensions: 16 5/8 x 22 9/16 in. (42.2 x 57.3 cm). Date: ca. 1630.This sheet, a relatively recent addition to Rubens‘s drawn oeuvre, is exceptional in several ways. Even if it seems to have been slightly cropped (especially at the left and the top), it remains one of the artist‘s largest works on paper. Its technique is much richer than that of most of his other drawings, combining chalk and paints, and gives the work the appearance of an oil sketch. The subject matter may be considered unique for Rubens. In a simple village church, a Catholic priest can be seen preaching to farmers and peasants--men on the left and women on the right--who listen with varying degrees of attentiveness.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033002935

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    China: Zhuge Liang (CE 181-234) was Chancellor of Shu Han during the Three Kingdoms period of Chinese history (CE 220–280).

    Zhuge Liang (CE 181-234) was Chancellor of Shu Han during the Three Kingdoms period of Chinese history. He is often recognised as the greatest and most accomplished strategist of his era. Often depicted wearing a robe and holding a fan made of crane feathers, Zhuge was not only an important military strategist and statesman; he was also an accomplished scholar and inventor. His reputation as an intelligent and learned scholar grew even while he was living in relative seclusion, earning him the nickname Wolong (literally Crouching Dragon). Zhuge is an uncommon two-character compound family name. His name ? even his surname alone ? has become synonymous with intelligence and tactics in Chinese culture. (Newscom TagID: pfhphotos002519.jpg) [Photo via Newscom]、クレジット:Pictures From History/ニューズコム/共同通信イメージズ

    商品コード: 2019061401616

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    Coal Mining

    Coal Mining: Pit-head scene showing reactions of friends and relatives as victims of Fire-Damp (mainly Methane) explosion at Montceau-les-Mine, France. 20 killed and more than 10 badly injured. From ‘Le Petit Journal‘ Paris 1895、クレジット:World History Archive/ニューズコム/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019061303058

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    Weasel (Putorius nivalis/Mustela vulgaris) the smallest European carnivore.

    Weasel (Putorius nivalis/Mustela vulgaris) the smallest European carnivore. Often confused with its larger relative the Stoat (Mustela erminea), a confusion expressed in the English country saying ‘A Stoat is weasily recognised, whereas a Weasel is stoatallly different.‘ From ‘British Quadrupeds‘, W MacGillivray, (Edinburgh, 1828), one of the volumes in William Jardine‘s Naturalist‘s Library series. Hand-coloured engraving.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019073103052

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    Limestone funerary stela depicting Intef seated before the table of offerings.

    Limestone funerary stela depicting Intef seated before the table of offerings. Beside him, his father, his mother and other relatives and servants. Dated year 39 of the reign of Senusret I (1971-1926 BC). 12th Dynasty. Middle Kingdom. British Museum. London. United Kingdom.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020070806359

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    An Orrery 1704.

    An Orrery 1704. A mechanical device that illustrates the relative positions and motions of the planets and moons in the Solar System in a heliocentric model.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019081406503

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    This skull

    This skull, one of several different kinds of giant lemur inhabiting Madagascar that became extinct in relatively recent times. The fossil evidence strongly points to these mammals becoming extinct soon after modern man reached Madagascar - evidence that people have been affecting the ecological balance since prehistoric times.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019100400236

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    This skull

    This skull, one of several different kinds of giant lemur inhabitating Madagascar that became extinct in relatively recent times. The fossil evidence strongly points to these mammals becoming extinct soon after modern man reached Madagascar - evidence that people have been affecting the ecological balance since prehistoric times.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019100400278

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    Gracile australopithecines - not heavily built as their ‘robust‘ relatives

    Gracile australopithecines - not heavily built as their ‘robust‘ relatives, but they do share many physical features.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019100400192

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    Portrait of Louis XVI

    Portrait of Louis XVI, King of France. Workshop of Joseph Siffred Duplessis (1725-1802), oil on canvas, c. 1777-1789. Duplessis painted the first version of this portrait in 1777. Although the king wears his principal chivalric orders, he is portrayed in relatively simple attire and assumes an informal pose. This portrait found great favour, and Duplessis was repeatedly commissioned to copy it. This likeness was thus widely disseminated and hung in government buildings and palaces, among other places.、クレジット:World History Archive/ニューズコム/共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019072603450

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    Marble stairscase in Kedleston Hall in Kedleston

    Marble stairscase in Kedleston Hall in Kedleston, Derbyshire, is approximately four miles north-west of Derby, and is the seat of the Curzon family since at least 1297. The house was designed by the Palladian architects James Paine and Matthew Brettingham At the time a relatively unknown architect, Robert Adam was designing some garden temples to enhance the landscape of the park; Curzon was so impressed with Adam‘s designs, that Adam was quickly put in charge of the construction of the new mansion. this statue in the Corps de logis sits within the six-columned Corinthian portico, then the south front (illustrated right) is pure Robert Adam.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019070402179

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    Kedleston Hall in Kedleston

    Kedleston Hall in Kedleston, Derbyshire, is approximately four miles north-west of Derby, and is the seat of the Curzon family since at least 1297. The house was designed by the Palladian architects James Paine and Matthew Brettingham At the time a relatively unknown architect, Robert Adam was designing some garden temples to enhance the landscape of the park; Curzon was so impressed with Adam‘s designs, that Adam was quickly put in charge of the construction of the new mansion. The Bridge is designed by Robert Adam、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019070402175

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    ornate underside of the prtico on the North entrance of Kedleston Hall in Kedleston

    ornate underside of the prtico on the North entrance of Kedleston Hall in Kedleston, Derbyshire, is approximately four miles north-west of Derby, and is the seat of the Curzon family since at least 1297. The house was designed by the Palladian architects James Paine and Matthew Brettingham At the time a relatively unknown architect, Robert Adam was designing some garden temples to enhance the landscape of the park; Curzon was so impressed with Adam‘s designs, that Adam was quickly put in charge of the construction of the new mansion. this statue in the Corps de logis sits within the six-columned Corinthian portico, then the south front (illustrated right) is pure Robert Adam.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019070402154

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    Sebastien Bourdon (1616-1671). French painter. A Roman lime-kin, ca. 1634-1637. Alte Pinakothek. Munich. Germany.

    Sebastien Bourdon (1616-1671). French painter. A Roman lime-kin, ca. 1634-1637. Alte Pinakothek. Munich. Germany.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020060208028

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    A Farm in Brittany.

    A Farm in Brittany. Artist: Paul Gauguin (French, Paris 1848-1903 Atuona, Hiva Oa, Marquesas Islands). Dimensions: 28 1/2 x 35 5/8 in. (72.4 x 90.5 cm). Date: ca. 1894.From early in his career Gauguin was attracted to the relatively remote and unspoiled terrain of Brittany in northwestern France. Breton culture, infused with vestiges of its pagan Celtic past, appealed to his taste for the primitive and the exotic. The artist is thought to have made this work during his fifth and final visit to the region in 1894, between voyages to the tropics. The brushwork recalls Gauguin‘s earlier Impressionist pictures, while the palette evokes his Tahitian paintings. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020041702659

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    The Love Letter.

    The Love Letter. Artist: Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). Dimensions: 32 3/4 x 26 3/8 in. (83.2 x 67 cm). Date: early 1770s.In the work of Fragonard, finish is a relative term. Here, over a brown tone, Fragonard shapes the composition in darker shades of brown, drawing and modeling with the tip of the brush and with strokes of varying thickness. Color and white are confined to passages under strong light toward the center of the canvas: the young woman‘s powdered face, her dress and cap, writing surface and stool, flowers and dog. A famous canvas from the early 1770s, the work should be read not as a portrait but as a genre scene. Museum: Metropolitan Museum of Art, New York, USA. Author: JEAN-HONORE FRAGONARD.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030404431

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    A Shaded Avenue.

    A Shaded Avenue. Artist: Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). Dimensions: 11 1/2 x 9 1/2 in. (29.2 x 24.1 cm). Date: ca. 1775.While Fragonard was primarily a figure painter, he was also a gifted landscapist, influenced by Dutch views of the previous century, as well as by scenes in France and Italy. He made several drawings that are variations of this subject and larger that the present panel (one sheet is in the Petit Palais, Paris). He often showed light entering a relatively dark space through an arched opening. Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020030404505

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    Prophet Muhammad (c.

    Prophet Muhammad (c.570-632) with a court of angels in heaven, surrounded by his first followers, their relatives and close friends with his uncle and educator Ali Ibu Abi Talib (601-661). Miniature of a Persian manuscript, 1583. Topkapi Palace Museum. Library. Istanbul. Turkey.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020052901974

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    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401452

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    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401429

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401476

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401464

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401473

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 157、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401458

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401449

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    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401450

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401451

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    Joaquin Sorolla y Bastida (1863-1923).

    Joaquin Sorolla y Bastida (1863-1923). Spanish painter. Antonio Garcia on the beach, 1909. Sorolla Museum. Madrid. Spain.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。 キーワード:ホアキン・ソローリャ、

    商品コード: 2019112100826

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    A feast for Nebamun.

    A feast for Nebamun. An entire wall of the tomb-chapel showed a feast in honour of Nebamun. Naked serving girls and servants wait on his friends and relatives. Married guests sit in pairs on fine chars, while the young women turn and talk to each other. This erotic scene of relaxation and wealth is something for Nebamun to enjoy for all eternity. The richly dressed guests are entertained by dancers and musicians, who sit on the ground playing and clapping. Thebes, Egypt, 18th Dynasty, around 1350 BC、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2020011005592

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    A feast for Nebamun.

    A feast for Nebamun. An entire wall of the tomb-chapel showed a feast in honour of Nebamun. Naked serving girls and servants wait on his friends and relatives. Married guests sit in pairs on fine chars, while the young women turn and talk to each other. This erotic scene of relaxation and wealth is something for Nebamun to enjoy for all eternity. The richly dressed guests are entertained by dancers and musicians, who sit on the ground playing and clapping. Thebes, Egypt, 18th Dynasty, around 1350 BC、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2020011005598

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    Planet Venus

    Planet Venus. the Venusian crater Golubkina, a 340 kilometre (20.4 miles) diameter impact crater, contains Magellan data mosaicked with a Soviet Venera 15/16 radar image of the same feature. The Magellan part of the image (right) reveals details of the geology of the crater such as the central peak, the inner terraced walls, and the extremely smooth floor of the crater. The smoothness of the floor may be due to pounding of volcanic lava flows in the crater floor. The rough, blocky morphology of the crater ejecta and the sharp terraced crater wall suggest that this feature is relatively young.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019011620819

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401381

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401382

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401383

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401408

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 157、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401420

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401424

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401416

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401542

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401543

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible fades look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401548

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    Noah and his kin boarding the Ark. Bas-relief from an early Christian sarcophagus (6th CE).

    Noah and his kin boarding the Ark. Bas-relief from an early Christian sarcophagus (6th CE). Location: San Ambrogio, Basilica, Milano, Italy.、クレジット:Erich Lessing/Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062515842

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    Duke Ulrich of Württemberg (8 February 1487 6 November 1550) succeeded his kinsman Eberhard II as Duke of Württemberg

    Duke Ulrich of Württemberg (8 February 1487 6 November 1550) succeeded his kinsman Eberhard II as Duke of Württemberg in 1498 / Ulrich von Württemberg (geboren 8. Februar 1487 in Reichenweier, Elsass, gestorben 6. November 1550 in Tübingen) war 14981519 und 15341550 der dritte regierende Herzog von Württemberg, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert.、クレジット:Bildagentur-online/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021110409008

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    Pair of elephant-head vases (vases à tête d‘éléphant), ca. 1758, French, Sèvres, Soft-paste porcelain, 1983.

    Pair of elephant-head vases (vases à tête d‘éléphant), ca. 1758, French, Sèvres, Soft-paste porcelain, 1983.185.10: 13 1/2 × 8 1/2 in. (34.3 × 21.6 cm); 1983.185.11: 13 3/4 × 8 1/2 in. (34.9 × 21.6 cm), Ceramics-Porcelain, Relatively few elephant head vases were produced at Sèvres, perhaps due to the sculptural complexity of the model and thus the cost in making it.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2022010507597

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    Panel with Birds, Griffins, and Animals, 11th12th century, Attributed to Egypt, Wood; carved, L.

    Panel with Birds, Griffins, and Animals, 11th12th century, Attributed to Egypt, Wood; carved, L. 35 1/2 in. (90.1 cm), Wood, Later Fatimid art is characterized by the increased use of relatively naturalistic human and animal motifs. The pattern of antelopes, flying eagles, and griffins on this wooden panel demonstrates that tendency.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042309873

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    Plate, probably mid-19th century, Russian, Kyschtymsk (Kyshtym), Iron, cast and patinated, 3/4 × 8 5/8 in.

    Plate, probably mid-19th century, Russian, Kyschtymsk (Kyshtym), Iron, cast and patinated, 3/4 × 8 5/8 in. (1.9 × 21.9 cm), Metalwork-Iron, Plates of this design were made in ironworks from Coalbrookdale, England, to Kyshtym in the Ural Mountains of Russia, as well as in a number of foundries in Central Europe. The relative inexpensiveness of the medium was suited to the means of a growing middle class; its manufacture supplied middle-class patrons with decorative objects.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022050400872

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    [The Harvey Album], 1868, Albumen silver print, 23.

    [The Harvey Album], 1868, Albumen silver print, 23.8 x 19.4 x 3.8 cm (9 3/8 x 7 5/8 x 1 1/2 in. ), Albums, Emily Clare Harvey (British, born 1844), According to the elaborately painted title page, Emily Clare Harvey gave this album to her sister-in-law MadgeMargaret Augusta Shawin remembrance of her marriage to Spencer Philip Harvey on February 19, 1868, and it is filled with pictures of Shaw and Harvey relatives.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022050703421

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    Mt. Holyoke, Massachusetts - Scenes.

    Mt. Holyoke, Massachusetts - Scenes. A very old independent paper mill, wood pulp, not rags, continuing site and ownership in relatively straight line, once connected with a wood pulp mill near to Hoosie Tunnel; the type of near-to-mill transportation; the canal; glimpse of most modern mill type in background. Franklin Paper Company. Farr Alpaca - No. 4, 1936, Lewis Hine, 1874 - 1940, was an American photographer, who used his camera as a tool for social reform. US,USA.、クレジット:Album/quintlox/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022012812176

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    Mastaba of Mereruka. Priest of Pharaoh Teti. 6th Dynasty. Old Kingdom. Reliefs. Interior. Saqqara. Egypt.

    Mastaba of Mereruka. Priest of Pharaoh Teti. 6th Dynasty. Old Kingdom. Reliefs. Interior. Saqqara. Egypt.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020051308532

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    Interior courtyard

    Interior courtyard, facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401366

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    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401540

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    sculpture at the Doge‘s Palace in Venice

    (Detail) sculpture at the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401497

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    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice

    (Detail)The ceiling of the Scala D‘oro (Golden Staircase) from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401528

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401531

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401516

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401524

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    architectural feature from the Doge‘s Palace in Venice

    (Detail) architectural feature from the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401506

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401505

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    An Orrery 1704.

    An Orrery 1704. A mechanical device that illustrates the relative positions and motions of the planets and moons in the Solar System in a heliocentric model.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019081406543

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    The optical properties (color

    The optical properties (color, intensity) of minerals such as azurite and malachite are explained in the context of conventional electronic spectroscopy of coordination complexes. Relatively detailed descriptions are proided by ligand field theory.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019111505581

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    Old woman praying at the bedside of a sick relative. Engraving in “The Artistic Illustration“, 1903.

    Old woman praying at the bedside of a sick relative. Engraving in “The Artistic Illustration“, 1903.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042304286

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    Pincian Garden, Rome, 1853–56, Albumen silver print, 19.5 24.8, Photographs, Possibly by Jane Martha St. John (British,

    Pincian Garden, Rome, 1853–56, Albumen silver print, 19.5 24.8, Photographs, Possibly by Jane Martha St. John (British, 1803–1882), St. John was likely drawn to photography through her friendship with the Llewelyn family, relatives of William Henry Fox Talbot who took an avid interest in the medium. She and her husband toured Italy in 1856, where she became an indefatigable photographer.、クレジット:Sepia Times/Universal Images Group/共同通信イメージズ

    商品コード: 2020101204510

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    Kedleston Hall in Kedleston

    Kedleston Hall in Kedleston, Derbyshire, is approximately four miles north-west of Derby, and is the seat of the Curzon family since at least 1297. The house was designed by the Palladian architects James Paine and Matthew Brettingham At the time a relatively unknown architect, Robert Adam was designing some garden temples to enhance the landscape of the park; Curzon was so impressed with Adam‘s designs, that Adam was quickly put in charge of the construction of the new mansion. this statue in the Corps de logis sits within the six-columned Corinthian portico, then the south front (illustrated right) is pure Robert Adam.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019101805398

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    Memorial stone.

    Memorial stone. The tombstone-like appearance of this rock is fitting, as it is made from mass ammonite grave. These extinct marine animals are distant relatives of living squids and nautiloids. Ammonites, like squids, probably propelled themselves using muscular constrictions to expel jets of water while air chambers in these complex shells controlled their buoyancy.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019100400206

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    Young Lady in 1866.

    Young Lady in 1866. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 72 7/8 x 50 5/8 in. (185.1 x 128.6 cm). Date: 1866.Manet‘s model, Victorine Meurent, had recently posed as the brazen nudes in <i>Olympia</i> and <i>Luncheon on the Grass</i> (both Musée d‘Orsay, Paris). Here, appearing relatively demure, she flaunts an intimate silk dressing gown. Critics eyed the painting as a rejoinder to Courbet‘s <i>Woman with a Parrot</i> (29.100.57) and as indicative of Manet‘s “current vice“ of failing to “value a head more than a slipper.“ Recent scholars have interpreted it as an allegory of the five senses: the nosegay (smell), the orange (taste), the parrot-confidant (hearing), and the man‘s monocle she fingers (sight and touch). Museum: Metropolitan Museum of Art, New York, USA.、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031303979

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    Francisco de Goya y Lucientes / ‘Este tiene muchos parientes, y algunos racionales.

    キーワード:フランシスコ・デ・ゴヤ、Francisco de Goya y Lucientes / ‘Este tiene muchos parientes, y algunos racionales. Álbum C, 52‘. 1808 - 1814. Wash, Brush, Bistre on laid paper. Museum: Museo del Prado, Madrid, España.、クレジット:Album/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019112901887

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    King David with Angels.

    King David with Angels. Artist: Morazzone (Pier Francesco Mazzucchelli) (Italian, Morazzone 1573-1626 Piacenza). Dimensions: 10 7/16 x 8 11/16 in. (26.5 x 22.1 cm). Date: ca. 1625-26.The monumental seated figure of David who points downward as he receives inspiration from an angel at upper left dominates this scene; in the right background the youthful figure of an angel can be discerned playing the harp. This relatively finished, squared demonstration drawing (‘modello‘) was preparatory for a fresco on one of the spandrels supporting the dome of Piacenza Cathedral, painted by Morazzone in 1625-26, shortly before his death. The frescoes were left unfinished by Morazzone and the remaining compartments were finished by Guercino. Among the only differences between study and finished work, the drawing omits the monumental flying figure of the angel bearing a scroll、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020061106484

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    Madame Félix Gallois.

    Madame Félix Gallois. Artist: Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). Dimensions: Sheet: 13 5/8 x 10 9/16 in. (34.6 x 26.8 cm). Date: 1852.Ingres made portraits of his contemporaries all his life. Whether working in oil on canvas or graphite on paper, he brought painstaking concentration to the task, creating likenesses of stunning verisimilitude. Nathalie Gallois was a cousin of Ingres‘s second wife Delphine Ramel, whom he married in 1852. With customary ease and the touch of a pencil, Ingres presents his bourgeois relative with patrician finery, detailing the folds and ruffles of her elegant dress. Sparing no adornments, Ingres has highlighted Nathalie‘s jewelry in gold paint and traced the lacey hair ornament with meticulous precision. The sitter‘s porcelain skin and comely expression made the drawing a perfect gift for Monsieur Gallois, as detailed in the 、クレジット:Album/Metropolitan Museum of Art,NY/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031103178

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    Statue of Saint Marc at the Doge‘s Palace in Venice

    Statue of Saint Marc at the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible fa軋des look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2018111418094

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401359

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    Magic lantern slide circa 1900.Victorian/Edwardian.Social History. A family day out on a rowing boat around 1900.

    Magic lantern slide circa 1900.Victorian/Edwardian.Social History. A family day out on a rowing boat around 1900. Baby,child,mother,father and relatives.、クレジット:John Short/Universal Images Group/共同通信イメージズ

    商品コード: 2021041513189

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    Mastaba of Ptahhotep and Akhethotep.

    Mastaba of Ptahhotep and Akhethotep. 5th Dynasty. Old Kingdom. Egyptian viziers. Father and son. Interior. Reliefs. Saqqara. Egypt.、クレジット:Album/Prisma/共同通信イメージズ ※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020051308643

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401410

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401411

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    Flooding at Tynewydd Colliery

    Flooding at Tynewydd Colliery, Rhondda Valley, Wales, 11 April 1877. Scene at the pit head as anxious relatives and colleagues wait for the cage containing trapped miners to reach the surface - dead or alive after to day underground. Engraving from ‘Heroes of Britain‘ by Edwin Hodder (London, c1880).、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019072502216

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    Allart van Everdingen (Dutch, 1621 - 1675), Reynard‘s Relatives Plead for Him, probably c. 1645-1656, etching

    Allart van Everdingen (Dutch, 1621 - 1675), Reynard‘s Relatives Plead for Him, probably c. 1645-1656, etching.、クレジット:Quint Lox/Universal Images Group/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021010603995

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    Kedleston Hall in Kedleston

    Kedleston Hall in Kedleston, Derbyshire, is approximately four miles north-west of Derby, and is the seat of the Curzon family since at least 1297. The house was designed by the Palladian architects James Paine and Matthew Brettingham At the time a relatively unknown architect, Robert Adam was designing some garden temples to enhance the landscape of the park; Curzon was so impressed with Adam‘s designs, that Adam was quickly put in charge of the construction of the new mansion. The North Front and portico designed by Robert Adam、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019070402186

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    Luís Alves de Lima e Silva

    Luís Alves de Lima e Silva, Duke of Caxias (1803 1880), nicknamed ‘the Peacemaker‘ and ‘Iron Duke‘, was an army officer, politician and monarchist of the Empire of Brazil. Caxias pursued a military career, as had his father and many relatives before him.、クレジット:World History Archive/ニューズコム/共同通信イメージズ ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019072600394

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401415

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    Exterior facade of the Doge‘s Palace in Venice

    Exterior facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401404

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    architectural feature on the facade of the Doge‘s Palace in Venice

    (Detail) architectural feature on the facade of the Doge‘s Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Its two most visible facdes look towards the Venetian Lagoon and St. Mark‘s Square, or rather the Piazzetta. The use of arcading in the lower stories produces an interesting ‘gravity-defying‘ effect. There is also effective use of colour contrasts. largely constructed from 1309 to 1424, designed perhaps by Filippo Calendario. It replaced earlier fortified buildings of which relatively little is known. Giovanni and Bartolomeo Bon created the Porta della Carta in 1442, a monumental late-gothic gate on the Piazzetta side of the palace. This gate leads to a central courtyard. The palace was badly damaged by a fire on December 20, 1577.、クレジット:World History Archive/ニューズコム/共同通信イメージズ

    商品コード: 2019040401405

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