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  • Head of the mummy of Ramses II, Ramses the Great, ca.
    -
    Head of the mummy of Ramses II, Ramses the Great, ca.

    Head of the mummy of Ramses II, Ramses the Great, ca. 1303 - 1213 BC, one of the most important rulers of ancient Egypt, historical engraving, 1880.、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021032208841

  • The death of Leonardo da Vinci in the arms of Francis I of France, 1816, pencil, in places strongly gripped by break wit
    -
    The death of Leonardo da Vinci in the arms of Francis I of France, 1816, pencil, in places strongly gripped by break wit

    The death of Leonardo da Vinci in the arms of Francis I of France, 1816, pencil, in places strongly gripped by break with blackened back, sheet: 33.2 x 41.3 cm, unmarked, Friedrich Overbeck, Lübeck 17891869 Rom.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031604489

  • Federico Gravina (Palermo, 1756-Cádiz, 1806). Marino y militar español. Capitán general de la Real Armada Española. Conocido por
    -
    Federico Gravina (Palermo, 1756-Cádiz, 1806). Marino y militar español. Capitán general de la Real Armada Española. Conocido por

    Federico Gravina (Palermo, 1756-Cádiz, 1806). Marino y militar español. Capitán general de la Real Armada Española. Conocido por su participación en la Batalla de Trafalgar. Dibujo por Llanta. Detalle. Litografía. Coloreada. Retrato. Crónica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Andalucía, 1867.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019081609013

  • Romanesque art.
    -
    Romanesque art.

    Romanesque art. Spain. 12th century. Church of St. Mary, consecrated in 1130. Exterior view of square apse, the octogonal dome crowned with two-story bell tower and south facade with remains of a portico with four arches, ancient cloister of augustines. Tarrasa. Catalonia.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020070311961

  • Romanesque art.
    -
    Romanesque art.

    Romanesque art. Spain. 12th century. Church of St. Mary, consecrated in 1130. Exterior view of square apse, the octogonal dome crowned with two-story bell tower and south facade with remains of a portico with four arches, ancient cloister of augustines. Tarrasa. Catalonia.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020070311962

  • The Infanta Margarita, after Velázquez.
    -
    The Infanta Margarita, after Velázquez.

    The Infanta Margarita, after Velázquez. Artist: After Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599-1660 Madrid); Etched by Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: plate: 6 11/16 x 4 3/4 in. (17 x 12 cm)sheet: 7 1/16 x 5 7/8 in. (18 x 15 cm). Date: 1862-64. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031302891

  • France, Toulon.
    -
    France, Toulon.

    France, Toulon. Fire of the ironclad warship “Richelieu“. Scene represeting the ship‘s sinking at 4 a.m. on December 29, 1880. Engraving. La Ilustracion Espaola y Americana, 1881.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021062500984

  • Pergamum Altar in the Pergamum Museum in Berlin.
    -
    Pergamum Altar in the Pergamum Museum in Berlin.

    Pergamum Altar in the Pergamum Museum in Berlin. It is a monumental construction built during the reign of King Eumenes 11 in the first half of the 2nd century BC on one of the terraces of the acropolis of the ancient city of Pergamum in Asia Minor. It is 35.64 meters wide and 33.4 meters deep. The front stairway is almost 20 meters wide. The base is decorated with a frieze in high relief showing the battle between the Giants and Olympian gods known as the Gigantomachy. In 1878 the German engineer Carl Human began official excavations on the acropolis of Pergamum. The excavation was undertaken in order to rescue the altar friezes and expose the foundation of the edifice. Later, other ancient structures on the acropolis were brought to light.Pergamon reliefs、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

    商品コード: 2019062806343

  • Pergamum Altar in the Pergamum Museum in Berlin.
    -
    Pergamum Altar in the Pergamum Museum in Berlin.

    Pergamum Altar in the Pergamum Museum in Berlin. It is a monumental construction built during the reign of King Eumenes 11 in the first half of the 2nd century BC on one of the terraces of the acropolis of the ancient city of Pergamum in Asia Minor. It is 35.64 meters wide and 33.4 meters deep. The front stairway is almost 20 meters wide. The base is decorated with a frieze in high relief showing the battle between the Giants and Olympian gods known as the Gigantomachy. In 1878 the German engineer Carl Human began official excavations on the acropolis of Pergamum. The excavation was undertaken in order to rescue the altar friezes and expose the foundation of the edifice. Later, other ancient structures on the acropolis were brought to light.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

    商品コード: 2019062806355

  • Pergamum Altar in the Pergamum Museum in Berlin.
    -
    Pergamum Altar in the Pergamum Museum in Berlin.

    Pergamum Altar in the Pergamum Museum in Berlin. It is a monumental construction built during the reign of King Eumenes 11 in the first half of the 2nd century BC on one of the terraces of the acropolis of the ancient city of Pergamum in Asia Minor. It is 35.64 meters wide and 33.4 meters deep. The front stairway is almost 20 meters wide. The base is decorated with a frieze in high relief showing the battle between the Giants and Olympian gods known as the Gigantomachy. In 1878 the German engineer Carl Human began official excavations on the acropolis of Pergamum. The excavation was undertaken in order to rescue the altar friezes and expose the foundation of the edifice. Later, other ancient structures on the acropolis were brought to light.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

    商品コード: 2019062806337

  • Pergamum Altar in the Pergamum Museum in Berlin.
    -
    Pergamum Altar in the Pergamum Museum in Berlin.

    Pergamum Altar in the Pergamum Museum in Berlin. It is a monumental construction built during the reign of King Eumenes 11 in the first half of the 2nd century BC on one of the terraces of the acropolis of the ancient city of Pergamum in Asia Minor. It is 35.64 meters wide and 33.4 meters deep. The front stairway is almost 20 meters wide. The base is decorated with a frieze in high relief showing the battle between the Giants and Olympian gods known as the Gigantomachy. In 1878 the German engineer Carl Human began official excavations on the acropolis of Pergamum. The excavation was undertaken in order to rescue the altar friezes and expose the foundation of the edifice. Later, other ancient structures on the acropolis were brought to light.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

    商品コード: 2019062806338

  • Pergamum Altar in the Pergamum Museum in Berlin.
    -
    Pergamum Altar in the Pergamum Museum in Berlin.

    Pergamum Altar in the Pergamum Museum in Berlin. It is a monumental construction built during the reign of King Eumenes 11 in the first half of the 2nd century BC on one of the terraces of the acropolis of the ancient city of Pergamum in Asia Minor. It is 35.64 meters wide and 33.4 meters deep. The front stairway is almost 20 meters wide. The base is decorated with a frieze in high relief showing the battle between the Giants and Olympian gods known as the Gigantomachy. In 1878 the German engineer Carl Human began official excavations on the acropolis of Pergamum. The excavation was undertaken in order to rescue the altar friezes and expose the foundation of the edifice. Later, other ancient structures on the acropolis were brought to light.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

    商品コード: 2019062806365

  • Pergamum Altar in the Pergamum Museum in Berlin.
    -
    Pergamum Altar in the Pergamum Museum in Berlin.

    Pergamum Altar in the Pergamum Museum in Berlin. It is a monumental construction built during the reign of King Eumenes 11 in the first half of the 2nd century BC on one of the terraces of the acropolis of the ancient city of Pergamum in Asia Minor. It is 35.64 meters wide and 33.4 meters deep. The front stairway is almost 20 meters wide. The base is decorated with a frieze in high relief showing the battle between the Giants and Olympian gods known as the Gigantomachy. In 1878 the German engineer Carl Human began official excavations on the acropolis of Pergamum. The excavation was undertaken in order to rescue the altar friezes and expose the foundation of the edifice. Later, other ancient structures on the acropolis were brought to light.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

    商品コード: 2019062806353

  • Pergamum Altar in the Pergamum Museum in Berlin.
    -
    Pergamum Altar in the Pergamum Museum in Berlin.

    Pergamum Altar in the Pergamum Museum in Berlin. It is a monumental construction built during the reign of King Eumenes 11 in the first half of the 2nd century BC on one of the terraces of the acropolis of the ancient city of Pergamum in Asia Minor. It is 35.64 meters wide and 33.4 meters deep. The front stairway is almost 20 meters wide. The base is decorated with a frieze in high relief showing the battle between the Giants and Olympian gods known as the Gigantomachy. In 1878 the German engineer Carl Human began official excavations on the acropolis of Pergamum. The excavation was undertaken in order to rescue the altar friezes and expose the foundation of the edifice. Later, other ancient structures on the acropolis were brought to light.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

    商品コード: 2019062806361

  • La cuestión Turco-Helena. Vista general del Preveza (Epiro, actual Grecia), cuyos fuertes serían desmantelados en virtud de las
    -
    La cuestión Turco-Helena. Vista general del Preveza (Epiro, actual Grecia), cuyos fuertes serían desmantelados en virtud de las

    La cuestión Turco-Helena. Vista general del Preveza (Epiro, actual Grecia), cuyos fuertes serían desmantelados en virtud de las bases aceptadas por Turquía. Grabado por Bernardo Rico y Ortega (1825-1894). La Ilustración Española y Americana, 15 de abril de 1881.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019081608272

  • Germany.
    -
    Germany.

    Germany. Berlin Victory Column. Designed by the German architect Heinrich Strack (1805-1880), after 1864. It commemorates the Prussian victory in the Danish-Prussian War although, as the monument was inaugurated in 1873, Prussia has also victorious in the Austro-Prussian War and in the Franco-Prussian War. On the top, is a bronze sculpture of Victoria, designed by the German sculptor Friedrich Drake (1805-1882). Tiergarten Park.、クレジット：Ａｌｂｕｍ／Ｍ．　Ｆｌｙｎｎ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020070806451

  • THE EASTERN QUESTION, WITH THE TURKS: A JOURNEY FROM ALEXINATZ TO THE SERVIAN CAMP: AT THE SERVIAN OUTPOSTS
    -
    THE EASTERN QUESTION, WITH THE TURKS: A JOURNEY FROM ALEXINATZ TO THE SERVIAN CAMP: AT THE SERVIAN OUTPOSTS

    THE EASTERN QUESTION, WITH THE TURKS: A JOURNEY FROM ALEXINATZ TO THE SERVIAN CAMP: AT THE SERVIAN OUTPOSTS, A PARLEY WITH THE ENEMY.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020070403718

  • Portrait Bust of Mademoiselle Marcelle Lender, 1895, Crayon lithograph printed in olive green on wove paper; first state
    -
    Portrait Bust of Mademoiselle Marcelle Lender, 1895, Crayon lithograph printed in olive green on wove paper; first state

    Portrait Bust of Mademoiselle Marcelle Lender, 1895, Crayon lithograph printed in olive green on wove paper; first state of four (one of two known impressions), Image: 17 3/16 × 13 1/8 in. (43.7 × 33.3 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 18641901 Saint-André-du-Bois).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031700829

  • NUMISMATICA. MONEDA REPUBLICA ROMANA. DIDRACMA DE PLATA. REVERSO. CABEZA DE CABALLO A LA DERECHA CON BASE, DETRAS UNA ESPIGA Y E
    -
    NUMISMATICA. MONEDA REPUBLICA ROMANA. DIDRACMA DE PLATA. REVERSO. CABEZA DE CABALLO A LA DERECHA CON BASE, DETRAS UNA ESPIGA Y E

    NUMISMATICA. MONEDA REPUBLICA ROMANA. DIDRACMA DE PLATA. REVERSO. CABEZA DE CABALLO A LA DERECHA CON BASE, DETRAS UNA ESPIGA Y EN LA BASE ROMANO. 280 A.C. (DEPOSITO: MUSEO ARQUEOLOGICO NACIONAL).、クレジット：Ａｌｂｕｍ／ＡＳＦ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019081305812

  • Landscape at Saint-Ouen.
    -
    Landscape at Saint-Ouen.

    Landscape at Saint-Ouen. Artist: Georges Seurat (French, Paris 1859-1891 Paris). Dimensions: Overall 6 7/8 x 10 3/8 in. (17.5 x 26.4 cm); painted surface 6 5/8 x 10 in. (16.8 x 25.4 cm). Date: 1878 or 1879.Dated to 1878 or 1879, this is the earliest known of Seurat‘s landscape oil sketches. His good friend, the artist Aman-Jean, remembered him painting it on site at Saint-Ouen, a northern suburb of Paris. Seurat introduced warm, orangey-brown hues into the composition by allowing the wood panel support to show through between his brushstrokes. This work was originally part of a double-sided panel that was divided after 1950 into two separate pictures. The other side, now in the Musée d‘Orsay, Paris, features a landscape with a copy after Puvis de Chavannes‘s ＜i＞The Poor Fisherman＜/i＞ (1881; Musée d‘Orsay). Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020033003590

  • Old Woman Saying Grace
    -
    Old Woman Saying Grace

    Old Woman Saying Grace, Known as ‘The Prayer without End’, Nicolaes Maes, c. 1656.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020020510700

  • Blue John - this banded semi-precious stone is a variety of fluorite unique to Derbyshire
    -
    Blue John - this banded semi-precious stone is a variety of fluorite unique to Derbyshire

    Blue John - this banded semi-precious stone is a variety of fluorite unique to Derbyshire, UK Its beautiful appearance has led to its extensive use in the carving of decorative objects and jewellery. Today Blue John is quite a rare material with the known sources close to exhaustion.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

    商品コード: 2019072505716

  • Map of Oceania, also known as Oceanica, is a region centred on the islands of the tropical Pacific Ocean,
    -
    Map of Oceania, also known as Oceanica, is a region centred on the islands of the tropical Pacific Ocean,

    Map of Oceania, also known as Oceanica, is a region centred on the islands of the tropical Pacific Ocean, 19th century engraving.、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021060811898

  • Fireman, Edo period (1615–1868), ca. 1858, Japan, Polychrome woodblock print; ink and color on paper,
    -
    Fireman, Edo period (1615–1868), ca. 1858, Japan, Polychrome woodblock print; ink and color on paper,

    Fireman, Edo period (1615–1868), ca. 1858, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 1/2 × 9 1/4 in. (34.3 × 23.5 cm), Prints, Utagawa Yoshitora (Japanese, active ca. 1850–80).、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

    商品コード: 2021060409118

  • Sakaichō Fukiyachō Kaomise Yoshibai no Zu, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print
    -
    Sakaichō Fukiyachō Kaomise Yoshibai no Zu, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print

    Sakaichō Fukiyachō Kaomise Yoshibai no Zu, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, H. 8 3/4 in. (22.2 cm); W. 14 3/4 in. (37.5 cm), Prints, Utagawa Toyoharu (Japanese, 1735–1814).、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

    商品コード: 2021060409119

  • Ichikawa Danjūrō VII (1791–1859) in the Role of Konoshita Tokichi from the Scene ‘Mountain Gate‘
    -
    Ichikawa Danjūrō VII (1791–1859) in the Role of Konoshita Tokichi from the Scene ‘Mountain Gate‘

    Ichikawa Danjūrō VII (1791–1859) in the Role of Konoshita Tokichi from the Scene ‘Mountain Gate‘ in the Play Yakko Yakko Edo Hanayari, Edo period (1615–1868), 1819, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 7 7/16 in. (20.8 x 18.9 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865), This print, one sheet of a triptych, depicts Ichikawa Danjūrō VII holding in one hand an umbrella and in the other a duck, shot with an arrow and clasping a letter in its mouth. Danjūrō wears a kimono with a design of gourds, an emblem of his family since the time when Danjūrō II was given a gourd formerly used by the famous haiku poet Matsuo Bashō to store rice.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

    商品コード: 2021060408538

  • The Red Spot is the largest known storm in the Solar System.
    -
    The Red Spot is the largest known storm in the Solar System.

    The Red Spot is the largest known storm in the Solar System. With a diameter of 15,400 miles, it is almost twice the size of the entire Earth and one-sixth the diameter of Jupiter itself.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019072404228

  • The Red Spot is the largest known storm in the Solar System.
    -
    The Red Spot is the largest known storm in the Solar System.

    The Red Spot is the largest known storm in the Solar System. With a diameter of 15,400 miles, it is almost twice the size of the entire Earth and one-sixth the diameter of Jupiter itself.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019072404246

  • The Red Spot is the largest known storm in the Solar System.
    -
    The Red Spot is the largest known storm in the Solar System.

    The Red Spot is the largest known storm in the Solar System. With a diameter of 15,400 miles, it is almost twice the size of the entire Earth and one-sixth the diameter of Jupiter itself.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019072404112

  • The Red Spot is the largest known storm in the Solar System.
    -
    The Red Spot is the largest known storm in the Solar System.

    The Red Spot is the largest known storm in the Solar System. With a diameter of 15,400 miles, it is almost twice the size of the entire Earth and one-sixth the diameter of Jupiter itself.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019072404107

  • Turkey. Istanbul. Basilica Cistern. 6th century. Erected during the reign of Justinian I. Medusa column base. Detail.
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    Turkey. Istanbul. Basilica Cistern. 6th century. Erected during the reign of Justinian I. Medusa column base. Detail.

    Turkey. Istanbul. Basilica Cistern. 6th century. Erected during the reign of Justinian I. Medusa column base. Detail.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020051600203

  • Turkey. Istanbul. Basilica Cistern. 6th century. Erected during the reign of Justinian I. Medusa column base. Detail.
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    Turkey. Istanbul. Basilica Cistern. 6th century. Erected during the reign of Justinian I. Medusa column base. Detail.

    Turkey. Istanbul. Basilica Cistern. 6th century. Erected during the reign of Justinian I. Medusa column base. Detail.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020051600204

  • ARTE PREHISTORICO-EDAD METALES.
    -
    ARTE PREHISTORICO-EDAD METALES.

    ARTE PREHISTORICO-EDAD METALES. EDAD DEL BRONCE. CONJUNTO MEGALITICO DE TORRE D‘EN GAUMES. Formado por tres macizos talaiots, rodeados de muros, bases de viviendas y salas hipóstilas más un recinto de taula. Detalle de las VIVIENDAS. CULTURA MEGALITICA. MENORCA. Islas Baleares. España.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020050105216

  • Italy. Pompeii. Roman city destroyed in 79 AD by the eruption of the Vesuvius volcano. Forum. The Basilica. 130-120 BC. La Campa
    -
    Italy. Pompeii. Roman city destroyed in 79 AD by the eruption of the Vesuvius volcano. Forum. The Basilica. 130-120 BC. La Campa

    Italy. Pompeii. Roman city destroyed in 79 AD by the eruption of the Vesuvius volcano. Forum. The Basilica. 130-120 BC. La Campania.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101705692

  • Ramesses II. Detail of his leg. New Kingdom. Temple of Luxor. Egypt.
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    Ramesses II. Detail of his leg. New Kingdom. Temple of Luxor. Egypt.

    Ramesses II. Detail of his leg. New Kingdom. Temple of Luxor. Egypt.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020051307080

  • Spain.
    -
    Spain.

    Spain. Catalonia. Barcelona. Basilica and Expiatory Church of the Holy Family. Designed by catalan architect Antonio Gaudi (1852-1926). Modernist style. The Nativity (facade to the East). Constructed between 1894-1930. Turtle at the base of column.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042805782

  • Kiichi hōgen to oumaya kisanta
    -
    Kiichi hōgen to oumaya kisanta

    Kiichi hōgen to oumaya kisanta, Kiichi Hōgen and Oumaya Kisanda., Ikeda, Eisen, 1790-1848, artist, 1829., 1 print : woodcut, color ; 20 x 17.4 cm., Print shows two poets.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020021705118

  • Odalisque in Grisaille.
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    Odalisque in Grisaille.

    Odalisque in Grisaille. Artist: Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris) and Workshop. Dimensions: 32 3/4 x 43 in. (83.2 x 109.2 cm). Date: ca. 1824-34.This painting is an unfinished repetition, reduced in size and much simplified, of the celebrated ＜i＞Grande Odalisque＜/i＞ of 1814 (Musée du Louvre, Paris), a work that was central to Ingres‘s conception of ideal beauty. Ingres cited it in a list of works he executed in Paris between 1824 and 1834, a period bracketed by lengthy sojourns in Italy. Paintings in shades of gray--＜i＞en grisaille＜/i＞--were often made to establish variations in tone as a guide to engravers of black and white reproductive prints. As this work has not been linked definitively to known reproductions of the ＜i＞Grande Odalisque＜/i＞, its intended purpose remains uncertain. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020031103090

  • RIO BAÏSE. CONDOM, FRANCIA.
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    RIO BAÏSE. CONDOM, FRANCIA.

    RIO BAÏSE. CONDOM, FRANCIA.、クレジット：Ａｌｂｕｍ／ＡＳＦ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020052602375

  • The inaugural procession at Washington passing the gate of the Capitol grounds
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    The inaugural procession at Washington passing the gate of the Capitol grounds

    The inaugural procession at Washington passing the gate of the Capitol grounds‘ President-elect Lincoln and President Buchanan (tipping his top hat) amidst cheering crowd before west gate at base of Capitol grounds, on their way to the Capitol for Lincoln‘s first inauguration.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020041602081

  • Abraham Dismissing Hagar and Ishmael, 1653, Oil on canvas, 34 1/2 x 27 1/2 in. (87.6 x 69.9 cm), Paintings,
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    Abraham Dismissing Hagar and Ishmael, 1653, Oil on canvas, 34 1/2 x 27 1/2 in. (87.6 x 69.9 cm), Paintings,

    Abraham Dismissing Hagar and Ishmael, 1653, Oil on canvas, 34 1/2 x 27 1/2 in. (87.6 x 69.9 cm), Paintings, Nicolaes Maes (Dutch, Dordrecht 1634–1693 Amsterdam), This painting is the earliest known dated work by Maes, who was Rembrandt‘s pupil between about 1650 and 1652. The composition was inspired by the master‘s etching of 1637, which Maes surpassed at least in the expressions of Abraham‘s concubine, Hagar, and the couple‘s son, Ishmael.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021020600118

  • 153-33537
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    153-33537

    Turkey. Didyma. Temple of Apollo. It was built in the 6th century BC and destroyed by the Persians to punish the Milletans for their rebellion. In 334 BC Alexander the Great liberated the cities of Ionia and ordered the enlargement of the temple. Architectural detail of the thirteen stairs that led to the pronaos. Hellenic period. Anatolia.、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

    商品コード: 2021021006852

  • Pillars in the Recessed Portico in the Roya Gopuram with the Base of One of the Four Sculptured Monoliths
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    Pillars in the Recessed Portico in the Roya Gopuram with the Base of One of the Four Sculptured Monoliths

    Pillars in the Recessed Portico in the Roya Gopuram with the Base of One of the Four Sculptured Monoliths, Madura, January–March 1858, Albumen silver print from waxed paper negative, Image: 35.8 x 30.2 cm (14 1/8 x 11 7/8 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport), Tripe was a career military officer in India and Government Photographer to the Madras Presidency in the late 1850s. In early 1858 he made an ambitious and difficult tour of India‘s southern districts in order to create for the government a record of the region‘s antiquities, scenes of historic importance, and natural phenomena.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

    商品コード: 2021030813993

  • PILATE WASHING HIS HANDS.
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    PILATE WASHING HIS HANDS.

    Pilate Washing His Hands. Artist: Style of Rembrandt (Dutch, 17th century). Dimensions: 51 1/4 x 65 3/4 in. (130.2 x 167 cm). Date: probably 1660s.Critical opinions of this picture have varied considerably since about 1905, when Wilhelm von Bode described it as “a somewhat abnormal work“ by Rembrandt. However, most scholars since the 1940s have dated the painting to the 1660s and assigned it to an anonymous pupil. The composition is reminiscent of mature works by Rembrandt but the Rembrandtesque surface effects fail to convey anything like the master‘s command of illumination and modelling. The name of his only known pupil of the 1660s, Arent de Gelder, has been put forward speculatively. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020062905532

  • BASA DECORADA-HISPANOMUSULMAN.
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    BASA DECORADA-HISPANOMUSULMAN.

    BASA DECORADA-HISPANOMUSULMAN. Location: ARCHAEOLOGICAL MUSEUM. Almería. SPAIN.、クレジット：Ａｌｂｕｍ／Ｏｒｏｎｏｚ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020101002117

  • Giant Panda (Ailuropoda melanoleuca) adult
    -
    Giant Panda (Ailuropoda melanoleuca) adult

    Giant Panda (Ailuropoda melanoleuca) adult, portrait, feeding on bamboo, Chengdu Research Base of Giant Panda Breeding, Chengdu, Sichuan Province, China, Asia、クレジット：ｉｍａｇｅＢＲＯＫＥＲ．ｃｏｍ／ＦＬＰＡ／Ｂｉｌｌ　Ｃｏｓｔｅｒ／共同通信イメージズ

    商品コード: 2020092601880

  • The Stockholm shipward in april 1627, the largest naval base and shipyard in Sweden. Model. Vasa Museum. Stockholm. Sweden.
    -
    The Stockholm shipward in april 1627, the largest naval base and shipyard in Sweden. Model. Vasa Museum. Stockholm. Sweden.

    The Stockholm shipward in april 1627, the largest naval base and shipyard in Sweden. Model. Vasa Museum. Stockholm. Sweden.、クレジット：Ａｌｂｕｍ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2019101504166

  • ARTE ROMANO.
    -
    ARTE ROMANO.

    ARTE ROMANO. ESPAÑA. TEMPLO ROMANO. Erigido en el s. II. Está asentado sobre un podio elevado con un pórtico de columnas lisas de base jónica y capiteles coríntios que anteceden a la “naos“ o celda. Es de tipo pseudoperíptero, donde las columnas sólo rodean la parte anterior de la celda. VIC. Comarca de Osona. Provincia de Barcelona. Cataluña.、クレジット：Ａｌｂｕｍ／Ａｌｂｅｒｔ　Ｈｅｒａｓ／Ｐｒｉｓｍａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020042704959

  • Battle scene from the series ‘The Forty-seven Faithful Samurai‘.
    -
    Battle scene from the series ‘The Forty-seven Faithful Samurai‘.

    Battle scene from the series ‘The Forty-seven Faithful Samurai‘. Coloured woodblock print, late 1840‘s. Utagawa Yoshitora (active 1850-1880) Japanese artist and printmaker..、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020020300997

  • Robert Rich (1587-1658), Second Earl of Warwick.
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    Robert Rich (1587-1658), Second Earl of Warwick.

    Robert Rich (1587-1658), Second Earl of Warwick. Artist: Anthony van Dyck (Flemish, Antwerp 1599-1641 London). Dimensions: 81 7/8 x 50 3/8 in. (208 x 128 cm), with added strip of 2 1/8 in. (5.4 cm) at top. Date: ca. 1632-35.A Puritan sailor of fortune, the first earl of Warwick set up companies in Virginia and the Caribbean, helped colonize Connecticut, Massachusetts, and Rhode Island, and seized Spanish ships on behalf of the Duke of Savoy and Charles I. The latter‘s policies made Warwick side with Parliament as commander of the navy (from 1642). Despite allusions to his maritime adventures in the armor and ships, Warwick wears the everyday dress of an aristocrat and the witty smile for which he was known. Museum: Metropolitan Museum of Art, New York, USA.、クレジット：Ａｌｂｕｍ／Ｍｅｔｒｏｐｏｌｉｔａｎ　Ｍｕｓｅｕｍ　ｏｆ　Ａｒｔ，ＮＹ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2020032601708

  • Giant Panda (Ailuropoda melanoleuca) adult
    -
    Giant Panda (Ailuropoda melanoleuca) adult

    Giant Panda (Ailuropoda melanoleuca) adult, walking in shallow water, Bifengxia Panda Base, Ya‘an, Sichuan Province, China, Asia、クレジット：ｉｍａｇｅＢＲＯＫＥＲ．ｃｏｍ／ＦＬＰＡ／Ｂｉｌｌ　Ｃｏｓｔｅｒ／共同通信イメージズ

    商品コード: 2020092601730

  • Giant Panda (Ailuropoda melanoleuca) adult
    -
    Giant Panda (Ailuropoda melanoleuca) adult

    Giant Panda (Ailuropoda melanoleuca) adult, cportrait, feeding on bamboo, Bifengxia Panda Base, Ya‘an, Sichuan Province, China, Asia、クレジット：ｉｍａｇｅＢＲＯＫＥＲ．ｃｏｍ／ＦＬＰＡ／Ｂｉｌｌ　Ｃｏｓｔｅｒ／共同通信イメージズ

    商品コード: 2020092601894

  • 処刑された壮吉
    -
    処刑された壮吉

    磔の刑を受けた壮吉という若者。場所は不明だが東信だとすると、小諸城下の町はずれあたりかと思われる。何か重罪を犯して公開処刑されたが、近代的司法制度が整備される以前の明治３年頃あたりのことであった。＝１８６７（慶応３）年、長野、撮影者：不明、クレジット：長崎大学附属図書館所蔵／共同通信イメージズ　※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。

    商品コード: 2018040900566

  • The Raid on the Medway
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    The Raid on the Medway

    The Raid on the Medway, sometimes called the Battle of the Medway, Raid on Chatham or the Battle of Chatham, was a successful Dutch attack on the largest English naval ships, laid up in the dockyards of their main naval base Chatham, that took place in June 1667 during the Second Anglo-Dutch War. The Dutch, under nominal command of Lieutenant-Admiral Michiel de Ruyter, bombarded and then captured the town of Sheerness, sailed up the River Thames to Gravesend, then up the River Medway to Chatham、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019020605963

  • The Raid on the Medway
    -
    The Raid on the Medway

    The Raid on the Medway, sometimes called the Battle of the Medway, Raid on Chatham or the Battle of Chatham, was a successful Dutch attack on the largest English naval ships, laid up in the dockyards of their main naval base Chatham, that took place in June 1667 during the Second Anglo-Dutch War. The Dutch, under nominal command of Lieutenant-Admiral Michiel de Ruyter, bombarded and then captured the town of Sheerness, sailed up the River Thames to Gravesend, then up the River Medway to Chatham、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019020606011

  • VANDENBERG AIR FORCE BASE
    -
    VANDENBERG AIR FORCE BASE

    VANDENBERG AIR FORCE BASE, Calif. -- An LGM-30 Minuteman III missile soars in the air after a test launch. The Minuteman is a strategic weapon system using a ballistic missile of intercontinental range.、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ

    商品コード: 2019020614318

  • A Young Woman at Her Toilet with a Maid, ca.
    -
    A Young Woman at Her Toilet with a Maid, ca.

    A Young Woman at Her Toilet with a Maid, ca. 1650–51, Oil on wood, 18 3/4 x 13 5/8 in. (47.6 x 34.6 cm), Paintings, Gerard ter Borch the Younger (Dutch, Zwolle 1617–1681 Deventer), This small panel is the earliest known picture by Ter Borch to set full-length figures in a domestic interior. His sister Gesina served as a model for the young lady of the house, whose self-absorption contrasts with the alertness of the maid.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020103001472

  • 大阪ホテル
    -
    大阪ホテル

    大阪ホテル（旧自由亭ホテル）の、おそらくは正面玄関だと思われる。草野丈吉は、大阪に引き続いて、京都・祇園八坂神社近くにも自由亭ホテルを開業した。整理番号２３－３の写真を参照。＝撮影年月日不明、大阪、撮影者：不明、クレジット：長崎大学附属図書館所蔵／共同通信イメージズ　※この説明文は、画像の委託時につけられた情報です。研究の進展により記載の情報が変わる可能性があります。　［整理番号４６‐７３‐０］

    商品コード: 2017080902768

  • Soga no taimen
    -
    Soga no taimen

    Soga no taimen, Scene from a Soga play., Utagawa, Kuniyoshi, 1798-1861, artist, [between 1848 and 1854], 1 print (3 sheets) : woodcut, color ; 36.1 x 25.3 cm (left panel), 36 x 24.7 cm (center panel), 36.1 x 23.8 cm (right panel), Print shows actors portraying the official Kudō Suketsune, a warrior, the two Soga brothers, and a woman in a Soga kabuki play.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020021704936

  • Yashima dannoura kassen
    -
    Yashima dannoura kassen

    Yashima dannoura kassen, Battle at Yashima Dannoura., Utagawa, Yoshitora, active 1850-1870, artist, 1855., 1 print (3 sheets) : woodcut, color ; 34 x 23.3 cm (left panel), 33.7 x 23.6 cm (center panel), 33.9 x 23.7 cm (right panel), Print shows Yoshitsune and a small group of Minamato troops in a surprise assault on the Taira forces at Yashima, causing them to retreat to their naval forces waiting offshore.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020021705196

  • Aoto fujitsuna
    -
    Aoto fujitsuna

    Aoto fujitsuna, The Kamakura period warrior Aoto Fujitsuna., Utagawa, Kuniyoshi, 1798-1861, artist, [between 1845 and 1854], 1 print (3 sheets) : woodcut, color., Print shows Aoto Fujitsuna sitting on a raised platform with two attendants, and several men and women sitting in the foreground.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2020021705042

  • Painting of William Shakespeare (1564-1616) English poet
    -
    Painting of William Shakespeare (1564-1616) English poet

    Painting of William Shakespeare (1564-1616) English poet, playwright and actor, as he watches boys and girls playing prisoner‘s base near Temple Bar, London. Dated 16th century、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問い合わせください。

    商品コード: 2020012720875

  • Engraving depicts Prussian soldiers at a Prussian outpost.
    -
    Engraving depicts Prussian soldiers at a Prussian outpost.

    Engraving depicts Prussian soldiers at a Prussian outpost. Dated 1870、クレジット：Ｗｏｒｌｄ　Ｈｉｓｔｏｒｙ　Ａｒｃｈｉｖｅ／ニューズコム／共同通信イメージズ　※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2019022106949

  • Aprion virescens, Print, The green jobfish, Aprion virescens,
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    Aprion virescens, Print, The green jobfish, Aprion virescens,

    Aprion virescens, Print, The green jobfish, Aprion virescens, is a species of snapper native to the Indian and Pacific Oceans from the African coast to the Hawaiian Islands. This species inhabits various reef environments at depths from near the surface to 180 ft (55 m). This species grows to a length of 112 cm (44 in), though most do not exceed 90 cm (35 in). The greatest reported weight for this species is 15.4 kg (34 lb). It is a very important species for local commercial fisheries and is popular as a game fish, though it has been reported to cause ciguatera poisoning. It can also be found in the aquarium trade. This species is the only known member of its genus., 1828-1849.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022090413966

  • Eclectus polychlorus, Print, The parrot genus Eclectus consists of two known species,
    -
    Eclectus polychlorus, Print, The parrot genus Eclectus consists of two known species,

    Eclectus polychlorus, Print, The parrot genus Eclectus consists of two known species, the extant eclectus parrot (Eclectus rotarus) and the extinct oceanic eclectus parrot (Eclectus infectus)., 1700-1880.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022090413550

  • THE CRIMEAN WAR: BRITISH OUTPOSTS, NEAR SEBASTOPOL, 1854.
    -
    THE CRIMEAN WAR: BRITISH OUTPOSTS, NEAR SEBASTOPOL, 1854.

    THE CRIMEAN WAR: BRITISH OUTPOSTS, NEAR SEBASTOPOL, 1854.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022082212221

  • THE CIVIL WAR IN SPAIN: “THE REPUBLICANS ARE COMING !“ A SKETCH AT A CARLIST OUTPOST NEAR ESTELLA.
    -
    THE CIVIL WAR IN SPAIN: “THE REPUBLICANS ARE COMING !“ A SKETCH AT A CARLIST OUTPOST NEAR ESTELLA.

    THE CIVIL WAR IN SPAIN: “THE REPUBLICANS ARE COMING !“ A SKETCH AT A CARLIST OUTPOST NEAR ESTELLA.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022082212397

  • Rua Xiaoqi (Katsuenra Genshoshichi), from the series One Hundred and Eight Heroes of the Popular Water Margin
    -
    Rua Xiaoqi (Katsuenra Genshoshichi), from the series One Hundred and Eight Heroes of the Popular Water Margin

    Rua Xiaoqi (Katsuenra Genshoshichi), from the series One Hundred and Eight Heroes of the Popular Water Margin (Tsuzoku Suikoden goketsu hyakuhachinin no hitori), c. 1827/30, Utagawa Kuniyoshi, Japanese, 1797-1861, Japan, Color woodblock print, oban, 38.6 x 26.7 cm (15 3/16 x 10 1/2 in.).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022090514013

  • Receiving ship Wabash, Charlestown Navy Yard, Wabash (Ship), Government vessels, American, Naval yards ＆ naval stations,
    -
    Receiving ship Wabash, Charlestown Navy Yard, Wabash (Ship), Government vessels, American, Naval yards ＆ naval stations,

    Receiving ship Wabash, Charlestown Navy Yard, Wabash (Ship), Government vessels, American, Naval yards ＆ naval stations, United States, Massachusetts, Charlestown Navy Yard, United States, Massachusetts, Boston, 1900.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022091006019

  • Diomedea exulans, Print, The wandering albatross, snowy albatross,
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    Diomedea exulans, Print, The wandering albatross, snowy albatross,

    Diomedea exulans, Print, The wandering albatross, snowy albatross, white-winged albatross or goonie (Diomedea exulans) is a large seabird from the family Diomedeidae, which has a circumpolar range in the Southern Ocean. It was the last species of albatross to be described, and was long considered the same species as the Tristan albatross and the Antipodean albatross. A few authors still consider them all subspecies of the same species. The SACC has a proposal on the table to split this species, and BirdLife International has already split it. Together with the Amsterdam albatross, it forms the wandering albatross species complex. The wandering albatross is one of the two largest members of the genus Diomedea (the great albatrosses), being similar in size to the southern royal albatross. It is one of the largest birds in the world and has the greatest known wingspan of any living bird, an、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022091009268

  • Tetrao urogallus, Print, The western capercaillie (Tetrao urogallus), also known as the wood grouse, heather cock,
    -
    Tetrao urogallus, Print, The western capercaillie (Tetrao urogallus), also known as the wood grouse, heather cock,

    Tetrao urogallus, Print, The western capercaillie (Tetrao urogallus), also known as the wood grouse, heather cock, or just capercaillie, is the largest member of the grouse family. The largest known specimen, recorded in captivity, had a weight of 7.2 kg (16 lb). The species shows extreme sexual dimorphism, with the male twice the size of the female. Found across Eurasia, this ground-living forest bird is renowned for its mating display. The worldwide population is in the category “least concern“ of the IUCN, but the populations of Central Europe are declining and endangered or already extinct., 1809-1845.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022091009763

  • Haematopinus, Print, Haematopinus is a genus of insects in the suborder Anoplura, the sucking lice.
    -
    Haematopinus, Print, Haematopinus is a genus of insects in the suborder Anoplura, the sucking lice.

    Haematopinus, Print, Haematopinus is a genus of insects in the suborder Anoplura, the sucking lice. It is the only genus in the family Haematopinidae, known commonly as the ungulate lice. All known species are of importance in veterinary medicine. These lice are some of the worst ectoparasites of domestic animals. Species infest many domesticated and wild large mammals, including cattle, horses, donkeys, swine, water buffalo, African buffalo, antelope, zebra, deer, and camels.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022091009869

  • Woman Digging Clams; from the series Five Pictures of Low Tide, late 1820s.
    -
    Woman Digging Clams; from the series Five Pictures of Low Tide, late 1820s.

    Woman Digging Clams; from the series Five Pictures of Low Tide, late 1820s. Utagawa Kuniyoshi (Japanese, 1797-1861). Color woodblock print; sheet: 21.2 x 18.4 cm (8 3/8 x 7 1/4 in.).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022062704036

  • Spring Rain Collection (Harusame shu),
    -
    Spring Rain Collection (Harusame shu),

    ??? ????? ???, Spring Rain Collection (Harusame shu), vol. 1: Duck and Scallions, Edo period (16151868), 1810s, Japan, Privately published woodblock prints (surimono) mounted in an album; ink and color on paper, 5 5/8 x 7 9/16 in. (14.3 x 19.2 cm), Prints, Ryuryukyo Shinsai (Japanese, active ca. 17991823), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Years greeting card. The poems, most commonly kyoka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022061903652

  • Apocryptes bato, Print, Apocryptes bato is a species of mudskipper native to India,
    -
    Apocryptes bato, Print, Apocryptes bato is a species of mudskipper native to India,

    Apocryptes bato, Print, Apocryptes bato is a species of mudskipper native to India, Bangladesh and Myanmar where it can be found in tropical rivers, estuaries and coastal waters of the Indian Ocean. This species can reach a length of 26 centimetres (10 in) TL. It is of minor importance to local commercial fisheries. It is currently the only known member of its genus., 1700-1880.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022083005597

  • Joan Permanyer Ayats (1848-1919), político y jurista catalán; ponente de las Bases de Manresa. Grabado de 1891.
    -
    Joan Permanyer Ayats (1848-1919), político y jurista catalán; ponente de las Bases de Manresa. Grabado de 1891.

    Joan Permanyer Ayats (1848-1919), político y jurista catalán; ponente de las Bases de Manresa. Grabado de 1891.、クレジット：Ａｌｂｕｍ／Ｄｏｃｕｍｅｎｔａ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021092109337

  • Spring Rain Collection (Harusame shū), vol. 1:
    -
    Spring Rain Collection (Harusame shū), vol. 1:

    Spring Rain Collection (Harusame shū), vol. 1: “Books from Kanazawa Library” (Kanazawa Bunko) and “Foreign Cat of Shōmyōji Temple” (Shōmyōji no kara neko), from the series History of Kamakura (Kamakura shi), Edo period (1615–1868), early to mid-1810s, Japan, Privately published woodblock prints (surimono) mounted in an album; ink and color on paper, 7 11/16 x 7 3/16 in. (19.5 x 18.3 cm), Prints, Kubo Shunman (Japanese, 1757–1820), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

    商品コード: 2021082009262

  • Beans for Tossing During Setsubun Exorcism Ceremony, from the series Ise Calendars for the Asakusa Group
    -
    Beans for Tossing During Setsubun Exorcism Ceremony, from the series Ise Calendars for the Asakusa Group

    ☆Beans for Tossing During Setsubun Exorcism Ceremony, from the series Ise Calendars for the Asakusa Group (Asakusa-gawa Ise goyomi), 『浅草側いせ暦』　節分の悪霊ばらい, Edo period (1615–1868), 1810s, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 7 3/8 in. (21.1 x 18.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820) (?), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

    商品コード: 2021082009180

  • 『春雨集』　摺物帖, Edo period (1615–1868), early to mid-1810s, Japan, Privately published woodblock prints (surimono)
    -
    『春雨集』　摺物帖, Edo period (1615–1868), early to mid-1810s, Japan, Privately published woodblock prints (surimono)

    『春雨集』　摺物帖, Edo period (1615–1868), early to mid-1810s, Japan, Privately published woodblock prints (surimono) mounted in an album; ink and color on paper, 7 7/8 x 7 1/8 in. (20 x 18.1 cm), Prints, Kubo Shunman (Japanese, 1757–1820), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

    商品コード: 2021082009226

  • WITH THE INDIAN CONTINGENT IN EGYPT: AN OUTPOST.
    -
    WITH THE INDIAN CONTINGENT IN EGYPT: AN OUTPOST.

    WITH THE INDIAN CONTINGENT IN EGYPT: AN OUTPOST.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021091413599

  • Daikoku and Shoki Playing Chess, Edo period (1615–1868), ca. 1730, Japan,
    -
    Daikoku and Shoki Playing Chess, Edo period (1615–1868), ca. 1730, Japan,

    Daikoku and Shoki Playing Chess, Edo period (1615–1868), ca. 1730, Japan, Monochrome woodblock print; ink and color on paper, 9 x 12 in. (22.9 x 30.5 cm), Prints, Okumura Toshinobu (active ca. 1725–1750), Witty portrayals of the various Chinese-inspired gods of good fortune and other folk deities, like Shoki the Demon Queller, were a part of the irreverence for the demi-monde and its prints.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

    商品コード: 2021091310387

  • 『浅草側いせ暦』　弓道具, Edo period (1615–1868), ca. 1814, Japan, Polychrome woodblock print (surimono); ink and color on paper,
    -
    『浅草側いせ暦』　弓道具, Edo period (1615–1868), ca. 1814, Japan, Polychrome woodblock print (surimono); ink and color on paper,

    『浅草側いせ暦』　弓道具, Edo period (1615–1868), ca. 1814, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 5/16 in. (21 x 18.6 cm), Prints, Kubo Shunman (Japanese, 1757–1820) (?), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

    商品コード: 2021091310590

  • 高根山与一右ェ門　千田川吉五郎, The Sumo Wrestlers Takaneyama Yoichiemon and Sendagawa Kichigorō, Edo period (1615–1868), ca. 1790–93,
    -
    高根山与一右ェ門　千田川吉五郎, The Sumo Wrestlers Takaneyama Yoichiemon and Sendagawa Kichigorō, Edo period (1615–1868), ca. 1790–93,

    高根山与一右ェ門　千田川吉五郎, The Sumo Wrestlers Takaneyama Yoichiemon and Sendagawa Kichigorō, Edo period (1615–1868), ca. 1790–93, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/3 ( 30.6 cm; W. 5 3/32 in. (12.9 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)), Hokusai occasionally treated the sumo world in his prints. He returned to the subject briefly in the early 1790s after a decade-long absence. Here, the sumo wrestlers Wadagahara Jinshirō on the right and Kachōzan Gorōkichi on the left are locked together during a fight.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081009877

  • 印籠と牛根付, Edo period (1615–1868), probably 1817, Japan, Part of an album of woodblock prints (surimono);
    -
    印籠と牛根付, Edo period (1615–1868), probably 1817, Japan, Part of an album of woodblock prints (surimono);

    印籠と牛根付, Edo period (1615–1868), probably 1817, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 1/4 x 7 3/8 in. (13.3 x 18.7 cm), Prints, Totoya Hokkei (Japanese, 1780–1850), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081009517

  • 官女ステーション着車図, Illustration of Ladies-in-waiting boarding at a station (Kanjo sutēshon chakusha zu), Meiji period
    -
    官女ステーション着車図, Illustration of Ladies-in-waiting boarding at a station (Kanjo sutēshon chakusha zu), Meiji period

    官女ステーション着車図, Illustration of Ladies-in-waiting boarding at a station (Kanjo sutēshon chakusha zu), Meiji period (1868–1912), 1879, Japan, Polychrome woodblock print; ink and color on paper, 13 5/8 x 27 3/4 in. (34.6 x 70.5 cm), Prints, Tsukioka Yoshitoshi (Japanese, 1839–1892).、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081010261

  • 『鳥合』　桃花に目白, Japanese White-eyes on a Branch of Peach Tree,” from the Series An Array of Birds (Tori awase),
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    『鳥合』　桃花に目白, Japanese White-eyes on a Branch of Peach Tree,” from the Series An Array of Birds (Tori awase),

    『鳥合』　桃花に目白, Japanese White-eyes on a Branch of Peach Tree,” from the Series An Array of Birds (Tori awase), from Spring Rain Surimono Album (Harusame surimono-jō, vol. 3), Edo period (1615–1868), ca. 1805–10, Japan, Privately published polychrome woodblock prints (surimono) mounted in an album; ink and color on paper, 8 3/16 x 5 3/8 in. (20.8 x 13.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820), Surimono are privately published woodblock prints, usually commissioned by poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081010198

  • 和田原甚四郎　花項山五郎吉, The Sumo Wrestlers Wadagahara Jinshirō and Kachōzan Gorokichi, Edo period (1615–1868), ca. 1783, Japan,
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    和田原甚四郎　花項山五郎吉, The Sumo Wrestlers Wadagahara Jinshirō and Kachōzan Gorokichi, Edo period (1615–1868), ca. 1783, Japan,

    和田原甚四郎　花項山五郎吉, The Sumo Wrestlers Wadagahara Jinshirō and Kachōzan Gorokichi, Edo period (1615–1868), ca. 1783, Japan, Polychrome woodblock print; ink and color on paper, 12 1/32 x 5 3/32 in. (30.6 x 12.9 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)).、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ※エディトリアル使用のみ。広告、プロモーション、商業目的での利用に関してはお問合せください。

    商品コード: 2021081010700

  • 当世恋歌八契　お七と吉三郎, The Lovers Oshichi and Kichisaburo, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print;
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    当世恋歌八契　お七と吉三郎, The Lovers Oshichi and Kichisaburo, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print;

    当世恋歌八契　お七と吉三郎, The Lovers Oshichi and Kichisaburo, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/4 in. (38.7 cm); W. 9 3/4 in. (24.8 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), The lurid story of this ill-fated pair was made into a popular Kabuki drama. Oshichi, the daughter of a greengrocer, fell in love with Kichisaburo when she was evacuated to a temple where he was a boy servant during the great 1683 fire in Edo.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

    商品コード: 2021071700449

  • Desk Screen, Writing Set, Painting of Tiger, and Mounting Paraphernalia,
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    Desk Screen, Writing Set, Painting of Tiger, and Mounting Paraphernalia,

    Desk Screen, Writing Set, Painting of Tiger, and Mounting Paraphernalia, from Spring Rain Surimono Album (Harusame surimono-jō, vol. 1), 衝立、虎図、文具一式, Edo period (1615–1868), probably 1818, Japan, Privately published polychrome woodblock prints (surimono) mounted in an album; ink and color on paper, 5 1/2 x 7 3/8 in. (14 x 18.7 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823), Surimono are privately published woodblock prints, usually commissioned by poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

    商品コード: 2021071700509

  • 名取酒六家選　兵庫屋華妻　坂上の剣菱, ‘Hanazuma of Hyōgoya, Kenbishi of Sakagami”
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    名取酒六家選　兵庫屋華妻　坂上の剣菱, ‘Hanazuma of Hyōgoya, Kenbishi of Sakagami”

    名取酒六家選　兵庫屋華妻　坂上の剣菱, ‘Hanazuma of Hyōgoya, Kenbishi of Sakagami” from the series The Peers of Saké Likened to Select Denizens of Six Houses (Natori zake rokkasen: Hyōgoya Hanazuma, Sakagami no Kenbishi), Edo period (1615–1868), ca. 1794, Japan, Polychrome woodblock print; ink and color on paper, H. 14 3/4 in. (37.5 cm); W. 9 1/2 in. (24.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), This print combines a portrait of a beautiful courtesan with an advertisement for sake to create a witty and iconic image about pleasure. The sake cup, seen on its side at the upper right, bears the name of the series.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

    商品コード: 2021071700484

  • 『和歌三神』衣通姫, Edo period (1615–1868), ca. 1820s, Japan, Polychrome woodblock print (surimono); ink and color on paper,
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    『和歌三神』衣通姫, Edo period (1615–1868), ca. 1820s, Japan, Polychrome woodblock print (surimono); ink and color on paper,

    『和歌三神』衣通姫, Edo period (1615–1868), ca. 1820s, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 5 3/8 in. (20.3 x 13.7 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

    商品コード: 2021071700606

  • 文具一式, Writing Set and Poem Card Box (Shikishi-bako), from Spring Rain Surimono Album (Harusame surimono-jō), vol. 1,
    -
    文具一式, Writing Set and Poem Card Box (Shikishi-bako), from Spring Rain Surimono Album (Harusame surimono-jō), vol. 1,

    文具一式, Writing Set and Poem Card Box (Shikishi-bako), from Spring Rain Surimono Album (Harusame surimono-jō), vol. 1, Edo period (1615–1868), ca. 1805–10, Japan, Privately published polychrome woodblock prints (surimono) mounted in an album; ink and color on paper, 4 15/16 x 6 13/16 in. (12.5 x 17.3 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823), Surimono are privately published woodblock prints, usually commissioned by poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

    商品コード: 2021071700610

  • 「一陽連文房四友　筆　道風」, Edo period (1615–1868), ca. 1827, Japan, Polychrome woodblock print (surimono); ink and color on paper,
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    「一陽連文房四友　筆　道風」, Edo period (1615–1868), ca. 1827, Japan, Polychrome woodblock print (surimono); ink and color on paper,

    ☆「一陽連文房四友　筆　道風」, Edo period (1615–1868), ca. 1827, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 7 1/16 in. (20.3 x 17.9 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups s a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット：Ｓｅｐｉａ　Ｔｉｍｅｓ／Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

    商品コード: 2021071700570

  • Enthroned Virgin and Child, c. 1250. Mosan, Valley of the Meuse, Gothic period, 13th century.
    -
    Enthroned Virgin and Child, c. 1250. Mosan, Valley of the Meuse, Gothic period, 13th century.

    Enthroned Virgin and Child, c. 1250. Mosan, Valley of the Meuse, Gothic period, 13th century. Ivory; with base: 15.9 cm (6 1/4 in.); without base: 13.4 x 9.6 x 6.7 cm (5 1/4 x 3 3/4 x 2 5/8 in.).、クレジット：Ｕｎｉｖｅｒｓａｌ　Ｉｍａｇｅｓ　Ｇｒｏｕｐ／共同通信イメージズ

    商品コード: 2022010507349

  • Philip Dormer Stanhope, Fourth Earl of Chesterfield (1694-1773)
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    Philip Dormer Stanhope, Fourth Earl of Chesterfield (1694-1773)

    Philip Dormer Stanhope, Fourth Earl of Chesterfield (1694-1773) Chiseled on front of base: “[IL AJ] Y PENSE [HONL OIT] | A DEO ET REGE“, Louis François Roubiliac, 1702-1762, French.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022010708836

  • ????? ???, Edo period (16151868), 1810s, Japan, Privately published woodblock prints (surimono) mounted in an album;
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    ????? ???, Edo period (16151868), 1810s, Japan, Privately published woodblock prints (surimono) mounted in an album;

    ????? ???, Edo period (16151868), 1810s, Japan, Privately published woodblock prints (surimono) mounted in an album; ink and color on paper, 5 1/2 x 7 1/4 in. (14 x 18.4 cm), Prints, Ryuryukyo Shinsai (Japanese, active ca. 17991823), Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Years greeting card. The poems, most commonly kyoka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022042310026

  • Ichikawa Danjuro VII as Konoshita Tokichi, Nakamura Daikichi as His Wife,
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    Ichikawa Danjuro VII as Konoshita Tokichi, Nakamura Daikichi as His Wife,

    Ichikawa Danjuro VII as Konoshita Tokichi, Nakamura Daikichi as His Wife, and Iwai Hanshiro V as Masago in the Play Yakko Yakko Edo no Hanayari, Edo period (16151868), ca. 1819, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 7 1/4 in. (20.8 x 18.4 cm), Prints, Utagawa Kunisada (Japanese, 17861865).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022050400673

  • Pillars in the Recessed Portico in the Roya Gopuram with the Base of One of the Four Sculptured Monoliths, Madura,
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    Pillars in the Recessed Portico in the Roya Gopuram with the Base of One of the Four Sculptured Monoliths, Madura,

    Pillars in the Recessed Portico in the Roya Gopuram with the Base of One of the Four Sculptured Monoliths, Madura, JanuaryMarch 1858, Albumen silver print from waxed paper negative, Image: 35.8 x 30.2 cm (14 1/8 x 11 7/8 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 18221902 Devonport), Tripe was a career military officer in India and Government Photographer to the Madras Presidency in the late 1850s. In early 1858 he made an ambitious and difficult tour of India‘s southern districts in order to create for the government a record of the region‘s antiquities, scenes of historic importance, and natural phenomena.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022050400238

  • ?????? ??????, The Sumo Wrestlers Wadagahara Jinshiro and Kachozan Gorokichi, Edo period (16151868),
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    ?????? ??????, The Sumo Wrestlers Wadagahara Jinshiro and Kachozan Gorokichi, Edo period (16151868),

    ?????? ??????, The Sumo Wrestlers Wadagahara Jinshiro and Kachozan Gorokichi, Edo period (16151868), ca. 1783, Japan, Polychrome woodblock print; ink and color on paper, 12 1/32 x 5 3/32 in. (30.6 x 12.9 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 17601849 Tokyo (Edo)).、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2022050400039

  • Kadoide yoshi, Leaving on a trip.
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    Kadoide yoshi, Leaving on a trip.

    Kadoide yoshi, Leaving on a trip., Totoya, Hokkei, 1780-1850, artist, [between 1825 and 1835], 1 print : woodcut, color ; 19.9 x 17.1 cm., Print shows a woman walking past a pine tree at the beginning of a journey.、クレジット：Ａｌｂｕｍ／ｑｕｉｎｔｌｏｘ／共同通信イメージズ　※エディトリアル使用のみ。表紙、広告、プロモーション、商業目的での利用はお問合せください。クレジットは必ず表記してください。

    商品コード: 2021113002296

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